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History Creator / JorgeLuisBorges

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Borges became blind due to an inherited disease in his middle age and blindness is a recurring {{Motif|s}} in his later works. Other common motifs are labyrinths, mirrors, libraries, tigers, and daggers. The blind monk Jorge de Burgos in Creator/UmbertoEco's ''Literature/TheNameOfTheRose'' is one allusion to Borges. The blind librarian in ''[[BookOfTheNewSun The Shadow of the Torturer]]'' by Creator/GeneWolfe may be another.

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Borges became blind due to an inherited disease in his middle age and blindness is a recurring {{Motif|s}} in his later works. Other common motifs are labyrinths, mirrors, libraries, tigers, and daggers. The blind monk Jorge de Burgos in Creator/UmbertoEco's ''Literature/TheNameOfTheRose'' is one allusion to Borges. The blind librarian in ''[[BookOfTheNewSun ''[[Literature/BookOfTheNewSun The Shadow of the Torturer]]'' by Creator/GeneWolfe may be another.
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** Later, Borges wrote that one of the characters of this tale, Teodelina Villar, was a deconstruction of this trope: Who could be fascinating to anyone in RealLife? A ShallowLoveInterest, someone who nobody (not even the guy who is in love with her) can define ''why'' is he in love: Teodelina was a RichInDollarsPoorInSense RichBitch when she was young, and then she was a FallenPrincess. Even when Borges describes her as pretty stupid, he claims to love her, even when he cannot justify why, except because Borges admit he is a snob.

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** Later, Borges wrote that one of the characters of this tale, Teodelina Villar, was a deconstruction of this trope: Who could be fascinating to anyone in RealLife? A ShallowLoveInterest, SatelliteLoveInterest, someone who nobody (not even the guy who is in love with her) can define ''why'' is he in love: Teodelina was a RichInDollarsPoorInSense RichBitch when she was young, and then she was a FallenPrincess. Even when Borges describes her as pretty stupid, he claims to love her, even when he cannot justify why, except because Borges admit he is a snob.
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* ''"Half-Way House" by Ellery Queen'': A simple critique of the rules of MysteryLiterature and how that genre is different from the [[{{Adventure}} Adventure Novel]] or the SpyFiction. Also explains why Ellery Queen works could be considered as GrowingTheBeard on the genre. You can find the quote at the ElleryQueen page.

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* ''"Half-Way House" by Ellery Queen'': A simple critique of the rules of MysteryLiterature and how that genre is different from the [[{{Adventure}} Adventure Novel]] or the SpyFiction. Also explains why Ellery Queen works could be considered as GrowingTheBeard on the genre. You can find the quote at the ElleryQueen Creator/ElleryQueen page.
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Works are not tropes.


* CthulhuMythos: "There Are More Things", written in memory of Lovecraft. Incidentally, Borges considered Lovecraft more like an involuntary parodist of Poe.
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* BeethovenWasAnAlienSpy: "The Immortal", in which [[spoiler:{{Homer}} has become immortal.]]

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* BeethovenWasAnAlienSpy: "The Immortal", in which [[spoiler:{{Homer}} [[spoiler:Creator/{{Homer}} has become immortal.]]
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work and creator names are not supposed to be in bold (that's for the Other Wiki)


'''Jorge Luis Borges''' (1899-1986) is considered the greatest UsefulNotes/{{Argentin|a}}e writer of the twentieth century and an immensely influential author. His short stories, essays and poetry blend truth and fiction in unexpected ways, playing {{Mind Screw}}s on the reader at every turn, and exploring deep philosophical themes (idealism, determinism, infinity, the search for personal identity, fiction vs. reality, humanity vs. divinity...) in a rigorous but entertaining way. He is considered an important precursor and originator of many {{Post Modern|ism}} devices. Borges himself was an Ultraist, a short lived movement that originated in early 20th-century Spain (where Borges arrived around 1920).

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'''Jorge Jorge Luis Borges''' Borges (1899-1986) is considered the greatest UsefulNotes/{{Argentin|a}}e writer of the twentieth century and an immensely influential author. His short stories, essays and poetry blend truth and fiction in unexpected ways, playing {{Mind Screw}}s on the reader at every turn, and exploring deep philosophical themes (idealism, determinism, infinity, the search for personal identity, fiction vs. reality, humanity vs. divinity...) in a rigorous but entertaining way. He is considered an important precursor and originator of many {{Post Modern|ism}} devices. Borges himself was an Ultraist, a short lived movement that originated in early 20th-century Spain (where Borges arrived around 1920).
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* ShoutOut: Pretty much every author in the Western ''and'' Eastern literary and philosophical canon gets a ShoutOut in some Borges story or another. For example, "Death and the Compass" has [[ShoutOut Shout Outs]] to philosopher Baruch Spinoza and authors EdgarAllanPoe and Creator/JamesJoyce, among others.

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* ShoutOut: Pretty much every author in the Western ''and'' Eastern literary and philosophical canon gets a ShoutOut in some Borges story or another. For example, "Death and the Compass" has [[ShoutOut Shout Outs]] to philosopher Baruch Spinoza and authors EdgarAllanPoe Creator/EdgarAllanPoe and Creator/JamesJoyce, among others.
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* {{Foil}}: He said that Creator/GKChesterton was this to Creator/OscarWilde: the former was a conservative, orthodox Catholic who stood for health, order and harmony, but whose works were always teetering on the edge of nightmare, whereas the latter was a socialist, feminist aesthete with no formal religious affinities who stood for pleasure and beauty, whose work was fundamentally happy and innocent.

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* {{Foil}}: He said that Creator/GKChesterton was this to Creator/OscarWilde: the former was a conservative, orthodox Catholic who stood for health, order and harmony, but whose works were always teetering on the edge of nightmare, whereas the latter was a socialist, feminist aesthete with no formal religious affinities who stood for pleasure and beauty, but whose work (counter to Chesterton's opinion of it) was fundamentally happy and innocent.
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* {{Foil}}: He said that Creator/GKChesterton was this to Creator/OscarWilde: the former was a conservative, orthodox Catholic who stood for health, order and harmony, but whose works were always teetering on the edge of nightmare, whereas the latter was a socialist, feminist aesthete with no formal religious affinities who stood for pleasure and beauty, whose work was fundamentally happy and innocent.
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** The ''DivineComedy'' gets a few {{Shout Out}}s in "The Aleph".

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** The ''DivineComedy'' ''Literature/TheDivineComedy'' gets a few {{Shout Out}}s in "The Aleph".
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%%->"... it is clear that there is no classification of the Universe not being arbitrary and full of conjectures. The reason for this is very simple: we do not know what thing the universe is."
%%-->"The Analytical Language of John Wilkins"

-> ''"That history should have copied history was already sufficiently astonishing; that history should copy literature was inconceivable."''
-->-- '''Jorge Luis Borges''', ''The Theme of the Traitor and the Hero''.

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%%->"... it [[quoteright:314:http://static.tvtropes.org/pmwiki/pub/images/borges_1975.jpg]]
[[caption-width-right:314: [[HistoryRepeats That history should have copied history was already sufficiently astonishing]]; [[LifeImitatesArt that history should copy literature was inconceivable.]] -The Theme of the Traitor and the Hero.]]
-> ''"...It
is clear that there is no classification of the Universe not being arbitrary and full of conjectures. The reason for this is very simple: we do not know what thing the universe is."
%%-->"The Analytical Language of John Wilkins"

-> ''"That history should have copied history was already sufficiently astonishing; that history should copy literature was inconceivable.
"''
-->-- '''Jorge Luis Borges''', ''The Theme -The Analytical Language of the Traitor and the Hero''.
John Wilkins''''.
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* TheyWastedAPerfectlyGoodPlot: [[invoked]] Played with in "A Survey of the Works of Herbert Quain", which reviews several books from the titular (fictional) author; one of them is a collection of stories in all of which Quain has ''deliberately'' wasted a good plot turning it into a wrong direction, with the intention of making the readers believe they have discovered the better possible plot themselves.
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** Arguably, he's also one of the founders of it and by far one of the most well known, along with GabrielGarciaMarquez.

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** Arguably, he's also one of the founders of it and by far one of the most well known, along with GabrielGarciaMarquez.Creator/GabrielGarciaMarquez.
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-->-- '''Jorge-Luis Borges''', ''The Theme of the Traitor and the Hero''.

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-->-- '''Jorge-Luis '''Jorge Luis Borges''', ''The Theme of the Traitor and the Hero''.
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* {{Bizarrchitecture}}: The City of the Immortals, in "The Immortal".

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* {{Bizarrchitecture}}: In "The Immortal", The City of the Immortals, in "The Immortal".Immortals.
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* Bizarrchitecture: The City of the Immortals, in "The Immortal".

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* Bizarrchitecture: {{Bizarrchitecture}}: The City of the Immortals, in "The Immortal".
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* Bizarrchitecture: The City of the Immortals, in "The Immortal".
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* WeAreEverywhere: Deconstructed in "The Lottery in Babylon:" [[TheConspiracy The Company]] is [[NebulousEvilOrganization continually trying to introduce chaos at Babylon]], and everyone knows they have infiltrated the city. Given anyone could work for them, those who aren’t working for them are ProperlyParanoid about being manipulated into being their {{Unwitting Pawn}}s:

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* WeAreEverywhere: Deconstructed in "The Lottery in Babylon:" Babylon": [[TheConspiracy The Company]] is [[NebulousEvilOrganization continually trying to introduce chaos at Babylon]], and everyone knows they have infiltrated the city. Given anyone could work for them, those who aren’t working for them are ProperlyParanoid about being manipulated into being their {{Unwitting Pawn}}s:
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* UnwittingPawn: [[spoiler: Lönnrott in "Death and the Compass"]], [[spoiler: Every Babylon citizen (except those ''already'' in TheConspiracy]] in "The Lottery in Babylon"
* WeAreEverywhere: Deconstructed in "The Lottery in Babylon:" [[TheConspiracy The Company ]]is [[NebulousEvilOrganization continually trying to introduce chaos at Babylon]], and everyone knows they have infiltrated the city. Given anyone could work for them, those who aren’t working for them are ProperlyParanoid about being manipulated into being their {{Unwitting Pawn}}s:

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* UnwittingPawn: [[spoiler: Lönnrott in "Death and the Compass"]], [[spoiler: Every [[spoiler:every Babylon citizen (except those ''already'' in TheConspiracy]] TheConspiracy)]] in "The Lottery in Babylon"
* WeAreEverywhere: Deconstructed in "The Lottery in Babylon:" [[TheConspiracy The Company ]]is Company]] is [[NebulousEvilOrganization continually trying to introduce chaos at Babylon]], and everyone knows they have infiltrated the city. Given anyone could work for them, those who aren’t working for them are ProperlyParanoid about being manipulated into being their {{Unwitting Pawn}}s:
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* PostModernism.

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* PostModernism.PostModernism: He helped in founding it.
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** And a story sketched in "The Zahir," whose protagonist is an ascetic living in isolation in a wasteland called ''gnittaheidr'', guarding a huge treasure to protect lesser men from the temptation it causes (including his own father, whom he killed). [[spoiler: in the end, it turns out the protagonist is Fafnir, who was turned into a giant serpent by [[ArtifactOfDoom the Ring of the Nibelungen]] and slain by Siegfried.]]
** ''The shape of the sword'': A man with a scar tells Borges how he got it: When he was a young irish rebel, a comrade called Moon, whom he saved from death, betrayed him to the Englishmen and he gave Moon a MarkOfShame. When Borges asks him to finish the story, [[spoiler: the man reveals himself as the traitor Moon. His GuiltComplex is so big he only can tell the story of his treason invoking a PerspectiveFlip]].

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** And a story sketched in "The Zahir," whose protagonist is an ascetic living in isolation in a wasteland called ''gnittaheidr'', guarding a huge treasure to protect lesser men from the temptation it causes (including his own father, whom he killed). [[spoiler: in [[spoiler:In the end, it turns out the protagonist is Fafnir, who was turned into a giant serpent by [[ArtifactOfDoom the Ring of the Nibelungen]] and slain by Siegfried.]]
** ''The shape of the sword'': A man with a scar tells Borges how he got it: When he was a young irish rebel, a comrade called Moon, whom he saved from death, betrayed him to the Englishmen and he gave Moon a MarkOfShame. When Borges asks him to finish the story, [[spoiler: the [[spoiler:the man reveals himself as the traitor Moon. His GuiltComplex is so big he only can tell the story of his treason invoking a PerspectiveFlip]].
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** Special mention goes to "Averroes's Search". In it, the Islamic philosopher Averroes investigates a Greek translation and ponders the meaning of "tragedy" and "comedy", which he can't understand because he lives in a culture in which the art of dramatic performance doesn't exist. After hearing with some guests a story about China and the performers that live there and CompletelyMissingthePoint about the whole "acting" thing, he starts meditating and eventually has a sudden realization about the meaning of "tragedy" and "comedy", [[spoiler:which turns out to be wrong]]. He then [[spoiler: disappears, as do his house and all those that were in it, without leaving a trace.]] Borges then explains within the story that he himself had to understand Averroes to write the story, and like Averroes, had no real chance of doing so. The writer, [[spoiler: could no longer believe in Averroes as a character and he naturally disappeared completely along with his house.]]

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** Special mention goes to "Averroes's Search". In it, the Islamic philosopher Averroes investigates a Greek translation and ponders the meaning of "tragedy" and "comedy", which he can't understand because he lives in a culture in which the art of dramatic performance doesn't exist. After hearing with some guests a story about China and the performers that live there and CompletelyMissingthePoint CompletelyMissingThePoint about the whole "acting" thing, he starts meditating and eventually has a sudden realization about the meaning of "tragedy" and "comedy", [[spoiler:which turns out to be wrong]]. He then [[spoiler: disappears, as do his house and all those that were in it, without leaving a trace.]] Borges then explains within the story that he himself had to understand Averroes to write the story, and like Averroes, had no real chance of doing so. The writer, [[spoiler: could writer [[spoiler:could no longer believe in Averroes as a character and he naturally disappeared completely along with his house.]]
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* MagicRealism: many of his stories are in this genre, and he was part of the so-called "Latin American Boom" that helped popularize it.

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* MagicRealism: many Many of his stories are in this genre, and he was part of the so-called "Latin American Boom" that helped popularize it.
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** "The Garden of Forking Paths"'' the FramingDevice is a TrenchcoatBrigade type of SpyFiction in World War I, where a Chinese is obliged to spy for Germany, and is chased by an Irish agent working for the English. The Chinese reflects that for him, Germany is a barbarian country (maybe excepting Goethe) and the Irish agent must surely know that his masters despise him for being an Irishman, but they are both still obliged to be the {{UnwittingPawn}}s of countries they hate.

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** "The Garden of Forking Paths"'' the Paths": The FramingDevice is a TrenchcoatBrigade type of SpyFiction in World War I, where a Chinese is obliged to spy for Germany, and is chased by an Irish agent working for the English. The Chinese reflects that for him, Germany is a barbarian country (maybe excepting Goethe) and the Irish agent must surely know that his masters despise him for being an Irishman, but they are both still obliged to be the {{UnwittingPawn}}s of countries they hate.
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* ''"The Garden of Forking Paths"'': The FramingDevice is a spy story set at World War I where TheProtagonist visiting MrExposition who explains the idea of time branching forwards into [[AlternateUniverse Alternate Universes]] [[note]]this story is famous for anticipating the "many worlds" interpretation of quantum mechanics[[/note]].

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* ''"The Garden of Forking Paths"'': The FramingDevice is a spy story set at World War I where TheProtagonist is visiting MrExposition who explains the idea of time branching forwards into [[AlternateUniverse Alternate Universes]] [[note]]this story is famous for anticipating the "many worlds" interpretation of quantum mechanics[[/note]].



** Alternatively, ''A twentieth century German TortureTechnician tries in vain, before his execution, to exculpate himself, never suspecting that the secret justification for his life is that he has inspired a writer to create [[ThoseWackyNazis a new trope]]''.

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** Alternatively, Alternatively: ''A twentieth century German TortureTechnician tries in vain, before his execution, to exculpate himself, never suspecting that the secret justification for his life is that he has inspired a writer to create [[ThoseWackyNazis a new trope]]''.
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%%->"...it is clear that there is no classification of the Universe not being arbitrary and full of conjectures. The reason for this is very simple: we do not know what thing the universe is."

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%%->"... it is clear that there is no classification of the Universe not being arbitrary and full of conjectures. The reason for this is very simple: we do not know what thing the universe is."



** Another subversion is ''The Condemned'': In some street of Buenos Aires, two BitPartBadGuys are going to fight. Ezequiel Tabares wants revenge because El Chengo stealed Matilde from him, and impatiently waits for him repeatedly entering a little bar. [[spoiler: Ezequiel can see the new houses and the buses pass through him. He doesn’t realize that he’s DeadAllAlong and condemned to a GroundhogDayLoop of his final moments… and he doesn’t care either. ]] [[ThePowerOfHate His own hate fulfill him]].
* AnimalMotifs: tigers, featured or mentioned in many of his stories. [[spoiler:Particularly important when you consider that one of the Zahir was once a tiger.]]

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** Another subversion is ''The Condemned'': In some street of Buenos Aires, two BitPartBadGuys are going to fight. Ezequiel Tabares wants revenge because El Chengo stealed Matilde from him, and impatiently waits for him repeatedly entering a little bar. [[spoiler: Ezequiel can see the new houses and the buses pass through him. He doesn’t realize that he’s DeadAllAlong and condemned to a GroundhogDayLoop of his final moments… and he doesn’t care either. ]] [[ThePowerOfHate His own hate fulfill fulfills him]].
* AnimalMotifs: tigers, Tigers, featured or mentioned in many of his stories. [[spoiler:Particularly important when you consider that one of the Zahir was once a tiger.]]
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** A more minor example: the writers of his fictional essays and criticisms, such as "The Approach to Al-Mu'tasim" and "An Examination of the Work of Herbert Quain", are subtly affected by their own biases. From their comments, one gets the impression that they wouldn't be big fans of Borges.
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** "The Man on the Threshold": A British government official in TheRaj investigates the disappearance of a judge. [[spoiler: LaResistance kidnapped him to judge him for being an EvilColonialist HangingJudge]].

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** "The Man on the Threshold": A British government official in TheRaj UsefulNotes/TheRaj investigates the disappearance of a judge. [[spoiler: LaResistance kidnapped him to judge him for being an EvilColonialist HangingJudge]].
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Politically, Borges described himself as a [[TheSocialDarwinist Spencerian anarchist]] and a classical liberal. He was an outspoken critic of both fascist Peronism in his native Argentina and Marxism in general, and one of his recurring themes was the use of literature and the written word to fabricate false and delusional worldviews, a common classical liberal criticism of fascism and Marxism. However, his vocal support for right-wing capitalist dictators such as Augusto Pinochet and a purported undercurrent of elitism and snobbery in his life and in his work have earned him his fair share of detractors.
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I hope this page quote is okay about Borges. There wasn\'t one and I think this reflects his style and content well.

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-> ''"That history should have copied history was already sufficiently astonishing; that history should copy literature was inconceivable."''
-->-- '''Jorge-Luis Borges''', ''The Theme of the Traitor and the Hero''.

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