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Changed line(s) 38 (click to see context) from:
* ActionMom: Massive spoiler: [[spoiler:Tara in ''Private Wars'' and ''The Last Run'', graduates to one (she's an ActionGirl already) after having a daughter.]]
to:
* ActionMom: Massive spoiler: [[spoiler:Tara in ''Private Wars'' and ''The Last Run'', Run'' graduates to one (she's an ActionGirl already) after having a daughter.]]daughter]].
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Added example(s), Misplaced, moving to the correct tab, General clarification on works content
Changed line(s) 37,38 (click to see context) from:
%%* ActionGirl: Tara
* ActionMom: Massive spoiler: [[spoiler:Tara in ''Private Wars'' and ''The Last Run''.]]
* ActionMom: Massive spoiler: [[spoiler:Tara in ''Private Wars'' and ''The Last Run''.]]
to:
* ActionMom: Massive spoiler: [[spoiler:Tara in ''Private Wars'' and ''The Last
* MsFanservice: Tara is drawn as attractive, and shown topless while having sex with a man in ''Operation: Saddlebag'' over a full page (but not explicitly), then as she showers at the end as well.
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* ShownTheirWork
to:
* ShowerOfAngst: Tara showers while drinking from a bottle at the end of ''Operation: Saddlebag'' after blowing the mission and being told off for it.
%%* ShownTheirWork
%%* ShownTheirWork
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* SpiritualSuccessor: To ''Series/TheSandbaggers'', so much so it could have been called ''The Sandbaggers: The Next Generation''. Rucka is not shy about acknowledging that he borrowed the structure of SIS and many of the [[{{Expy}} character elements]], though there are significant divergences - ''The Sandbaggers'' dealt largely with the realpolitik of the UsefulNotes/ColdWar while ''Queen & Country'' mostly deals with the complexity of intelligence operations in a post-9/11 world, Rucka's D-Ops is happily married with kids, and most significantly, ''The Sandbaggers'' set their D-Ops as the protagonist, while ''Queen & Country'' primarily follows the character arc of one of the field agents.
