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* SmugSnake: Burgess demands a Key from Mary in exchange for an audience with Dream, knowing that nothing will come out of it. He even brags that he's ''this'' close to breaking Dream. As we know from ''ComicBook/TheSandman1989'', Dream ''doesn't'' break. Moreover, Dream ''does'' help Mary, by non-verbally telling her to put on his helm.
to:
* SmugSnake: Burgess demands a Key from Mary in exchange for an audience with Dream, knowing believing that nothing will come out of it. He even brags that he's ''this'' close to breaking Dream. As we know from ''ComicBook/TheSandman1989'', Dream ''doesn't'' break. Moreover, Dream ''does'' help Mary, by non-verbally telling her to put on his helm.
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migrating to The Sandman 1989
Changed line(s) 26 (click to see context) from:
* SmugSnake: Burgess demands a Key from Mary in exchange for an audience with Dream, knowing that nothing will come out of it. He even brags that he's ''this'' close to breaking Dream. As we know from ''ComicBook/TheSandman'', Dream ''doesn't'' break. Moreover, Dream ''does'' help Mary, by non-verbally telling her to put on his helm.
to:
* SmugSnake: Burgess demands a Key from Mary in exchange for an audience with Dream, knowing that nothing will come out of it. He even brags that he's ''this'' close to breaking Dream. As we know from ''ComicBook/TheSandman'', ''ComicBook/TheSandman1989'', Dream ''doesn't'' break. Moreover, Dream ''does'' help Mary, by non-verbally telling her to put on his helm.
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** Alex Burgess wishes he could be constantly waking up from a dream only to find him in another. This is the punishment Morpheus deals to him when he's freed, although it's not dreams but nightmares he constantly wakes up from.
** To his own confusion, Fiddler's Green remarks that Mary reminds him of someone he has not met yet, while the image of Rose Walker appears on his glasses.
** Jack gives Fiddler's Green the nickname "Gil", which is apparently how the dream found his human name of Gilbert.
** While she first appears in 1930's clothes, Death changes into the Goth look she's most famously known for while she accompanies Chamberlin Locke to the afterlife.
** To his own confusion, Fiddler's Green remarks that Mary reminds him of someone he has not met yet, while the image of Rose Walker appears on his glasses.
** Jack gives Fiddler's Green the nickname "Gil", which is apparently how the dream found his human name of Gilbert.
** While she first appears in 1930's clothes, Death changes into the Goth look she's most famously known for while she accompanies Chamberlin Locke to the afterlife.
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* CanonWelding: An uploaded article about the Burgess House shown at the end of the story has a link to another story about the axe from ''ComicBook/BasketfulOfHeads'', another story by Joe Hill.
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** The sigil Mary draws in the air while summoning Etrigan has both an Omega, like the key and door the Locke family looks after, and the symbol for the Alpha key Tyler will eventually create.
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''Locke & Key/Sandman: Hell & Gone'' is a miniseries {{CrossOver}} between ''ComicBook/TheSandman'' and ''ComicBook/LockeAndKey''. The series is written by Creator/JoeHill and illustrated by Gabriel Rodriguez and co-published by Creator/IDWPublishing and Creator/DCComics.
to:
''Locke & Key/Sandman: Hell & Gone'' is a miniseries {{CrossOver}} between ''ComicBook/TheSandman'' ''ComicBook/TheSandman1989'' and ''ComicBook/LockeAndKey''. The series is written by Creator/JoeHill and illustrated by Gabriel Rodriguez and co-published by Creator/IDWPublishing and Creator/DCComics.
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John “Jack” Locke is ten years dead, but that hasn’t stopped him from posting the occasional letter home… from Hell. Now, Mary Locke will do anything to save her brother’s soul. Her quest to rescue him from The Pit will require her to outsmart Roderick Burgess (the most evil man in England), puzzle her way through the House of Mystery, and risk the walking nightmare known as The Corinthian in a disintegrating Kingdom of Dreams!
to:
John “Jack” Locke is ten years dead, but that hasn’t stopped him from posting the occasional letter home… from Hell. Now, Mary Locke will do anything to save her brother’s soul. Her quest to rescue him from The the Pit will require her to outsmart Roderick Burgess (the most evil man in England), puzzle her way through the House of Mystery, and risk the walking nightmare known as The Corinthian in a disintegrating Kingdom of Dreams!
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* CainAndAbel: Cain and Abel act out their Biblical roles as the first murderer and the first victim, as usual. Cain kills Abel at least twice in the first issue, but Abel just regenerates.
* CallForward: Allusions to future events in Sandman abound. This is possibly due to the longstanding timeless nature of dreams.
* CallForward: Allusions to future events in Sandman abound. This is possibly due to the longstanding timeless nature of dreams.
to:
* CainAndAbel: Cain and Abel act out their Biblical roles as the first murderer and the first victim, as usual. Cain kills Abel at least twice in the first issue, but Abel just always regenerates.
* CallForward: Allusions to future events inSandman ''Sandman'' abound. This is possibly due to the longstanding timeless nature of dreams.
* CallForward: Allusions to future events in
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* NotQuiteDead: Lucien appears in the first issue, apparently murdered by The Corinthian. Turns out [[spoiler:he merely had his eyes plucked, which is healed by Mary with Dream's sand.]]
* PlaceBeyondTime: The afterlife is depicted as this, much like the Dreaming, where every moment is now and events relative to the timeline of the earthborn protagonist are loosely non-linear. [[spoiler:Most drastically with the ending, which involves the Key to Hell being forged in the present and being given to Lucifer at his fall.]]
* PlaceBeyondTime: The afterlife is depicted as this, much like the Dreaming, where every moment is now and events relative to the timeline of the earthborn protagonist are loosely non-linear. [[spoiler:Most drastically with the ending, which involves the Key to Hell being forged in the present and being given to Lucifer at his fall.]]
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* NotQuiteDead: Lucien appears in the first issue, apparently murdered by The the Corinthian. Turns out [[spoiler:he merely had his eyes plucked, which is healed by Mary with Dream's sand.]]
* PlaceBeyondTime: The afterlife is depicted as this, much like the Dreaming, where every moment is now and events relative to the timeline of the earthborn protagonist are loosely non-linear. [[spoiler:Most drastically with the ending, which involves the Key to Hell being forged in the present and being given to Lucifer at hisfall.]]fall]].
* PlaceBeyondTime: The afterlife is depicted as this, much like the Dreaming, where every moment is now and events relative to the timeline of the earthborn protagonist are loosely non-linear. [[spoiler:Most drastically with the ending, which involves the Key to Hell being forged in the present and being given to Lucifer at his
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* StableTimeLoop: [[spoiler:The Key to Hell is an ontological paradox; forged by Mary in the present based on its appearance on the cover of a book on Hell, only to be given to Lucifer at his fall after briefly crossing its own timeline.]]
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* StableTimeLoop: [[spoiler:The Key to Hell is an ontological paradox; forged by Mary in the present based on its appearance on the cover of a book on Hell, only to be given to Lucifer at his fall after briefly crossing its own timeline.]]timeline]].
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* CallForward: Allusions to future events in both titles of the crossover abound.
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* CallForward: Allusions to future events in both titles of Sandman abound. This is possibly due to the crossover abound.longstanding timeless nature of dreams.
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* StableTimeLoop: [[spoiler:The Key to Hell's creation is an ontological paradox; forged by Mary in the present only to be given to Lucifer at his fall.]]
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* StableTimeLoop: [[spoiler:The Key to Hell's creation Hell is an ontological paradox; forged by Mary in the present based on its appearance on the cover of a book on Hell, only to be given to Lucifer at his fall.fall after briefly crossing its own timeline.]]
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* CallForward: Allusions to future events in both titles of the crossover abound.
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* {{Futureshadowing}}: Allusions to future events in both titles of the crossover abound.
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* {{Futureshadowing}}: Allusions to future events in both titles of In the crossover abound.last issue, there's a hint at a StableTimeLoop before we see it occur.
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* TheCameo: Fiddler's Green appears for all of two panels in the first issue. Lucien appears as well, [[spoiler:apparently murdered by The Corinthian]].
to:
* TheCameo: Fiddler's Green appears for all of two panels in Death shows up at the first issue. Lucien appears very end, to see Chamberlin Locke off as well, [[spoiler:apparently murdered by The Corinthian]].Mary gives him a farewell in a dream.
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* {{Futureshadowing}}: Allusions to future events in both titles of the crossover abound.
* GuileHero: Mary claims to not have a head for a battle of riddles but she's sharp enough to work out a plan to rescue her brother using the key artifacts and Gil ahead of time, bluffing her way through Hell all the while.
* GuileHero: Mary claims to not have a head for a battle of riddles but she's sharp enough to work out a plan to rescue her brother using the key artifacts and Gil ahead of time, bluffing her way through Hell all the while.
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* NotQuiteDead: Lucien appears in the first issue, apparently murdered by The Corinthian. Turns out [[spoiler:he merely had his eyes plucked, which is healed by Mary with Dream's sand.]]
* PlaceBeyondTime: The afterlife is depicted as this, much like the Dreaming, where every moment is now and events relative to the timeline of the earthborn protagonist are loosely non-linear. [[spoiler:Most drastically with the ending, which involves the Key to Hell being forged in the present and being given to Lucifer at his fall.]]
* RescuedFromTheUnderworld: Mary's quest is to rescue her brother Jack's soul from the Hell and bring it to Heaven.
* PlaceBeyondTime: The afterlife is depicted as this, much like the Dreaming, where every moment is now and events relative to the timeline of the earthborn protagonist are loosely non-linear. [[spoiler:Most drastically with the ending, which involves the Key to Hell being forged in the present and being given to Lucifer at his fall.]]
* RescuedFromTheUnderworld: Mary's quest is to rescue her brother Jack's soul from the Hell and bring it to Heaven.
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* StableTimeLoop: [[spoiler:The Key to Hell's creation is an ontological paradox; forged by Mary in the present only to be given to Lucifer at his fall.]]
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* TheShadowKnows: Towards the end of the first issue, the housekeeper's shadow looks rather sinister. [[Spoiler:That's because it's The Corinthian casting the shadow]].
to:
* TheShadowKnows: Towards the end of the first issue, the housekeeper's shadow looks rather sinister. [[Spoiler:That's [[spoiler:That's because it's The Corinthian casting the shadow]].
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->''"I came to see your father to get the keys. But I killed him because you asked me to. I told him that, too. Right before I shot him. That you '''''asked''''' me to kill him. You should've seen his face."''
-->-- '''Sam Lesser''', referring to an offhand joke Tyler had once made about killing his dad
-->-- '''Sam Lesser''', referring to an offhand joke Tyler had once made about killing his dad
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-->-- '''Sam Lesser''', referring to an offhand joke Tyler had once made about killing his dad
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->''"I came to see your father to get the keys. But I killed him because you asked me to. I told him that, too. Right before I shot him. That you '''''asked''''' me to kill him. You should've seen his face."''
-->-- '''Sam Lesser''', referring to an offhand joke Tyler had once made about killing his dad
''Locke & Key/Sandman: Hell & Gone'' is a miniseries {{CrossOver}} between ''ComicBook/TheSandman'' and ''ComicBook/LockeAndKey''. The series is written by Creator/JoeHill and illustrated by Gabriel Rodriguez and co-published by Creator/IDWPublishing and Creator/DCComics.
John “Jack” Locke is ten years dead, but that hasn’t stopped him from posting the occasional letter home… from Hell. Now, Mary Locke will do anything to save her brother’s soul. Her quest to rescue him from The Pit will require her to outsmart Roderick Burgess (the most evil man in England), puzzle her way through the House of Mystery, and risk the walking nightmare known as The Corinthian in a disintegrating Kingdom of Dreams!
----
!!The miniseries contains examples of:
* CainAndAbel: Cain and Abel act out their Biblical roles as the first murderer and the first victim, as usual. Cain kills Abel at least twice in the first issue, but Abel just regenerates.
* TheCameo: Fiddler's Green appears for all of two panels in the first issue. Lucien appears as well, [[spoiler:apparently murdered by The Corinthian]].
* ExactWords: Burgess promises Mary an audience with Dream, but he doesn't promise that anything will come out of it.
* MundaneUtility: Mary gives Burgess the Matchstick Key, which can set anything on fire. Ethel immediately uses it to light her cigarette.
* TheShadowKnows: Towards the end of the first issue, the housekeeper's shadow looks rather sinister. [[Spoiler:That's because it's The Corinthian casting the shadow]].
* SmugSnake: Burgess demands a Key from Mary in exchange for an audience with Dream, knowing that nothing will come out of it. He even brags that he's ''this'' close to breaking Dream. As we know from ''ComicBook/TheSandman'', Dream ''doesn't'' break. Moreover, Dream ''does'' help Mary, by non-verbally telling her to put on his helm.
* WitchWithACapitalB: Mary makes a joke about this when she's alone with Alex:
--> '''Alex''': Are you a witch?
--> '''Mary''': Close. It rhymes.
-->-- '''Sam Lesser''', referring to an offhand joke Tyler had once made about killing his dad
''Locke & Key/Sandman: Hell & Gone'' is a miniseries {{CrossOver}} between ''ComicBook/TheSandman'' and ''ComicBook/LockeAndKey''. The series is written by Creator/JoeHill and illustrated by Gabriel Rodriguez and co-published by Creator/IDWPublishing and Creator/DCComics.
John “Jack” Locke is ten years dead, but that hasn’t stopped him from posting the occasional letter home… from Hell. Now, Mary Locke will do anything to save her brother’s soul. Her quest to rescue him from The Pit will require her to outsmart Roderick Burgess (the most evil man in England), puzzle her way through the House of Mystery, and risk the walking nightmare known as The Corinthian in a disintegrating Kingdom of Dreams!
----
!!The miniseries contains examples of:
* CainAndAbel: Cain and Abel act out their Biblical roles as the first murderer and the first victim, as usual. Cain kills Abel at least twice in the first issue, but Abel just regenerates.
* TheCameo: Fiddler's Green appears for all of two panels in the first issue. Lucien appears as well, [[spoiler:apparently murdered by The Corinthian]].
* ExactWords: Burgess promises Mary an audience with Dream, but he doesn't promise that anything will come out of it.
* MundaneUtility: Mary gives Burgess the Matchstick Key, which can set anything on fire. Ethel immediately uses it to light her cigarette.
* TheShadowKnows: Towards the end of the first issue, the housekeeper's shadow looks rather sinister. [[Spoiler:That's because it's The Corinthian casting the shadow]].
* SmugSnake: Burgess demands a Key from Mary in exchange for an audience with Dream, knowing that nothing will come out of it. He even brags that he's ''this'' close to breaking Dream. As we know from ''ComicBook/TheSandman'', Dream ''doesn't'' break. Moreover, Dream ''does'' help Mary, by non-verbally telling her to put on his helm.
* WitchWithACapitalB: Mary makes a joke about this when she's alone with Alex:
--> '''Alex''': Are you a witch?
--> '''Mary''': Close. It rhymes.
