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* HisOwnWorstEnemy: He has enough money, free time and connections to live without a care in the world and maybe get some psychological help along the way. Instead, he dedicates his own life to any kind of depravity he can think of, only to be never satisfied.

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* HisOwnWorstEnemy: He has enough money, free time and connections to live without a care in the world and maybe get some psychological help along the way. Instead, he dedicates his own life to any kind of depravity he can think of, only to be never satisfied. Patrick is reliant on external validation not just to the point of being miserable, but murderous.
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** He dismisses Music/PeterGabriel's solo career as "lame" and informs us that a girl about to have his abortion doesn't deserve sympathy because she thinks Music/{{Sting}} is cool. He also dislikes {{punk rock}}, describing LA's punk scene as "best forgotten" and believes that RapIsCrap.

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** He dismisses Music/PeterGabriel's solo career as "lame" and informs us that a girl about to have his abortion doesn't deserve sympathy because she thinks Music/{{Sting}} is cool. He also dislikes {{punk rock}}, PunkRock, describing LA's punk scene as "best forgotten" and believes that RapIsCrap.



* AssholeVictim: [[spoiler: He finally receives his comeuppance in the novel ''Literature/LunarPark'' when he gets trapped in a pier fire. He really had it coming to say the least.]]
* AttentionWhore: [[spoiler: Confesses his crimes near the end because he wants people to ''know'' him and because he wants to ''matter''! It doesn't work as no one believes him and his crimes may have been all just a fantasy. In the end, no one will give a shit about him, no matter how hard he tries.]]

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* AssholeVictim: [[spoiler: He [[spoiler:He finally receives his comeuppance in the novel ''Literature/LunarPark'' when he gets trapped in a pier fire. He really had it coming to say the least.]]
* AttentionWhore: [[spoiler: Confesses [[spoiler:Confesses his crimes near the end because he wants people to ''know'' him and because he wants to ''matter''! It doesn't work as no one believes him and his crimes may have been all just a fantasy. In the end, no one will give a shit about him, no matter how hard he tries.]]
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->'''Dubbed by:''' Creator/BrunoChoel (European French)
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The titular psycho. A wealthy Wall Street investment banker and stereotypical late 80's Yuppie, who [[UnreliableNarrator also might be]] a murdering psychopath.

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The titular psycho. A wealthy Wall Street investment banker and stereotypical late 80's Yuppie, {{Yuppie}}, who [[UnreliableNarrator also might be]] a murdering psychopath.
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** He dismisses Music/PeterGabriel's solo career as "lame" and informs us that a girl about to have his abortion doesn't deserve sympathy because she thinks Music/{{Sting}} is cool. He also dislikes {{punk rock}}, describing LA's punk scene as "best forgotten".

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** He dismisses Music/PeterGabriel's solo career as "lame" and informs us that a girl about to have his abortion doesn't deserve sympathy because she thinks Music/{{Sting}} is cool. He also dislikes {{punk rock}}, describing LA's punk scene as "best forgotten".forgotten" and believes that RapIsCrap.
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* AccidentalDiscovery: At the end of the film, she finds Bateman's SignificantSketchbook inside his desk, containing pen-drawings of women being graphically raped and tortured (many of which are scenes from the book cut from the film). She looks through the pages weeping with horror.

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* AccidentalDiscovery: At the end of the film, she finds Bateman's SignificantSketchbook sketchbook inside his desk, containing pen-drawings of women being graphically raped and tortured (many of which are scenes from the book cut from the film). She looks through the pages weeping with horror.
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* HorrifyingTheHorror:[[AxCrazy Patrick]] is openly ''unnerved'' by her and is at his [[OOCIsSeriousBusiness meekest]] when interacting with her in Paul's apartment, even backing away with a look of [[OhCrap naked fear]] when she coldly tells him to [[GetOut never come back]], to which he readily agrees to. The scene in the film ''really'' comes off as [[ForTheEvulz Patrick]] facing a [[AlwaysABiggerFish more dangerous predator.]]

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* HorrifyingTheHorror:[[AxCrazy HorrifyingTheHorror: [[AxCrazy Patrick]] is openly ''unnerved'' by her and is at his [[OOCIsSeriousBusiness meekest]] when interacting with her in Paul's apartment, even backing away with a look of [[OhCrap naked fear]] when she coldly tells him to [[GetOut never come back]], to which he readily agrees to. The scene in the film ''really'' comes off as [[ForTheEvulz Patrick]] facing a [[AlwaysABiggerFish more dangerous predator.]]

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* HorrifyingTheHorror: [[AxCrazy Patrick]] is openly ''unnerved'' by her and is at his [[OOCIsSeriousBusiness
meekest]] when interacting with her in Paul's apartment, even backing away with a look of [[OhCrap naked fear]] when she coldly tells him to [[GetOut never come back]], to which he readily agrees to. The scene in the film ''really'' comes off as [[ForTheEvulz Patrick]] facing a [[AlwaysABiggerFish more dangerous predator.]]

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* HorrifyingTheHorror: [[AxCrazy HorrifyingTheHorror:[[AxCrazy Patrick]] is openly ''unnerved'' by her and is at his [[OOCIsSeriousBusiness
[[OOCIsSeriousBusiness meekest]] when interacting with her in Paul's apartment, even backing away with a look of [[OhCrap naked fear]] when she coldly tells him to [[GetOut never come back]], to which he readily agrees to. The scene in the film ''really'' comes off as [[ForTheEvulz Patrick]] facing a [[AlwaysABiggerFish more dangerous predator.]]
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* HorrifyingTheHorror: [[AxCrazy Patrick]] is openly ''unnerved'' by her and is at his [[OOCIsSeriousBusiness
meekest]] when interacting with her in Paul's apartment, even backing away with a look of [[OhCrap naked fear]] when she coldly tells him to [[GetOut never come back]], to which he readily agrees to. The scene in the film ''really'' comes off as [[ForTheEvulz Patrick]] facing a [[AlwaysABiggerFish more dangerous predator.]]

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* TheBusCameBack: [[spoiler: Near the end of the novel, Price shows back up with no real explanation as to where he was before. He then seamlessly integrates back with the rest of the group. In keeping with the book's themes, it's implied he has learned nothing and gained nothing from his experiences.]]



* TheBusCameBack: [[spoiler: Near the end of the novel, Price shows back up with no real explanation as to where he was before. He then seamlessly integrates back with the rest of the group. In keeping with the book's themes, it's implied he has learned nothing and gained nothing from his experiences.]]

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[[folder:Bethany]]

Bateman's ex-girlfriend.

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[[folder:Bethany]]

[[folder:Harold Carnes]]
-> '''Played by:''' Stephen Bogaert
Patrick
Bateman's ex-girlfriend.lawyer, who he eventually tries to confess his murder to.


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* AmoralAttorney: He's as bad of a yuppie as the rest of them, and whether or not he's simply amoral or outright ''im''moral depends on your interpretation of whether or not Patrick really committed the murders.
[[/folder]]

[[folder:Mrs Wolfe]]
-> '''Played by:''' Patricia Gage
The real estate agent selling Paul's apartment after his disappearance.
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* ShadyRealEstateAgent: She seems perfectly aware that Patrick had murdered Paul, though she makes no attempt at incriminating him since the news that there was a murder in the apartment would be bad for business.
[[/folder]]

[[folder:Bethany]]

Bateman's ex-girlfriend.
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* EatablishingCharacterMoment: In the movie, he barges onto the scene during Bateman's lunch, with real, genuine panic in Van Patten's voice as he notes "''they don't have a good bathroom to do cocaine in!''"

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* EatablishingCharacterMoment: EstablishingCharacterMoment: In the movie, he barges onto the scene during Bateman's lunch, with real, genuine panic in Van Patten's voice as he notes "''they don't have a good bathroom to do cocaine in!''"
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* EatablishingCharacterMoment: In the movie, he barges onto the scene during Bateman's lunch, with real, genuine panic in Van Patten's voice as he notes "''they don't have a good bathroom to do cocaine in!''"
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* PoliticallyIncorrectVillain: Like most of his cohorts, but special mention goes to his long-winded rant where he stupidly fears the idea of catching dyslexia through sex.
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* DeathByAdaptation: In the musical, Bateman winds up biting off a chunk of Luis's face and very likely killing him, unlike the novel and film where Luis comes out relatively unscathed.

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* DeathByAdaptation: In the UK musical, Bateman winds up biting off a chunk of Luis's face and very likely killing him, unlike the novel and film where Luis comes out relatively unscathed. The Broadway version also has the biting, but Luis is fine in the end and they imply it was in Bateman's head.
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* RelativelyFlimsyExcuse: Patrick claims that she's his "cousin" to Elizabeth, and Christie goes along with it.
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* DeathByAdaptation: In the musical, Bateman winds up biting off a chunk of Luis's face and very likely killing him, unlike the novel and film where Luis comes out relatively unscathed.
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* AloneWithThePsycho: Obvious pun about the title aside, Paul winds up alone in Bateman's apartment, surrounded by newspapers on the floor, very soon after the audience learns that Bateman is a murderer. Paul doesn't last long.

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* FinalGirl: In the movie, she's a twisted variation of this. She's the final major character that Patrick targets before the end of the film, and she gets the expected dramatic chase sequence as he chases her. Only difference between her and most versions of this trope being that she ''doesn't'' survive Bateman.

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* FinalGirl: In the movie, she's a twisted variation of this. She's the final major character that Patrick targets before towards the end of the film, and she gets the expected dramatic chase sequence as he chases her.pursues her with killing intent. Only difference between her and most versions of this trope being that she ''doesn't'' survive Bateman.



* InTheBack: She's killed when Patrick drops a ''chainsaw'' down a stairwell straight into her back.

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* InTheBack: She's killed in the film when Patrick drops a ''chainsaw'' down a stairwell straight into her back.back.
* OnlyKnownByTheirNickname: "Christie" isn't her real name. It's simply the only thing that Bateman wants to call her, and he never asks nor cares to know what her actual name is.
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-> "''I have all the characteristics of a human being. Flesh, blood, skin, hair, but not a single clear identifiable emotion, except for greed and disgust.''"

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-> --> "''I have all the characteristics of a human being. Flesh, blood, skin, hair, but not a single clear identifiable emotion, except for greed and disgust.''"

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* {{Cloudcuckoolander}}: Hallucinates that an ATM tells him to feed it a stray cat. He actually tries to do it in the movie.

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* {{Cloudcuckoolander}}: Hallucinates As the story goes on, his bloodlust grows so strong that he becomes downright loopy and incomprehensible in both action and word. It reaches such a point that he hallucinates that an ATM tells him to feed it a stray cat. He actually tries to do it in the movie.



* {{Hallucinations}}: Caused by stress, and extremely bizarre, but he believes every one of them.

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* {{Hallucinations}}: Caused by stress, and extremely bizarre, but he believes every one of them. They range from an [=ATM=] telling him to feed it a stray cat, to him becoming an action star and blowing up vehicles with single bullets.



* ItsAllAboutMe: The only people he refuses to kill are ones who profess some affection for him, all of which he coldly discards.

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* ItsAllAboutMe: The His everyday life is built around serving his own interests and making himself look and feel like the most handsome, charming man in the world. His ego is so great that the only people he refuses to kill are ones who profess some affection for him, all of which he coldly discards.discards.


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-> "''I have all the characteristics of a human being. Flesh, blood, skin, hair, but not a single clear identifiable emotion, except for greed and disgust.''"

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* MisanthropeSupreme: With the exception of Jean, Patrick seems to utterly despise everyone around him. And he even comes close to killing her.

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* MisanthropeSupreme: With the exception of Jean, Patrick seems to utterly despise everyone around him. And he him, and even himself on some level. The only exception is perhaps Jean, and he comes close to killing even her.
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* DumbBlonde: She's just as clueless as everyone else about Bateman's true nature, and her hair is a strikingly blonde.

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* DumbBlonde: She's just as clueless as everyone else about Bateman's true nature, and her hair is a strikingly striking blonde.
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* ObliviousMockery: Since he's mistaken Patrick for Marcus, he feels comfortable regularly shitting on "Patrick Bateman" as he knows him, completely unaware that he's insulting the man sitting across from him that also just so happens to be a deranged murderer.


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* InnocentlyInsensitive: Not in general, since he's overall a dickhead, but during the infamous "business card" scene, he unintentionally pisses Bateman off with his comments on Van Patten's business card.
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* MistakenIdentity: A major plot point of the story is that Bateman is so utterly bland, generic and similar to his various compatriots that both close friends and distant acquaintances pretty regularly get him confused with someone else. The most notable example being Paul consistently mistaking Bateman for Marcus.
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[[folder: Jean]]

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[[folder: Jean]][[folder:Jean]]



[[folder: Donald Kimball]]

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[[folder: Donald [[folder:Donald Kimball]]



[[folder: Evelyn Richards]]

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[[folder: Evelyn [[folder:Evelyn Richards]]



[[folder: Christie]]

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[[folder: Christie]][[folder:Christie]]



[[folder: Bethany]]

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[[folder: Bethany]]
[[folder:Bethany]]
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* DeathByMaterialism: Not as egregious an example as some, but Christie was free and clear until Patrick lured her back to his apartment with the promise of a buttload of cash. She doesn't make it out, this time.
* DisposableSexWorker: Like many of Bateman's targets, she's a prostitute who's not openly missed by anyone in the story when she's slain.


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* ImNotDoingThatAgain: After their first "session", Christie is vehemently opposed to ever taking Patrick on as a customer again due to his sadism and vicious behavior. Until Patrick seduces her with more cash...
* InTheBack: She's killed when Patrick drops a ''chainsaw'' down a stairwell straight into her back.
* {{Streetwalker}}: Bateman meets her on the streets of the city, and frequently picks her up in his limo.

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* ItsAllAboutMe: If the conversation isn't directly about her interests, looks or hopes and dreams, she doesn't care to listen.

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* ItsAllAboutMe: If the conversation isn't directly about her interests, looks or hopes and dreams, she Evelyn doesn't care to listen.



[[folder: Bethany]]

Bateman's ex-girlfriend.

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[[folder: Bethany]]

Bateman's ex-girlfriend.
Christie]]
-> '''Played by:''' Cara Seymour
[[quoteright:285:https://static.tvtropes.org/pmwiki/pub/images/christie_0.png]]
A prostitute that Patrick frequently uses the "services" of.


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* FinalGirl: In the movie, she's a twisted variation of this. She's the final major character that Patrick targets before the end of the film, and she gets the expected dramatic chase sequence as he chases her. Only difference between her and most versions of this trope being that she ''doesn't'' survive Bateman.
[[/folder]]

[[folder: Bethany]]

Bateman's ex-girlfriend.
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* DrivenByEnvy: Even though he'd never admit it, a major driving force behind his murder of Paul is tied to his jealousy of Paul's better business card, apartment, and social skills.

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