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** the next morning. With the curse apparently lifted. Geralt somehow survives having his throat torn out by Adda's still cursed arm and still partially rabid mind. FridgeHorror sets in when you see he has no reminders of the wounds on his neck in-game, imagine how grisly his other ''collection'' of injuries, seen in the second installment, not to mention his facial scars, must have been to leave marks when being "gravely wounded" turns out to be [[GoodJobYouCanHeal a full recovery...]]

to:

** the next morning. With the curse apparently lifted. Geralt somehow survives having his throat torn out by Adda's still cursed arm and still partially rabid mind. FridgeHorror sets in when you see he has no reminders of the wounds on his neck in-game, imagine how grisly his other ''collection'' of injuries, seen all over his torso, arms and legs in the second installment, not to mention his facial scars, scars in the first, must have been to leave marks when being "gravely wounded" turns out to be [[GoodJobYouCanHeal a [[GoodThingYouCanHeal an eventual full recovery...]]
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** After punishing her with an interseting variant of the HeyYouHaymaker. The sword finally comes out. But at this point, all Geralt has to do is an IntimidationDemonstration coupled with some HairDamage that exemplifies his masterful control and the traumatized girl of a monster runs for the hills.

to:

** After punishing her with an interseting variant of the HeyYouHaymaker. The sword finally comes out. But at this point, all Geralt has to do is an IntimidationDemonstration coupled with some HairDamage a bit of a CloseCallhaircut that exemplifies his masterful control and the traumatized girl of a monster runs for the hills.

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* After punishing her with an interseting variant of the HeyYouHaymaker. The sword finally comes out. But at this point, all Geralt has to do is an IntimidationDemonstration coupled with some HairDamage that exemplifies his masterful control and the little girl of a monster runs for the hills.

to:

* ** After punishing her with an interseting variant of the HeyYouHaymaker. The sword finally comes out. But at this point, all Geralt has to do is an IntimidationDemonstration coupled with some HairDamage that exemplifies his masterful control and the little traumatized girl of a monster runs for the hills. hills.
** The Witcher takes what could be White Honey to detoxify his souped up enzymes, seals himself in Adda's coffin for the rest of the night with a Yrden and promptly falls asleep while she bashes on the stone lid from the other side!
** the next morning. With the curse apparently lifted. Geralt somehow survives having his throat torn out by Adda's still cursed arm and still partially rabid mind. FridgeHorror sets in when you see he has no reminders of the wounds on his neck in-game, imagine how grisly his other ''collection'' of injuries, seen in the second installment, not to mention his facial scars, must have been to leave marks when being "gravely wounded" turns out to be [[GoodJobYouCanHeal a full recovery...]]

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** The visuals of the potion imbibement. Geralt seems to take an infusion of Cat, Petri's Philter and an unknown third toxin to increase sensory perception and for a moment our protagonist looks as evil as the stories the old wives would have their children believe. The poisons course through his veins and ''turn them black'', his facial bones shift under his skin, becoming gaunt and bestial and his gold eyes blaze even brighter than before. A clear indication that our hero isn't remotely human.
** the fact that Geralt can hear the Foltest family crypt inch open from his position across the courtyard and up from the deep catacombs.

to:

** The A key game mechanic, but the detailed visuals of the potion imbibement.imbibement definitely count. Geralt seems to take an infusion of Cat, Petri's Philter and an unknown third toxin to increase sensory perception and for a moment our protagonist looks as evil as the stories the old wives would have their children believe. The poisons course through his veins and ''turn them black'', his facial bones shift under his skin, becoming gaunt and bestial and his gold eyes blaze even brighter than before. A clear indication that our hero isn't remotely human.
** the The fact that Geralt can hear the Foltest family crypt inch open from his position across the courtyard and up from the deep catacombs.



** Geralt's use of LeParkour and how he can passively fight a barrel-chested, incredibly powerful young monster by repeatedly diverting her clawed swipes and knocking her back with hand-to-hand combat.
** Silver chain twirling, plus catching Adda with it while she's in mid-air.
** Striga!Adda BreakingTheBonds of a material which is supposed to be as kryptonite to Necrophages.
** Geralt using both the Quen and Ard Signs in tandem to unleash a ChargeAttack that is literally a ''torrent storm'' of Hex power crackling from the monster hunter's hands. Also, the smirk he gives when it tears Adda off her four paws for the second time when she manages to crawl up to him inches away from the source.

to:

** Geralt's use of LeParkour to navigate the crumbling battlements and how he can passively fight a barrel-chested, incredibly powerful young monster by repeatedly diverting her clawed swipes and knocking her back with hand-to-hand combat.
** Silver chain twirling, WeaponTwirling, plus catching Adda with it while she's in mid-air.a mid-air leap.
** Striga!Adda BreakingTheBonds gets one too when she [[BreakingTheBonds busts free]] of a material which is supposed to be as kryptonite to Necrophages.
** Geralt using both the Quen and Ard Signs in tandem to unleash a ChargeAttack that is literally a ''torrent storm'' of Hex power crackling from the monster hunter's hands. Also, the smirk he gives when it tears Adda off her four paws for the second time when she manages to crawl up to him him,; roaring, just inches away from the source. source.
* After punishing her with an interseting variant of the HeyYouHaymaker. The sword finally comes out. But at this point, all Geralt has to do is an IntimidationDemonstration coupled with some HairDamage that exemplifies his masterful control and the little girl of a monster runs for the hills.
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** Geralt using both Quen and Ard
* In the first major quest hub, if you chose to save the witch that's being hunted by the peasants of the Outskirts, Geralt [[TheReasonYouSuckSpeech delivers an awesome rebuke]] towards the torch and pitch-fork mob and their crazed fanatic of a ring-leader. Did I mention he stops said priest cold by holding him at blade-point?

to:

** Geralt using both the Quen and Ard
Ard Signs in tandem to unleash a ChargeAttack that is literally a ''torrent storm'' of Hex power crackling from the monster hunter's hands. Also, the smirk he gives when it tears Adda off her four paws for the second time when she manages to crawl up to him inches away from the source.
* In the first major quest hub, if you chose to save the witch that's being hunted by the peasants of the Outskirts, Geralt [[TheReasonYouSuckSpeech delivers an awesome rebuke]] towards the torch and pitch-fork wielding mob and their crazed fanatic of a ring-leader. Did I mention he stops said priest instigator cold by holding him at blade-point?



-->'''Geralt:''' I'd like to see you try. Pleb.

to:

-->'''Geralt:''' I'd like to see you try. Pleb. ''(places steel sword tip under his beard)''
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** Geralt prepping all his tools of the trade as the sun sets on the old manor along with an awesome VoiceOver.

to:

** Geralt prepping all his tools of the trade as the sun sets on the old manor along with an awesome VoiceOver.voice over narration.

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** Geralt prepping all his tools of the trade as the sun sets on the old manor along with an awesome Voice Over.

to:

** Geralt prepping all his tools of the trade as the sun sets on the old manor along with an awesome Voice Over.VoiceOver.



** Striga!Adda BreakingTheBonds of a material which is supposed to be as kryptonite to Necrophages.

to:

** Striga!Adda BreakingTheBonds of a material which is supposed to be as kryptonite to Necrophages. Necrophages.
** Geralt using both Quen and Ard
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** Geralt's use of LeParkour and how he can passively fight a barrel-chested, incredibly powerful young monster by just diverting her clawed swipes and beating her back.

to:

** Geralt's use of LeParkour and how he can passively fight a barrel-chested, incredibly powerful young monster by just repeatedly diverting her clawed swipes and beating knocking her back.back with hand-to-hand combat.



** Striga!Adda BreakingTheBonds of a meterial which is supposed to be kryptonite to Necrophages.

to:

** Striga!Adda BreakingTheBonds of a meterial material which is supposed to be as kryptonite to Necrophages.

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** Geralt's use of LeParkour

to:

** Geralt's use of LeParkour LeParkour and how he can passively fight a barrel-chested, incredibly powerful young monster by just diverting her clawed swipes and beating her back.
** Silver chain twirling, plus catching Adda with it while she's in mid-air.
** Striga!Adda BreakingTheBonds of a meterial which is supposed to be kryptonite to Necrophages.

Added: 31

Changed: 38

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* The pre-rendered introduction cinematic before reaching the main menu is a retelling of one of the first short stories, published way back in 1991, and it's an excellent, action-packed sequence, staying almost entirely true to the original story, down to each individual blow. A breakdown on this fantastic intro to this mythos.

to:

* The pre-rendered introduction cinematic before reaching the main menu is a retelling of one of the first short stories, ''Wiedźmin'', published way back in 1991, and it's an excellent, action-packed sequence, staying almost entirely true to the original story, down to each individual blow. A breakdown on this fantastic intro to this mythos.


Added DiffLines:

** Geralt's use of LeParkour

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* The pre-rendered introduction cinematic before reaching the main menu is a retelling of one of the first short stories, published way back in 1991, and it's an excellent, action-packed sequence staying almost entirely true to the original story, down to each individual blow. A breakdown on this fantastic into to the mythos.

to:

* The pre-rendered introduction cinematic before reaching the main menu is a retelling of one of the first short stories, published way back in 1991, and it's an excellent, action-packed sequence sequence, staying almost entirely true to the original story, down to each individual blow. A breakdown on this fantastic into intro to the this mythos.



** The visuals of the potion imbibement. Geralt seems to take an infusion of Cat, Petri's Philter and an unknown third toxin to increase sensory perception and for a moment our protagonist looks as evil as the stories the old wives would have their children believe. The poisons course through his veins and ''turn them black'', his facial bones shift under his skin, becoming gaunt and bestial and his gold eyes blaze even brighter than before. A clear indication that our hero isn't remotely human.
** the fact that Geralt can hear the Foltest family crypt inch open from his position across the courtyard and up from the deep catacombs.



** The visuals of the potion imbibement. Geralt seems to take an infusion of Cat, Petri's Philter and an unknown third toxin to increase perception and for a moment our protagonist looks as evil as the stories the old wives would have their children believe. As the poisons course through his veins and ''turn them black'', his face turns gaunt and skeletal and his gold eyes blaze even brighter than before. A clear indication that our hero isn't entirely human.

Added: 513

Changed: 1511

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* One of the biggest moments in the original short stories is Dandelion, resident LovableCoward, demanding that if a group of elves are planning on killing Geralt [[CowardlyLion then they damn well better kill him too, or he'll use his influence to set the entire world on them until every last elf is dead and their precious mountains leveled to the ground.]]
* The rendered introduction movie in the first game is a retelling of one of the first short stories, published way back in 1991, and it's an excellent, action-packed sequence staying almost entirely true to the original story, down to each individual blow.
* Killing Azar Javed at the Manor not only gives Geralt payback for Kaer Morhen, if you spared Berengar, he returns to help finish Salamandra once and for all.
* In the first major quest hub, if you chose to [[spoiler:save the witch that's being hunted by the villagers]], Geralt [[TheReasonYouSuckSpeech delivers an awesome speech]] towards the villagers. [[spoiler:Did I mention he scares off the priest by pointing his blade?]]
-->'''Geralt''': You have two options. Wait until I leave and then murder [[spoiler:Abigail.]] But then I'll come back. I'll slay every lice ridden peasant, anything that moves and can't climb a tree. Or, you can lead honorable lives, clear your conscience, start again. Like humans. The choice is yours.
* The fight with the golem.

to:

* One of the biggest greatest moments in the original short stories is Dandelion, resident LovableCoward, demanding that if a group of elves are planning on killing Geralt [[CowardlyLion then they damn well better kill him too, or he'll use his influence to set the entire world on them until every last elf is dead and their precious mountains leveled to the ground.]]
* The rendered pre-rendered introduction movie in cinematic before reaching the first game main menu is a retelling of one of the first short stories, published way back in 1991, and it's an excellent, action-packed sequence staying almost entirely true to the original story, down to each individual blow.
* Killing Azar Javed at
blow. A breakdown on this fantastic into to the Manor not only gives mythos.
**
Geralt payback prepping all his tools of the trade as the sun sets on the old manor along with an awesome Voice Over.
** Using the traitor responsible
for Kaer Morhen, if you spared Berengar, Ada's curse, Ostrit. (Who tried to bribe, then ''[[TooDumbToLive threaten]]'', Geralt to leave,) as bait to lure the monstrous Princess right where he returns wants her.
** The visuals of the potion imbibement. Geralt seems
to help finish Salamandra once take an infusion of Cat, Petri's Philter and an unknown third toxin to increase perception and for all.
a moment our protagonist looks as evil as the stories the old wives would have their children believe. As the poisons course through his veins and ''turn them black'', his face turns gaunt and skeletal and his gold eyes blaze even brighter than before. A clear indication that our hero isn't entirely human.
* In the first major quest hub, if you chose to [[spoiler:save save the witch that's being hunted by the villagers]], peasants of the Outskirts, Geralt [[TheReasonYouSuckSpeech delivers an awesome speech]] rebuke]] towards the villagers. [[spoiler:Did torch and pitch-fork mob and their crazed fanatic of a ring-leader. Did I mention he scares off the stops said priest cold by pointing his blade?]]
-->'''Geralt''':
holding him at blade-point?
-->'''The Reverend:''' Stay out of this, Witcher! Or we'll burn you too!
-->'''Geralt:''' I'd like to see you try. Pleb.
-->'''The Reverend:''' Gah!
-->'''Geralt:''' Now listen well.
You have two options. Wait until I leave and then murder [[spoiler:Abigail.]] Abigail. But then I'll come back. I'll slay every lice ridden peasant, anything that moves and can't climb a tree. Or, you can lead honorable lives, clear your conscience, start again. Like humans. The choice is yours.
* The fight with the golem.Tower Golem in a raging thunderstorm.
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* One of the biggest moments in the original short stories is Dandelion, resident LovableCoward, demanding that if a group of elves are planning on killing Geralt [[CowardlyLion then they damn well better kill him too, or he'll set the entire world on them until every last elf is dead and their precious mountains leveled to the ground.]]

to:

* One of the biggest moments in the original short stories is Dandelion, resident LovableCoward, demanding that if a group of elves are planning on killing Geralt [[CowardlyLion then they damn well better kill him too, or he'll use his influence to set the entire world on them until every last elf is dead and their precious mountains leveled to the ground.]]
Is there an issue? Send a MessageReason:
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* One of the biggest [[CrowningMomentOfAwesome CMOAs]] from the original short stories is Dandelion, resident LovableCoward, [[CowardlyLion demanding that if a group of elves are planning on killing Geralt then they damn well better kill him too, or he'll set the entire world on them until every last elf is dead and their precious mountains leveled to the ground.]]

to:

* One of the biggest [[CrowningMomentOfAwesome CMOAs]] from moments in the original short stories is Dandelion, resident LovableCoward, [[CowardlyLion demanding that if a group of elves are planning on killing Geralt [[CowardlyLion then they damn well better kill him too, or he'll set the entire world on them until every last elf is dead and their precious mountains leveled to the ground.]]
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* The novels are packed awesome, but one of the biggest ones from the original short stories is Dandelion, resident LovableCoward, [[CowardlyLion demanding that if a group of elves are planning on killing Geralt then they damn well better kill him too, or he'll set the entire world on them until every last elf is dead and their precious mountains leveled to the ground.]]

to:

* The novels are packed awesome, but one One of the biggest ones [[CrowningMomentOfAwesome CMOAs]] from the original short stories is Dandelion, resident LovableCoward, [[CowardlyLion demanding that if a group of elves are planning on killing Geralt then they damn well better kill him too, or he'll set the entire world on them until every last elf is dead and their precious mountains leveled to the ground.]]
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* The novels are packed with these, but one of the biggest ones from the original short stories is Dandelion, resident LovableCoward, [[CowardlyLion demanding that if a group of elves are planning on killing Geralt then they damn well better kill him too, or he'll set the entire world on them until every last elf is dead and their precious mountains leveled to the ground.]]

to:

* The novels are packed with these, awesome, but one of the biggest ones from the original short stories is Dandelion, resident LovableCoward, [[CowardlyLion demanding that if a group of elves are planning on killing Geralt then they damn well better kill him too, or he'll set the entire world on them until every last elf is dead and their precious mountains leveled to the ground.]]

Added: 257

Changed: 447

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* The rendered introduction movie in the first game is a retelling of one of the first short stories, published way back in 1991. It's an excellent, action-packed sequence in its own right, but in a moment of transmedia cleverness...

to:

* The novels are packed with these, but one of the biggest ones from the original short stories is Dandelion, resident LovableCoward, [[CowardlyLion demanding that if a group of elves are planning on killing Geralt then they damn well better kill him too, or he'll set the entire world on them until every last elf is dead and their precious mountains leveled to the ground.]]
* The rendered introduction movie in the first game is a retelling of one of the first short stories, published way back in 1991. It's 1991, and it's an excellent, action-packed sequence in its own right, but in a moment of transmedia cleverness...staying almost entirely true to the original story, down to each individual blow.
Is there an issue? Send a MessageReason:
Spelling error.


* After escaping the turmoil in Temeria, Geralt resolves a conflict between a group of sentient amphibians and a small human village. For his actions, the Lady goddess of the Lake knights Geralt, gives him a magic sword, and tells him to go face his destiny. That's right, Geralt is now King Aurthur.

to:

* After escaping the turmoil in Temeria, Geralt resolves a conflict between a group of sentient amphibians and a small human village. For his actions, the Lady goddess of the Lake knights Geralt, gives him a magic sword, and tells him to go face his destiny. That's right, Geralt is now King Aurthur.Arthur.
Is there an issue? Send a MessageReason:
None


* After escaping the turmoil in Temeria, Geralt resolves a conflict between a group of sentient amphibians and a small human village. For his actions, the Lady goddess of the Lake knights Geralt, gives him a magic sword, and tells him to go face his destiny. That's right, Geralt is now King Aurthur.

to:

* After escaping the turmoil in Temeria, Geralt resolves a conflict between a group of sentient amphibians and a small human village. For his actions, the Lady goddess of the Lake knights Geralt, gives him a magic sword, and tells him to go face his destiny. That's right, Geralt is now King Aurthur.Aurthur.
** Actually, the sword in question Geralt receives is a silver blade called Aerondight. "Arondight" was the sword given by the Lady to a bit different knight, effectively turning Geralt into Lancelot. Which is actually even more appropriate.
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* Dueling Azar Javed not only gives you a chance for payback for Kaer Morhen, if you spared Berengar, he returns to help Geralt finish Salamandra once and for all.

to:

* Dueling Killing Azar Javed at the Manor not only gives you a chance for Geralt payback for Kaer Morhen, if you spared Berengar, he returns to help Geralt finish Salamandra once and for all.
Is there an issue? Send a MessageReason:
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* Dueling Azar Javed not only gives you a chance for payback for Kaer Morhen, if you spared Berengar, he returns to help Geralt finish Salamandra once and for all.



* The fight with the golem.

to:

* The fight with the golem.golem.
* After escaping the turmoil in Temeria, Geralt resolves a conflict between a group of sentient amphibians and a small human village. For his actions, the Lady goddess of the Lake knights Geralt, gives him a magic sword, and tells him to go face his destiny. That's right, Geralt is now King Aurthur.

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Correcting an example and moving Witcher 2 examples to the Wicher 2 page.


** ... The Witcher 2's combat system is more action-packed and reflects the kind of combat in the first game's intro movie. The first game's combat system was an uneasy combination of real-time and turn-based, leaning towards real-time, but the second game's combat gave a much stronger sense of Geralt's agility and versatility. This makes the above example a systemic moment of awesome that harkens to the very first experience anyone has with the first game.
** Witcher 2's Enhanced Edition reinforces this with its [[http://www.youtube.com/watch?v=WwCXw8m0PHI new opening cinematic]]. Letho displaying his combat tactics from throwing an archer off-balance with a magical bomb, evading blows with his cat-like agility and finally [[HumanShield hiding behind a swordsman to protect himself from a mage's fireball]] not only marks him as a credible threat for Geralt but also showcases legimate combat tactics for the actual gameplay (save for some GameplayAndStorySegregation like Letho actually grabbing his HumanShield instead of tricking him into the line of fire.)



* Why hasn't the fight with the golem in the first game been mentioned yet?
** You just mentioned it
* Foltest´s epic RousingSpeech in the second game:

Foltest : Where the hell are we going!?

Soldiers: To battle!

Foltest : What the fuck do we want!?

Soldiers: Victory!

Foltest : This I like!

to:

* Why hasn't the The fight with the golem in the first game been mentioned yet?
** You just mentioned it
* Foltest´s epic RousingSpeech in the second game:

Foltest : Where the hell are we going!?

Soldiers: To battle!

Foltest : What the fuck do we want!?

Soldiers: Victory!

Foltest : This I like!
golem.

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* Foltest* : Where the hell are we going!?

to:

* Foltest* Foltest : Where the hell are we going!?going!?



* Foltest* : What the fuck do we want!?

to:

* Foltest*
Foltest
: What the fuck do we want!?want!?



* Foltest* : This I like!

to:

* Foltest*
Foltest
: This I like!
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* Foltest*: Where the hell are we going!?

to:

* Foltest*: *Foltest* : Where the hell are we going!?



* Foltest*: What the fuck do we want!?

to:

* Foltest*: *Foltest* : What the fuck do we want!?



* Foltest*: This I like!

to:

* Foltest*: *Foltest* : This I like!
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** You just mentioned it

to:

** You just mentioned itit
* Foltest´s epic RousingSpeech in the second game:

*Foltest*: Where the hell are we going!?
Soldiers: To battle!
*Foltest*: What the fuck do we want!?
Soldiers: Victory!
*Foltest*: This I like!
Is there an issue? Send a MessageReason:
None


* Why hasn't the fight with the golem in the first game been mentioned yet?

to:

* Why hasn't the fight with the golem in the first game been mentioned yet?yet?
** You just mentioned it
Is there an issue? Send a MessageReason:
None

Added DiffLines:

** Witcher 2's Enhanced Edition reinforces this with its [[http://www.youtube.com/watch?v=WwCXw8m0PHI new opening cinematic]]. Letho displaying his combat tactics from throwing an archer off-balance with a magical bomb, evading blows with his cat-like agility and finally [[HumanShield hiding behind a swordsman to protect himself from a mage's fireball]] not only marks him as a credible threat for Geralt but also showcases legimate combat tactics for the actual gameplay (save for some GameplayAndStorySegregation like Letho actually grabbing his HumanShield instead of tricking him into the line of fire.)
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* The rendered introduction movie in the first game is a retelling of one of the first short stories, published way back in 1991. It's an excellent, action-packed sequence in its own right, but in a moment of transmedia cleverness...
** ... The Witcher 2's combat system is more action-packed and reflects the kind of combat in the first game's intro movie. The first game's combat system was an uneasy combination of real-time and turn-based, leaning towards real-time, but the second game's combat gave a much stronger sense of Geralt's agility and versatility. This makes the above example a systemic moment of awesome that harkens to the very first experience anyone has with the first game.

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Is there an issue? Send a MessageReason:
Removed to put into the Witcher 2 page.


* From the second game, at the end of both paths, [[spoiler:if Geralt chose to save Triss from Nilfgaard's compound.]] He storms the place all on his own, and when his hostage, [[spoiler:Shilard Fitz-Oesterlen, the Nilfgaard Ambassador]], gets shot and killed by his own, and Geralt is faced by the very elite of Imperial soldiers, he gives us this one very awesome line.
-->'''Geralt''': And now, you will all have to die.

* From the first game, if you chose to [[spoiler:save the witch that's being hunted by the villagers]], Geralt [[TheReasonYouSuckSpeech delivers an awesome speech]] towards the villagers. [[spoiler:Did I mention he scares off the priest by pointing his blade?]]

to:

* From the second game, at the end of both paths, [[spoiler:if Geralt chose to save Triss from Nilfgaard's compound.]] He storms the place all on his own, and when his hostage, [[spoiler:Shilard Fitz-Oesterlen, the Nilfgaard Ambassador]], gets shot and killed by his own, and Geralt is faced by the very elite of Imperial soldiers, he gives us this one very awesome line.
-->'''Geralt''': And now, you will all have to die.

* From
In the first game, major quest hub, if you chose to [[spoiler:save the witch that's being hunted by the villagers]], Geralt [[TheReasonYouSuckSpeech delivers an awesome speech]] towards the villagers. [[spoiler:Did I mention he scares off the priest by pointing his blade?]]
Is there an issue? Send a MessageReason:
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* From the first game, if you chose to [[spoiler:save the witch that's being hunted by the villagers]], Geralt delivers a awesome speech towards the villagers. [[spoiler:Did I mention he scares off the priest by pointing his blade?]]

to:

* From the first game, if you chose to [[spoiler:save the witch that's being hunted by the villagers]], Geralt [[TheReasonYouSuckSpeech delivers a an awesome speech speech]] towards the villagers. [[spoiler:Did I mention he scares off the priest by pointing his blade?]]

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