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Changed line(s) 5,6 (click to see context) from:
* Jimmy supporting Annie by physically blocking Captain Keller from trying to intervene in her disciplining Helen, asking his father if he ever considered that fact that he might be wrong for a change.
*
*
to:
* Jimmy supporting Annie by physically blocking Captain Keller from trying to intervene in her disciplining Helen, asking his father if he ever considered that fact that he might be wrong for a change.
*change.
*
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Changed line(s) 2,3 (click to see context) from:
* Annie calling out Captain Keller and Kate for pitying Helen simply because it was easier than teaching her how to behave.
* Helen's final EurekaMoment, taken straight from the true story as she suddenly realizes the connection between the "finger game" Annie has been doing with her and the water currently running over her hand. The symbols ''are'' the things. And just like that, this blind and deaf girl who spent her first seven years almost completely unable to express what's in her mind realizes that everything in the world has a name, and she eagerly drags Annie around to ask the names of several other things around them (actually quite toned down from how it really happened, as Helen drove her poor teacher to exhaustion doing this for ''hours'').
* Helen's final EurekaMoment, taken straight from the true story as she suddenly realizes the connection between the "finger game" Annie has been doing with her and the water currently running over her hand. The symbols ''are'' the things. And just like that, this blind and deaf girl who spent her first seven years almost completely unable to express what's in her mind realizes that everything in the world has a name, and she eagerly drags Annie around to ask the names of several other things around them (actually quite toned down from how it really happened, as Helen drove her poor teacher to exhaustion doing this for ''hours'').
to:
* Annie calling out Captain Keller and Kate for pitying spoiling Helen simply because out of pity for her condition and how it was easier has damaged her.
-->'''Annie:''' Pity?! For this tyrant?! The whole house turns on her whim! Is there anything she wants she doesn't get? I'll tell you what I pity; that the sun won't rise and set for her all her life and everyday you're telling her it will. What will you and your pity do when you're under the strawberries, Captain Keller? [...] Serves you good, that's all! It's far less trouble to feel sorry for her thanteaching it is to teach her how to behave.
anything better!
* Helen's final EurekaMoment, taken straight from the true story as she suddenly realizes the connection between the "finger game" Annie has been doing with her and the water currently running over her hand. The symbols ''are'' the things. And just like that, this blind and deaf girl who spent her first seven years almost completely unable to express what's in her mind realizes that everything in the world has a name, and she eagerly drags Annie around to ask the names of several other things around them (actually quite toned down from how it really happened, as Helen drove her poor teacher to exhaustion doing this for''hours'').''hours'').
* Jimmy supporting Annie by physically blocking Captain Keller from trying to intervene in her disciplining Helen, asking his father if he ever considered that fact that he might be wrong for a change.
*
-->'''Annie:''' Pity?! For this tyrant?! The whole house turns on her whim! Is there anything she wants she doesn't get? I'll tell you what I pity; that the sun won't rise and set for her all her life and everyday you're telling her it will. What will you and your pity do when you're under the strawberries, Captain Keller? [...] Serves you good, that's all! It's far less trouble to feel sorry for her than
* Helen's final EurekaMoment, taken straight from the true story as she suddenly realizes the connection between the "finger game" Annie has been doing with her and the water currently running over her hand. The symbols ''are'' the things. And just like that, this blind and deaf girl who spent her first seven years almost completely unable to express what's in her mind realizes that everything in the world has a name, and she eagerly drags Annie around to ask the names of several other things around them (actually quite toned down from how it really happened, as Helen drove her poor teacher to exhaustion doing this for
* Jimmy supporting Annie by physically blocking Captain Keller from trying to intervene in her disciplining Helen, asking his father if he ever considered that fact that he might be wrong for a change.
*
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Added DiffLines:
* Annie calling out Captain Keller and Kate for pitying Helen simply because it was easier than teaching her how to behave.
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Changed line(s) 2 (click to see context) from:
* Helen's final EurekaMoment, taken straight from the true story as she suddenly realizes the connection between the "finger game" Annie has been doing with her and the water currently running over her hand. And just like that, this blind and deaf girl who spent her first seven years completely isolated within her own mind realizes that everything in the world has a name, and she eagerly drags Annie around to ask the names of several other things around them (actually quite toned down from how it really happened, as Helen drove her poor teacher to exhaustion doing this for ''hours'').
to:
* Helen's final EurekaMoment, taken straight from the true story as she suddenly realizes the connection between the "finger game" Annie has been doing with her and the water currently running over her hand. The symbols ''are'' the things. And just like that, this blind and deaf girl who spent her first seven years almost completely isolated within unable to express what's in her own mind realizes that everything in the world has a name, and she eagerly drags Annie around to ask the names of several other things around them (actually quite toned down from how it really happened, as Helen drove her poor teacher to exhaustion doing this for ''hours'').
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Changed line(s) 1 (click to see context) from:
* In the 1962 film the breakfast scene, where Annie attempts to teach Helen table manners, is one of the most astounding eight minutes in cinema. The critic David Thomson [[http://www.theguardian.com/film/filmblog/2010/sep/30/arthur-penn-bonnie-clyde-tribute considered]] it to be more violent than the climactic scene of ''Film/BonnieAndClyde'', another film by the same director.
to:
* In the 1962 film the breakfast scene, where Annie attempts to teach Helen table manners, is one of the most astounding eight minutes in cinema. The critic David Thomson [[http://www.theguardian.com/film/filmblog/2010/sep/30/arthur-penn-bonnie-clyde-tribute considered]] it to be more violent than the climactic scene of ''Film/BonnieAndClyde'', another film by the same director.director.
* Helen's final EurekaMoment, taken straight from the true story as she suddenly realizes the connection between the "finger game" Annie has been doing with her and the water currently running over her hand. And just like that, this blind and deaf girl who spent her first seven years completely isolated within her own mind realizes that everything in the world has a name, and she eagerly drags Annie around to ask the names of several other things around them (actually quite toned down from how it really happened, as Helen drove her poor teacher to exhaustion doing this for ''hours'').
* Helen's final EurekaMoment, taken straight from the true story as she suddenly realizes the connection between the "finger game" Annie has been doing with her and the water currently running over her hand. And just like that, this blind and deaf girl who spent her first seven years completely isolated within her own mind realizes that everything in the world has a name, and she eagerly drags Annie around to ask the names of several other things around them (actually quite toned down from how it really happened, as Helen drove her poor teacher to exhaustion doing this for ''hours'').
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Changed line(s) 1 (click to see context) from:
* In the 1962 film the breakfast scene, where Annie attempts to teach Helen table manners, is one of the most astounding eight minutes in cinema. The critic David Thomson [[http://www.theguardian.com/film/filmblog/2010/sep/30/arthur-penn-bonnie-clyde-tribute considered]] it to be more violent than the climactic scene of BonnieAndClyde, another film by the same director.
to:
* In the 1962 film the breakfast scene, where Annie attempts to teach Helen table manners, is one of the most astounding eight minutes in cinema. The critic David Thomson [[http://www.theguardian.com/film/filmblog/2010/sep/30/arthur-penn-bonnie-clyde-tribute considered]] it to be more violent than the climactic scene of BonnieAndClyde, ''Film/BonnieAndClyde'', another film by the same director.
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Changed line(s) 1 (click to see context) from:
* In the 1962 film the breakfast scene, where Annie attempts to teach Helen table manners, is one of the most astounding eight minutes in cinema. The critic David Thomson considered it to be more violent than the climactic scene of BonnieAndClyde, another film by the same director.
to:
* In the 1962 film the breakfast scene, where Annie attempts to teach Helen table manners, is one of the most astounding eight minutes in cinema. The critic David Thomson considered [[http://www.theguardian.com/film/filmblog/2010/sep/30/arthur-penn-bonnie-clyde-tribute considered]] it to be more violent than the climactic scene of BonnieAndClyde, another film by the same director.
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Added DiffLines:
*In the 1962 film the breakfast scene, where Annie attempts to teach Helen table manners, is one of the most astounding eight minutes in cinema. The critic David Thomson considered it to be more violent than the climactic scene of BonnieAndClyde, another film by the same director.
