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* AdaptationalBadass: The Korosu from the stageplays go from [[HumanoidAbomination humanoid enemies]] created by Seisho's Class B whose only advantage is their overwhelming numbers against the girls, to outright [[EldritchAbomination monstrous beings]] of different shapes and sizes in the mobile game, capable of erasing stories from existence and memory.
to:
* AdaptationalBadass: AdaptationalBadass:
** The Seisho girls are capable of more impressive feats during the auditions in the anime than they are in the stage plays. Justified, since an animated medium allows the characters to [[RuleOfAnimationConservation fight more creatively than live actors could]].
** The Korosu from the stageplays go from [[HumanoidAbomination humanoid enemies]] created by Seisho's Class B whose only advantage is their overwhelming numbers against the girls, to outright [[EldritchAbomination monstrous beings]] of different shapes and sizes in the mobile game, capable of erasing stories from existence and memory.
** The Seisho girls are capable of more impressive feats during the auditions in the anime than they are in the stage plays. Justified, since an animated medium allows the characters to [[RuleOfAnimationConservation fight more creatively than live actors could]].
** The Korosu from the stageplays go from [[HumanoidAbomination humanoid enemies]] created by Seisho's Class B whose only advantage is their overwhelming numbers against the girls, to outright [[EldritchAbomination monstrous beings]] of different shapes and sizes in the mobile game, capable of erasing stories from existence and memory.
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Changed line(s) 82 (click to see context) from:
-> The viewer will soon learn that Fury, Curse, Escape, Jealousy, Despair, and Arrogance are the goddesses played respectively by [[DontYouDarePityMe Junna]], [[BeleagueredAssistant Futaba]], Kaoruko, [[ClingyJealousGirl Mahiru]], [[IJustWantToHaveFriends Nana]], and Karen in last year's performance. Both the current and former identities of the goddesses are suspiciously apropos for the characters who portrayed them.
to:
The viewer will soon learn that Fury, Curse, Escape, Jealousy, Despair, and Arrogance are the goddesses played respectively by [[DontYouDarePityMe Junna]], [[BeleagueredAssistant Futaba]], Kaoruko, [[ClingyJealousGirl Mahiru]], [[IJustWantToHaveFriends Nana]], and Karen in last year's performance.
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Two movies have been announced to be released in 2020. The first would serve as a recap of the anime's events while the second one features a brand new story set during the 99th's third year in school.
to:
Two movies have been announced to be announced. The first movie: ''Shoujo☆Kageki Revue Starlight Rondo・Rondo・Rondo'', which was released in 2020. The first would serve as Japanese theaters on August 7, 2020, is a feature-length recap of the anime's events while told in [[PerspectiveFlip Nana's perspective]] with brand new scenes not shown in the original TV series. The second one movie features a brand new story set during the 99th's third year in school.school and is currently scheduled for release on 2021.
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* TarotMotifs: Stars and a Tower (right next to each other in Major Arcana numbering) figure prominently in both the play "Starlight" and Hikari and Kagura's story.
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* {{Crossover}}: With ''Anime/TojiNoMiko'' for a 2019 collaboration with their mobile games.
to:
* {{Crossover}}: {{Crossover}}:
** With ''Anime/TojiNoMiko'' for a 2019 collaboration with their mobilegames.games.
** With ''VideoGame/BangDreamGirlsBandParty'' in ''Re LIVE'' in a collaboration event, where the girls of Poppin' Party get to meet the five main characters of ''Re LIVE'' and help them for a special play involving bands.
** With ''Anime/TojiNoMiko'' for a 2019 collaboration with their mobile
** With ''VideoGame/BangDreamGirlsBandParty'' in ''Re LIVE'' in a collaboration event, where the girls of Poppin' Party get to meet the five main characters of ''Re LIVE'' and help them for a special play involving bands.
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* DoesThisRemindYouOfAnything: When Kaoruko is interrogating Mahiru on [[SchoolgirlLesbians her feelings towards Karen]] in the bath, she holds a rubber duck between her fingers and makes it ''squirt water''.
Deleted line(s) 79 (click to see context) :
* GettingCrapPastTheRadar: When Kaoruko is interrogating Mahiru on her feelings towards Karen in the bath, she holds a rubber duck between her fingers and makes it ''squirt water''.
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Deleted line(s) 17,18 (click to see context) :
* AdaptationalBadass: The Korosu from the stageplays go from [[HumanoidAbomination humanoid enemies]] created by Seisho's Class B whose only advantage is their overwhelming numbers against the girls, to outright [[EldritchAbomination monstrous beings]] of different shapes and sizes in the mobile game, capable of erasing stories from existence and memory.
* AdaptationalNiceGuy: Because the anime adaptation is a LighterAndSofter take on the story, nearly all the girls, with [[NiceGirl Karen]] being the sole exception, are considerably nicer to each other in the anime unlike their more aggressive stage play counterparts. In the stage play version, their rivalry with each other is borderline hostile enough that they mostly don't consider each other as friends and their revue auditions are comparatively more aggressively intense as a result. In the anime, their rivalry is friendlier, and while still intense, their revue auditions are much less hostile as a result.
* AdaptationalNiceGuy: Because the anime adaptation is a LighterAndSofter take on the story, nearly all the girls, with [[NiceGirl Karen]] being the sole exception, are considerably nicer to each other in the anime unlike their more aggressive stage play counterparts. In the stage play version, their rivalry with each other is borderline hostile enough that they mostly don't consider each other as friends and their revue auditions are comparatively more aggressively intense as a result. In the anime, their rivalry is friendlier, and while still intense, their revue auditions are much less hostile as a result.
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* AdaptationalBadass: The Korosu from the stageplays go from [[HumanoidAbomination humanoid enemies]] created by Seisho's Class B whose only advantage is their overwhelming numbers against the girls, to outright [[EldritchAbomination monstrous beings]] of different shapes and sizes in the mobile game, capable of erasing stories from existence and memory.
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* AdaptationalNiceGuy: Because the anime adaptation is a LighterAndSofter take on the story, nearly all the girls, with [[NiceGirl Karen]] being the sole exception, are considerably nicer to each other in the anime unlike their more aggressive stage play counterparts. In the stage play version, their rivalry with each other is borderline hostile enough that they mostly don't consider each other as friends and their revue auditions are comparatively more aggressively intense as a result. In the anime, their rivalry is friendlier, and while still intense, their revue auditions are much less hostile as a result.
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Changed line(s) 17 (click to see context) from:
* AdaptationalBadass: The Korosu from the stageplays go from [[HumanoidAbomination humanoid enemies]] created by Seisho's Class B whose only advantage are their overwhelming numbers against the girls, to outright [[EldritchAbomination monstrous beings]] of different shapes and sizes in the mobile game, capable of erasing stories from existence and memory.
to:
* AdaptationalBadass: The Korosu from the stageplays go from [[HumanoidAbomination humanoid enemies]] created by Seisho's Class B whose only advantage are is their overwhelming numbers against the girls, to outright [[EldritchAbomination monstrous beings]] of different shapes and sizes in the mobile game, capable of erasing stories from existence and memory.
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Changed line(s) 17 (click to see context) from:
* AdaptationalBadass: The Korosu from the stageplays go from [[HumanoidAbomination humanoid enemies]] created by Seisho's Class B whose only advantage are their overwhelming numbers against the girls, to outright [[EldritchAbomination monstrous beings]] of different shapes and sizes, capable of erasing stories from existence and memory.
to:
* AdaptationalBadass: The Korosu from the stageplays go from [[HumanoidAbomination humanoid enemies]] created by Seisho's Class B whose only advantage are their overwhelming numbers against the girls, to outright [[EldritchAbomination monstrous beings]] of different shapes and sizes, sizes in the mobile game, capable of erasing stories from existence and memory.
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Added DiffLines:
* AdaptationalBadass: The Korosu from the stageplays go from [[HumanoidAbomination humanoid enemies]] created by Seisho's Class B whose only advantage are their overwhelming numbers against the girls, to outright [[EldritchAbomination monstrous beings]] of different shapes and sizes, capable of erasing stories from existence and memory.
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The premise of saving an institution from being shut down is common enough to warrant its own trope, so this is most likely just a coincidence. Also, only one trope per line.
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* ContinuityNod / MythologyGag: [[https://twitter.com/satohina1223/status/1150770556402143233 According to]] Creator/HinataSato, when coming up with the third tragedy of Junna's rant about class 2-A's "three great tragedies" (itself a reference to the "great tragedies of Creator/WilliamShakespeare", something Junna mentioned in the first musical) in ''#2 revival'', she took into consideration the anime and ''4-koma Starlight''. Satou changed up this particular line for every showing of ''#2 revival'', and while "half-twintails that don't suit me," used in the matinee on day 3, was presumably about one 4-koma gag of Junna putting her hair up for an audition, it also drew titters from viewers who knew of Satou's [[ActorAllusion other roles as twintailed characters]] Leah Kazuno in Anime/LoveLiveSunshine and Alice in ''Stray Sheep Paradise''.
to:
* ContinuityNod / MythologyGag: ContinuityNod: [[https://twitter.com/satohina1223/status/1150770556402143233 According to]] Creator/HinataSato, when coming up with the third tragedy of Junna's rant about class 2-A's "three great tragedies" (itself a reference to the "great tragedies of Creator/WilliamShakespeare", something Junna mentioned in the first musical) in ''#2 revival'', she took into consideration the anime and ''4-koma Starlight''. Satou changed up this particular line for every showing of ''#2 revival'', and while "half-twintails that don't suit me," used in the matinee on day 3, was presumably about one 4-koma gag of Junna putting her hair up for an audition, it also drew titters from viewers who knew of Satou's [[ActorAllusion other roles as twintailed characters]] Leah Kazuno in Anime/LoveLiveSunshine ''Anime/LoveLiveSunshine'' and Alice in ''Stray Sheep Paradise''.
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* ShoutOut:
** The premise of the series is very heavily inspired by the Creator/TakarazukaRevue, or more specifically, [[http://www.tms.ac.jp/english/ the Takarazuka Music School]] (down to the gray uniforms). The military-esque uniforms the girls wear during stage combat are also typical of the kinds of costumes common in Takarazuka productions, and the dramatic direction of the "auditions" calls to mind the melodrama that characterizes Takarazuka productions. It's worth noting that Akiko Kodama, who currently directs the Revue Starlight stage musicals, was part of the Takarazuka Revue for almost a decade.
** Rinmeikan's story of attempting to save their Performance Department from getting shut down by participating in the Auditions is reminiscent of the plot of ''Anime/LoveLive''. However, the girls' struggles, the more realistic and dramatic tone of their plot, as well as [[spoiler: their main arc's eventual resolution in Main Story 9, is more in line with ''Love Live's'' spin-off sequel series, ''Anime/LoveLiveSunshine''.]]
** The premise of the series is very heavily inspired by the Creator/TakarazukaRevue, or more specifically, [[http://www.tms.ac.jp/english/ the Takarazuka Music School]] (down to the gray uniforms). The military-esque uniforms the girls wear during stage combat are also typical of the kinds of costumes common in Takarazuka productions, and the dramatic direction of the "auditions" calls to mind the melodrama that characterizes Takarazuka productions. It's worth noting that Akiko Kodama, who currently directs the Revue Starlight stage musicals, was part of the Takarazuka Revue for almost a decade.
** Rinmeikan's story of attempting to save their Performance Department from getting shut down by participating in the Auditions is reminiscent of the plot of ''Anime/LoveLive''. However, the girls' struggles, the more realistic and dramatic tone of their plot, as well as [[spoiler: their main arc's eventual resolution in Main Story 9, is more in line with ''Love Live's'' spin-off sequel series, ''Anime/LoveLiveSunshine''.]]
to:
* ShoutOut:
**ShoutOut: The premise of the series is very heavily inspired by the Creator/TakarazukaRevue, or more Creator/TakarazukaRevue. More specifically, Seishou Music Academy is based on the real-life [[http://www.tms.ac.jp/english/ the Takarazuka Music School]] (down School]], right down to the gray uniforms).similar uniforms. The military-esque uniforms the girls wear during stage combat are also typical of the kinds of costumes common in Takarazuka productions, and the dramatic direction of the "auditions" calls to mind the melodrama that characterizes Takarazuka productions. It's worth noting that Akiko Kodama, who currently directs the Revue Starlight stage musicals, was part of the Takarazuka Revue for almost a decade.
** Rinmeikan's story of attempting to save their Performance Department from getting shut down by participating in the Auditions is reminiscent of the plot of ''Anime/LoveLive''. However, the girls' struggles, the more realistic and dramatic tone of their plot, as well as [[spoiler: their main arc's eventual resolution in Main Story 9, is more in line with ''Love Live's'' spin-off sequel series, ''Anime/LoveLiveSunshine''.]]decade.
**
** Rinmeikan's story of attempting to save their Performance Department from getting shut down by participating in the Auditions is reminiscent of the plot of ''Anime/LoveLive''. However, the girls' struggles, the more realistic and dramatic tone of their plot, as well as [[spoiler: their main arc's eventual resolution in Main Story 9, is more in line with ''Love Live's'' spin-off sequel series, ''Anime/LoveLiveSunshine''.]]
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* ShowWithinAShow: "Starlight" is the main focus of the anime and stage plays. ''Re LIVE'' also features productions of several shows by the various schools, some of which are original works, and some of which are references to well-known fictional works, usually in conjunction with the gacha release of characters in their stage costumes.
to:
* ShowWithinAShow: "Starlight" The in-universe play ''Starlight'' is the main focus of the anime and stage plays. ''Re LIVE'' also features productions of several shows by the various schools, some of which are original works, and some of which are references to well-known fictional works, usually in conjunction with the gacha release of characters in their stage costumes.
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Changed line(s) 130 (click to see context) from:
** The premise of the series is very heavily inspired by the Theatre/TakarazukaRevue, or more specifically, [[http://www.tms.ac.jp/english/ the Takarazuka Music School]] (down to the gray uniforms). The military-esque uniforms the girls wear during stage combat are also typical of the kinds of costumes common in Takarazuka productions, and the dramatic direction of the "auditions" calls to mind the melodrama that characterizes Takarazuka productions. It's worth noting that Akiko Kodama, who currently directs the Revue Starlight stage musicals, was part of the Takarazuka Revue for almost a decade.
to:
** The premise of the series is very heavily inspired by the Theatre/TakarazukaRevue, Creator/TakarazukaRevue, or more specifically, [[http://www.tms.ac.jp/english/ the Takarazuka Music School]] (down to the gray uniforms). The military-esque uniforms the girls wear during stage combat are also typical of the kinds of costumes common in Takarazuka productions, and the dramatic direction of the "auditions" calls to mind the melodrama that characterizes Takarazuka productions. It's worth noting that Akiko Kodama, who currently directs the Revue Starlight stage musicals, was part of the Takarazuka Revue for almost a decade.
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* OneGenderSchool: Seisho Music Academy, the school where the series mainly takes place, is an all-girls' school. Since Seisho is heavily based on the real-life [[Theatre/TakarazukaRevue Takarazuka]] Music School, which is also all-female, it only makes sense. The mobile game introduces more schools, all of which are girls-only as well.
to:
* OneGenderSchool: Seisho Music Academy, the school where the series mainly takes place, is an all-girls' school. Since Seisho is heavily based on the real-life [[Theatre/TakarazukaRevue Takarazuka]] Creator/{{Takarazuka|Revue}} Music School, which is also all-female, it only makes sense. The mobile game introduces more schools, all of which are girls-only as well.
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* ShrinkingViolet: Mahiru is normally incredibly shy, at least outside performances, where she's bolder. Shiori and Rui from the mobile game are also the same way.
to:
* ShrinkingViolet: Mahiru is normally incredibly shy, at least outside performances, where unless she's bolder.onstage performing. Shiori and Rui from the mobile game are also the same way.
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Changed line(s) 122 (click to see context) from:
* SecretKeeper: The auditions are not common knowledge, and known to only a small handful of students. The giraffe also threatens Karen with penalties if she were to tell anyone else about the auditions.
to:
* SecretKeeper: The auditions Auditions are not common knowledge, and known to only a small handful of students. The giraffe also threatens Karen with penalties if she were to tell anyone else about the auditions.
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* ShrinkingViolet: Mahiru is incredibly shy.
to:
* ShrinkingViolet: Mahiru is normally incredibly shy.shy, at least outside performances, where she's bolder. Shiori and Rui from the mobile game are also the same way.
* SiblingYinYang: The Yumeoji Sisters from ''Re Live'' have polar opposite personalities. Whereas Fumi is more temperamental and blunt, Shiori tends to be more soft-spoken and meek compared to her older sister.
* SiblingYinYang: The Yumeoji Sisters from ''Re Live'' have polar opposite personalities. Whereas Fumi is more temperamental and blunt, Shiori tends to be more soft-spoken and meek compared to her older sister.
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Changed line(s) 77 (click to see context) from:
-> The viewer will soon learn that Fury, Curse, Escape, Jealousy, Despair, and Arrogance are the goddesses played respectively by [[DontYouDarePityMe Junna]], [[BeleaguredAssistant Futaba]], Kaoruko, [[ClingyJealousGirl Mahiru]], [[IJustWantToHaveFriends Nana]], and Karen in last year's performance. Both the current and former identities of the goddesses are suspiciously apropos for the characters who portrayed them.
to:
-> The viewer will soon learn that Fury, Curse, Escape, Jealousy, Despair, and Arrogance are the goddesses played respectively by [[DontYouDarePityMe Junna]], [[BeleaguredAssistant [[BeleagueredAssistant Futaba]], Kaoruko, [[ClingyJealousGirl Mahiru]], [[IJustWantToHaveFriends Nana]], and Karen in last year's performance. Both the current and former identities of the goddesses are suspiciously apropos for the characters who portrayed them.
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Changed line(s) 77 (click to see context) from:
The viewer will soon learn that Fury, Curse, Escape, Jealousy, Despair, and Arrogance are the goddesses played respectively by [[DontYouDarePityMe Junna]], [[BeleaguredAssistant Futaba]], Kaoruko, [[ClingyJealousGirl Mahiru]], [[IJustWantToHaveFriends Nana]], and Karen in last year's performance. Both the current and former identities of the goddesses are suspiciously apropos for the characters who portrayed them.
to:
-> The viewer will soon learn that Fury, Curse, Escape, Jealousy, Despair, and Arrogance are the goddesses played respectively by [[DontYouDarePityMe Junna]], [[BeleaguredAssistant Futaba]], Kaoruko, [[ClingyJealousGirl Mahiru]], [[IJustWantToHaveFriends Nana]], and Karen in last year's performance. Both the current and former identities of the goddesses are suspiciously apropos for the characters who portrayed them.
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* FreezeFrameBonus: In Episode 9, Hikari shows Karen a copy of ''The Starlight Gatherer'', the book on which the ShowWithinAShow is based and scraps of English text are visible as they page through it. Notably, it opens with the passage
--> The Star remembers it all.
--> When Fury was Passion.
--> When Curse was Faith.
--> When Escape was Bravery.
--> When Jealousy was Affection.
--> When Despair was Hope.
--> When Arrogance was Pride.
--> The Star remembers it all, together with its twinkles.
The viewer will soon learn that Fury, Curse, Escape, Jealousy, Despair, and Arrogance are the goddesses played respectively by [[DontYouDarePityMe Junna]], [[BeleaguredAssistant Futaba]], Kaoruko, [[ClingyJealousGirl Mahiru]], [[IJustWantToHaveFriends Nana]], and Karen in last year's performance. Both the current and former identities of the goddesses are suspiciously apropos for the characters who portrayed them.
--> The Star remembers it all.
--> When Fury was Passion.
--> When Curse was Faith.
--> When Escape was Bravery.
--> When Jealousy was Affection.
--> When Despair was Hope.
--> When Arrogance was Pride.
--> The Star remembers it all, together with its twinkles.
The viewer will soon learn that Fury, Curse, Escape, Jealousy, Despair, and Arrogance are the goddesses played respectively by [[DontYouDarePityMe Junna]], [[BeleaguredAssistant Futaba]], Kaoruko, [[ClingyJealousGirl Mahiru]], [[IJustWantToHaveFriends Nana]], and Karen in last year's performance. Both the current and former identities of the goddesses are suspiciously apropos for the characters who portrayed them.
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* GratuitousFrench: Being half-French, Claudine occasionally throws some French words in her speech.
to:
* GratuitousFrench: Being half-French, Claudine occasionally throws some French words in her speech. When she's [[ZanyScheme playing sick to keep the teacher from learning Hikari and Karen broke curfew]] she exploits it by dramatically saying things like "the weather is nice today" in a language she knows the teacher won't understand.
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** Futaba and Claudine bring up the Bobotie dish Junna made for their class in ''Overture'' at the beginning of the "Hello to Halloween" event story, [[DamnedByFaintPraise complete with Futaba recalling it as "that weird dish from our first year", and Claudine once again calling it the dish they were all too immature to appreciate at the time]].
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Changed line(s) 81 (click to see context) from:
* LateArrivalSpoiler: The mobile game already assumes that you've watched the anime series, so details like [[spoiler: Karen and Hikari winning the Auditions, them getting the lead roles of Flora and Claire for the 100th Seisho Festival,]] and that [[spoiler: the Auditions drain the Brilliance of the Revues' losers when a Top Star is chosen,]] are immediately given away to the players right at the beginning of the first Main Story chapter.
to:
* LateArrivalSpoiler: LateArrivalSpoiler:
** The mobile game already assumes that you've watched the anime series, so details like [[spoiler: Karen and Hikari winning the Auditions, them getting the lead roles of Flora and Claire for the 100th Seisho Festival,]] and that [[spoiler: the Auditions drain the Brilliance of the Revues' losers when a Top Star is chosen,]] are immediately given away to the players right at the beginning of the first Main Storychapter.chapter.
** The 3rd ''Revue Starlight'' live, "Starry Diamond", also assumes that you've cleared at least Main Story 9 [[spoiler: as the Rinmeikan Stage Girls' stage introduction lines, which were changed during and after Main Story 9, don't bother hiding that their school's Performance Department was reformed into the Performance Association after it was effectively shut down at the end of that Main Story.]]
** The mobile game already assumes that you've watched the anime series, so details like [[spoiler: Karen and Hikari winning the Auditions, them getting the lead roles of Flora and Claire for the 100th Seisho Festival,]] and that [[spoiler: the Auditions drain the Brilliance of the Revues' losers when a Top Star is chosen,]] are immediately given away to the players right at the beginning of the first Main Story
** The 3rd ''Revue Starlight'' live, "Starry Diamond", also assumes that you've cleared at least Main Story 9 [[spoiler: as the Rinmeikan Stage Girls' stage introduction lines, which were changed during and after Main Story 9, don't bother hiding that their school's Performance Department was reformed into the Performance Association after it was effectively shut down at the end of that Main Story.]]
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Changed line(s) 118 (click to see context) from:
** Rinmeikan's story of attempting to save their Performance Department from getting shut down by participating in the Auditions is reminiscent of the plot of ''Anime/LoveLive''. However, the girls' struggles, the more realistic and dramatic tone of their plot, as well as [[spoiler: their main arc's eventual resolution in Main Story 9, is more reminiscent of ''Love Live's'' spin-off sequel series, ''Anime/LoveLiveSunshine''.]]
to:
** Rinmeikan's story of attempting to save their Performance Department from getting shut down by participating in the Auditions is reminiscent of the plot of ''Anime/LoveLive''. However, the girls' struggles, the more realistic and dramatic tone of their plot, as well as [[spoiler: their main arc's eventual resolution in Main Story 9, is more reminiscent of in line with ''Love Live's'' spin-off sequel series, ''Anime/LoveLiveSunshine''.]]
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None
Changed line(s) 116 (click to see context) from:
* ShoutOut: The premise of the series is very heavily inspired by the Theatre/TakarazukaRevue, or more specifically, [[http://www.tms.ac.jp/english/ the Takarazuka Music School]] (down to the gray uniforms). The military-esque uniforms the girls wear during stage combat are also typical of the kinds of costumes common in Takarazuka productions, and the dramatic direction of the "auditions" calls to mind the melodrama that characterizes Takarazuka productions. It's worth noting that Akiko Kodama, who currently directs the Revue Starlight stage musicals, was part of the Takarazuka Revue for almost a decade.
to:
* ShoutOut: ShoutOut:
** The premise of the series is very heavily inspired by the Theatre/TakarazukaRevue, or more specifically, [[http://www.tms.ac.jp/english/ the Takarazuka Music School]] (down to the gray uniforms). The military-esque uniforms the girls wear during stage combat are also typical of the kinds of costumes common in Takarazuka productions, and the dramatic direction of the "auditions" calls to mind the melodrama that characterizes Takarazuka productions. It's worth noting that Akiko Kodama, who currently directs the Revue Starlight stage musicals, was part of the Takarazuka Revue for almost adecade.decade.
** Rinmeikan's story of attempting to save their Performance Department from getting shut down by participating in the Auditions is reminiscent of the plot of ''Anime/LoveLive''. However, the girls' struggles, the more realistic and dramatic tone of their plot, as well as [[spoiler: their main arc's eventual resolution in Main Story 9, is more reminiscent of ''Love Live's'' spin-off sequel series, ''Anime/LoveLiveSunshine''.]]
** The premise of the series is very heavily inspired by the Theatre/TakarazukaRevue, or more specifically, [[http://www.tms.ac.jp/english/ the Takarazuka Music School]] (down to the gray uniforms). The military-esque uniforms the girls wear during stage combat are also typical of the kinds of costumes common in Takarazuka productions, and the dramatic direction of the "auditions" calls to mind the melodrama that characterizes Takarazuka productions. It's worth noting that Akiko Kodama, who currently directs the Revue Starlight stage musicals, was part of the Takarazuka Revue for almost a
** Rinmeikan's story of attempting to save their Performance Department from getting shut down by participating in the Auditions is reminiscent of the plot of ''Anime/LoveLive''. However, the girls' struggles, the more realistic and dramatic tone of their plot, as well as [[spoiler: their main arc's eventual resolution in Main Story 9, is more reminiscent of ''Love Live's'' spin-off sequel series, ''Anime/LoveLiveSunshine''.]]
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* LateArrivalSpoiler: The mobile game already assumes that you've watched the anime series, so details like [[spoiler: Karen and Hikari winning the Auditions, them getting the lead roles of Flora and Claire for the 100th Seisho Festival,]] and that [[spoiler: the Auditions drain the Brilliance of the Revues' losers when a Top Star is chosen,]] are immediately given away to the players right at the beginning of the first Main Story chapter.
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None
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* AdaptationExpansion: Seisho's Christmas event in ''Re Live'' is a perspective-flipped retelling of the ''Overture'' manga's Christmas story in its final chapter, detailing what the rest of the 99th were up to while Hikari was out preparing her Christmas surprise for them.
to:
* AdaptationExpansion: AdaptationExpansion:
** The anime as a whole to the first stage play as it fleshes out the characters more and further expands on the general lore behind the Revues thanks to its 12-episode format.
** Seisho's Christmas event in ''Re Live'' is a perspective-flipped retelling of the ''Overture'' manga's Christmas story in its final chapter, detailing what the rest of the 99th were up to while Hikari was out preparing her Christmas surprise for them.
** The anime as a whole to the first stage play as it fleshes out the characters more and further expands on the general lore behind the Revues thanks to its 12-episode format.
** Seisho's Christmas event in ''Re Live'' is a perspective-flipped retelling of the ''Overture'' manga's Christmas story in its final chapter, detailing what the rest of the 99th were up to while Hikari was out preparing her Christmas surprise for them.
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* SelfSacrificeScheme: [[spoiler: Hikari's reason for taking part in the auditions is to pull one of these off to prevent Karen from having her brilliance stolen. Her plan is to become Top Star but refuse the wish that came with it so the brilliance of the losers wouldn't be taken.]]
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/shoujo_kageki_revue_starlight.jpg]]
[[caption-width-right:350:Let's aim for Top Star![[note]]In center: Hikari Kagura (L) and Karen Aijo (R). Clockwise from top left: Maya Tendo, Nana Daiba, Junna Hoshimi, Futaba Isurugi, Kaoruko Hanayagi, Mahiru Tsuyuzaki, and Claudine Saijo.[[/note]]]]
[[caption-width-right:350:Let's aim for Top Star![[note]]In center: Hikari Kagura (L) and Karen Aijo (R). Clockwise from top left: Maya Tendo, Nana Daiba, Junna Hoshimi, Futaba Isurugi, Kaoruko Hanayagi, Mahiru Tsuyuzaki, and Claudine Saijo.[[/note]]]]
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/shoujo_kageki_revue_starlight.jpg]]
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[[caption-width-right:350:Let's aim for Top Star![[note]]In center: Hikari Kagura (L) and Karen Aijo (R). Clockwise from top left: Maya Tendo, Nana Daiba, Junna Hoshimi, Futaba Isurugi, Kaoruko Hanayagi, Mahiru Tsuyuzaki, and Claudine Saijo.[[/note]]]]
[[caption-width-right:350:Let's aim for Top Star![[note]]In center: Hikari Kagura (L) and Karen Aijo (R). Clockwise from top left: Maya Tendo, Nana Daiba, Junna Hoshimi, Futaba Isurugi, Kaoruko Hanayagi, Mahiru Tsuyuzaki, and Claudine Saijo.[[/note]]]]
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* BigBad: In the first stage play, the closest thing to one in the story is Seisho Music Academy's own headmaster, Souda-sensei, with both Maya and Nana serving as [[TheHeavy two separate antagonists]] against Karen. In the second stage play, it's Seiran General Arts Institute's Yakumo-sensei.
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** Lalafin from ''RE:Live'' is Half-German, Half-Japanese.
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** Lalafin from ''RE:Live'' ''Re:LIVE'' is Half-German, Half-Japanese.
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* OffscreenMomentOfAwesome: Unlike the first stage play, we don't get to see Maya and Claudine's clash in their Revue against each other while Karen and Junna were having their second square off. Instead, we're treated to the aftermath: Maya standing victorious over a defeated Claudine amid the ruins of their revue's stage. To a certain extent, most of the other revue duels that aren't the main focus of the episodes in the series count too.
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* WhatTheHellHero: Miharu delivers one to Karen during their duel, calling her out for spending so much time with Hikari.
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* WhatTheHellHero: Miharu Mahiru delivers one to Karen during their duel, calling her out for spending so much time with Hikari.
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* MeaningfulBackgroundEvent: Episode 8 mostly focuses on Hikari, however, during the Revue of Solitude, [[Spoiler: we see Karen facing off against Claudine... And Karen wins]]. This barely gets seconds of focus [[Spoiler: but shows just how far Karen has come.]]
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* MeaningfulBackgroundEvent: Episode 8 mostly focuses on Hikari, however, during the Revue of Solitude, [[Spoiler: [[spoiler: we see Karen facing off against Claudine... And Karen wins]]. This barely gets seconds of focus [[Spoiler: [[spoiler: but shows just how far Karen has come.]]
