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* IDidWhatIHaveToDo: Seita himself, who is only doing questionable things (i.e., looting from houses and farms) for the sake of his sister's health and survival.

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* IDidWhatIHaveToDo: IDidWhatIHadToDo: Seita himself, who is only doing questionable things (i.e., looting from houses and farms) for the sake of his sister's health and survival.
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* IDidWhatIHaveToDo: Seita himself, who is only doing questionable things (i.e., looting from houses and farms) for the sake of his sister's health and survival.
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* AntiVillain: Seita himself, who is only doing questionable things (i.e., looting from houses and farms) for the sake of his sister's health and survival.
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* DadsOffFightingInTheWar: Seita and Setsuko's father is away in the navy. Seita tries to write to him, but he gets no response. The ship that he is shown to be on, Japanese cruiser ''[[http://en.wikipedia.org/wiki/Japanese_cruiser_Maya Maya]]'', was a real ship that was sunk in October 1944 with the loss of 479 men. Thus, it's obliquely implied that he had already died before the events of the story. When Seita finds out Japan surrendered, his first question is asking the adults around him if his father's ship sank. He gets no helpful response, and eventually walks off and accepts that his father likely has died. Tragically, this happens moments before the scene where his sister passes away.
* DeathFromAbove: The plot kicks off with bombers flying over the city of Kobe, dropping small incendiary pellets that set everything they touch on fire.

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* DadsOffFightingInTheWar: Seita and Setsuko's father is away in the navy. Seita tries to write to him, but he gets no response. The ship that he is shown to be on, Japanese cruiser ''[[http://en.wikipedia.org/wiki/Japanese_cruiser_Maya Maya]]'', was a real ship that was sunk in October 1944 with the loss of 479 men. Thus, it's obliquely implied that he had already died before the events of the story. When Seita finds out Japan surrendered, his first question is asking the adults around him if his father's ship sank. He gets no helpful response, and eventually walks off and accepts that his father likely has died. Tragically, this happens moments before the scene where his sister passes away.
away.[[note]]This was unfortunately very much a common occurrence within Japan's civilian population, even as early in the war as 1942. The Imperial Japanese military was ''very'' particular about what information they disclosed to the public, so not to allow even the ''slightest'' hint that the war wasn't going in their favor--for example, after the Battle of Midway, which ended in a ''massive'' strategic defeat for the Japanese and arguably turned the tide of the war, ''thousands'' of Japanese sailors were moved around and prevented from returning home, in order to prevent them from disclosing the truth about the battle's outcome, which the Japanese propaganda machine had touted as a victory in ''Japan's'' favor. As the war wore on and more defeats stacked up, the government only ''redoubled'' their efforts to depict their military as being all but victorious in every endeavour, and as a result it was rare occurrence that ''anyone'' learned about the death of a loved in in battle.[[/note]]
* DeathFromAbove: The plot kicks off with B-29 bombers flying over the city of Kobe, dropping small incendiary pellets that set everything they touch on fire.



* TheFaceless: The Americans are rarely seen, and even more rarely discussed. The war itself is treated as a sort of unending natural disaster the Japanese are trying to survive. Creator/RogerEbert said Asian filmmakers seldom ever identify the enemy as anything but the enemy, since most of the Asian countries have had many wars on their soil with so many nations that they don't need to name them.

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* TheFaceless: The Americans are rarely seen, and even more rarely discussed. The war itself is treated as a sort of unending natural disaster the Japanese are trying to survive. Creator/RogerEbert said Asian filmmakers seldom ever identify the enemy as anything but the enemy, since most of the Asian countries have had many wars on their soil with so many nations that they don't need to name them. As it stands, from a cinematic standpoint the lack of details on the Americans as anything but an ambiguous entity helps to keep the focus on the plight of the main characters, without forcing the viewer to confront the wider conflict that is World War II itself.
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The film is based on the short story of the same name written by the late Akiyuki Nosaka, who based much of the plot on his own childhood in Japan during and after UsefulNotes/WorldWarII. The film begins with Seita dying and reuniting with his little sister Setsuko as a ghost and [[HowWeGotHere the two have another look at the last few months of their life]], starting with the loss of their home and their mother in the [[http://en.wikipedia.org/wiki/Bombing_of_Kobe_in_World_War_II 1945 bombing of Kobe]] until Setsuko's death.

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The film is based on the short story of the same name written by the late Akiyuki Nosaka, Nosaka (1930-2015), who based much of the plot on his own childhood in Japan during and after UsefulNotes/WorldWarII. The film begins with Seita dying and reuniting with his little sister Setsuko as a ghost and [[HowWeGotHere the two have another look at the last few months of their life]], starting with the loss of their home and their mother in the [[http://en.wikipedia.org/wiki/Bombing_of_Kobe_in_World_War_II 1945 bombing of Kobe]] until Setsuko's death.
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* HateSink: Seita and Setsuko's aunt is this as she not only [[AbusiveParent mistreats]] her nephew and niece, but even went as far as forcing the two to sell off their mother's clothing, treats the two like crap, and so forth. She even has the audacity to reveal the truth about Setsuko's mother's death to the young girl herself! Worse, [[KarmaHoudini she never gets punished for her misdeeds]].
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* WarIsHell: Oddly enough, the point of the story ''wasn't'' to carry AnAesop about this. Despite this, however, the movie hammers the point home anyway by showing two orphaned children struggling to survive.

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* WarIsHell: Oddly enough, the point of the story ''wasn't'' to carry AnAesop a lesson about this. Despite this, however, the movie hammers the point home anyway by showing two orphaned children struggling to survive.
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expanding what comes off as a ZCE.


* RulesOfOrphanEconomics: The worst-case scenario.

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* RulesOfOrphanEconomics: The worst-case scenario.scenario; Seita has no money and is too proud to go back to his aunt with his sister. And since the whole country is low on resources due to war, there's no one to swoop in and save them.
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* BodyHorror:
** The mother is horrifically burnt from the bombings, covered in bandages. She dies as a result.
** Setsuko is not only severely emaciated, but she is also covered in rashes from the seawater she has been bathing in. [[spoiler:Accordingly, she dies as well.]]

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* AntiVillain: Seita himself, who is only doing questionable things (i.e., looting from houses and farms) for the sake of his sister's health and survival.



* JerkassHasAPoint: Seita and Setsuko's aunt, depending on your interpretation as to how much of a three-dimensional character she is, isn't certainly a pleasant person, especially how she can treat her nephew and her niece at times but has a good point to make at times.

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* {{Jerkass}}: The aunt, who treats both Seita and Setsuko like crap, despite having lost their mother and having nowhere else to go.
* JerkassHasAPoint: Seita and Setsuko's aunt, depending on your interpretation as to how much of a three-dimensional character she is, isn't certainly a pleasant person, especially how she can treat her nephew and her niece at times times, but has a good point to make at times.


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* KickTheDog: The aunt ''[[NoSympathy scolding]]'' Setsuko for her crying over her dead mother, among other things.


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* NoSympathy: The aunt treats Setsuko's crying over her dead mother as an ''annoyance'' rather than deep emotional trauma.


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* TraumaCongaLine: Seita and Setsuko lose their mother in the Kobe bombings, get mistreated by their aunt, are met with distain by passerby and civilians, and then slowly die from malnutrition.

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* DullSurprise: {{Invoked|Trope}} and justified. When an air raid goes off, the aunt just casually says, "Not again" as if it were a minor inconvenience.

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* DullSurprise: {{Invoked|Trope}} and justified. When an air raid goes off, the aunt just casually says, "Not again" again", as if it were a minor inconvenience.



* EvilAunt: ''Evil'' may be a stretch, but Seita and Setsuko's aunt was quite nasty and emotionally abusive towards them, even displaying NoSympathy towards Setsuko's cries over her mother dying.



** Averted with the titular fireflies that manage to cheer up the two siblings and help to illuminate the bomb shelter, only for a moment.

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** Averted {{Inverted|Trope}} with the titular fireflies that manage to cheer up the two siblings and help to illuminate the bomb shelter, only for a moment.



* MatureWorkChildProtagonists: The film is about two young siblings trying to survive in war-torn Japan during the final days of World War II. The beginning scene makes it clear the protagonists are doomed and while the violence isn't hugely graphic, the movie doesn't shy away from depicting the terrible effects of war on civilians and especially children. It's got a reputation as one of the saddest movies ever made for a good reason.

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* MatureWorkChildProtagonists: The film is about two young siblings trying to survive in war-torn Japan during the final days of World War II. The beginning scene makes it clear the protagonists are doomed doomed, and while the violence isn't hugely graphic, the movie doesn't shy away from depicting the terrible effects of war on civilians and especially children. It's got a reputation as one of the saddest movies ever made for a good reason.



* MoralityPet: Setsuko is this to Seita, as he does whatever he can to make sure she is safe and secure.



-->'''Seita:''' ''[-[in a voiceover]-]'' [[WhamLine She never woke up]].

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-->'''Seita:''' ''[-[in a voiceover]-]'' [[WhamLine She never woke up]].up.]]
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** When an air raid siren goes off, the aunt says, in a very disinterested tone, "Oh, not again".

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** When an air raid siren goes off, the aunt says, in a very disinterested tone, "Oh, not again". again."
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* LimitedWardrobe: Completely justified - the clothes the kids wear throughout the film are the only clothes they have left after the rest of their belongings burned with their home.

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* LimitedWardrobe: Completely justified - -- the clothes the kids wear throughout the film are the only clothes they have left after the rest of their belongings burned with their home.
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* AdultsAreUseless: Justified, considering the wartime. Even the kind farmer who lends Seita his wagon wishes he could afford to share his rice with the latter, but he can't. Seita and Setsuko's aunt also resents the two extra mouths she had to feed, because she was barely getting by without them.

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* AdultsAreUseless: Justified, {{Justified|Trope}}, considering the wartime. Even the kind farmer who lends Seita his wagon wishes he could afford to share his rice with the latter, but he can't. Seita and Setsuko's aunt also resents the two extra mouths she had to feed, feed because she was barely getting by without them.
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* KansaiRegionalAccent: As dictated by the setting (Kobe). It's not meant to be funny.
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* MinorLivingAlone: The siblings run away to live on their own after living with their abusive aunt doesn't work out.
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** Seita begins the film running away from an enemy bombing and understandably antagonistic towards those responsible. As desperation sets in he begins running ''toward'' bombings when air-raid sirens sound, relying on the chance to loot abandoned homes to provide for his sister and even cheering on a plane as it passes overhead.
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''Grave of the Fireflies'' (火垂るの墓, ''Hotaru no Haka'') is a 1988 film directed by Creator/IsaoTakahata and produced by Creator/StudioGhibli. It was released theatrically as one-half of a double feature; the other half was the [[MoodWhiplash uplifting]] ''Anime/MyNeighborTotoro''.

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''Grave of the Fireflies'' (火垂るの墓, ''Hotaru no Haka'') is a 1988 film directed by Creator/IsaoTakahata and is the second film to be produced by Creator/StudioGhibli. It was released theatrically as one-half of a double feature; the other half was the [[MoodWhiplash uplifting]] ''Anime/MyNeighborTotoro''.

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Slight quality upgrade.


[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/rsz_poster_15810.jpg]]

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[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/rsz_poster_15810.jpg]]org/pmwiki/pub/images/grave_of_the_fireflies.png]]
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[[caption-width-right:300:''"Why do fireflies have to die so soon?"'']]

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[[caption-width-right:300:''"Why do must fireflies have to die so soon?"'']]young?"'']]
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[[caption-width-right:300:''"Why do fireflies have to die so soon"'']]

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[[caption-width-right:300:''"Why do fireflies have to die so soon"'']]soon?"'']]

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