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Markup View
Author: Praetyre
Mar 5th 2009
at
7:19:43 PM
* ''Carousel'' gets this, too. Modern audiences tend to find it disturbing that Julie could consider staying with a man who hits her. At the time it was written, though, what was unpalatable to the audience was that she would ''admit it'' at all. * On the Shylock example; what made ''Merchant'' so out of step with the times it was written was how ''lightly'' Shylock got off. His sentence, for attempting to take the life of a Venetian citizen is to have his money and goods divided, half to go to Antonio and half to the state and his life is forfeit to the Duke. But Antonio states he will take his half "in use" meaning that he gets the income, but not the principal, and that the principal goes to Jessica at Shylock's death. The Duke also remits the state's half, as long as Shylock leaves ''everything'' to Jessica. Then the Duke grants him mercy from the death penalty on condition he convert.
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