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The Saga Of Hrolf Kraki as a YA biopunk/steampunk novel

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MorwenEdhelwen Aussie Tolkien freak from Sydney, Australia Since: Jul, 2012
Aussie Tolkien freak
#1: Sep 22nd 2013 at 5:42:18 AM

One of my ideas is a post-apocalyptic YA biopunk/steampunk post-apocalyptic novel loosely based on the famous The Saga Of Hrolf Kraki. The story I have in mind concentrates on the character of Skuld and since this is YA and is going to be post-apocalyptic here's what I have in mind:

In a future in which the world has been devastated by a nuclear war and genetic engineering has led to the creation of elves, dwarves and other fantasy races, Skuld, the daughter of Helgi Halfdansson of the Skjoldungs, an Icelandic ganglord, with his elven mistress Alfhild Skírnirsdottir (the name I gave the elf-woman Helgi coerces into having sex with him in the original saga grows up in the once-uninhabited highlands of Iceland under the care of her foster parents Ásla and Snorri who love her like their biological daughter, being homeschooled and learning seidr, runes and galdr and necromancy in preparation for being trained as a Valkyrie. One day her older brother Hrólfur Kraki arrives with a group of followers on steam powered horses to take her to their father's house in Lejre, which was a part of the country of Denmark.

When Skuld arrives in Lejre she discovers that the court is barely being held together despite her brother's best intentions and receives hints of a dark secret which could threaten her family and herself.

I'm looking for suggestions on how to create and keep a mood that's both grand mythic tale and biopunk dystopia which is non-confusing because I don't want to have something where the reader goes "What the hell IS this?! Why do they have elves in the future?!"

My plan is for the book to explore the question of "What Measure Is a Non-Human?", whether living things created by synthetic biology and genetic modification should be considered human and have human rights, and especially on the treatment of "mixed-race relationships in SPACE!" Another issue I want to address is the racism Skuld experiences.

Is it possible to treat fantasy races in the same way as real races without making it a metaphor? And is The Saga Of Hrolf Kraki even adaptable as a YA novel? After all there's a very Gothic atmosphere to it with the "monstrous child/evil mixed-race sibling" portrayal of Skuld.

edited 22nd Sep '13 6:59:23 PM by MorwenEdhelwen

The road goes ever on. -Tolkien
MorwenEdhelwen Aussie Tolkien freak from Sydney, Australia Since: Jul, 2012
Aussie Tolkien freak
#2: Sep 22nd 2013 at 3:18:52 PM

[DELETED]

edited 22nd Sep '13 5:46:46 PM by MorwenEdhelwen

The road goes ever on. -Tolkien
Jabrosky Madman from San Diego, CA Since: Sep, 2011
Madman
#3: Sep 22nd 2013 at 7:04:22 PM

I'm looking for suggestions on how to create and keep a mood that's both grand mythic tale and biopunk dystopia which is non-confusing because I don't want to have something where the reader goes "What the hell IS this?! Why do they have elves in the future?!"
Exactly why won't people accept a futuristic setting with elves? If anything, they might appreciate a variation of elf that doesn't correspond to the Tolkien stereotype in every single way.

I can't really give you great advice on how to create a mood, but I would presume the tone of your prose would affect that. For example, formal prose reads more "mythic" to my eyes than slangy informal prose.

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MorwenEdhelwen Aussie Tolkien freak from Sydney, Australia Since: Jul, 2012
Aussie Tolkien freak
#4: Sep 22nd 2013 at 7:15:31 PM

@Jabrosky: Such as elves (alfar) with Inuit-like features?

The road goes ever on. -Tolkien
Jabrosky Madman from San Diego, CA Since: Sep, 2011
Madman
#5: Sep 22nd 2013 at 7:16:08 PM

[up]I like that idea of elves with Inuit appearances. More Po C in fantasy is always a plus!

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MorwenEdhelwen Aussie Tolkien freak from Sydney, Australia Since: Jul, 2012
Aussie Tolkien freak
#6: Sep 22nd 2013 at 7:33:41 PM

[up] I am a POC and AFAIK the only fantasies with Chinese culture (I'm Chinese Australian)are the Dragonkeeper series about a slave girl in Ming China and a retelling of Cinderella set in fairytale Japan/China called "Shadows On The Moon". Those books fit my definition of fantasy—- a story with a significant magical element. There's a novel set here in Australia called "Hungry Ghosts" which is a paranormal about a girl from Singapore.

edited 22nd Sep '13 7:35:34 PM by MorwenEdhelwen

The road goes ever on. -Tolkien
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