clean-up/repair: Production Posse

I currently have the trope Buddy Casting in YKTTW(about how directors will become friends and continuously hire the same actors for their films), and many people are suggesting that we already have it as Production Posse. I looked at that trope and find it very messy and broad. I think it could work as a supertrope and have specific relationships between cast and crew of film as subtropes(one for directors/composers, mine for directors/actors, etc.), but right now it just seems too broad and disorganized. I'd like to feel you guys' opinion on whether it should get cleaned up or not, and wether my trope should just be incorporated into Production Posse or used as a subtrope.

edited 4th May '11 7:41:20 AM by DannyVElAcme

Some kind of structure to the examples on Production Posse would be a big improvement, but as for splitting by Director/Actor and Director/Composer... we already have Associated Composer.

I could see making Production Posse into a supertrope, and separate tropes for "Director tends to cast the same actor(s); director has an established production crew he prefers to work with; and Associated Composer (director has a go-to composer)

Oh, so we have a trope for composers already? All the more reason to turn Production Posse into a supertrope then, I think. So do you guys think my trope for director/actors is good to go?

I would say so. I always like specificity