!!The original literary series
* CultClassic: To the point that there are even people in the world who try to model their life on the ideals presented in the series.
* FridgeLogic: We are told that the majority of women are free and that only 3% of women are slaves. This would mean that they would be about as rare as a left handed gay person with red hair, meaning most people would never have even met one. Yet we run into huge cast of slavegirls. We are told that there are streets and streets of Paga Taverns, each equipped with dozens, to hundreds of slave girls, there are female slaves running on errands in every city, there are bazaars full of slavegirls, and independent caravans of slavegirls. This is completely incompatible. The fact is that while we are TOLD that there are lots of free women on Gor, we are shown that at least half the women on Gor are slaves. There would be no way that everyone would know about collars, and positions or anything else if slavegirls were as rare as 3 percent of the female population. They would basically be non-existent as far as most people knew.
* HoYay: Some readers find men embracing men automatically homosexual, so they get a lot out of the books.
* InternetBackdraft: In 90% of the internet, a mention of Gor is equivalent to trolling, unless followed up with scathing hatred and opening the floor to burn John Norman in effigy. It is a banned topic on the [=StarDestroyer.net=] forums.
* SnarkBait: One of the main reactions by most to the ideals behind the series, followed closely by horror and/or hatred, [[BerserkButton and considering the premise of the series]]...
** If [[http://www.rdrop.com/~wyvern/data/houseplants.html Houseplants of Gor]] is any indication, Gor is just [[StealthPun begging]] for an AbridgedSeries.
** Somewhere out there is a fan novel called ''Transvestites of Gor'' with a followup called ''Female Men of Gor''. Fans at conventions used to joke about ''Podkayne of Gor'', but it's uncertain whether that one actually exists.
* ValuesDissonance: Tarl expresses this himself throughout the first books, when he's still a Literature/StrangerInAStrangeLand, less and less as he adapts. Then in the late series, he and a few other Masters clinging to their values refuse to see that the world is changing, and keep insisting that it's wrong.
** Then again the values dissonanace between the message in the novels, and human society, where we insist that all humans deserve human rights.

!!''Outlaw (of Gor)'' and the Gor movie series

* {{Narm}}:
-->'''Queen:''' Get '''''OUT''''' of here, '''''you [=DISgusting=] WORM!'''''
%%* TheScrappy: WATNEY!
* {{Sequelitis}}: The first film at least gives the impression of being made by people who were ''trying'' to make something halfway decent. ''Outlaw'', however, comes across as just a bunch of action sequences loosely tied together by a RandomEventsPlot, along with being generally cheap and poorly-made, even by comparison to the first film.
* SpecialEffectFailure:
** In the first film, the sequence where Cabot is sent to Gor cuts between studio shots of him driving through a thunderstorm at night, and location footage showing his car driving along on a bright, sunny day with only a day-for-night filter attempting to give the impression of a storm. ''Outlaw'' somehow manages to be vastly worse, just having Cabot's car being rocked by a couple of stagehands, after which we get a smash-cut to him and Watney being on Gor.
** The climax of ''Outlaw'' has the hunter throwing a spear at [[spoiler:Queen Lara]] with some force... followed by a shot of someone off-screen very gently prodding the spear into [[spoiler:Lara]]'s abdomen.
* TakeThatScrappy: Even ''Outlaw'' seems to have been aware of just how annoying Watney was, as evidenced by the ending where [[spoiler:the ring ends up sending Watney back to Earth alone without Cabot, who finally gets to be with Talena, while Watney ends up having to explain to some cops why he's jaywalking in the middle of Los Angeles dressed in a ridiculous outfit]].
* WhatAnIdiot: Upon finding the King's dead body, Cabot pulls the knife out of his back and then runs out of the room with it in his hand for all to see.