->Punk ain't no religious cult,\\
Punk means thinking for yourself!\\
You ain't hardcore cos' you spike your hair\\
When a jock still lives inside your head!
-->--'''Music/DeadKennedys''', "Nazi Punks Fuck Off"

Punk rock, as a genre, is decided to have started in the mid-70s. Although preceded by '60s ProtoPunk bands such as the Music/MC5 and Music/TheStooges, the genre truly began to take root around 1974, with the slow ascendancy of bands such as Music/TheRamones, the Music/NewYorkDolls, and Music/{{Television}} in New York City.

The styles of these bands focused on a [[ThreeChordsAndTheTruth stripped down aesthetic]] and a rejection of establishment thinking for their respective decades and by subverting audience's expectations of music and performance. How they accomplished this varied widely from performer to performer. Music/TheClash focused on political change, Music/SexPistols focused on generally disrupting modern ideas of propriety (as noted by their famed attempt to perform "God Save The Queen" on the Thames during [[UsefulNotes/TheBritishRoyalFamily Queen Elizabeth II's]] Silver Jubilee), and Music/GGAllin focused on throwing his shit at people. Music/{{Suicide}} caused audiences to physically assault them ''simply by using a synthesizer.''

Punk fashion was mostly popularized by Malcolm [=McLaren=], manager of Music/SexPistols, and his girlfriend, fashion designer Vivienne Westwood. Initially based off of the styles of Television bassist Richard Hell (who [=McLaren=] managed at one point and became better known as the frontman for The Voidoids), it focuses on torn T-shirts and jeans, tartan, animal print, leather jackets and other industrious clothes, and unconventional use of [[CasualKink everyday objects with a kinky subtext]], such as leather cuffs and dog collars. Thanks to the popularized [=DIY=] aesthetic, the modification of such clothes with everyday objects (such as chains, spikes, and safety pins) as well as band patches also became popular.

Since punk was a subculture focused on disappointment with the establishment and upsetting the standard order, it met with quite a big backlash from agents of the establishment. Local news stations, especially in America, painted punk as a subculture typified by violence and drugs (Sid Vicious didn't exactly help matters here). One famous example of such a backlash was the ''Series/QuincyME'' episode "Next Stop, Nowhere," which is actually somewhat infamous amongst music scholars and punks for getting nearly ''everything'' wrong about the subculture, coining the term "[[TheQuincyPunk Quincy punk]]" in the process. (Slightly less ridiculous but still laughable is the ''[[Series/{{CHIPS}} C.H.I.P.S.]]'' episode with punks vs. New Wave kids.) The tendencies actually carry on today; flip through your typical comic book, and odds are at least one member of a random group of thugs will have a mohawk or be wearing studded leather. Of course, naming your genre/movement/subculture after a slang word for juvenile delinquents kind of invites those sorts of stereotypes.

Anyway. Back to the history. Like any musical genre that's been around long enough, punk began to stratify around the '80s, when such subgenres as HardcorePunk (focused on loud, fast, and abrasive music) and Oi! (otherwise known as street punk, focusing on the concerns of the working class and often appealing to [[{{UsefulNotes/Skinheads}} skinheads]]) began to develop. By the mid-'80s, punk had kind of lost the cultural zeitgeist, and new genres, such as PostPunk (more personal exploration, less anarchy) and [[NewWaveMusic New Wave]] (more poppy, but still somewhat questioning of modern standards), began to take over. ''Spin'' magazine celebrated punk's 10th anniversary around this time, and famously said, "The worst thing that could happen to punk was having a 10th anniversary."

In the late '80s, the UsefulNotes/WashingtonDC Hardcore scene spawned the UsefulNotes/StraightEdge movement. This started out with the marking of underage clubgoers with black X's so that they wouldn't be served alcohol, but became a subculture within the subculture of not drinking, smoking or doing drugs; casual sex and eating meat were also frowned upon. The lunatic fringe, Hardliners, went even further. In Europe, Vegan Straight Edge became a norm in the PostHardcore scene during the nineties, alongside support for [[AnimalWrongsGroup ecoterrorism and animal liberation]]. The black-and-green flag was most fervently waved by the US band Earth Crisis. Meanwhile, the DC scene started concentrating on more personal, emotional songs, and became Emotive Hardcore, or Music/{{Emo}} for short.

It wasn't until Music/{{Nirvana}} hit it big in the '90s that punk saw a resurgence, as bands such as Music/BadReligion, Music/GreenDay, and Music/{{Rancid}} began coming to the forefront. This led to another problem for most punks, though; at the same time, bands such as Sum 41 and Music/GoodCharlotte were also emerging, who skewed more towards "pop" than "punk" on the "[[PopPunk pop-punk]]" spectrum (yes, it's a subgenre) and represented a commercialization of the genre. Then Hot Topic emerged, and much bile was thrown, as it presented to kids the opportunity to become a rebel by... buying stuff at the mall and not ascribing to any certain philosophy. Hooray. Some social upheaval.

These days, punk is mostly an underground genre, with indie and emo taking its place in the public eye. Punk is still split into its multitude of genres, which include:

* ProtoPunk: Rock bands whose sound and attitude is a precursor to punk, but otherwise has not much to do with the movement. Examples are Music/TheStooges, Music/{{MC5}} and Music/TheSeeds.
* PopPunk, as typified by bands like Music/GreenDay, Music/ScreechingWeasel, Music/TheRamones and Music/{{Blink 182}}.
* Horror punk, as typified by Music/TheMisfits
* Street punk, very working class and 'laddish' as typified by GBH and (at times) Music/{{Rancid}}. Street punk is also closely related to Oi!, a genre that is almost entirely separated by the speed of the music, with Oi! being the slower of the two. See also UsefulNotes/{{Skinheads}}.
* Celtic punk, as typified by Music/FloggingMolly, Music/ThePogues, and the Music/DropkickMurphys.
* Folk punk, as typified by Against Me! or Music/AndrewJacksonJihad.
* Anarcho-Punk, like Music/DeadKennedys or Rudimentary Peni.
* Metalcore, combination of Punk and UsefulNotes/HeavyMetal sounds.
** Crossover thrash is an earlier version that used thrash metal instead of melodic death metal for the metal component of the sound. This largely extinct subgenre tends to be more popular with metalheads than metalcore.
* RiotGrrrl, feminist punk, typified by Music/BikiniKill.
* Orgcore, or Beardpunk, is a relatively newer genre that is basically gravelly vocals over punk combined with elements of post-hardcore. Typified by bands like Music/HotWaterMusic and The Lawrence Arms.
* Crust Punk, which contains elements of both anarcho-punk and extreme metal. Typified by bands like Amebix and Nausea.

Punk artists are also likely to cross over into other genres depending on their origins, as demonstrated by the Music/DropkickMurphys above. {{Reggae}} music in particular was a major influence for Music/TheClash, Music/BadBrains, and later on Music/{{Rancid}}. The punk scene embodies all sorts of philosophies and politics, ranging from anarchist to conservative to "I just want to jump around and have fun," but usually tends to the left. Punk style has mostly stayed the same, although the band patches have changed and sneakers seem to be more popular than combat boots these days.

Anyone interested in learning more about punk should read ''Please Kill Me'', or ''England's Dreaming'' for a specifically UK-centric history.

For related tropes, see: MisfitLabRat and TheQuincyPunk.