* AFIS100YearsSeries:
** AFIS100Years100Movies: #62
** AFIS100Years100Laughs: #2
** AFIS100Years100Movies10THAnniversaryEdition: #69
* PlayingAgainstType: Charles Durning to that point was exclusively a hard-nosed heavy. Here, he got to play an unambiguously sweet NiceGuy in a comedy. (His comedic chops led to his UsefulNotes/AcademyAward-nominated role in ''Film/ToBeOrNotToBe''.)
* RealitySubtext: Michael Dorsey ''is'' Creator/DustinHoffman. All the insane ways Dorsey gets fired or quits from a production? They ''really'' happened.
* RecycledSoundtrack: The "Working Girl March" by Dave Grusin was recycled by Creator/MarkGoodson Production for three different pilots: 1983's ''Star Words'' and ''Series/BodyLanguage'', and 1986's ''On A Roll''. Only ''Body Language'' went to series and as a result, Edd Kalehoff composed a SuspiciouslySimilarSong (and in turn, the ticket plug that Kalehoff composed would be reused for '' Classic Series/{{Concentration}}'' starting in 1987).
* RetroactiveRecognition:
** One of Creator/GeenaDavis' earliest roles as "Dorothy"'s castmate.
** [[Series/TheGoldenGirls Estelle Getty]] has a blink-and-you-miss-it role as an elderly woman on a dance floor.
* ThrowItIn: Most of Creator/BillMurray's dialogue was improvised.
* TroubledProduction: The film was often referred to this way while it was being made. There were script problems aplenty, even during shooting, until Creator/ElaineMay fixed them (and came up with Creator/BillMurray's part). [[Creator/DustinHoffman Hoffman]] and director Creator/SydneyPollack feuded so intensely over small things that Hoffman ended up suggesting that Pollack play his agent so they could get that into the film (and, perhaps, give Pollack a chance to vent). It became one of the rare instances where the drama behind the drama resulted in a better film.
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