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* GenreKiller: The US remake of this, as well as those of ''Film/TheEye'' and ''Film/{{Shutter}}'', marked the end of the trend of J-horror remakes. Attempts to relaunch the trend have all failed. Ironically, the movie made $27 million domestically, which is more than other Asian Horror remakes like ''Shutter'' ($26 mil), ''Dark Water'' ($25 mil), and ''Pulse'' ($20 mil). It made $46 million worldwide and cost $20 million to make, so there's a decent chance it turned a profit. Part of this was due to overexposure (this was one of four major American remakes of Asian horror films in 2008) and the rise of ''Paranormal Activity'' and its found-footage ilk as the new standard of mainstream horror the next year.

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* GenreKiller: TrendKiller: The US remake of this, as well as those of ''Film/TheEye'' and ''Film/{{Shutter}}'', marked the end of the trend of J-horror remakes. Attempts to relaunch the trend have all failed. Ironically, the movie made $27 million domestically, which is more than other Asian Horror remakes like ''Shutter'' ($26 mil), ''Dark Water'' ($25 mil), and ''Pulse'' ($20 mil). It made $46 million worldwide and cost $20 million to make, so there's a decent chance it turned a profit. Part of this was due to overexposure (this was one of four major American remakes of Asian horror films in 2008) and the rise of ''Paranormal Activity'' and its found-footage ilk as the new standard of mainstream horror the next year.
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* GenreKiller: The US remake marked the end of the trend of J-horror remakes. Ironically, the movie made $27 million domestically, which is more than other Asian Horror remakes like ''Shutter'' ($26 mil), ''Dark Water'' ($25 mil), and ''Pulse'' ($20 mil). It made $46 million worldwide and cost $20 million to make, so there's a decent chance it turned a profit. Part of this was due to overexposure (this was one of four major American remakes of Asian horror films in 2008) and the rise of ''Paranormal Activity'' and its found-footage ilk as the new standard of mainstream horror the next year.

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* GenreKiller: The US remake of this, as well as those of ''Film/TheEye'' and ''Film/{{Shutter}}'', marked the end of the trend of J-horror remakes.remakes. Attempts to relaunch the trend have all failed. Ironically, the movie made $27 million domestically, which is more than other Asian Horror remakes like ''Shutter'' ($26 mil), ''Dark Water'' ($25 mil), and ''Pulse'' ($20 mil). It made $46 million worldwide and cost $20 million to make, so there's a decent chance it turned a profit. Part of this was due to overexposure (this was one of four major American remakes of Asian horror films in 2008) and the rise of ''Paranormal Activity'' and its found-footage ilk as the new standard of mainstream horror the next year.
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Hey Its That Guy and Hey Its That Voice examples are being cut per TRS.


* [[HeyItsThatGuy Hey It's That Girl!]] : ''Series/ModernFamily'' fans might recognise Creator/ArielWinter (Alex Dunphy) as the [[spoiler:spirit really behind the killings]].

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* GenreKiller: This movie marked the end of the trend of J-horror remakes. Ironically, the movie made $27 million domestically, which is more than other Asian Horror remakes like ''Shutter'' ($26 mil), ''Dark Water'' ($25 mil), and ''Pulse'' ($20 mil). It made $46 million worldwide and cost $20 million to make, so there's a decent chance it turned a profit. Part of this was due to overexposure (this was one of four major American remakes of Asian horror films in 2008) and the rise of ''Paranormal Activity'' and its found-footage ilk as the new standard of mainstream horror the next year.

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* FakeNationality: The first Japanese sequel is set in Taiwan and features several Chinese characters, but only two of them are really played by Chinese actors: Meifeng, played by Taiwanese actress Shadow Liu, and Chen Yuting, who is played by Taiwanese-American actor Peter Ho. Everyone else (Meifeng's father, Li Li, the old woman who explains about Li Li, and the Taiwanese police) are played by Japanese actors.
* GenreKiller: This movie The US remake marked the end of the trend of J-horror remakes. Ironically, the movie made $27 million domestically, which is more than other Asian Horror remakes like ''Shutter'' ($26 mil), ''Dark Water'' ($25 mil), and ''Pulse'' ($20 mil). It made $46 million worldwide and cost $20 million to make, so there's a decent chance it turned a profit. Part of this was due to overexposure (this was one of four major American remakes of Asian horror films in 2008) and the rise of ''Paranormal Activity'' and its found-footage ilk as the new standard of mainstream horror the next year.
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* ExecutiveMeddling: One likely reason for the film's extreme critical failure. According to star Shannyn Sossamon, the decision to make the movie PG-13 was made at the last minute, after principal photography, and against the wishes of director Eric Valette. Allegedly, Valette was upset that Sossamon attended a screening of the theatrical version before getting a chance to see his version. This Director's Cut has never been released, nor have any of the scenes from it been shown.

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* ExecutiveMeddling: One likely reason for the film's remake's extreme critical failure. According to star Shannyn Sossamon, the decision to make the movie PG-13 was made at the last minute, after principal photography, and against the wishes of director Eric Valette. Allegedly, Valette was upset that Sossamon attended a screening of the theatrical version before getting a chance to see his version. This Director's Cut has never been released, nor have any of the scenes from it been shown.
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* ExecutiveMeddling: One likely reason for the film's extreme critical failure. According to star Shannyn Sossamon, the decision to make the movie PG-13 was made at the last minute, after principal photography, and against the wishes of director Eric Valette. Allegedly, Valette was upset that Sossamon attended a screening of the theatrical version before getting a chance to see his version. This Director's Cut has never been released, nor have any of the scenes from it been shown.
** For his part, screenwriter Andrew Klavan says he is disappointed with the finished film as well, saying no one working on the film could agree on what it should be: “Each group - writer, director, actors, producer - had a different vision of the film and while any one of them might have worked, they pulled in different directions.”

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* GenreKiller: Prior to this, Japanese horror film were being Americanized by the dozen. After this, the Americanizations ground to a collective halt.
* [[HeyItsThatGuy Hey It's That Girl!]] : ModernFamily fans might recognise Creator/ArielWinter (Alex Dunphy) as the [[spoiler: spirit really behind the killings]]

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* GenreKiller: Prior This movie marked the end of the trend of J-horror remakes. Ironically, the movie made $27 million domestically, which is more than other Asian Horror remakes like ''Shutter'' ($26 mil), ''Dark Water'' ($25 mil), and ''Pulse'' ($20 mil). It made $46 million worldwide and cost $20 million to this, Japanese make, so there's a decent chance it turned a profit. Part of this was due to overexposure (this was one of four major American remakes of Asian horror film were being Americanized by films in 2008) and the dozen. After this, rise of ''Paranormal Activity'' and its found-footage ilk as the Americanizations ground to a collective halt.
new standard of mainstream horror the next year.
* [[HeyItsThatGuy Hey It's That Girl!]] : ModernFamily ''Series/ModernFamily'' fans might recognise Creator/ArielWinter (Alex Dunphy) as the [[spoiler: spirit [[spoiler:spirit really behind the killings]]killings]].
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* [[HeyItsThatGuy Hey It's That Girl!]] : ModernFamily fans might recognise ArielWinter (Alex Dunphy) as the [[spoiler: spirit really behind the killings]]

to:

* [[HeyItsThatGuy Hey It's That Girl!]] : ModernFamily fans might recognise ArielWinter Creator/ArielWinter (Alex Dunphy) as the [[spoiler: spirit really behind the killings]]
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None


* GenreKiller: Prior to this, Japanese horror film were being Americanized by the dozen. After this, the Americanizations ground to a collective halt.

to:

* GenreKiller: Prior to this, Japanese horror film were being Americanized by the dozen. After this, the Americanizations ground to a collective halt.halt.
* [[HeyItsThatGuy Hey It's That Girl!]] : ModernFamily fans might recognise ArielWinter (Alex Dunphy) as the [[spoiler: spirit really behind the killings]]

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