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** Animator Lee Crowe recalls that many of the other crew members outright hated the film, with many of them disparagingly nicknaming it "The Shitty Cow Movie".

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** Animator Lee Crowe recalls that many of the other crew members outright hated the film, with many film got a disparaging nickname of them disparagingly nicknaming it "The Shitty Cow Movie".Movie" among many of the crew members who hated working on it.
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Minor fix.


* CompletelyDifferentTitle: "The Farm Rebels" in France.

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* CompletelyDifferentTitle: "The "La ferme se rebelle" ("The Farm Rebels" Rebels") in France.European French.
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** When the White House plan was scuttled, Slim's plan was changed to having the cows sold for slaughter. Disney had an eye on a [=McDonald=]'s promotion, and didn't want kids making the connection, so the fate of the cows is left ambiguous: the only reference left in the film is the line "Don't wanna be late for that big round-up in the sky!"

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** When the White House plan was scuttled, Slim's plan was changed to having the cows sold for slaughter. Disney had an eye on a [=McDonald=]'s promotion, promotion (which never actually took off), and didn't want kids making the connection, so the fate of the cows is left ambiguous: the only reference left in the film is the line "Don't wanna be late for that big round-up in the sky!"
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* FranchiseKiller: The failure of the movie killed Disney's traditional animation department and made them move into CGI starting with Chicken Little. An attempt to move back into traditional animation in the late 2000s/early 2010s with The Princess and the Frog and Winnie the Pooh was unsuccessful as the two films were written off by the company as financial disappointments, and led to ten members of the staff in the traditional animation department being handed their walking papers.

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* FranchiseKiller: The failure of the movie killed Disney's traditional animation department and made them move into CGI starting with Chicken Little. ''WesternAnimation/ChickenLittle''. An attempt to move back into traditional animation in the late 2000s/early 2010s with The Princess ''WesternAnimation/ThePrincessAndTheFrog'' and ''{{WesternAnimation/Winnie the Frog and Winnie the Pooh Pooh|2011}}'' was unsuccessful as the two films were written off by the company as financial disappointments, and led to ten members of the staff in the traditional animation department being handed their walking papers.
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* BoxOfficeBomb: Believe it or not, the film actually cost over $110 million to produce and promote; they came up woefully short and caused the film to gross $145, which indeed [[{{Pun}} bought the farm]].

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* BoxOfficeBomb: Believe it or not, the film actually cost over $110 million to produce and promote; they came up woefully short and caused the film to gross $145, which indeed ultimately [[{{Pun}} bought the farm]].
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* VindicatedByCable: Home on the Range was overpowered by ''Film/ScoobyDoo2MonstersUnleashed'', ''Film/WalkingTall2004'', and ''Film/Hellboy2004'' but it finally found its audience on cable.

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* VindicatedByCable: Home on the Range was overpowered by ''Film/ScoobyDoo2MonstersUnleashed'', ''[[Film/ScoobyDooMonstersUnleashed Scooby-Doo 2: Monsters Unleashed]]'', ''Film/WalkingTall2004'', and ''Film/Hellboy2004'' but it finally found its audience on cable.
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* BoxOfficeBomb: Believe it or not, the film actually cost over $110 million to produce and promote; they came up woefully short, and ultimately [[{{Pun}} bought the farm]].

to:

* BoxOfficeBomb: Believe it or not, the film actually cost over $110 million to produce and promote; they came up woefully short, short and ultimately caused the film to gross $145, which indeed [[{{Pun}} bought the farm]].



-->'''John Sanford''': "Yes, I love it when people live stream ''Home on the Range'' and tweet comments. Good or bad, it’s fun. Except you, Nostalgia Critic. You can go fuck yourself, you unfunny douche nozzle. My issue was the incredibly abrasive tone of his reviews, and in particular, when he accused the crew of [=HoTR=] of “laziness”. You can say what you want about the movie, it’s deeply flawed, but our crew was anything but lazy. I won’t stand for that."

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-->'''John Sanford''': "Yes, I love it when people live stream ''Home on the Range'' and tweet comments. Good or bad, it’s fun. Except you, Nostalgia Critic. You can go fuck yourself, you unfunny douche nozzle. My issue was the incredibly abrasive tone of his reviews, and in particular, when he accused the crew of [=HoTR=] of “laziness”."laziness". You can say what you want about the movie, it’s deeply flawed, but our crew was anything but lazy. I won’t stand for that."



* KeepCirculatingTheTapes: This one hardly ever gets re-released on home media, let alone broadcast on television, due to how badly it performed at the box office, and Disney's blacklisting of Roseanne Barr for racism as of June 2018, as well as the separate controversies surrounding Randy Quaid, is only going to make it even harder to find. Rescued, as it's available on Creator/DisneyPlus.

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* KeepCirculatingTheTapes: This one hardly ever gets re-released on home media, let alone broadcast on television, television domestically, due to how badly it performed at the box office, and Disney's blacklisting of Roseanne Barr for racism as of June 2018, as well as the separate controversies surrounding Randy Quaid, is only going to make it even harder to find. Rescued, as it's available on Creator/DisneyPlus.



* VindicatedByCable: Home on the Range was overpowered by ''Film/ScoobyDooMonstersUnleashed'', ''Film/WalkingTall2004'', and ''Film/Hellboy2004'' but it finally found its audience on cable.

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* VindicatedByCable: Home on the Range was overpowered by ''Film/ScoobyDooMonstersUnleashed'', ''Film/ScoobyDoo2MonstersUnleashed'', ''Film/WalkingTall2004'', and ''Film/Hellboy2004'' but it finally found its audience on cable.
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* FranchiseKiller: The failure of the movie killed Disney's traditional animation department and made them move into CGI starting with Chicken Little. An attempt to move back into traditional animation in the late 2000s/early 2010s with The Princess and the Frog and Winnie the Pooh was unsuccessful as the two films were written off by the company as financial disappointments, and led to ten members of the staff in the traditional animation department being handed their walking papers.
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* StarDerailingRole: In addition to being a Creator Killer it also killed off Creator/RoseanneBarr's career outside of TV guest appearances prior to the 2018 revival of ''Series/{{Roseanne}}'' (and even that got retooled a few months later due to her controversial views).

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* StarDerailingRole: In addition to being a Creator Killer it also killed off Creator/RoseanneBarr's career outside of TV guest appearances prior to the 2018 revival of ''Series/{{Roseanne}}'' which was set to be her big comeback (and even that got retooled a few months later due to her controversial views).views, which promptly finished off Barr's Hollywood career for good).
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* RealitySubtext: The [[UsefulNotes/WarOnTerror September 11, 2001 terror attacks]] inspired Alan Menken to write "Will the Sun Ever Shine Again?"
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* DescendedCreator: As one of the film's story artists, Sam Levine voices the Willie brothers.
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Old Shame is an IUEO trope.


* OldShame: Widely considered one of Disney's weakest and most forgettable films to date, and as such is rarely seen these days among Disney's vast merchandising.
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* TrendKiller: The film's critical and commercial failure was the final nail in the coffin for Hollywood-produced traditionally animated films, which were already experiencing diminishing returns as audiences gravitated toward CGI films. Nowadays, the only traditionally animated movies being produced for the big screen are based on TV Shows and even ''that'' is changing (eg, ''WesternAnimation/{{Scoob}}'' and ''WesternAnimation/TheSpongeBobMovieSpongeOnTheRun'' are CGI movies based on traditionally animated shows).
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* PlayingTheirOwnTwin: Sam Levine voices the Willie brothers, Phil, Gil and Bill.
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* KeepCirculatingTheTapes: This one hardly ever gets re-released on home media, let alone broadcast on television, due to how badly it performed at the box office, and Disney's blacklisting of Roseanne Barr for racism as of June 2018, as well as the separate controversies surrounding Randy Quaid, is only going to make it even harder to find. It's available on Creator/DisneyPlus, though.

to:

* KeepCirculatingTheTapes: This one hardly ever gets re-released on home media, let alone broadcast on television, due to how badly it performed at the box office, and Disney's blacklisting of Roseanne Barr for racism as of June 2018, as well as the separate controversies surrounding Randy Quaid, is only going to make it even harder to find. It's Rescued, as it's available on Creator/DisneyPlus, though.Creator/DisneyPlus.



* StarDerailingRole: In addition to being a Creator Killer it also killed off Creator/RoseanneBarr's career outside of TV guest appearances prior to the 2018 revival of ''Series/{{Roseanne}}'' (and even that got cancelled a few months later due to her controversial views).

to:

* StarDerailingRole: In addition to being a Creator Killer it also killed off Creator/RoseanneBarr's career outside of TV guest appearances prior to the 2018 revival of ''Series/{{Roseanne}}'' (and even that got cancelled retooled a few months later due to her controversial views).
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** The WorkingTitle for this film was ''Sweatin' Bullets''. Despite being much less conventional than a title taken from an already-famous song, Disney reportedly changed it because they did not "want children seeing a film with the word 'bullets' in the title!"

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** The WorkingTitle for this film was ''Sweatin' Bullets''. Despite being much less conventional than a title taken from an already-famous song, Disney reportedly changed it because they did not "want children seeing a film with the word 'bullets' in the title!"title!" (And besides that, it would probably get lost in translation when dubbed into other languages.)



* KeepCirculatingTheTapes: This one hardly ever gets re-released on home media, let alone broadcast on television, due to how badly it performed at the box office, and Disney's blacklisting of Roseanne Barr for racism as of June 2018, as well as the separate controversies surrounding Randy Quaid, is only going to make it even harder to find. It's available on Disney+ though.

to:

* KeepCirculatingTheTapes: This one hardly ever gets re-released on home media, let alone broadcast on television, due to how badly it performed at the box office, and Disney's blacklisting of Roseanne Barr for racism as of June 2018, as well as the separate controversies surrounding Randy Quaid, is only going to make it even harder to find. It's available on Disney+ Creator/DisneyPlus, though.



** Originally Slim and his trio of henchmen were going to be ghost rustlers after being killed in a stampede. The one legged rabbit whose leg Slim stole was going to be a protagonist.
** The deleted scenes revealed an alternate opening with three singing/narrating fly creatures, an alternate meeting with Lucky Jack, a coyote chase scene, and a different goal by Slim to use his hypnotized cows to storm the White House and be president. The producers realized all these scenes worked well on their own, but not in the context of the overall film, so they cut them all out.

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** Originally Originally, Slim and his trio of henchmen the Willies were going to be ghost rustlers after being killed in a stampede. The one legged one-legged rabbit whose leg Slim stole was going to be a protagonist.
** The deleted scenes revealed an alternate opening with three singing/narrating fly creatures, mariachi butterflies who would narrate the story, an alternate meeting with Lucky Jack, a coyote chase scene, and a different goal by for Slim to use his hypnotized cows to storm the White House and be become president. The producers realized all these scenes worked well on their own, but not in the context of the overall film, so they cut them all out.
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* GenreKiller: As far as 2D Disney animation goes it ''almost'' killed the franchise, until ''WesternAnimation/ThePrincessAndTheFrog'' redeemed it somewhat.

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