[[quoteright:320:http://static.tvtropes.org/pmwiki/pub/images/dicksee5.jpg]]
[[caption-width-right:315:Parting is such sweet sorrow...]]


->''"What's in a name? That which we call a rose\\
By any other word would smell as sweet..."''
-->-- '''Juliet Capulet'''

It's impossible to imagine there are many who don't know the plot, but here's a quick outline:

->''Two households, both alike in dignity,\\
In fair Verona, where we lay our scene,\\
From ancient grudge break to new mutiny,\\
Where civil blood makes civil hands unclean.\\
From forth the fatal loins of these two foes\\
A pair of star-cross'd lovers take their life;\\
Whose misadventured piteous overthrows\\
Do with their death bury their parents' strife.''

What, can't read Shakespeare? Fine. In troper's terms:

BoyMeetsGirl. It's LoveAtFirstSight. But Boy and Girl are members of FeudingFamilies. [[FourthDateMarriage Boy secretly marries Girl]]. Boy's friend is murdered by Girl's cousin, so Boy [[TheDogShotFirst kills Girl's cousin in a fit of rage]], then skips town. Girl agrees to [[FakingTheDead dangerous plot]] to avoid an ArrangedMarriage set up by her parents. Plot [[GoneHorriblyRight goes horribly right]]. Boy, [[PoorCommunicationKills hearing of Girl's "death,"]] returns to town and [[DrivenToSuicide kills self for real]] at her grave. Girl, [[MissedHimByThatMuch waking and discovering this]], kills self in turn. [[MyGodWhatHaveIDone Grief-stricken]] families reconcile. TheEnd!

And yes, it all happens about that fast -- all of this happens in the span of less than a week. One of the major themes is that rushing into things is never a good idea, particularly when love and/or family are involved. The other is that this is a not just a tragedy, but a comedy of errors in that sometimes, [[MurphysLaw everything that can go wrong does go wrong]].

Your opinion of the play is likely to be shaped by the quality of the actors you saw performing it. While that's true of most plays, it's especially true of this one. Done poorly, it's hours of {{Wangst}}. Done well, there's a verve and passion to the play that can be lacking in [[Creator/WilliamShakespeare Shakespeare's]] more critically beloved works. When done with [[PlayingHamlet middle-aged or older]] actors in the title roles, it just doesn't make sense.

Your opinion of the play is also likely to be shaped by whether you can accept the LoveAtFirstSight premise at face value. Though now largely a DiscreditedTrope, it was a highly popular plot device in Shakespeare's day. If you can buy into that premise, this is a story of [[OneTrueLove true love]] [[YoungLoveVersusOldHate struggling]] against [[StarCrossedLovers impossible odds]], and ''failing''. All those warnings about moderation are well-intentioned but ultimately meaningless. If you don't buy the premise, it's a story of two shallow, [[EmoTeen overdramatic]] young people who [[InLoveWithLove don't really understand what love is]].

The play is a simple one and doesn't feature any of Shakespeare's famous side plots or other distractions. It's titled ''Romeo and Juliet'', and dammit, [[ExactlyWhatItSaysOnTheTin that's who we're going to be watching]].

Despite the heavy subject matter, there are many lighter moments (as in most of Shakespeare's works). This, combined with the impression that some have of the title characters as immature and selfish, has led to [[{{Applicability}} productions of different moods]]. Quite a few directors have made comedic productions which can, in the right hands, become BlackComedy at its finest.

Has been adapted for silver screen numerous times, perhaps most famously by the Italian director Creator/FrancoZeffirelli in 1968. That production is widely regarded as an exceptional movie, though it gained a measure of infamy at the time for featuring teen-aged Romeo and Juliet - Olivia Hussey and Leonard Whiting - partially naked during a scene.[[note]]Famously, Olivia Hussey was prohibited from attending the London premiere of the film. The reason: She was not yet 18, and there was nudity in the film - of her.[[/note]] Perhaps more well known today is Baz Luhrmann's zany 1996 adaptation which moved the story to a modern setting, and starred Creator/LeonardoDiCaprio at the height of his teenage heartthrob-dom.

One of the most notable meta-textual features of the play is the way ''most'' of it fits comfortably in an author's arsenal of SmallReferencePools. That is, the vast majority of the English-speaking world knows that Romeo and Juliet are icons of passionate, youthful love... but not everyone might be aware that their story ends tragically, nor that their much-celebrated love was actually their downfall.

Note: The play's full title is ''The Most Excellent and Lamentable Tragedy of Romeo and Juliet''. No one uses it, though.

----
[[folder:Works based on ''Romeo and Juliet'']]
* ''Roméo et Juliette'', a 1839 "dramatic symphony" in seven movements (choral and instrumental scenes) by Hector Berlioz.
* ''Roméo et Juliette'', an 1867 opera by Charles Gounod.
* ''Romeo and Juliet'', a 1932 short story retelling by Karel Čapek.
* ''Romeo and Juliet'', a 1935 ballet with music by Sergei Prokofiev.
* ''Romeo and Juliet'', a 1936 film directed by Creator/GeorgeCukor that received four UsefulNotes/AcademyAward nominations. Featured 34-year-old Creator/NormaShearer and 43-year-old Creator/LeslieHoward playing the teenaged lovers.
* ''Romeo and Juliet'', a 1954 film directed by Renato Castellani, starring Laurence Harvey and Susan Shentall in the title roles.
* ''Romeo and Juliet'', a 1968 Franco Zeffirelli film starring Creator/OliviaHussey as Juliet and Leonard Whiting as Romeo.
* ''Film/WilliamShakespearesRomeoAndJuliet'', a somewhat polarizing update directed by Creator/BazLuhrmann starring Claire Danes and Creator/LeonardoDiCaprio. It keeps Shakespeare's text but dramatically reframes it in a late-1990s setting in Mexican-influenced Southern California ("Verona Beach"). The duels and dialogue about them are retained by naming the characters' gun models after various types of bladed weapons instead (e.g. "Sword 9mm class").
* ''[[http://www.youtube.com/watch?v=jTGWNHa1wIQ Romeo and Juliet]]'', a 2013 film by Carlo Carlei, and the first traditional retelling to hit screens in quite a while, starring Creator/HaileeSteinfeld and Douglas Booth in the lead roles. The dialogue was heavily rewritten, although the new dialogue was still in the Shakespearean style. The rewrites were...not well received.
* ''Anime/RomeoXJuliet'', an {{anime}} adaptation set [[RecycledINSPACE IN SPACE!]] with less GreyAndGrayMorality (the Montagues are villains who ousted and all but extinguished the rightfully ruling Capulets)
* ''Theatre/WestSideStory'', probably the most famous adaptation out there, telling the story of [[RecycledINSPACE a romance between two teens from rival gangs in the 1950s.]]
* ''Film/RomeoMustDie'', a modern-day retelling (from 2000) moving the action to LA and changing the feud to one between rival black and Chinese gangsters.
* ''China Girl'' (1987), which could be described as ''West Side Story'' meets ''Romeo Must Die.'' It's reset in 1980s Manhattan with rival Italian and Chinese gangs.
* ''Film/TromeoAndJuliet'', a typically outrageous outing from Troma Films with a rather [[BrotherSisterIncest different]] ending.
* ''Private Romeo'', a film which uses an all male cast and the original dialogue of the play as a commentary on "Don't Ask, Don't Tell." Romeo is a cadet desperate to get into West Point and Juliet is the new boy to the military academy he attends. [[spoiler:Due to DADT, the school's staff finding out about the fact that the two are in love serves as their 'death;' no one actually dies in the film, but they'll both be kicked out of school and any hope of continuing their military careers (including Romeo's dream of West Point) is finished.]]
* ''Theatre/RomeoEtJulietteDeLaHaineALamour'', a French musical by Gerard Presgurvic, which has played in more or less similar format in Canada, Mexico, Japan and various countries throughout Europe and in a much DarkerAndEdgier Hungarian adaptation.
* ''[[Disney/TheLionKing The Lion King 2: Simba's Pride]]'', which followed up the first film's LighterAndSofter African ''Theatre/{{Hamlet}}'' with a similarly brighter version of this story. [[RecycledInSpace In Africa. With lions.]]
* ''Film/ShakespeareInLove'', in which we learn the "real" story behind the production of the play.
* ''Romeo & Harriet'', a musical parody of Romeo and Juliet.
* ''Romiette and Julio'', a 2001 novel by Sharon Draper about two teenage lovers dealing with the taboos of interracial dating.
* ''Film/YouNeverDreamed'', a 1980 Soviet film.
* ''November 30'', a 1995 Swedish movie with a NonindicativeName where the OfficialCouple consists of a Peruvian immigrant and repentant neo-Nazi.
* ''[[https://www.youtube.com/watch?v=2mn9Am7L4sA Romeo Va Julietta Yohud Lan'atlangan Sevgi]]'', an Uzbek film from 2006, which loosely resets the story in contemporary Tashkent.
* ''Romie O and Julie 8'', a 1979 animated TV adaptation with robots.
* ''WesternAnimation/RomeoAndJulietSealedWithAKiss'', an animated adaptation with [[AnthropomorphicAnimalAdaptation seals playing the roles]].
* ''WesternAnimation/GnomeoAndJuliet'', a 2011 CGI animated family comedy film with living garden gnomes in place of the original characters.
* Naturally, it was the subject of an episode of ''Series/{{Wishbone}}'' as well.
* ''VideoGame/TheSims 2'' features the "Veronaville" neighborhood, with the Montys and the Capps as major players, complete with a feud and teenagers from both families in love.
* ''Prince of Cats'', a short 2012 comic by Ron Wimberly set in a mid-Eighties Brooklyn crossed with samurai films and centered around secondary characters Tybalt and Rosalyn.
* ''WebVideo/RomeoAndJulieta,'' a [[InNameOnly very,]] ''[[InNameOnly very]]'' [[InNameOnly loose adaptation]] of the work starring two sentient llama piñatas. Yes, really.
* ''Literature/WarmBodies'', a novel by Isaac Marion where the Montagues and Capulets are replaced with zombies and humans. Also [[TheFilmOfTheBook made into]] a [[Film/WarmBodies film]].
* Often done as a ShowWithinAShow when a film production or SchoolPlay is needed (because it's a play that most people, even those who have ''never'' read Shakespeare, are familiar with). If at least one of the two leads is a major character, expect ShipTease. This includes an episode of ''WesternAnimation/HeyArnold'', an episode of ''Anime/{{Pokemon}}'', two episodes of ''Manga/KOn'', the second {{OVA}} to ''Manga/CardcaptorSakura'', and an ongoing arc in the first part of Season 12 of ''Series/{{Degrassi}}''.
* DianaWynneJones used the story as a subplot in ''The Magicians of Caprona'' in which the feuding families of Casa Montana and Casa Petrocchi eventually learn that two of their younger members have fallen in love with each other.
* ''Juliet'', a 2010 novel by Anne Fortier, in which the main character discovers that her ancestor was the "real" Juliet behind the famous story.
* ''Romeo and Juliet: A [=DreamZone=] Parody'': The [[ParallelPornTitles porn version]].
* ''Film/UpsideDown'', starring Jim Sturgess and Kirsten Dunst. A science fiction retelling where the two clans are replaced with inhabitants of two planets tightly revolving around each other. Where each person is only affected by the gravity of his or her birth planet.
* Korean [=MMO=] ''VideoGame/{{Maplestory}}'' adapts the story for a party quest, though the characters live in a town of feuding alchemists(one more focused on nature, the other on technology) and somehow Frankenstein's monster is also involved.
* ''Jules and Monty'', a 2014 webseries that translates the story to a modern college setting.
* The radio drama featuring Music/AKB48, known as "Watashitachi no Monogatari", did their own version of Romeo and Juliet, with the two aces of SKE48, Matsui Rena and Matsui Jurina, as the main pair. Not only do they change the characters names (basing them more of their respective members names), but they also give it a much happier end. As to be expected, this broadcast pleased lots of [=WMatsui=] fans.
* ''Theatre/WestBankStory'', an award-winning 2005 short musical comedy film, an AffectionateParody of ''Theatre/WestSideStory'' set in the ArabIsraeliConflict.
[[/folder]]

----
!!This play contains examples of:

[[foldercontrol]]

[[folder: A To B]]

* AdultFear: The two main characters, who are just kids (Juliet is ''thirteen'' in the play - Romeo's age isn't given, but he's most likely in his late teens), take their own short lives for each other. While many people may have thought it romantic or stupid when they were teenagers, it's pretty unsettling to any parent (particularly since teen suicide is a far more publicized issue today that it ever was in previous decades).
* AgeLift: In the original poem, Juliet and Romeo were both about sixteen, while in the Bandello novel, she was 18 and he was 20.
* AnAesop:
** Grudges are bad; don't hold them.
** Love in moderation.
** Do not jump into things you're not ready for.
** Extremes in anything, love or hate, can lead to tragedy.
* AlternateEnding: Shakespeare is believed to have written one.
* AmazinglyEmbarrassingParents: The Nurse (who is more of a mother figure to Juliet than Juliet's own mother). In particular, the whole story of Juliet's weaning. Juliet's comment, "Stint thou too, I pray thee, Nurse," should be translated as, "Dang it, will you please stop telling stories about the embarrassing things I did when I was three?"
* AntiVillain: Paris is Romeo's rival for Juliet's hand but is a good man who would have made a good husband for Juliet.
* AnyoneCanDie: Mercutio, Tybalt, Paris, Lady Montague, [[ForegoneConclusion Romeo and Juliet]] all kick the bucket.
* ApothecaryAlligator: Mentioned in the description of the apothecary's shop in Act V Scene I.
-->'''Romeo:''' And in his needy shop a tortoise hung,\\
An alligator stuff'd, and other skins\\
Of ill-shaped fishes
* BadassBoast: Tybalt to Benvolio.
-->'''Tybalt:''' Turn thee, Benvolio. Look upon thy death.
* BarefootSage: Friar Lawrence is often portrayed as this (justified, since Franciscan friars often went barefoot). However, as "sagey" as he is, he still makes a fatal mistake.
* BettyAndVeronica: Juliet's decision between her two suitors. Paris courts her in the 'proper' way, by asking her father's permission. Romeo falls in love with her, marries her in secret and kills her cousin.
* BewareTheNiceOnes: Romeo is known as a "noble and well-governed youth," according to Lord Capulet. But kill someone close to him (Mercutio, then Juliet), and he will ''[[UnstoppableRage snap]]''.
* BilingualBonus: "ill-shaped fishes" feature in Romeo's description of the apothecary's shop where he buys the poison. The French for fish is 'poisson'; 'ill-shape' it and it becomes 'poison'.
* BlackComedy: Sometimes performed this way. Mercutio provides black comedy in-story as he dies.
-->'''Mercutio:''' Ask for me tomorrow, and you shall find me a grave man.
* BlackComedyRape: Act I Scene 1 is filled with constant rape jokes.
* BloodKnight: Tybalt lives for fighting.
* BreakTheCutie: Both of the lovers, but especially Juliet.
-->'''Juliet:''' Alack, that Heaven should practice stratagems\\
Upon so soft a subject as myself!
* BromanticFoil: Mercutio to Romeo.
* BusCrash: Lady Montague, who has an important role in the first scene, then disappears almost entirely until the last scene where Montague mentions she died offstage. Her death serves to even the death toll to two from every house--Romeo and Lady Montague, Juliet and Tybalt, and [[HufflepuffHouse Mercutio and Paris]].
[[/folder]]

[[folder: C To D]]

* CargoEnvy: From Romeo:
-->'''Romeo:''' See, how she leans her cheek upon her hand!\\
O, that I were a glove upon that hand,\\
That I might touch that cheek!
* CharacterFilibuster: Mercutio's "Queen Mab" speech.
-->'''Romeo:''' Peace, peace, Mercutio, peace!Thou talk'st of nothing.
* ChekhovsGunman: Balthasar, a servant who has a small appearance in the first scene, ends up indirectly causing Romeo's suicide in Act V.
* TheChessmaster: Friar Lawrence only agrees to marry Romeo and Juliet in order to stop the feud, and puts their lives at risk in the process. Tragedy ensues.
* ChildMarriageVeto: Juliet refuses to marry Paris. She's already married to Romeo, but her parents don't know that...
* ChuckCunninghamSyndrome: Benvolio, one of the main characters in the first three acts, does not appear in the fourth or fifth. Nobody seems to notice this, even though he's the only significant member of the younger generation left alive at the end.
* ConflictingLoyalty
** Once Romeo marries Juliet, he is tied to both houses. This makes for an awkward decision when Juliet's cousin Tybalt challenges him to a duel.
** The Nurse fails Juliet in the end because of her conflicting loyalties to Juliet and to Juliet's parents.
* CosmicPlaything: Romeo laments being one after he kills Tybalt.
-->O, I am Fortune's fool!
* CourtlyLove: Subverted. Romeo abandons his courtly love for Rosaline as soon as he meets the much more... open... Juliet.
* CrazyEnoughToWork: Faking Juliet's death... wasn't.
* CycleOfRevenge: What's perpetuating the feud.
* DarkAndTroubledPast: Mercutio's bawdy misogyny and bitterness toward love imply a past relationship that did not end well.
* DeathByDespair: Lady Montague, who died after learning of Romeo's exile. Also the presumed cause of Juliet's first "death" by those who don't know about the Friar's potion.
* DeathIsDramatic:
** Mercutio dies offstage, but goes off with a bang:
--->"[[DyingCurse A plague a' both your houses!]] / They have made worms' meat of me. I have it, / And soundly too. Your houses!"
** Lady Montague, a much less important character, [[DroppedABridgeOnHim gets a couple lines for her offstage death]] in the very last scene. [[DeathIsDramatic "Basically, the spectacle involved in a character's death is proportional to the importance of the character to the story."]]
* DiabolusExMachina: Repeatedly. The line about "star-crossed lovers" in the opening narration is a LampshadeHanging; the stars - meaning Fate - are going to make sure everyone ends up miserable.
* DisproportionateRetribution: Tybalt's initial response to Romeo's showing up at the party is to call for his sword and announce that he's going to kill him.
* DoesThisRemindYouOfAnything: The death scene is rife with sexual imagery. The bit where Juliet welcomes being penetrated by Romeo's dagger is still pretty clear to modern audiences, but it's only the tip of the iceberg. The cup that Romeo drinks his poison from is supposed to be a symbol of femininity, and furthermore, Shakespeare often used "die" as a euphemism for "orgasm".
* DoubleEntendre: Almost every one of Mercutio's lines, overlapping with GetTheeToANunnery.
* DownerEnding: There is the glimpse of a BittersweetEnding, as the rival families finally reconcile their differences, but two statues raised in pure gold above Verona are a poor compensation for the loss of their children, and everyone knows this.
* DramaQueen: Romeo literally throws himself on the ground sobbing at one point.
* DrivenToSuicide: The two leads, each by the other's ostensible death.
* DueToTheDead: Romeo honors Paris' request to lay him beside Juliet, after having killed him because Paris thought that Romeo was coming to do the evil version of this trope.
* DyingCurse: Uttered by Mercutio while dying as a side effect of the house feud.
-->"A plague a' both your houses!"
[[/folder]]

[[folder: E To F]]

* {{Elopement}}: Romeo and Juliet run away to Friar Lawrence to get married. After Juliet's arranged marriage to Paris is announced, Friar Laurence plans to help them run away for good. It doesn't work.
* EmoTeen: Romeo is this at first, moping around and reading emo poetry because of his one-sided love on Rosaline. It is also worth noting that Romeo's lines regarding his romance of Rosaline are ''very'' over-used cliches at Shakespeare's time, but as soon as Romeo starts describing Juliet, his lines become very creative and much more poetic. When he has to be separated from Juliet, he gets even worse than he was at the beginning.
* EnterStageWindow: Probably the UrExample.
* EveryoneCallsHimBarkeep: The Prince and the Nurse. (Although [[AllThereInTheScript on the character list]] the Prince's name is given as "Escalus" and Capulet calls the Nurse "Angelica" at one point.)
* FatalFlaw: Arguments can be made for a wide variety for each protagonist.
* FauxDeath: Juliet. Unfortunately, it's shortly followed by actual, self-inflicted death.
* FeudingFamilies: Montagues and Capulets.
* TheFightingNarcissist: Mercutio's description of Tybalt's ornate fighting style implies that Tybalt may fit this trope.
* ForegoneConclusion: Even if, by some strange power, you've never heard of the plot of this thing, it's stated in the very beginning that the title characters die... on line '''six''' of the Prologue, to be precise. Supposedly, there was a happy alternate ending that contemporary audiences could vote for in lieu of the tragic ending. No one has ever discovered it, though.
* ForgottenFallenFriend: Romeo is heartbroken about Mercutio's death . . . for as long as it takes him to kill Tybalt in a revenge-fueled rage. After Tybalt dies, Mercutio is forgotten, Romeo expresses far more grief over Tybalt's death than Mercutio's.
* FourthDateMarriage: The titular characters get married less than 24 hours after meeting, and plan their marriage the night they meet. The entire plot unfolds over all of four days.
* TheFriendsWhoNeverHang: Juliet reacts to the news of Tybalt's death with heartbreak and tears, her beloved cousin. The Nurse exclaims that Tybalt was her best friend. Tybalt never spent time on-stage with any of these women. All of his stage time was consumed in proving himself a HotBlooded and pitiless fighter.
* FreudianTrio
*** Romeo - passionate, intensely emotional, and romantic (Id).
*** Mercutio - cynical, snarky, explosive, and driven (Ego).
*** Benvolio - levelheaded, keeps the others in check (Superego).
[[/folder]]

[[folder: G To H]]

* GallowsHumor: Most of Mercutio's dying speech. "Ask for me in the morning, and you shall find me a grave man."
* {{GenreBusting}}/{{GenreShift}}: Unusual for its time in combining comedy and tragedy. A typical comedy contains bawdy humor, farce, and young lovers who live HappilyEverAfter, despite the interference of the older generation. A typical tragedy contains unquiet political figures, and drama, a TragicHero who makes [[TragicMistake mistakes]] and dies in the end, despite his best efforts. ''Romeo and Juliet'' explores all of this, [[{{Dissimile}} except]] [[DownerEnding the happily-ever-after part.]] Act III marks the definitive shift from comedy to tragedy.
* GettingCrapPastTheRadar: Shakespeare in his usual idiom:
-->'''Mercutio:''' I conjure thee by Rosaline's bright eyes,\\
By her high forehead and her scarlet lip,\\
By her fine foot, straight leg, and quivering thigh,\\
And the demesnes that there adjacent lie
* TheGhost: Rosaline.
* GoneHorriblyRight: Juliet wakes up from her potion ''right'' on schedule. If she'd woken up five minutes later, then the Capulets and Montagues would have discovered her alive. If she'd woken up five minutes ''earlier,'' Romeo would have met her.
* GreyAndGrayMorality: Both families seem equally responsible for keeping the feud alive.
* HairTriggerTemper
** Tybalt, as everyone around him acknowledges. He reacts to catching Romeo at the Capulet feast by calling for his rapier.
** Lord Capulet, despite admonishing Tybalt for the same trait during the feast, has an explosive, violent reaction to Juliet's ChildMarriageVeto.
* HanlonsRazor: Two teens in "love" die because of a problem with the post. Not much malice against them from anybody except Tybalt, who proves pretty pathetic.
* HaveAGayOldTime:
** Some of the archaic uses of the word "ho" become a tad awkward in this day and age. Such as "Fetch me my long sword, ho!" Even funnier because, as mentioned previously, at this point in the play, his wife is trying to ''stop'' him from jumping into the fight. Or the Nurse calling for "[[INeedAFreakingDrink Aqua Vitae]], ho!", and getting a response from Lady Capulet.
** Romeo talking about his "Well-flowered pump." "Pumps" were shoes, which would be adorned with flowers at dances and other gatherings. Of course, {{Double Entendre}}s do abound in this scene.
** There are several with Capulet as well, such as "You are a saucy boy" and "You are too hot," the latter being said to him by his wife.
* TheHeroDies: Both Romeo and Juliet at the end.
* HotBlooded: Mercutio exists in a state of constant, violent enthusiasm, whether reveling, [[CharacterFilibuster soliloquizing]], or dueling to his own death.
* HufflepuffHouse: There's actually a ''third'' clan- the Prince's family (historically, the [[http://en.wikipedia.org/wiki/Scaliger Scaligers]] or Della Scala- the Prince's name, Escalus, is a Latin version of this), consisting of the Prince himself, Mercutio, and Paris. This being Shakespeare, the Prince loses his two kinsmen over the course of the play too, leading him to say in the final scene that he has also been punished for the violence in Verona alongside the Capulets and Montagues.
* HurricaneOfPuns: Both the start of Act I Scene 1 (between servants Gregory and Sampson) and the middle of Act II Scene 4 (between Mercutio and Romeo).
* {{Hypocrite}}
** Mercutio all over the place.
*** He disdains Romeo for being a victim of love, even though much of Mercutio's own dialogue implies he is himself bitter over a past hurt.
*** He accuses Benvolio, the famous pacifist, of having a HairTriggerTemper, of which his own actions later in the scene are more suggestive.
*** He blames his own death on the pointless feud between the houses, despite having enthusiastically inserted himself into Romeo and Tybalt's conflict.
*** He rants at length about how dangerous a swordsman Tybalt is and how Romeo wouldn't stand a chance against him, then takes personal offense when Romeo declines to fight Tybalt.
** Lord Capulet as well. He chides the "saucy" Tybalt for his [[HairTriggerTemper dramatic reaction]] to Romeo's infiltration of the feast, yet explodes in an even more dramatic fashion when Juliet declines the marriage he arranged for her.
[[/folder]]

[[folder: I To J]]

* IdiotBall: Friar Lawrence fails to consider the thing most likely to interfere with Juliet's faked suicide--Romeo not getting the message in time--which is exactly what ends up happening.
* ImpededMessenger: Due to the plague sweeping through Europe, a priest carrying a vital message to Romeo never reaches him. Many places would close their doors to priests, who were believed to carry the plague as they visited those with it for religious ceremonies.
* INeedAFreakingDrink: Whenever the Nurse asks for "aqua vitae", it's this.
* InformedFlaw: Mercutio describes Benvolio as [[HairTriggerTemper hot-blooded]], willing to start a fight for any reason at all. Considering that we have only ever seen Benvolio try to ''stop'' other people from fighting, it seems more likely that Mercutio is conflating Benvolio with Tybalt or [[{{Hypocrite}} himself]].
* InLoveWithLove: Romeo, particularly with Rosaline.
* InspirationNod: In Act II, Mercutio disses several mythical {{Love Interest}}s in comparison to Juliet. Included in this list is Thisbe, heroine of ''Pyramus and Thisbe'', the original source material for ''Romeo and Juliet''.


[[/folder]]

[[folder: K To L]]

* LargeHam: Mercutio ''loves'' to make dramatic speeches.
* LostAesop: If ''Romeo And Juliet'' was intended as condemnation of hormonal teenagers who think their first relationship is true love and go to melodramatic extremes to prove that it is love rather than simply lust, it [[MisaimedFandom failed horribly]].
* LoveAtFirstSight: The title characters fell in love like this. They fell ''HARD''.
* LoveTriangle: Paris plans to marry Juliet, who is already in a relationship with Romeo.
[[/folder]]

[[folder: M To N]]

* MaidAndMaiden: TropeCodifier, The Nurse is the Maid who plays SecretKeeper for Juliet the Maiden as she tries to get with Romeo.
* MandatoryMotherhood: Romeo laments that Rosaline, who is determined to "live chaste," is wasting her beauty by refusing to pass it on to future generations.
* MasculineGirlFeminineBoy: By their times's standards. Romeo is the one with emotional reactions for better or worse, whereas Juliet is more practical and stages their doomed escape. Romeo kills himself with poison, which is considered a feminine way to commit suicide, whereas Juliet uses a dagger, which was a weapon used typically by men.
* MasqueradeBall: Capulet holds one, which just so happens to be the place Romeo and Juliet fell in LoveAtFirstSight.
* MatronChaperone: The Nurse.
* MeaningfulName:
** Tybalt/[[SpellMyNameWithAnS Tybert/Tibert]] is the name of the hot-blooded prince of cats from the folk tales of Reynard the Fox. Tybalt is frequently made fun of for this, and is indeed hot-blooded.
** Benvolio means "Good will" and he is the most reasonable of the Montagues.
** Mercutio:
*** Related to ''mercurial'', meaning changeable, which Mercutio certainly is.
*** ''Mercurial'' itself is derived from the name of Mercury, messenger god of the Roman pantheon. As a member of the house of Escalus, Mercutio is at least poised to serve as a messenger between the warring houses.
*** Although it is unlikely that Shakespeare knew the element mercury by that name, it connects in several ways: mercury is notable for its liquid state at room temperature--neither a solid nor a gas (neither a Montague nor a Capulet); it is used both to measure temperature and to form highly reflective surfaces, just as Mercutio's mood measures and reflects the current state of house tensions; and it is toxic after prolonged exposure--like Mercutio.
* NameAndName
* NiceGuy:
** Benvolio is a generally inoffensive pacifist.
** Paris, although how nice he is depends on the staging.
* NiceJobBreakingItHero: Friar Lawrence's well-intentioned intervention instead leads to the death of both protagonists.
* NoAntagonist: Tybalt acts as antagonist for a while, but he dies in Act III of a five-act work. Capulet can be seen as the antagonist, as he would be were the play a comedy, but it is ultimately implied that the feud and pointless hatred themselves were to blame for the play's conflict.
* NotSoAboveItAll: Benvolio acts as though he is above the house conflict and will not takes sides. But in his telling of the duel in Act III, he makes it sound as though Tybalt challenged Mercutio, when in fact it was the reverse.
* NotSoDifferent: Despite the grudge between the Capulet and Montague families, they have more in common than not, as pointed out in the very first line: "Two households, both alike in dignity..."
[[/folder]]

[[folder: O To P]]

* PaperThinDisguise: Romeo, Benvolio, Mercutio, and the other revelers attend the Capulets' ball wearing masks. No one is recognized save Romeo, and then only because he talks.
-->'''Tybalt:''' This by his voice should be a Montague!
* ParentalSubstitute: The Nurse to Juliet.
* PayEvilUntoEvil: After Romeo kills Tybalt, Lord Montague protests that, since Tybalt had just killed Mercutio, Romeo was merely expediting justice. This likely contributes to Escalus's decision to banish rather than execute him.
* PluckyGirl: Juliet, especially considering the time period it's set in. She disobeys her parents, follows her heart, and braves disownment and being trapped in a tomb to stay true to the man she loves.
* PoorCommunicationKills: This is one of the major things that contributed to Romeo and Juliet's deaths. Most notably, the reason the whole play ends in tragedy rather than with a happy reunification of the lovers is that Friar Lawrence isn't able to warn Romeo that Juliet is only ''feigning'' death before he hears about it from someone else.
* PopCulturalOsmosis: Probably the main reason people think Romeo and Juliet are the model for a good relationship, and probably the reason a surprising number of people forget the ending in the prologue. Ironically, the title has become a kind of shorthand for idolizing the very behaviors it exists to make fun of.
* PowerTrio: Romeo, Benvolio, and Mercutio.
* PrinceCharmless: Sometimes Paris is played as this, making the audience sympathize more with Juliet for not wanting to marry him.
* {{Pun}}: A good handful of the characters, this being Shakespeare, though Mercutio in particular seems to live off of them. He even belts them out as he lies dying.
[[/folder]]

[[folder: Q To R]]

* ReasonableAuthorityFigure
** Prince Escalus can be played as such. He wants to stop the two families from fighting in the streets of his city, and it's explicitly stated he's showing Romeo mercy by banishing him instead of having him executed for Tybalt's death. However, it can be argued that his [[ThreateningMediator intervention]] has in fact [[{{Pun}} escal-ated]] the conflict.
** Lord Montague, as opposed to Lord Capulet, [[NiceGuy is never shown to be bad in any way]], and seems genuinely concerned for Romeo in the first scene.
* TheReliableOne
** Benvolio (notice a pattern to his tropes yet?)
** The Nurse to Juliet--[[EtTuBrute until]] [[ConflictingLoyalty she isn't]].
** Friar Lawrence to Romeo--[[AdviceBackfire until he isn't]].
* ReplacementGoldfish: Juliet for the nurse's deceased daughter. Also probably Tybalt for Capulet's deceased children, and/or the Capulets for Tybalt's dead parents. While never explicitly stated to be dead, his parents never show up, and when he dies himself, Lord and Lady Capulet do all the mourning for them.
* RoaringRampageOfRomance: Romeo and Juliet's romance causes six deaths:
## Mercutio: Killed defending Romeo.
## Tybalt: Killed by Romeo.
## Romeo's mother: Died of sadness because of Romeo's banishment.
## Paris: Killed by Romeo.
## Romeo: Killed by Romeo.
## Juliet: Killed herself because Romeo did.
* RomanticFalseLead: Paris shows up asking for Juliet's hand before she meets Romeo.
* RunawayFiancee: The FauxDeath set up by Juliet was an attempt to get out of marrying Paris.
[[/folder]]

[[folder: S To T]]

* SacrificialLion: Mercutio and Tybalt die in Act III, after which the play begins to take shape as a tragedy.
* ScrewTheRulesImDoingWhatsRight: One could say that this is Friar Lawrence's intention (although it's more like "screw societal tradition" than "screw rules"), although he ends up failing miserably.
* SecretRelationship: The root of the tragedy.
* SerialRomeo: Romeo's object of hopeless affection changes on a dime in the play, and it's implied he's done this sort of thing before. He knew Juliet for about a ''minute'', and was already making out with her.
* ShooOutTheClowns: After Mercutio's death, the play turns into a tragedy.
* SillyRabbitRomanceIsForKids: Romeo and Juliet is already one big slam against romance. It's not so much a critique of romance itself [[note]] which William Shakespeare seemed to be mostly in favour of[[/note]] as a critique of dumbass kids who, as soon as they think they're in love, immediately overreact. They're so blinded by love that they kill themselves the moment something goes wrong. Plus all the people they get killed along the way. The message seems to be the opposite of this trope: Romance should only be for people mature enough to deal with it sensibly, and kids should stay out of it.
* SparedByTheAdaptation: The play never reveals what happened to the apothecary, but the source story ends with him being sentenced to death.
* StarCrossedLovers: Romeo and Juliet are kept apart by a string of misfortunes. Possibly an UnbuiltTrope, as the play can be read as a {{deconstruction}} of same.
* TagTeamSuicide: Juliet uses Romeo's dagger to kill herself.
* TemptingFate: Just before his wedding Romeo says this:
-->'''Romeo:''' Do thou but close our hands with holy words,\\
Then love-devouring death do what he dare\\
It is enough I may but call her mine.
::In modern English that can be summed up as "I'm so happy right now, after I'm married to Juliet death can do whatever he wants. I'll die happy." Death must have taken that as a challenge.
* TheWorldsExpertOnGettingKilled: Mercutio gives a very detailed description of how skilled a swordsman Tybalt is. He later starts up a fight with Tybalt himself, and ends up getting killed by him.
* ThreateningMediator: In Act I Scene 1, The Prince of Verona enters in the middle of a brawl that includes servants from Capulet and Montague, the hot-blooded Capulet heir Tybalt and his cronies against the Montague youths, and the heads of the houses. The Prince commands them to stand down, "on pain of death." At the end of the scene, he makes it clear to the heads of the houses that if another brawl erupts, punishing their servants won't be enough: the Lords themselves will be executed.
* TogetherInDeath: Romeo and Juliet, who actually end lying side by side (or at least sufficiently close) in the middle of the Capulet mausoleum.
* TooDumbToLive: It's probably easier to list the characters who ''don't'' act like idiots...
* ATragedyOfImpulsiveness: The entire romance is a string of action on impulse, and the the plot really starts to go south when Romeo kills Tybalt without thinking first.
* TragicHero: It has been argued that both Romeo and Juliet are this, that neither quite makes it, that they make one up together, that only Romeo is, and that only Juliet is.
* TragicMistake: Romeo's killing of Tybalt in vengeance for Mercutio, leading to his banishment. Everything goes straight to hell for both lovers because of it.
* TranslationConvention: The play is set in Italy.
* TropeBreaker: Any and all of the many attempts to update it have to work their way around the fact that the story hinges around two teenagers from well-off families being unable to communicate in time. Even just setting it post-plague raises issues; accept that the main characters would have the latest smartphones, Website/{{Twitter}} and Website/{{Facebook}} accounts and you have some serious plot-preservation problems.
[[/folder]]

[[folder: U To V]]

* UnresolvedSexualTension: Romeo and Juliet, especially during their first scenes.
* UnstoppableRage: Mercutio's death imbues Romeo with so much vengeful fury that he manages to defeat master swordsman Tybalt. Later, after Juliet's supposed death, Romeo kills Paris, the ''prince's cousin'', when he tries to deny Romeo entry to the tomb.
* UnusualEuphemism: Shakespeare occasionally uses ''die'' as slang for ''orgasm'', particularly in Juliet's wedding-night soliloquy.
* UnwittingInstigatorOfDoom:
** Romeo's servant Balthazar tells Romeo that Juliet is dead, oblivious to the fact that the death has been faked. Romeo takes this '''badly'''.
** Friar John is another unwitting instigator, although, ironically, this stems from his ''failure'' to deliver a letter. He doesn't know what it contains.
* VillainWithGoodPublicity: Tybalt sees Romeo as this; when Tybalt tells Lord Capulet that Romeo has come uninvited to the Capulet masquerade ball, Lord Capulet lets it slide because Romeo has a decent reputation (not to mention Lord Capulet didn't want any trouble). Conversely, the entire Capulet household is fiercely devoted to Tybalt, the play's apparent antagonist.
[[/folder]]

[[folder: W To X]]

* WhatTheHellHero: Friar Lawrence's speech to Romeo in Act III in which he calls Romeo out for crying like a baby, not realizing how lucky he is that he's not dead as a result of his idiocy, and for generally not manning up.
* WomenAreWiser:
** Juliet is far and away the more sensible and level-headed one of the title duo. Also, when a street brawl breaks out, Lords Montague and Capulet try to fight, and their wives have to hold them back.
** Even between the Nurse and Friar Lawrence, this trope is applicable - although in a darker way. Friar Lawrence sets about making tons of risky plans that, although well-intentioned, have a thousand ways to go wrong. The Nurse tells Juliet to be sensible and marry Paris, and give up Romeo for dead, because it involves less risk and heartache.
[[/folder]]

[[folder: Y To Z]]
* YoungLoveVersusOldHate: The young lovers come from families that have been at war with each other for generations. The hatefulness of the older generation eventually led to the death of both characters.
* YouthIsWastedOnTheDumb: The fights are often portrayed as this.
[[/folder]]

!!Productions and adaptations (apart from those with their own pages) add examples of:

[[folder:A to Z]]
* AllPartOfTheShow: Variant in the Zeffirelli movie. Everyone thinks Mercutio, the local SadClown, is joking around after being injured by Tybalt; it is only when they check on him they realize his injuries are fatal.
* AmbiguouslyGay: Mercutio, in some modern productions.
* ColorCodedForYourConvenience: Very commonly seen to distinguish the two families and highlight how irreconcilable they are. In Franco Zeffirelli's adaptation, the Capulets wear red and the Montagues blue (or sometimes green), and the Prince's family wear somber, dark browns. In the 2013 film adaption, the Montagues wear red and Capulets wear blue.
* CompositeCharacter: Many adaptations have Benvolio take the roles that random Montagues take in the final acts, since otherwise he disappears without explanation.
* DanceOfRomance: Though Juliet off-handedly mentions that Romeo doesn't like to dance, some renditions have the duo dance together before they exchange dialogue.
* DemotedToExtra: Most adaptations seem to forget Paris. His death is one of the most frequently omitted sequences, even though it makes a nonsense of the Prince's "I have lost a brace of kinsmen" lines. (This may be because Romeo murders him, which is odd coming from the hero.)
* TheDyingWalk: Some adaptations of the story have Mercutio doing this after or while he's uttering his DyingCurse.
* GratuitousLaboratoryFlasks:
** In the 1936 film the Friar has the standard movie scientist's arrangement of exotic glass flasks and beakers bubbling with smoke.
** Friar Lawrence in the 1968 film version of ''Theatre/RomeoAndJuliet'' has a desk covered in quite a few interesting-looking (and impractical) retorts and bottles, shown prominently during the scene where he is giving Juliet the sleeping potion. The shots of Juliet from Lawrence's P.O.V. make a point of showing her surrounded on all sides by the Italian Renaissance-era style glassware. Interestingly one of the items is a very anachronistic modern Erlenmeyer flask filled with blue liquid.
* MortalWoundReveal: Mercutio's death is often played as this in modern versions, with Franco Zeffirelli's screen adaptation being one example.
* SadClown: Mercutio, in some versions.
* SexyDiscretionShot: In the 1936 film Romeo climbs over Juliet's balcony, and we get a cut away to shots of the trees and the stars in the sky and such.
* SparedByTheAdaptation:
** Some film versions and some productions leave Paris and Lady Montague alive since their deaths have little impact on the plot.
** In the SpaghettiWestern adaptation, ''Film/TheFuryOfJohnnyKid'', the characters based on Romeo and Juliet live -- but everyone else dies, mostly by each other's hands (with a lone gunslinger cleaning out the rest).
[[/folder]]
----
->''For never was a story of more woe''\\
''Than this of Juliet and her Romeo.''
----