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Changed line(s) 8 (click to see context) from:
* AsLongAsItSoundsForeign: Litefoot's impression of a Dutch accent sounds German at best (and like a throatache at worst). Justified in-story, as Jargo calls out his impression, noting that Litefoot is not a very convincing actor.
to:
* AsLongAsItSoundsForeign: Litefoot's impression of a Dutch accent sounds German at best (and like a throatache at worst). Justified in-story, as Jargo Jago calls out his impression, noting that Litefoot is not a very convincing actor.
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Changed line(s) 1,2 (click to see context) from:
[[Recap/DoctorWhoS14E6TheTalonsOfWengChiang Henry Gordon Jago and his friend, Professor George Litefoot]], meet up for some mugs of ale to discuss the events of the past eve. Working at his pathological laboratory one night, Professor Litefoot was greeted by some constables who brought in a body of a man. Upon closer inspection, however, Litefoot discovers that the body is actually made of wood, very carefully and artistically crafted into looking like a human body, and it is even able to move like one too. The facsimile's eyes were made of an eerie glass, and its clothes fit so well that either it was made for them, or they were made for it. An odd Dutchman, a Mr Tulp, had come to visit him to reclaim the mannequin. Professor Litefoot had refused to trust him and summoned, by telegram, his old friend Henry Gordon Jago, whose experience in the world of art and theatre might provide some insight into the situation.
to:
[[Recap/DoctorWhoS14E6TheTalonsOfWengChiang Henry Gordon Jago and his friend, Professor George Litefoot]], meet up for some mugs of ale to discuss the events of the past eve. Working at his pathological laboratory one night, Professor Litefoot was greeted by some constables who brought in a body of a man. Upon closer inspection, however, Litefoot discovers discovered that the body is was actually made of wood, very carefully and artistically crafted into looking like a human body, and it is was even able made to move like one too. The facsimile's eyes were made of an eerie glass, and its clothes fit so well that either it was made for them, or they were made for it. An odd Dutchman, a Mr Tulp, had come to visit him to reclaim the mannequin. Professor Litefoot had refused to trust him and summoned, by telegram, his old friend Henry Gordon Jago, whose experience in the world of art and theatre might provide some insight into the situation.
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Changed line(s) 1,4 (click to see context) from:
[[Recap/DoctorWhoS14E6TheTalonsOfWengChiang Henry Gordon Jago and his friend, Professor George Litefoot]], meet up for some mugs of ale to discuss the events of the past eve. Working at his pathological laboratory one night, Professor Litefoot was greeted by some constables who brought in a man made of mahogany. The facsimile's eyes were made of an eerie glass, and its clothes fit so well that either it was made for them, or they were made for it. An odd Dutchman, a Mr Tulp, had come to visit him to reclaim the mannequin. Professor Litefoot had refused to trust him and summoned, by telegram, his old friend Henry Gordon Jago, whose experience in the world of art and theatre might provide some insight into the situation.
Jago, down on his luck in regards to work and money, was quite overjoyed to be contacted by his -- rather rich -- friend after a long period without communication. He agreed to investigate the warehouses and look for anything odd. Soon enough, he had snuck into one. (Well, lockpicked one. Well, smashed his way in with a brick.) Inside was a quaint contraption of electronic coils and wires, not unlike Professor Faraday's most recent inventions shown at the Great Exhibition. After accidentally disturbing the wires, Jago was met by a living, moving automaton... made of wood.
Jago, down on his luck in regards to work and money, was quite overjoyed to be contacted by his -- rather rich -- friend after a long period without communication. He agreed to investigate the warehouses and look for anything odd. Soon enough, he had snuck into one. (Well, lockpicked one. Well, smashed his way in with a brick.) Inside was a quaint contraption of electronic coils and wires, not unlike Professor Faraday's most recent inventions shown at the Great Exhibition. After accidentally disturbing the wires, Jago was met by a living, moving automaton... made of wood.
to:
[[Recap/DoctorWhoS14E6TheTalonsOfWengChiang Henry Gordon Jago and his friend, Professor George Litefoot]], meet up for some mugs of ale to discuss the events of the past eve. Working at his pathological laboratory one night, Professor Litefoot was greeted by some constables who brought in a man body of a man. Upon closer inspection, however, Litefoot discovers that the body is actually made of mahogany.wood, very carefully and artistically crafted into looking like a human body, and it is even able to move like one too. The facsimile's eyes were made of an eerie glass, and its clothes fit so well that either it was made for them, or they were made for it. An odd Dutchman, a Mr Tulp, had come to visit him to reclaim the mannequin. Professor Litefoot had refused to trust him and summoned, by telegram, his old friend Henry Gordon Jago, whose experience in the world of art and theatre might provide some insight into the situation.
Jago, down on his luck in regards to work and money, was quite overjoyed to be contacted by his -- rather rich -- friend after a long period without communication. He agreed to investigate the warehouses and look for anything odd. Soon enough, he had snuck into one. (Well, lockpicked one. Well, smashed his way in with a brick.) Inside was a quaint contraption of electronic coils and wires, not unlike Professor Faraday's most recent inventions shown at the Great Exhibition. After accidentally disturbing the wires, Jago was met by a living, moving automaton... made ofwood.
wood, and is knocked unconscious by him.
Jago, down on his luck in regards to work and money, was quite overjoyed to be contacted by his -- rather rich -- friend after a long period without communication. He agreed to investigate the warehouses and look for anything odd. Soon enough, he had snuck into one. (Well, lockpicked one. Well, smashed his way in with a brick.) Inside was a quaint contraption of electronic coils and wires, not unlike Professor Faraday's most recent inventions shown at the Great Exhibition. After accidentally disturbing the wires, Jago was met by a living, moving automaton... made of
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----
Changed line(s) 8 (click to see context) from:
* AsLongAsItSoundsForeign: Litefoot's impression of a Dutch accent sounds German at best (and like a throatache at worst). Justified in-story, as it's established that Litefoot is a rubbish actor.
to:
* AsLongAsItSoundsForeign: Litefoot's impression of a Dutch accent sounds German at best (and like a throatache at worst). Justified in-story, as it's established Jargo calls out his impression, noting that Litefoot is not a rubbish very convincing actor.
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* LargeHam: Jago.
to:
* LargeHam: Jago. Jago
Changed line(s) 20 (click to see context) from:
* UnclePennybags: Jago's sense of honour would never permit him to beg for money, but Litefoot agrees to anything Jago politely (or less politely) requests and eventually becomes a patron of the arts (well, alright, patron of the burlesque stage shows) for his friend.
to:
* UncannyValley: InUniverse. Litefoot notes there is something rather off about Mr Tulp, describing his [[BaldOfEvil perfect baldness]], [[NoBrows missing eyebrows]], extremely round head, and ScaryShinyGlasses which obscures his eyes.
* UnclePennybags: Jago's sense of honour would never permit him to beg for money, but Litefoot agrees to anything Jago politely (or less politely) requests and eventually becomes a patron of the arts (well, alright, patron of the burlesque stage shows) for hisfriend.friend.
----
* UnclePennybags: Jago's sense of honour would never permit him to beg for money, but Litefoot agrees to anything Jago politely (or less politely) requests and eventually becomes a patron of the arts (well, alright, patron of the burlesque stage shows) for his
----
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Changed line(s) 18 (click to see context) from:
* ShoutOut: A whole lot of references to ''TheThreepennyOpera''.
to:
* ShoutOut: A whole lot of references to ''TheThreepennyOpera''.''Theatre/TheThreepennyOpera''.
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Changed line(s) 17 (click to see context) from:
* SequelHook: And ''boy'', did they get there fair share of sequels.
to:
* SequelHook: And ''boy'', did they get there their fair share of sequels.
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Changed line(s) 11 (click to see context) from:
* TheBusCameBack: Plenty of classic characters have returned for BigFinish, but Jago and Litefoot have to set some kind of record for most minor characters to return after most outrageously LongBusTrip have the most success.
to:
* TheBusCameBack: Plenty of classic characters have returned for BigFinish, Creator/BigFinish, but Jago and Litefoot have to set some kind of record for most minor characters to return after most outrageously LongBusTrip have the most success.
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Changed line(s) 3,4 (click to see context) from:
Jago, down on his luck in regards to work and money, was quite overjoyed to be contacted by his -- rather rich -- friend after a long period without communication. He agreed to investigate the warehouses and look for anything odd. Soon enough, he had snuck into one. (Well, lockpicked one. Well, smashed the lock with a brick.) Inside was a quaint contraption of electronic coils and wires, not unlike Professor Faraday's most recent inventions shown at the Great Exhibition. After accidentally disturbing the wires, Jago was met by a living, moving automaton... made of wood.
to:
Jago, down on his luck in regards to work and money, was quite overjoyed to be contacted by his -- rather rich -- friend after a long period without communication. He agreed to investigate the warehouses and look for anything odd. Soon enough, he had snuck into one. (Well, lockpicked one. Well, smashed the lock his way in with a brick.) Inside was a quaint contraption of electronic coils and wires, not unlike Professor Faraday's most recent inventions shown at the Great Exhibition. After accidentally disturbing the wires, Jago was met by a living, moving automaton... made of wood.
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None
Changed line(s) 1,2 (click to see context) from:
[[Recap/DoctorWhoS14E6TheTalonsOfWengChiang Henry Gordon Jago and his friend, Professor George Litefoot]], meet up at for some mugs of ale to discuss the events of the past eve. Working at his pathological laboratory one night, Professor Litefoot was greeted by some constables who brought in a man made of mahogany. The facsimile's eyes were made of an eerie glass, and its clothes fit so well that either it was made for them, or they were made for it. An odd Dutchman, a Mr Tulp, had come to visit him to reclaim the mannequin. Professor Litefoot had refused to trust him and summoned, by telegram, his old friend Henry Gordon Jago, whose experience in the world of art and theatre might provide some insight into the situation.
to:
[[Recap/DoctorWhoS14E6TheTalonsOfWengChiang Henry Gordon Jago and his friend, Professor George Litefoot]], meet up at for some mugs of ale to discuss the events of the past eve. Working at his pathological laboratory one night, Professor Litefoot was greeted by some constables who brought in a man made of mahogany. The facsimile's eyes were made of an eerie glass, and its clothes fit so well that either it was made for them, or they were made for it. An odd Dutchman, a Mr Tulp, had come to visit him to reclaim the mannequin. Professor Litefoot had refused to trust him and summoned, by telegram, his old friend Henry Gordon Jago, whose experience in the world of art and theatre might provide some insight into the situation.
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Changed line(s) 5,6 (click to see context) from:
Professor Litefoot's wooden man, meanwhile, had also begun to move, getting up from the pathologist's slab and staggering off. Following his charge to the warehouse district, Professor Litefoot had overheard the wooden man and its friends talking of their plight. They were criminals, murderers who had been promised eternal life by the Dutchman. Their flesh bodies had been dead and buried for weeks. The mahogany man, who had ended up on Professor Litefoot's slab, had temporarily lost coordination and fallen off of a bridge, and had quite suddenly found himself in his coffin, clawing at the lid with rotting hands. Jago's disturbance of the electronic contraptions had restored the man back to his body. Jago, now captured, is threatened by the assorted criminals, until Professor Litefoot (catching fragments of the conversation while hiding in the shadows) was forced to run away when the warehouse was set ablaze. Both men managed to escape from the fire (Jago's only jacket quite singed), and the wooden facsimile bodies were destroyed, presumably sending the criminals back to their coffins and to a FateWorseThanDeath. Mr Tulp, their mysterious saviour, was nowhere to be found.
to:
Professor Litefoot's wooden man, meanwhile, had also begun to move, getting up from the pathologist's slab and staggering off. Following his charge to the warehouse district, Professor Litefoot had overheard the wooden man and its friends talking of their plight. They were criminals, murderers who had been promised eternal life by the Dutchman. Their flesh bodies had been dead and buried for weeks. The mahogany man, who had ended up on Professor Litefoot's slab, had temporarily lost coordination and fallen off of a bridge, and had quite suddenly found himself in his coffin, clawing at the lid with rotting hands. Jago's disturbance of the electronic contraptions had restored the man back to his wooden body. Jago, now captured, is was threatened by the assorted criminals, until Professor Litefoot (catching fragments of the conversation while hiding in the shadows) was forced to run away when the warehouse was set ablaze. Both men managed to escape from the fire (Jago's only jacket quite singed), and the wooden facsimile bodies were destroyed, presumably sending the criminals back to their coffins and to a FateWorseThanDeath. Mr Tulp, their mysterious saviour, was nowhere to be found.
Is there an issue? Send a MessageReason:
None
Changed line(s) 3,4 (click to see context) from:
Jago, down on his luck in regards to work and money, was quite overjoyed to be contacted by his -- rather rich -- friend after a long period without communication. He agreed to investigate the warehouses and look for anything odd. Soon enough, he had snuck into one. (Well, lockpicked one. Well, smashed the lock with a brick.) Inside was a quaint contraption of electronic coils wires, not unlike Professor Faraday's most recent inventions shown at the Great Exhibition. After accidentally disturbing the wires, Jago was met by a living, moving automaton... made of wood.
to:
Jago, down on his luck in regards to work and money, was quite overjoyed to be contacted by his -- rather rich -- friend after a long period without communication. He agreed to investigate the warehouses and look for anything odd. Soon enough, he had snuck into one. (Well, lockpicked one. Well, smashed the lock with a brick.) Inside was a quaint contraption of electronic coils and wires, not unlike Professor Faraday's most recent inventions shown at the Great Exhibition. After accidentally disturbing the wires, Jago was met by a living, moving automaton... made of wood.
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None
Changed line(s) 1,2 (click to see context) from:
[[Recap/DoctorWhoS14E6TheTalonsOfWengChiang Henry Gordon Jago and his friend, Professor George Litefoot]], meet up at for some mugs of ale to discuss the events of the past eve. Working at his pathological laboratory one night, Professor Litefoot was greeted by some constables who brought in a man made of mahogany. The facsimile's eyes were made of an eerie glass, and its clothes fit so well that either it was made for them, or they were made for it. An odd Dutchman, a Mr Tulp, had come to visit him to reclaim the mannequin. Professor Litefoot had refused to trust him. Professor Litefoot summoned, by telegram, his old friend Henry Gordon Jago, whose experience in the world of art and theatre might provide some insight into the situation.
to:
[[Recap/DoctorWhoS14E6TheTalonsOfWengChiang Henry Gordon Jago and his friend, Professor George Litefoot]], meet up at for some mugs of ale to discuss the events of the past eve. Working at his pathological laboratory one night, Professor Litefoot was greeted by some constables who brought in a man made of mahogany. The facsimile's eyes were made of an eerie glass, and its clothes fit so well that either it was made for them, or they were made for it. An odd Dutchman, a Mr Tulp, had come to visit him to reclaim the mannequin. Professor Litefoot had refused to trust him. Professor Litefoot him and summoned, by telegram, his old friend Henry Gordon Jago, whose experience in the world of art and theatre might provide some insight into the situation.
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None
Changed line(s) 1,2 (click to see context) from:
[[Recap/DoctorWhoS14E6TheTalonsOfWengChiang Henry Gordon Jago and his friend, Professor George Litefoot]], meet up at for some mugs of ale to discuss the events of the past eve. Working at his pathological laboratory one night, Professor Litefoot was greeted by some constables who brought in a man made of mahogany. The facsimile's eyes were made of an eerie glass, and its clothes fit so well that either it was made for them, or they were made for it. Professor Litefoot summoned, by telegram, his old friend Henry Gordon Jago, whose experience in the world of art and theatre might provide some insight into the situation. An odd Dutchman, a Mr Tulp, had come to visit him to reclaim the mannequin. Professor Litefoot had refused to trust him.
to:
[[Recap/DoctorWhoS14E6TheTalonsOfWengChiang Henry Gordon Jago and his friend, Professor George Litefoot]], meet up at for some mugs of ale to discuss the events of the past eve. Working at his pathological laboratory one night, Professor Litefoot was greeted by some constables who brought in a man made of mahogany. The facsimile's eyes were made of an eerie glass, and its clothes fit so well that either it was made for them, or they were made for it. An odd Dutchman, a Mr Tulp, had come to visit him to reclaim the mannequin. Professor Litefoot had refused to trust him. Professor Litefoot summoned, by telegram, his old friend Henry Gordon Jago, whose experience in the world of art and theatre might provide some insight into the situation. An odd Dutchman, a Mr Tulp, had come to visit him to reclaim the mannequin. Professor Litefoot had refused to trust him.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1,2 (click to see context) from:
Henry Gordon Jago and his friend, Professor George Litefoot, meet up at for some mugs of ale to discuss the events of the past eve. Working at his pathological laboratory one night, Professor Litefoot was greeted by some constables who brought in a man made of mahogany. The facsimile's eyes were made of an eerie glass, and its clothes fit so well that either it was made for them, or they were made for it. Professor Litefoot summoned, by telegram, his old friend Henry Gordon Jago, whose experience in the world of art and theatre might provide some insight into the situation. An odd Dutchman, a Mr Tulp, had come to visit him to reclaim the mannequin. Professor Litefoot had refused to trust him.
to:
[[Recap/DoctorWhoS14E6TheTalonsOfWengChiang Henry Gordon Jago and his friend, Professor George Litefoot, Litefoot]], meet up at for some mugs of ale to discuss the events of the past eve. Working at his pathological laboratory one night, Professor Litefoot was greeted by some constables who brought in a man made of mahogany. The facsimile's eyes were made of an eerie glass, and its clothes fit so well that either it was made for them, or they were made for it. Professor Litefoot summoned, by telegram, his old friend Henry Gordon Jago, whose experience in the world of art and theatre might provide some insight into the situation. An odd Dutchman, a Mr Tulp, had come to visit him to reclaim the mannequin. Professor Litefoot had refused to trust him.
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Changed line(s) 16 (click to see context) from:
* QuintessentialEnglishGentleman: Jago and Litefoot (but definitely not the other characters in the story).
to:
* QuintessentialEnglishGentleman: QuintessentialBritishGentleman: Jago and Litefoot (but definitely not the other characters in the story).
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Changed line(s) 16 (click to see context) from:
* QuintessentialEnglishGentlemen: Jago and Litefoot (but definitely not the other characters in the story).
to:
* QuintessentialEnglishGentlemen: QuintessentialEnglishGentleman: Jago and Litefoot (but definitely not the other characters in the story).
Added DiffLines:
* SteamPunk
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Changed line(s) 16 (click to see context) from:
* QuintessentialBritishGentlemen: Jago and Litefoot (but definitely not the other characters in the story).
to:
* QuintessentialBritishGentlemen: QuintessentialEnglishGentlemen: Jago and Litefoot (but definitely not the other characters in the story).
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None
Added DiffLines:
Henry Gordon Jago and his friend, Professor George Litefoot, meet up at for some mugs of ale to discuss the events of the past eve. Working at his pathological laboratory one night, Professor Litefoot was greeted by some constables who brought in a man made of mahogany. The facsimile's eyes were made of an eerie glass, and its clothes fit so well that either it was made for them, or they were made for it. Professor Litefoot summoned, by telegram, his old friend Henry Gordon Jago, whose experience in the world of art and theatre might provide some insight into the situation. An odd Dutchman, a Mr Tulp, had come to visit him to reclaim the mannequin. Professor Litefoot had refused to trust him.
Jago, down on his luck in regards to work and money, was quite overjoyed to be contacted by his -- rather rich -- friend after a long period without communication. He agreed to investigate the warehouses and look for anything odd. Soon enough, he had snuck into one. (Well, lockpicked one. Well, smashed the lock with a brick.) Inside was a quaint contraption of electronic coils wires, not unlike Professor Faraday's most recent inventions shown at the Great Exhibition. After accidentally disturbing the wires, Jago was met by a living, moving automaton... made of wood.
Professor Litefoot's wooden man, meanwhile, had also begun to move, getting up from the pathologist's slab and staggering off. Following his charge to the warehouse district, Professor Litefoot had overheard the wooden man and its friends talking of their plight. They were criminals, murderers who had been promised eternal life by the Dutchman. Their flesh bodies had been dead and buried for weeks. The mahogany man, who had ended up on Professor Litefoot's slab, had temporarily lost coordination and fallen off of a bridge, and had quite suddenly found himself in his coffin, clawing at the lid with rotting hands. Jago's disturbance of the electronic contraptions had restored the man back to his body. Jago, now captured, is threatened by the assorted criminals, until Professor Litefoot (catching fragments of the conversation while hiding in the shadows) was forced to run away when the warehouse was set ablaze. Both men managed to escape from the fire (Jago's only jacket quite singed), and the wooden facsimile bodies were destroyed, presumably sending the criminals back to their coffins and to a FateWorseThanDeath. Mr Tulp, their mysterious saviour, was nowhere to be found.
!!Tropes:
* AsLongAsItSoundsForeign: Litefoot's impression of a Dutch accent sounds German at best (and like a throatache at worst). Justified in-story, as it's established that Litefoot is a rubbish actor.
* BackdoorPilot: The interview in the CD extras had the cast and crew discussion the possibility of a sequel. They would end up getting their own insanely successful spinoff series.
* BadBadActing: Litefoot is really not good at acting. Jago quickly tells him to stop trying to do voices and leave the ham to him.
* TheBusCameBack: Plenty of classic characters have returned for BigFinish, but Jago and Litefoot have to set some kind of record for most minor characters to return after most outrageously LongBusTrip have the most success.
* BreakoutCharacter: Both of them.
* GothicHorror
* LargeHam: Jago.
* MeaningfulName: "Tulp" is Dutch for "tulip".
* QuintessentialBritishGentlemen: Jago and Litefoot (but definitely not the other characters in the story).
* SequelHook: And ''boy'', did they get there fair share of sequels.
* ShoutOut: A whole lot of references to ''TheThreepennyOpera''.
* UnclePennybags: Jago's sense of honour would never permit him to beg for money, but Litefoot agrees to anything Jago politely (or less politely) requests and eventually becomes a patron of the arts (well, alright, patron of the burlesque stage shows) for his friend.
Jago, down on his luck in regards to work and money, was quite overjoyed to be contacted by his -- rather rich -- friend after a long period without communication. He agreed to investigate the warehouses and look for anything odd. Soon enough, he had snuck into one. (Well, lockpicked one. Well, smashed the lock with a brick.) Inside was a quaint contraption of electronic coils wires, not unlike Professor Faraday's most recent inventions shown at the Great Exhibition. After accidentally disturbing the wires, Jago was met by a living, moving automaton... made of wood.
Professor Litefoot's wooden man, meanwhile, had also begun to move, getting up from the pathologist's slab and staggering off. Following his charge to the warehouse district, Professor Litefoot had overheard the wooden man and its friends talking of their plight. They were criminals, murderers who had been promised eternal life by the Dutchman. Their flesh bodies had been dead and buried for weeks. The mahogany man, who had ended up on Professor Litefoot's slab, had temporarily lost coordination and fallen off of a bridge, and had quite suddenly found himself in his coffin, clawing at the lid with rotting hands. Jago's disturbance of the electronic contraptions had restored the man back to his body. Jago, now captured, is threatened by the assorted criminals, until Professor Litefoot (catching fragments of the conversation while hiding in the shadows) was forced to run away when the warehouse was set ablaze. Both men managed to escape from the fire (Jago's only jacket quite singed), and the wooden facsimile bodies were destroyed, presumably sending the criminals back to their coffins and to a FateWorseThanDeath. Mr Tulp, their mysterious saviour, was nowhere to be found.
!!Tropes:
* AsLongAsItSoundsForeign: Litefoot's impression of a Dutch accent sounds German at best (and like a throatache at worst). Justified in-story, as it's established that Litefoot is a rubbish actor.
* BackdoorPilot: The interview in the CD extras had the cast and crew discussion the possibility of a sequel. They would end up getting their own insanely successful spinoff series.
* BadBadActing: Litefoot is really not good at acting. Jago quickly tells him to stop trying to do voices and leave the ham to him.
* TheBusCameBack: Plenty of classic characters have returned for BigFinish, but Jago and Litefoot have to set some kind of record for most minor characters to return after most outrageously LongBusTrip have the most success.
* BreakoutCharacter: Both of them.
* GothicHorror
* LargeHam: Jago.
* MeaningfulName: "Tulp" is Dutch for "tulip".
* QuintessentialBritishGentlemen: Jago and Litefoot (but definitely not the other characters in the story).
* SequelHook: And ''boy'', did they get there fair share of sequels.
* ShoutOut: A whole lot of references to ''TheThreepennyOpera''.
* UnclePennybags: Jago's sense of honour would never permit him to beg for money, but Litefoot agrees to anything Jago politely (or less politely) requests and eventually becomes a patron of the arts (well, alright, patron of the burlesque stage shows) for his friend.