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Recap / A Thing of Vikings Chapter 79 "On The Threshold"

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Book III, Chapter 11

One of the great paradoxes that comes from the study of history is that historians are forced to simultaneously speak in both concrete and abstract terms. We say 'the society decided to change' at the same time as we speak of the leaders making specific decisions. But the society did not decide to change. The Hooligans of Berk, for example, did not, as some abstract whole, decide to adopt dragons and grow to become the core of a new sovereign nation over the next five years. Nor did then-Chief Stoick's decision to allow for the adoption of dragons force this decision. No. Individuals within that society decided to change, in how they acted or how they viewed the world, while others did not. And yet we are forced to speak in the aggregate, the cumulative, taking the broad trend of the social unit and applying it to all members inside. We can recognize the individual dissenters when their dissent from the mean is sufficient to stand out, and yet this very recognition paints a degree of uniformity on the rest that is both unrealistic and unearned.

Furthermore, referring to the aggregate of the society in the abstract creates a false impression of their numbers, simply due to the common fallacies of equivocation and false equivalence (i.e. we call them the same thing, ergo we see them as being roughly the same). We project ourselves and our own modern expectations and experiences with current political entities onto the past, despite those historical units being vastly smaller, simpler, and less developed). We speak of the Byzantine Empire and the North Sea Empire as two simple units. Due to the difficulties that many have with comprehending large numbers and larger scales, the typical comprehension of the concept of "Empire" lends itself to a false equivalence, that one Empire is much like another Empire in size, population, economy, culture and so forth, but that mental abstraction again does a disservice in scale. To illustrate, consider that, in AD 1040, there were more people occupying Constantinople and the Thracian farmland immediately outside the city's famous walls than there were in all of the island of Eire in that same year. Meanwhile, Sweden, Norway and Denmark together had less than a million people combined, while the city of Baghdad alone had over a million people sheltering behind its walls. And again, in making such comparisons, we fall prey to the lure of the abstract, of referencing the masses of otherwise anonymous people as conglomerate wholes.

But at the same time, such abstraction is necessary; we do not have the data to be able to conclusively say that, out of the approximately 300,000 Albans who lived under King Mac Bethad's rule, 68,821 agreed with his stated desire for continued independence from Berk's influence, while another 121,749 would have been happier if he had made overtures of integration prior to his fatal duel with Astrid clan Haddock. Such precision is not available to us and we are thus forced to speak in the abstract and the aggregate, erasing the heterogeneous beliefs and attitudes of entire generations—save those individuals who had the foresight to record their thoughts, or the impact that inspired others to record them.

To Label The Stars: The Cultural Impact Of Names, Kyoto University Press, Ltd.

Tropes That Appear In This Chapter:

  • Book Dumb: William's reading skills aren't very good, and if the below quote is any indication most of Francia is this trope.
    He'd always been told that reading was unmanly, something better to be left to scribes, and all his short life, he'd never seen a reason to question that—until now. But his skills with letters were not very good, and he was starting to find that a source of shame, not pride.
  • Culture Clash: A minor one happens when William finds out that Duckquack can read Latin, and William asks if he is a priest. He isn't but considering at this time priests were some of the only people who knew how to read Latin it was a reasonable assumption to make.
  • Death by Adaptation:
    • Count Eudon dies thirty seven years before his historical death date.
    • Conan II dies twenty four years before his historical death date.
  • Dies Differently in Adaptation:
    • In Real Life Count Eudon probably died of natural causes, here he was killed by killed by Dogsbreath.
    • In Real Life Conan II was possibly killed by poison, here he was killed by Dogsbreath.
  • Drowning My Sorrows: Snoutlout/Sigurd goes on a disastrous bender after finding out about Hiccup's success.
  • Gunboat Diplomacy: How does Empress Theodora convince the Dynatoi to pay higher taxes? By making it clear the most powerful military force under the Byzantine's command is on her side.
  • Heel Realisation: Sigurd/Snotlout suffers this when learning about Hiccup's progress since he left Berk forces him to recognise that everyone there who called him a fool was right to have such a low opinion of him.


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