->The next thing you need to do is create your main character, and since it's important to {{write who you know}}, the main character will obviously be ''you''; but while you are a repressed, socially retarded dullard who no one would ever honestly admit to liking, your author insertion character is a fantasy, so they will be [[LoveableRogue a charismatic eccentric]] who is unconditionally loved by everyone, even while he's setting their dog on fire.
-->-- '''''WebAnimation/ZeroPunctuation''''' on ''GamingWebcomics''

->The narrative of Strauss's book is at best bipolar if not outright schizophrenic. Alongside the story of his evolution from self-loathing ([[FromNobodyToNightmare but probably decent]]) human being to totally-awesome-stud-alpha-game-messiah is the contrasting tragic tear-jerking meltdown(s) of the lovable-douchey-attention-whore called 'Mystery'. Though Strauss makes great effort to critique the the vain emptiness of some aspects of the game culture and the transformation of nice goofy guys into slick greaseballs, he behaves in almost the exact same way but paints his exploits in a radioactive awesome colour (because when the alpha-game-messiah does it [[ProtagonistCenteredMorality it's all cool braaah]]). And so throughout the book Strauss gets to have it all ways. He assures us he's a nice guy by denouncing the real scum-bags and bitchy women, paints game-brohs as multi-dimentional guys with complex personalities and fragile hearts, describes women as moronic fem-bots and or bitchy catty witches, is totally a nice guy, lists his glorious herculian conquests, acts like a douche-bag, reminds you he's really a nice guy and throughout tells a journalistic narrative in both the first and third person... By the end the only unquestionably good lesson anyone should take from it is that having your cake and eating it too is very possible in autobiographical narratives.
-->--'''''Wiki/RationalWiki''''' on Neil Strauss, the Moses of Pick-Up culture

->OH, THAT MANIAC, HE IS A CARD! Crashing expensive starships indispensable to the war effort, destroying the flight deck, and running over helpless technicians for fun! He--he cracks me up.
-->--'''[[WebVideo/TheSpoonyExperiment Noah Antwiler]]''' on ''Film/WingCommander''

->Nomi is from the honored society of the 'charming bitch' archetype. Y'know, we like her because she's tough and treats everyone like shit.
--> --''' WebVideo/TheNostalgiaChick''' on ''Film/{{Showgirls}}''

->She's a 'strong woman' who can take care of herself, and apparently a 'strong woman' is someone who is [[AxCrazy inexplicably hostile and has poor impulse control.]]
--> -- '''''Website/{{Cracked}}''''', [[http://www.cracked.com/blog/6-obnoxious-assumptions-hollywood-makes-about-women/#ixzz1YVlgfw00 6 Obnoxious Assumptions Hollywood Makes About Women]]

->Bakula describes Archer's behavior as "a little over the line" in this episode. Yes, that's a fair assessment. Also, [[{{Understatement}} 9/11 was a little bit of a bummer]]...I'm so very tired.\\\
No surprise, Bakula really enjoyed this episode. And why wouldn't he? He's in every scene, he has lots of words to say, and he gets to [[TestosteronePoisoning make out with a chick 20 years younger than him]]. This is definitely an actor's kind of episode. It's not so much a viewer's kind of episode.
-->--'''''Website/TheAgonyBooth''''' on ''Series/StarTrekEnterprise'', "A Night in Sickbay"

->Lana Lang was the prototypical everything to everyone character. She could hit someone for disagreeing with her, but if someone hit her, [[ProtagonistCenteredMorality they were a villain.]] She knew karate, but [[WoundedGazelleGambit was ever the victim.]] Hypocritical in almost every respect, she would set standards for others that she could not keep herself, and in the end was forgiven all [[ScrewTheRulesImBeautiful for being beautiful]]. 'Face it, you're amazing.'
-->--'''Neal Bailey''' [[http://www.supermanhomepage.com/tv/tv.php?topic=reviews/smallville-finale1 on]] ''{{Series/Smallville}}''[='s=] most beloved character

->Honestly. I mean really honestly. All the momentum and excitement building this season just came to a screeching halt. I just felt all the joy sucked from this show the minute Lana showed up on screen. I mean really? Did we really need [[TheBusCameBack to bring her back?]] Have they not learned that the character just does not work? ...If I was a big Green Arrow fan I would be livid right now. I mean absolutely livid. Okay I am livid. I am not saying Oliver Queen was ever the beacon of hope and example of Super hero-ness as Clark Kent, but to actually write a scene where Lana Lang, of all people, lectures him about what it means to be a superhero? Are you kidding me?\\\
Lana is at best a dark 'hero' character using the word hero loosely. She kills, she kidnaps, she tortures, and she has plotted and schemed [[EvenEvilHasStandards in a way that even caught Lex Luthor off guard]]. She is basically what I would call [[ReformedCriminal a reformed villain]] AT BEST and honestly I think her character works better as a villain. Maybe a tragic villain but still the '[[TheHeavy bad guy]]'. To put her in a position where [[KnowNothingKnowItAll she is the one lecturing an iconic DC superhero about how to be a superhero]] is just insulting. It angered me and my interest in Green Arrow is limited to ''Smallville'' and the last line of ''Justice League'' cartoons. I never purchased a ''Green Arrow'' comic in my life but I care enough about the character to find this scene so insulting and aggravating that I just wanted to scream. [[TheScream Actually I did scream]] which caused me to get a dirty look from the wife but she agreed that it was a bad scene. To make it worse she [[TheUnmasking demasked him]] in a kung-fu fight. Come on. Lana Lang vs. Green Arrow and she kicks the tar out of him? Give me a break.
-->--'''Douglas Trumble''' [[http://www.supermanhomepage.com/tv/tv.php?topic=reviews/smallville8-ep10 on]] ''Smallville'' ("Bride")

->I donít know why Rory puts up with her, I really donít. This might be my least favourite Amy story of all, both in terms of her characterisation and Creator/KarenGillanís performance, and given my general dislike for the character that is making quite a statement. There is a smugness and disinterest in events from the character that we havenít seen since the days of [[Creator/DavidTennant Tennant]] and [[Creator/BilliePiper Piper]], except worse because Amy hasnít done the time in the TARDIS and built up a strong enough rapport with the Doctor to even attempt to justify her cockiness. Amy continues to flirt madly with the Doctor despite the fact that her boyfriend is along for the ride now. Itís very hard to get interested in the story when your lead companion is sitting at the side [[TheDragAlong huffing and looking mightily bored by the whole affair]]... I kind of figured that perhaps Amy wasnít working for me when I was cheering as she was consumed by a gaping, muddy maw. It seems the only time I can ever feel anything for this character is when she is [[TakeThatScrappy tortured horribly]] and when it appears that she has been buried alive [[AndThereWasMuchRejoicing my heart skipped a beat]]. Thatís a horrible position for anybody to be in. Except Amy doesnít panic for long, sheís soon being gobby again.
-->--'''[[http://docohobigfinish.blogspot.co.uk/2013/12/the-hungry-earthcold-blood-written-by.html Doc Oho]]''' on ''Series/DoctorWho'', "The Hungry Earth/Cold Blood"

->Gary's a jerk, he's better than everyone else, he cheats to get his way, and he always comes out on top with no remorse or retribution. He's the freaking Barry Bonds of cartoons!
-->-- WebVideo/TVTrash, on the title character of ''WesternAnimation/GaryTheRat''

->The essential story structure of a Macho Sue tends to revolve around untouchable pride. If love means never having to say you're sorry, being Macho Sue means the whole of reality loves you. Typically, Macho Sue's storyline follows a certain trajectory: he begins by acting egregiously, picking or provoking fights and causing problems. However much the ensuing difficulties can be laid at his door, Macho Sue is not about to apologise, in any way. So the problems continue - only to be salvaged by some immense reversals that give the impression that he was right all along. The man he insulted turns out, suddenly, to be a bad guy. The woman who dislikes him falls into his strong arms when he solves a problem that is not the same problem he caused for her. People change their personalities, storylines shift and flip like a mechanical maze popping up new paths and lowering old gates in order to keep Macho Sue from ever, ever having to backtrack. As Creator/JohnWayne says, 'Never say sorry - it's a sign of weakness.'
-->'''[[http://www.kitwhitfield.com Kit Whitfield]]''', from the article "[[http://kitwhitfield.blogspot.com/2008/03/macho-sue.html Macho Sue]]"
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