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[[caption-width-right:253:"It's been a long time since [[WouldHurtAChild I've added a child's face]] to [[FaceStealer my collection]]."]]
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[[caption-width-right:253:"It's been a long time since [[WouldHurtAChild I've added a child's face]] to [[Film/StarWarsRevengeOfTheSith my]] [[FaceStealer my collection]]."]]
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Changed line(s) 34 (click to see context) from:
* The titular character, who plans to flood a valley, killing an entire town's worth of Fire Nation soldiers and civilians alike. Keep in mind that he can't be older than ''sixteen'', yet he's trying to commit mass murder on a whole town of innocent people just to get rid of the Fire Nation troops.
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* The As it turns out, the titular character, who character plans to flood a nearby valley, killing an entire town's worth of Fire Nation soldiers and civilians alike. Keep in mind that he can't be older than ''sixteen'', yet he's trying to commit mass murder on a whole town of innocent people just to get rid of the Fire Nation troops.
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Changed line(s) 203 (click to see context) from:
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* Katara's threat is especially scary because of how [[OOCIsSeriousBusiness out of character]] it is. Throughout the entire show she has ''never'' threatened to simply kill someone, maybe beat someone up at worst. As calm as she sounds, her intense stare betrays the seething anger that the line is delivered with and makes it very clear that it's no joke. It's a testament to just how deep her hatred of Zuko and the Fire Nation has gone that she'd drop everything to end his life if it came down to it.
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[[AC:The Ember Island Players]]
* While most of the episode is lighthearted, the ending of it is unsettling and saddening, as the Gaang were leaving the area and were visibly disturbed by the play, especially how it ended with Aang and Zuko dying, and Ozai winning the 100 year war. What's worse is that they're all unable to bring up the fact that the play's ending has a high probability of actually occurring, because they've just faced the fact that they're just kids all alone on a quest that could very easily get them killed, and as many episodes had demonstrated, there were clear points where their quest [[DeathOfAChild absolutely would have offed them]] had everyone in the Gaang (not just Sokka) not have bending powers or if AnyoneCanDie was in full effect. That's how high the stakes are now that the war is approaching its end.
* While most of the episode is lighthearted, the ending of it is unsettling and saddening, as the Gaang were leaving the area and were visibly disturbed by the play, especially how it ended with Aang and Zuko dying, and Ozai winning the 100 year war. What's worse is that they're all unable to bring up the fact that the play's ending has a high probability of actually occurring, because they've just faced the fact that they're just kids all alone on a quest that could very easily get them killed, and as many episodes had demonstrated, there were clear points where their quest [[DeathOfAChild absolutely would have offed them]] had everyone in the Gaang (not just Sokka) not have bending powers or if AnyoneCanDie was in full effect. That's how high the stakes are now that the war is approaching its end.
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*** It can be hard to notice, but only the upper half is shown and it doesn't appear to be buried as it is just resting on top. It's entirely possible that Gyatso was ''bisected''.
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Changed line(s) 207 (click to see context) from:
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* After Zuko and Aang perform the Dancing Dragon with the Ran and Shaw, the mighty creatures stare the pair down as they make their final judgment. Despite how awe-inspiring and even beautiful the titular firebending masters are, anyone would agree that having dragons ''that'' gargantuan and ''that'' fearsome so fixated on them would be ''petrifying.''
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Changed line(s) 4,5 (click to see context) from:
This may be a kid's show, but considering that it's produced by the animated production division of Nickelodeon, a network that has gained infamy for having no shortage of terrifying moments across its many animated series, it's to be expected that ''Avatar: The Last Airbender'' will certainly fall into this standard as well... in some different ways. Brace yourselves...
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Changed line(s) 235,236 (click to see context) from:
* The sheer power we see the firebenders have thanks to the comet. Azula and Zuko throw fire blasts the size of houses at each other. Iroh blasts through the walls of Ba Sing Se. It's easy to see how the Fire Nation's first strike with the comet's power so devestating and how they wiped out the Air Nomads.
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* The sheer power we see the firebenders have thanks to the comet. Azula and Zuko throw fire blasts the size of houses at each other. Iroh blasts through the walls of Ba Sing Se. Se in one stroke, a task that had previously taken his ''entire army over a year to accomplish''. It's easy to see how the Fire Nation's first strike with the comet's power was so devestating devastating and how they wiped out the Air Nomads.
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Changed line(s) 189,190 (click to see context) from:
** Some of Aang's descriptions of the nightmares are even worse. Katara doesn't let him finish, But it seems to end pretty gruesomely.
-->'''Aang''': "You need to stop wearing your hair up! In my dream, your hair got caught in a train, and-"
-->'''Aang''': "You need to stop wearing your hair up! In my dream, your hair got caught in a train, and-"
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** Some of Aang's descriptions of the nightmares are even worse. Katara doesn't let him finish, But but it seems to end pretty gruesomely.
-->'''Aang''': "You need tostop start wearing your hair up! In my dream, your hair got caught in a train, and-"
-->'''Aang''': "You need to
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Changed line(s) 4,5 (click to see context) from:
This may be a kid's show, but considering that it's produced by the animated production division of Nickelodeon, a network that has gained infamy for having no shortage of terrifying moments across its many animated series, it's to be expected that Avatar: The Last Airbender will certainly fall into this standard as well... in some different ways. Brace yourselves...
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This may be a kid's show, but considering that it's produced by the animated production division of Nickelodeon, a network that has gained infamy for having no shortage of terrifying moments across its many animated series, it's to be expected that Avatar: ''Avatar: The Last Airbender Airbender'' will certainly fall into this standard as well... in some different ways. Brace yourselves...
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Changed line(s) 222,223 (click to see context) from:
* When the Gaang finds the picture of a baby, they assume it is Zuko. [[GoodCannotComprehendEvil Much to everyone's surprise,]] Zuko corrects them, noting that the picture is actually of ''his father''. When Suki states that Ozai looks "so sweet and innocent," he adds that said "sweet little kid grew up to be a monster, and the worst father in the history of fathers." The Gaang looks horrified as to how this innocent-looking child eventually grew up to become the corrupt and war-mongering dictator they're now against.
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* When the Gaang finds the picture of a baby, they assume it is Zuko. [[GoodCannotComprehendEvil Much to everyone's surprise,]] Zuko corrects them, noting that the picture is actually of ''his father''. When Suki states that Ozai looks "so sweet and innocent," he adds that said "sweet little kid grew up to be a monster, and the worst father in the history of fathers." The Gaang looks horrified as to how this innocent-looking child eventually grew up to become the corrupt and war-mongering dictator they're now against.
against. And, considering Zuko is the splitting image of his father, it’s a shuddering thought that Zuko COULD’VE turned out like that.
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Ozai is a Jerk With A Heart Of Jerk which is a Sub Trope to Jerkass. I also got rid of Administrivia.Chained Sinkholes.
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* Never make [[ScaryLibrarian Wan]] [[OminousOwl Shi]] [[KnightTemplar Tong]] angry. EVER. [[CreepySouvenir His punishments include killing and stuffing intruders to put on his display wall.]]
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* Never make [[ScaryLibrarian Wan]] [[OminousOwl Shi]] [[KnightTemplar Wan Shi Tong]] angry. EVER. [[CreepySouvenir His punishments include killing and stuffing intruders to put on his display wall.]]
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** The worst part of it all is that even in defeat, this result is [[TheBadGuyWins exactly what Hama wanted]]. Whether or not she's imprisoned, her technique has been passed on, to the next generation of the southern tribe waterbenders at that, and she's even capable of a waterbender than Hama is. Katara using the technique to bring her down only proves the seed has been planted for Hama's legacy to live on, and the realization leaves poor Katara in tears as Hama [[LaughingMad cackles as she's taken away.]] [[DownerEnding This is the shot the episode ends on.]]
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** The worst part of it all is that even in defeat, this result is [[TheBadGuyWins exactly what Hama wanted]]. Whether or not she's imprisoned, her technique has been passed on, to the next generation of the southern tribe waterbenders at that, and she's even capable of a waterbender than Hama is. Katara using the technique to bring her down only proves the seed has been planted for Hama's legacy to live on, and the realization leaves poor Katara in tears as Hama [[LaughingMad cackles as she's taken away.]] away]]. [[DownerEnding This is the shot the episode ends on.]]
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* The utter [[AxCrazy insane]] [[UnstoppableRage fury]] she unleashes in her Agni Kai with [[TranquilFury Zuko]] is downright unnerving to comprehend.
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* The utter [[AxCrazy insane]] [[UnstoppableRage insane fury]] she unleashes in her Agni Kai with [[TranquilFury Zuko]] is downright unnerving to comprehend.
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* The way removing people's bending is treated in ''[[SequelSeries The Legend of Korra]]'' (practically a FateWorseThanDeath, with most of the victims ''begging'' for it not to happen and visibly traumatized afterwards) makes Aang's use of energybending rather... uncomfortable. The Benders are used to it being an extension of their body, so getting rid of it would be like ripping off somebody's arm... or one of their senses. Or both. Even worse, Amon's method doesn't strip someone of their bending, just their ability to use it. Meaning they have their abilities constantly just out of reach but are functionally perpetually chi-blocked. Of course, considering that this is [[AxCrazy Fire]] [[{{Jerkass}} Lord]] [[AbusiveParents Ozai]] that receives it, [[AssholeVictim he absolutely deserves it]].
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* The way removing people's bending is treated in ''[[SequelSeries The Legend of Korra]]'' (practically a FateWorseThanDeath, with most of the victims ''begging'' for it not to happen and visibly traumatized afterwards) makes Aang's use of energybending rather... uncomfortable. The Benders are used to it being an extension of their body, so getting rid of it would be like ripping off somebody's arm... or one of their senses. Or both. Even worse, Amon's method doesn't strip someone of their bending, just their ability to use it. Meaning they have their abilities constantly just out of reach but are functionally perpetually chi-blocked. Of course, considering that this is [[AxCrazy Fire]] [[{{Jerkass}} Lord]] [[AbusiveParents Fire Lord Ozai]] that receives it, [[AssholeVictim he absolutely deserves it]].
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Changed line(s) 79,80 (click to see context) from:
* While trying to move through the cave, the Gaang and the hippie nomads hear a creature coming from a dark tunnel. A wolf bat leaps out and attacks them, scaring Appa and causing a cave in that results in them getting separated. The wolf bat's [[JumpScare Jump Scare]] is made more frightening on home media releases and most streaming, as the jump scare happens after a fade to black, and in the scene right before it, the proverbial camera zooms in on the dark tunnel. Since there's no commercials on home media, the screen is pitch black for a short minute before the wolf bat's jump scare happens with little to no warning.
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* While trying to move through the cave, the Gaang and the hippie nomads hear a creature coming from a dark tunnel. A wolf bat leaps out and attacks them, scaring Appa and causing a cave in that results in them getting separated. The wolf bat's [[JumpScare Jump Scare]] jump scare]] is made more frightening on home media releases and most streaming, as the jump scare happens after a fade to black, and in the scene right before it, the proverbial camera zooms in on the dark tunnel. Since there's no commercials on home media, the screen is pitch black for a short minute before the wolf bat's jump scare happens with little to no warning.
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Changed line(s) 79,80 (click to see context) from:
* While trying to move through the cave, the Gaang and the hippie nomads hear a creature coming from a dark tunnel. A wolf bat leaps out and attacks them, scaring Appa and causing a cave in that results in them getting separated. The wolf bat's [[JumpScare]] is made more frightening on home media releases and most streaming, as the jump scare happens after a fade to black, and in the scene right before it, the proverbial camera zooms in on the dark tunnel. Since there's no commercials on home media, the screen is pitch black for a short minute before the wolf bat's jump scare happens with little to no warning.
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* While trying to move through the cave, the Gaang and the hippie nomads hear a creature coming from a dark tunnel. A wolf bat leaps out and attacks them, scaring Appa and causing a cave in that results in them getting separated. The wolf bat's [[JumpScare]] [[JumpScare Jump Scare]] is made more frightening on home media releases and most streaming, as the jump scare happens after a fade to black, and in the scene right before it, the proverbial camera zooms in on the dark tunnel. Since there's no commercials on home media, the screen is pitch black for a short minute before the wolf bat's jump scare happens with little to no warning.
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[[AC:The Cave of Two Lovers]]
* While trying to move through the cave, the Gaang and the hippie nomads hear a creature coming from a dark tunnel. A wolf bat leaps out and attacks them, scaring Appa and causing a cave in that results in them getting separated. The wolf bat's [[JumpScare]] is made more frightening on home media releases and most streaming, as the jump scare happens after a fade to black, and in the scene right before it, the proverbial camera zooms in on the dark tunnel. Since there's no commercials on home media, the screen is pitch black for a short minute before the wolf bat's jump scare happens with little to no warning.
* While trying to move through the cave, the Gaang and the hippie nomads hear a creature coming from a dark tunnel. A wolf bat leaps out and attacks them, scaring Appa and causing a cave in that results in them getting separated. The wolf bat's [[JumpScare]] is made more frightening on home media releases and most streaming, as the jump scare happens after a fade to black, and in the scene right before it, the proverbial camera zooms in on the dark tunnel. Since there's no commercials on home media, the screen is pitch black for a short minute before the wolf bat's jump scare happens with little to no warning.
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This is both poorly written, and also there's no precedent for Bloodbending inherently corrupting the User. Like the statement itself said, Hama was kept in hellish conditions, so her going insane has an easier and more sensible explanation, and Katara never loses it herself, despite using the power twice.
Deleted line(s) 162 (click to see context) :
** When The User is performing bloodbending a use it too much, they become soulness husk of themselves not caring what they are doing is wrong and become insane. The look of their eyes say it all when Hama escape from prison, she was a happy southern water tribe girl best friends with Kanna until the fire nation attack and took every waterbender from their home. Days went from months, the prisoners only can drink from their mouths so they couldn’t waterbend themselves out. After discovering the full moon, that she can use waterbending it gave the chance for Hama escape but while escaping she use brute and look like a zombie with no soul, her eyes look so lifeless. Being a bloodbender has a price when user is using bloodbending.
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* ''Everything'' about [[BigBad Fire Lord Ozai]], the [[TheSociopath sociopathic]], cruel BigBad. From his [[FinalSolution genocide campaigns]] to his [[AbusiveParents treatment of his children]], he is a terrifying villain. The fact that he's voiced by Creator/MarkHamill (also known as ComicBook/{{the Joker}}) and [[NothingIsScarier never shows his face]] during the first two seasons makes him more unnerving.
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* ''Everything'' about [[BigBad [[Characters/AvatarTheLastAirbenderFireLordOzai Fire Lord Ozai]], the [[TheSociopath sociopathic]], cruel BigBad. From his [[FinalSolution genocide campaigns]] to his [[AbusiveParents treatment of his children]], he is a terrifying villain. The fact that he's voiced by Creator/MarkHamill (also known as ComicBook/{{the Joker}}) and [[NothingIsScarier never shows his face]] during the first two seasons makes him more unnerving.
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Changed line(s) 247 (click to see context) from:
** [[FromBadToWorse This gets SO MUCH WORSE]] following [[WesternAnimation/TheLegendOfKorra The Legend of Korra]], where season one focuses heavily on the growing social conflict between benders and nonbenders. Lian’s machine uprising could very well [[VillainousPredecessor have been an inspiration]] for Amon’s Equalist Revolution.
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** [[FromBadToWorse This gets SO MUCH WORSE]] following [[WesternAnimation/TheLegendOfKorra The Legend of Korra]], where season one focuses heavily on the growing social conflict between benders and nonbenders. Lian’s machine uprising could very well [[VillainousPredecessor [[PredecessorVillain have been an inspiration]] for Amon’s Equalist Revolution.
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** [[FromBadToWorse This gets SO MUCH WORSE]] following [[WesternAnimation/TheLegendOfKorra The Legend of Korra]], where season one focuses heavily on the growing social conflict between benders and nonbenders. Lian’s machine uprising could very well [[VillainousPredecessor have been an inspiration]] for Amon’s Equalist Revolution.
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** Zuko’s experience, coupled with the stakes involved once the comet comes, are a grim reminder that again, the Fire Nation stands for tyranny and bloodshed, not peace and compromise. There’s ''no way'' the war can end with any sort of negotiation or diplomacy. It can only end with their complete defeat.
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This may be a kid's show, but Avatar: The Last Airbender certainly has no shortage of terrifying moments.
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This may be a kid's show, but considering that it's produced by the animated production division of Nickelodeon, a network that has gained infamy for having no shortage of terrifying moments across its many animated series, it's to be expected that Avatar: The Last Airbender will certainly has no shortage of terrifying moments.
fall into this standard as well... in some different ways. Brace yourselves...
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Changed line(s) 226 (click to see context) from:
** While Azula's [[SanitySlippage mental health has degraged]] we see she is far from stupid. Rather than aiming her lightning attack at Zuko she aims for Katara. While Zuko was able to safely redirect Ozai's lightning attack, he isn’t able to act fast enough when jumping in front of Katara. [[OhCrap This leaves Zuko twitching on the ground while Katara is bow tasked with fighting an empowered Azula all on her own.]]
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** While Azula's [[SanitySlippage mental health has degraged]] degraded]] we see she is far from stupid. Rather than aiming her lightning attack at Zuko she aims for Katara. While Zuko was able to safely redirect Ozai's lightning attack, he isn’t able to act fast enough when jumping in front of Katara. [[OhCrap This leaves Zuko twitching on the ground while Katara is bow now tasked with fighting an empowered Azula all on her own.]]
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** When The User is performing bloodbending a use it too much, they become soulness husk of themselves not caring what they are doing is wrong and become insane. The look of their eyes say it all when Hama escape from prison, she was a happy southern water tribe girl best friends with Kanna until the fire nation attack and took every waterbender from their home. Days went from months, the prisoners only can drink from their mouths so they couldn’t waterbend themselves out. After discovering the full moon, that she can use waterbending it gave the chance for Hama escape but while escaping she use brute and look like a zombie with no soul, her eyes look so lifeless. Being a bloodbender has a price when user is using bloodbending.
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This may be a kid's show, but Avatar: The Last Airbender certainly has no shortage of terrifying moments.
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Changed line(s) 167 (click to see context) from:
* How about Katara's ghost story at the beginning of this episode? Never fails to give the chills. Even though the story has nothing to do with the episode itself, it sure as hell sets up the mood.
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* How about Katara's ghost story at the beginning of this episode? Never fails to give the chills. Even though the story has nothing to do with the episode itself, it sure as hell sets up the mood. It's quite telling that all of them, even ''Toph'', are visibly shaken by the story.
Changed line(s) 174 (click to see context) from:
'''Katara:''' No one knows. Nini's house stands empty to this day, but sometimes, people see smoke coming up from the chimney, like little Nini is still trying to get warm.
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'''Katara:''' [[RiddleForTheAges No one knows. knows.]] Nini's house stands empty to this day, but sometimes, people see smoke coming up from the chimney, like little Nini is still trying to get warm.warm.
** The fact that the fate of Nini's family is never truly solved and the events surrounding it are just plain bizarre. It's not just a genuinely scary GhostStory, it's a disturbing RiddleForTheAges that is never really bought up again. Certainly wouldn't want to be from the Southern Water Tribe after hearing ''that'' story.
** The fact that the fate of Nini's family is never truly solved and the events surrounding it are just plain bizarre. It's not just a genuinely scary GhostStory, it's a disturbing RiddleForTheAges that is never really bought up again. Certainly wouldn't want to be from the Southern Water Tribe after hearing ''that'' story.
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** When considering how things might have looked around the world, it could be absolutely terrifying to have the moon just suddenly vanish from the sky and remove all visible color around you. Without context, one could correctly assume the end of the world was nigh.
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--->''"I wanted to speak out against this horrifying plan, but I'm ashamed to say that I didn't. My whole life I struggled to gain my father's love and acceptance, but once I had it, I realised I lost myself getting there. I've forgotten who I was."''
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Changed line(s) 90,91 (click to see context) from:
** She's a regular [[WesternAnimation/TheGrimAdventuresOfBillyAndMandy Mandy]], isn't she? Throw in a few bonus points, too- [[Creator/GreyDeLisle same voice actors.]]
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** She's a regular [[WesternAnimation/TheGrimAdventuresOfBillyAndMandy Mandy]], isn't she? Throw in a few bonus points, too- [[Creator/GreyDeLisle same voice actors.actress.]]
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Changed line(s) 86 (click to see context) from:
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** Even better is that the village was that dead set on persecuting the Avatar that they didn't give a damn that he is the only one who could stop the Fire Nation from winning the war. As long as they can get their "justice", the world (and possibly even ''themselves'' in the long run) can burn.