A popular novelty singer who has fame far beyond the chart performance of his many hits. Born Harold Ray Ragsdale, he spent several years performing in his native {{Atlanta}} area. He released his first single, "Sgt. Preston of the Yukon" in 1960, and received a little bit of notoriety after a copyright infringement forced the single to be withdrawn.

He didn't hit the charts again until 1961, with "Jeremiah Peabody's Polyunsaturated Quick-Dissolving Fast-Acting Pleasant-Tasting Green and Purple Pills", a novelty song about quack medicine. It was followed by "Ahab, the Arab", which took him to #5 pop. Throughout the 1960s and into the early 1970s, his presence was hit-and-miss on the charts, although he made top 10 with "Gitarzan" and had a huge #1 hit with the [[BlackSheepHit non-humorous pop ballad]] "Everything Is Beautiful".

Stevens hit his stride in 1974 with "The Streak", a novelty song about, well, streaking. This song and a bluegrass cover of "Misty" were his biggest hits at country radio, where he maintained a hit-and-miss presence for the next several years. His last song to see the pop charts was "I Need Your Help Barry Manilow", which was followed by his last big country hit, "Shriner's Convention". He has continued to record throughout the 1980s and into the 2000s, constantly releasing albums despite not having anything resembling a hit. In 2010 with the rise of the "Tea Party" in American politics, he staged something of a mini-comeback, gaining a Website/YouTube following with his release of several songs espousing right-wing political views.

Yet, despite his success as a novelty artist, he has always balanced the comedy songs with mainstream ballads and Christian country music. In 1975, he recorded an entire album of standards from the 1920s through 1950s called ''Misty'', of which the title track was his biggest country hit, and also had a modestly popular hit with "Indian Love Call" (one of the co-writers was Oscar Hammerstein II, Richard Rodgers' partner). His biggest hit overall, "Everything is Beautiful," was widely acclaimed as a plea for tolerance and unity, and several of his comedic releases had themes of repentance ("Mississippi Squirrel Revival") and humility ("Would Jesus Wear a Rolex"); he also has recorded an album of traditional and newer gospel hymns.
!!'''Tropes present:'''

* AmbiguousSyntax: "Little League":
-->I remember batting practice I put a baseball on a string\\
And I told this kid, "When I nod my head, haul off and hit that thing!"\\
Heh, gotta give him credit; he did exactly what I said\\
'Cause the second that I nodded, ''he hit me in the head!''
* AnthropomorphicPersonification: [[http://www.youtube.com/watch?v=XtzoUu7w-YM Of Himself, naturally]] (forward to 0:56)
* AntiChristmasSong: Most of ''Christmas Through a Different Window''.
* AuthorAvatar: The Streak is a cartoon version of Ray.
* BadSanta: According to "Santa Claus Is Watchin' You", he's the "secret head of the CIA" and wire-taps your phone. Clearly PlayedForLaughs.
* BigDamnHeroes: "...and then Along Came Jones..."
* BlackComedy: Sometimes employed on his MCA albums in the 1980s. Examples include "Hugo the Human Cannonball" (see below).
* CallBack: "Dudley Dooright of the Highway Patrol" contains references to several other songs, including "The Streak", "Shriner's Convention", "Mississippi Squirrel Revival", and "The Haircut Song".
* ChainedToARailway: Parodied in "Along Came Jones", which tells of a TV viewer watching a cliched Western in which a DamselInDistress is held by a villain, and rescued at the last second by a MartyStu named Jones. In the third verse, the damsel is tied to a railroad track.
* ChocolateBaby: "Fred", about a hunting dog who comes home with a pregnant female dog. Fred gets run over at the end of the song, and then the narrator realizes that none of the female's pups looks anything like Fred.
* ChristmasSongs: Most famously "Santa Claus Is Watching You". He released a novelty Christmas album in the late 1990s which included some {{Anti Christmas Song}}s, including one where people call Santa un-PC because he smokes a pipe, wears fur, works only one day of the year, is "grossly overweight", etc. (But just to keep it from being too {{anvilicious}}, he admits that it was AllJustADream and says that even something politically incorrect can still be right.)
* CityOfWeirdos: Invoked in the "Haircut Song", where he tells stories about getting haircuts in various cities. After getting a punk haircut by a skinhead barber, he claims he was lucky his next job was in UsefulNotes/SanFrancisco - "those people thought I was an insurance salesman!"
* CluckingFunny: He's rendered "In the Mood" and "''Music/AlsoSprachZarathustra''" entirely in chicken clucks. There's also "[[TeenageMutantSamuraiWombats Teenage Mutant Kung Fu Chickens]]".
* CodeName: "Shriner's Convention" pokes fun at the titles used by the Shriners International (the dudes with red fezzes).
-->Noble Lumpkin? This here's the Illustrious Potentate. ''*pause*'' I said it's the Illustrious Potentate. ''*pause*'' The '''Illustrious'''-- Coy, dadblame it, this here's Bubba!
* CompensatingForSomething: According to "Power Tools", this is why men his age play with power tools.
* ConfusedBystanderInterview: In [[http://www.youtube.com/watch?v=XtzoUu7w-YM "The Streak"]], the same witness is there at every appearance of a streaker.
* CorruptCorporateExecutive: "Mr. Businessman".
* DinnerOrderFlub: "Gourmet Restaurant" is filled with this.
-->So I asked the waiter, "How's the beef?"\\
He said "Ze steak tartar is ze best you ever had."\\
But when he brought it, friends, I thought I'd seen rare meat\\
But this wasn't even hurt real bad!
* DoomItYourself: The subject of the song "Power Tools", who is so obsessed with the title objects that he keeps finding himself in increasingly humorous situations. In the last verse, he finds himself in the hospital, obsessing over his power bed.
* ElderlyBlueHairedLady: In "A Little Blue-Haired Lady", he's stuck behind one driving slowly in an Oldsmobile.
* ElvisHasLeftThePlanet: According to "I Saw Elvis in a UFO", he was abducted by aliens.
* EverythingsBetterWithMonkeys:
** "Harry the Hairy Ape"
** The title character's pet monkey in "Gitarzan", who "[...] likes to get drunky and sing boogie-woogie and it sounds real funky."
* EverythingsLouderWithBagpipes: "Bagpipes (That's My Bag)", where he uses his voice to imitate them.
* FreudianSlip: His song of that title is about a man who tries to impress a woman with his SesquipedalianLoquaciousness but instead says something embarrassing. The second time he meets the woman, she's holding his job interview, and HilarityEnsues once again.
* TheFunInFuneral:
** "Sitting Up with the Dead", in which his late Uncle Fred is so horribly bent over due to arthritis that the morticians have to use a heavy chain to straighten him out. Somehow the chain snaps in the middle of the wake, causing Uncle Fred to sit up in his casket. HilarityEnsues.
** Also in "Family Funeral Fight"
* GreatestHitsAlbum: For whatever reason, Curb frequently re-releases several of his biggest songs, usually in re-recorded form, on an increasingly large set of Greatest Hits albums dating back to TheEighties.
* HarassingPhoneCall: "It's Me Again, Margaret" features several of these, with increasingly dirty content[[note]]or as close to it as PG-rated material gets[[/note]].
* HornyVikings: The titular character of "Erik the Awful" has a "hairy hat, shaped like a big bullet with horns comin' out the sides."
* HorribleCampingTrip: "[[https://www.youtube.com/watch?v=oXLpzSmrmq0 The Camping Trip]]" on the album ''Surely You Joust'' is about one.
* HumanCannonball: One of his darker songs, "Hugo the Human Cannonball", is about one who has a rather unfortunate mishap. (He [[BlackComedy splatters all over the upper bleachers.]])
* ImpactSilhouette: The reverend leaves one as he exits the house during the mass panic in in "Sittin' Up With the Dead".
* ImplacableMan: Erik the Awful, the brutal, and tenacious. (Mercy sakes, goodness gracious!) He will ''not'' stop chasing you.
* InTheStyleOf:
** Johnny Mathis' "Misty" as a bluegrass song.
** Ray taps Music/TheBeachBoys for "Surfin' USSR".
** "I Need Your Help, Music/BarryManilow" is a parody of Manilow's stylings, down to his [[TruckDriversGearChange blatant use of key changes]].
** "Moonlight Special" is a five-minute parody of ''Series/TheMidnightSpecial'', with Ray voicing a Wolfman Jack parody called "The Sheepdog", along with style parodies of Gladys Knight and the Pips, Music/AliceCooper, and Music/JerryLeeLewis.
** Sammi Smith's "Help Me Make It Through the Night" in the style of Spike Jones.
** "Ned Nostril" mimics Music/JohnnyCash's deep vocals and boom-chicka rhythms.
** Music/MichaelJackson's "Bad", also as a bluegrass song.
* JeopardyThinkingMusic: In the live version of "It's Me Again, Margaret", the first two bars play after the lead character spends [[OverlyLongGag way too long]] dialing the phone.
* KidsRock: His children sing "Jesus Loves the Little Children" at the opening of "Everything Is Beautiful".
* LaughTrack: Almost ''every single freaking comedy song'' he ever did.
* LawfulStupid: The title police officer in "Super Cop". Upon seeing a person parked in a handicapped spot, he shoots the owner of the car in the foot and says "You're handicapped now!" Later on, he sees a grocery store patron with 11 items in a checkout lane, and demands that she drink her corn oil -- the ''entire bottle'' -- to get the count down to 10. PottyFailure ensues.
* LongTitle: "Jeremiah Peabody's Polyunsaturated Quick-Dissolving Fast-Acting Pleasant-Tasting Green and Purple Pills". He later topped that with "Ned Nostril (And His South Seas Paradise, Puts Your Blues on Ice, Cheap at Twice the Price Band [Ikky-Ikky, Ukky-Ukky])".
* MeanwhileBackAtThe Motel: This is the transition from the verses to the skits on "Shriner's Convention".
* MightyLumberjack: "The Haircut Song" is about a variety of haircuts Stevens has received from insane barbers. Whenever he is feeling intimidated by a barber and is asked what he does for a living, his immediate response is "I'm a logger!":
-->Now a lot of people would be intimidated in a situation like this...I was not. I am what I am, play my piano, and sing my little songs. I looked him right in the eye and I said, I'm a logger - just up from Coos Bay, Oregon. Been toppin' trees - quite possibly the toughest man in the entire world.
* MotorMouth: The original version of "Further More".
* MyDadCanBeatUpYourDad: Inverted in "My Dad", a cover of Paul Petersen ("My dad can beat up your dad, [[GoodParents but he wouldn't]]").
* NakedPeopleAreFunny: "The Streak", of course.
* NewhartPhoneCall[=/=]RepeatingSoTheAudienceCanHear: "Shriner's Convention" consists of a one-sided dialogue, via hotel phone, between two members of the Hahira, Georgia, delegation: leader "Illustrious Potentate" (Bubba), and member "Noble Lumpkin" (Coy), whose wild antics and failure to show up for functions are driving Bubba crazy. Over the course of the conversation we hear from Bubba about Coy's various exploits which include getting his Harley-Davidson motorcycle into his hotel room and on the high diving board of the hotel swimming pool, being in said pool with "a bunch of them waitresses from the cocktail lounge", and getting a "little redhead" (to quote Bubba) to streak through their banquet yelling out the "secret code," wearing nothing but Coy's fez ('cuz Coy's the only one that has a fez with a propeller on top).
* NiceHat: Parodied in "You Gotta Have a Hat", where he is told that wearing a cowboy hat is the key to being a star. This was TruthInTelevision at the time, given that the song came out in the wake of the "hat act" craze in the early 1990s (i.e., young hunky country singers in cowboy hats).
* NoodleImplements:
** "It's Me Again, Margaret" describes an obscene phone caller, who in the last verse uses his one phone call after his arrest to call the titular Margaret one last time, informing her that when he gets out, he's coming over with a weed whacker, a live chicken, and some Cool Whip (or peach preserves in one recording). The video goes one further, having Margaret show up at the police station with said items as she comes to bail him out.
--->'''Margaret:''' And, uh, how much for those handcuffs?
** "Shriner's Convention" combines this with NoodleIncident:
--->Oh! Hello! Coy? Where have you been? No, you wasn't at the meeting! Well, I found out that, at three o'clock this mornin', you was out there in your Fruit of the Looms in the motel swimmin' pool with a bunch of them little waitresses from the cocktail lounge! I just hope Charlene don't find out about this, Coy! What? Well, how'd you get that big motorcycle up there ''on'' the high dive, Coy?
* OnePhoneCall: Parodied in "It's Me Again, Margaret", which is about an obscene phone caller who keeps calling the title character until he gets arrested. He uses his phone call to call her one last time before he's jailed.
* ParkingPayback: Upon seeing a person parked in a handicapped spot, the title character of "Super Cop" shoots the owner of the car in the foot and says "You're handicapped now!"
* PleasePutSomeClothesOn: In "The Streak", the man being interviewed yells at Ethel to "[...] get your clothes on!" as she's streaking off with The Streak.
* PreemptiveDeclaration: In "Sittin' Up With the Dead", during the mass panic, the reverend says he's going out the kitchen door.
-->I hollered, 'Rev, that kitchen ain't got no door in it!' He said, 'Don't worry son, it will have in a minute!'
* ProtestSong: Much of his 21st century output has taken on a political bent, but the 1970 hit "America, Communicate with Me" (which addresses war protesters and the assassinations of civil rights leaders, among other things) shows that he is no stranger to the genre.
* RearrangeTheSong:
** The 1984 album ''He Thinks He's Ray Stevens'' had a re-do of his 1962 single "Furthermore", changing it from a goofy MotorMouth song to a slower country waltz. He also changed a few of the lyrics, most notably altering the last verse so that it was [[BookEnds no longer identical to the first]].
** He's re-recorded "Santa Claus Is Watchin' You" (also from 1962) at least twice: first for his 1985 album ''I Have Returned'', and again in the late 1990s for ''Christmas Through a Different Window''.
** Another track from ''I Have Returned'', "The Pirate Song (I Want to Sing and Dance)", showed up in re-recorded form only six years later on ''#1 with a Bullet''.
** "The Ballad of the Blue Cyclone" from ''I Have Returned'' was abridged and spliced together from two separate tracks (Part 1 and Part 2) for the single edit. The single edit later appeared on a GreatestHitsAlbum.
** There's a small debate about why the radio edit of "The Haircut Song" took out the entire second verse (about the skinhead barber). Obviously, with that verse being the longest verse, a radio edit being tough to do with only taking out small parts of a single verse with it being a comedy song, and with the first and last verses meshing well together without the second, it was only a natural omission. However, the second verse also has the most controversial barber of them: the skinhead barber. The barber uses a Nazi flag as a hair shield drape, the detailed description of the barber and the shop, and the barber being a homosexual (ironic that he would be given what is described about him beforehand). Not to mention that the song was recorded somewhat prior to when media attention towards skinheads began to rise (the song was released three years before the now infamous Geraldo skinhead episode). The omission seems like an act of PC censorship, even when the inclusion of the verse would've made the song six minutes long (as opposed to the four minutes of the radio edit). The radio edit, though, (which the video uses and which appears on his Box Set album) does has its positives. It takes out the laugh track that Ray used on a lot of other songs he had. It also adds a few acts of acting out his emotions with the other barbers (he coughs when he tells the first barber, in a squeaky voice, that he's possibly the toughest man in the entire world). The altered track does also seem to have a much cleaner sound than the original.
* RefrainFromAssuming: "Mississippi Squirrel Revival" is commonly assumed to be called "The Day the Squirrel Went Berserk" (the first line of the chorus).
* ReligionRantSong: "Would Jesus Wear a Rolex?" is one about the hypocrisy of televangelists asking for money while appearing to be opulent themselves.
-->This man was preachin' at me, yeah, layin' on the charm\\
Asking me for twenty with ten thousand on his arm
* RunningGag:
** During "The Streak", each of the three disturbances has the news reporter interviewing the same man.
-->'''Reporter:''' Pardon me, sir, did you see what happened?
-->'''Interviewee:''' Yeah, I did.
** Another one is invoked throughout "It's Me Again, Margaret" with the obscene caller talking to the same woman.
* RunningTimeInTheTitle: His debut album, ''1,837 Seconds of Humor''.
* SelfBackingVocalist / SoloDuet: Stevens did a ''lot'' of his own backing vocals:
** In "Gitarzan", he voices the title character, his girlfriend, Jane, and their pet monkey, all of whom sing together before the final chorus.
** He uses his voice to mimic a ''whole band'' in "Freddie Feelgood", making vocal impressions of the bass, trombone, and drums.
** In "Bridget the Midget", he voices both himself and the title character, whose voice is just his pitched up.
** In "The Streak", he voices a news reporter and a man being interviewed.
** In "The Dooright Family", he voices an entire gospel band, from the sopranos to the bass.
** Many of his 1970s and 1980s songs feature a wall of female backing vocalists, all of whom are usually Lisa Silver. Some of the songs (such as "Turn Your Radio On") also have Ray singing a bass harmony under himself.
** "Sex Symbols" is a "duet" between Ray and "Julio Iglesias" ([[ItIsPronouncedTroPAY which Ray pronounces "Joo-le-oh" despite constant corrections]]). "Julio"'s voice is just Ray impersonating him.
** Parodied in the "Mildred Queen and the Dips" segment of "Moonlight Special", where he voices both "Mildred Queen" (a Gladys Knight parody) and her backing vocalist. They echo all of her lines, culminating in this exchange:
--->'''Mildred''': Wait a minute!\\
'''Backing vocalists''': ♪Wait a minute♪ \\
'''Mildred''': How come you're singing everything I sing?\\
'''Backing vocalists''': ♪How come you're singing everything I sing?♪ \\
'''Mildred''': Now cut that out!\\
'''Backing vocalists''': ♪Now cut that out♪ \\
'''Mildred''': Stop that!\\
'''Backing vocalists''': ♪Stop that♪ \\
'''Mildred''': Now I know why I call you guys the Dips!\\
'''Backing vocalists''': ♪Now I know why I call you guys the Dips♪ \\
'''Mildred''': You're dippy!\\
'''Backing vocalists''': ♪You're dippy♪ \\
'''Mildred''': (''screams'')\\
'''Backing vocalists''': ♪Aaaaaahhhh~♪
* ShoutOut:
** In "We The People":
--->We've heard from Hannity[[note]]Sean[[/note]], [[Radio/GlennBeck Beck]], and [[Radio/RushLimbaugh Limbaugh]]\\
What you got in mind for Grandma\\
And we've found this [[Series/TheOReillyFactor O'Reilly fellow on Fox]]
** Also:
---> Please tell Nancy Pelosi\\
We're gonna do the Hokey Pokey\\
Pull the right ones in\\
And pull the left ones out
* SomethingCompletelyDifferent: Stevens always balanced his goofy, side-splittingly funny songs with serious material, meaning ballads and gospel. Two of his biggest hits -- 1970's "Everything is Beautiful" and 1975's "Misty" -- are prime examples.
* SquirrelsInMyPants: Happens to two characters in "Mississippi Squirrel Revival", one more literally than the other.
--> Now, Harv hit the aisle, a-dancin' and a-screamin'\\
Some thought he had religion, others thought he had a demon\\
And Harv thought he had a weed eater loose in his Fruit of the Looms\\
* later* \\
As the squirrel made laps inside her dress\\
She began to cry and then to confess\\
To sins that would make a sailor blush with shame
* StalkerWithACrush: The main character in "It's Me Again, Margaret" repeatedly makes obscene calls to the titular Margaret. In the final verse, he uses his OnePhoneCall to give her another obscene call.
* {{Streaking}}: "The Streak" is a about a streaker appearing at number of unlikely locales: a supermarket, a gas station, and a basketball playoff game.
* TakeThat: The Music/DixieChicks song "Goodbye Earl" clashed with his values enough that he recorded a response song saying that Earl survived and was repenting for his misdeeds.
* TalkLikeAPirate: In "The Pirate Song", he voices two characters: a typical "arrrr!"-type pirate who is frustrated at a normal-voiced pirate who wants to abandon his ways to sing and dance instead.
* TruckDriversGearChange:
** Of course, used in "I Need Your Help Barry Manilow" to parody Manilow's use of the same.
** Also shows up in Ray's cover of the theme from ''Music/TheMonkees'', which he performs as an Austrian singing troupe (ItMakesSenseInContext). Come the key change, one of the singers (who of course, is Ray) protests that the lead singer went up too high.
* VisualPun: On the cover of ''#1 with a Bullet'' (a term often used to describe a #1 song that's gaining in airplay[[note]]referencing the fact that ''Billboard'' used to mark such songs with a bullet, or [[/note]]), he's holding an actual bullet.
* VocalEvolution: Until about the early 1980s, he often sang his novelty songs in a nasal, goofy voice while using a smoother (albeit very strident) voice on the more serious songs. Eventually, he started using his natural voice on everything, and his more serious songs became less strident.
* VocalRangeExceeded:
** At the end of "The Dooright Family", the titular gospel singing family asks their bass singer to drop down another octave. The result is a [[BassoProfundo loud booming note]] that makes him ''[[MadeOfExplodium explode on stage]]''.
** Also happens to Wolfgang in the aforementioned ''Monkees'' cover -- it hurts his [[UnusualEuphemism little wienerschnitzel]]. He and Fritzy then proceed to argue about it.
* YourMom: "Osama Yo' Mama".