Examples of MisaimedFandom for characters in {{Film}}.

Examples are listed alphabetically.

* A number of women and [[DoggedNiceGuy Dogged Nice Guys]] find Tom's actions in ''Film/FiveHundredDaysOfSummer'' to be romantic and passionate. Despite this, Creator/JosephGordonLevitt has stated that Tom's actions were meant to seem self-centered, as he only cared about the ''idea'' of Summer, rather than her agency as a person. Others have since taken this view to the extreme and view him as a contemptible and entitled HateSink, forgetting that he's still a well-meaning and sympathetic character whose attitude evolves over the course of the story. Many viewers forget that the story is based off of the screenwriter's own experiences with a failed relationship and the mistakes that he made during that time.
** On the other side of the spectrum, it also gained a Misaimed Hatedom from more social justice-minded viewers due to a belief that Summer is a ManicPixieDreamGirl and the film is misogynistic because of it, even though in reality she's a deconstruction of this concept much like Clementine in Film/EternalSunshineOfTheSpotlessMind.
* The helicopter attack scene in ''Film/ApocalypseNow'' is likely one of the most infamous examples of this. The scene is both the TropeMaker for the association of ''Music/RideOfTheValkyries'' with helicopters, as well as the originator of phrases such as "[[WarIsGlorious I love the smell of napalm in the morning]]" and "[[NicknamingTheEnemy Charlie don’t surf]]" which became [[PopculturalOsmosis ingrained in popular consciousness]] and are today quoted unironically. The scene was originally intended to draw [[ANaziByAnyOtherName allusions to the Nazis,]] where American [[DeathFromAbove Air Cavalry]] callously attack a seaside village because their racist commander [[SkewedPriorities wants to go surfing.]]
-->'''[[ColonelKilgore Kilgore]]''': We’ll come in low out of the [[UsefulNotes/KatanasOfTheRisingSun rising sun]], and about a mile out we’ll put on the [[Music/RichardWagner music.]]
-->'''Lance''': Music?
-->'''Kilgore''': Yeah, [[UsefulNotes/NaziGermany I use Wagner. Scares the hell out of the slopes.]] [[SociopathicSoldier My boys love it!]]
* Barry Humphries' fish-out-of-water comedy ''Film/TheAdventuresOfBarryMcKenzie'' was supposed to be a satire based on everything he detested about unrefined stereotypical Australian "ockers." In the end, according to director and co-writer Bruce Beresford, "the people he most loathed most loved the film" and were arguably the ones most responsible for getting the sequel made.
* ''Film/AugustRush'' managed to accomplish the inverse of this - it missed its intended demographic. It was supposed to play particularly well to musicians and music lovers, but those were the people most likely to spot the film's numerous problems.
* ''Film/{{Avatar}}'''s position on technology. It seems to be advocating responsible, low-impact technology use. Given its [[{{Anvilicious}} general lack of subtlety]], a subset of viewers interpreted it as [[ScienceIsBad anti-technology]], instead of pointing out that it's the uses that matters while being more broadly anti-imperialist. Many pointed out the apparent BrokenAesop of a film that required oodles of technology to be anti-tech. In addition, there are the people who liked the sight of marines and Na'vi going to war, similar to the above examples for ''Jarhead'' and ''Apocalypse Now''.
** Due to the film's Anvilicious combination of HumansAreBastards and CantArgueWithElves, there are a lot of people who support the RDA and hate the Na'vi. Nothing entirely wrong with this, but it gets a little disturbing when these people try to defend or justify [[spoiler:destroying the Na'vi's home and killing a good number of them, including their elderly and children]].
* Many Western viewers of ''Film/TheBattleOfAlgiers'' overlook its anti-colonialist, pro-Algerian message and root for the French. This probably results from Western attitudes towards [[YourTerroristsAreOurFreedomFighters terrorism and Islam in general]]. In fairness though, the filmmakers show the FLN as also being [[BlackAndGrayMorality guilty of atrocities]] and portray Colonel Mathieu, the main French character, as a [[{{Antivillain}} sympathetic]], [[PunchClockVillain coolly professional soldier]], allowing for some moral ambiguity.
* There are fans of the film version of ''Film/BattleRoyale'' who seem to wish that they could enter The Program, with their classmates. This isn't helped by the in-film character who signed up "for fun" and seems to be having the psychotic time of his life.
* If the Website/YouTube comments for the film ''Film/TheBeliever'' are any indication, then the Nazi VillainProtagonist / AntiHero of the film has earned a lot of white supremacist fans despite the film being anti-Nazi and the protagonist being Jewish. Disturbingly appropriate, since the film was inspired by the life of Dan Burros, a Neo-Nazi who commited suicide when his Jewish-identity was revealed. George Lincoln Rockwell stated that went on and [[YouAreACreditToYourRace praised Burros]]. Then he said that Jews where "a unique people with a distinct mass of mental disorders" and attribute the suicide to "this unfortunate Jewish psychosis".
* Inverted with the film version of ''Film/{{The Birth of a Nation|1915}}'' where the fandom got the racist subtext of the original Thomas Dixon work but D. W. Griffith apparently didn't or just went with it anyway. Griffith was himself not really all that racist; his next film ''Film/{{Intolerance}}'' actually dealt with the negative effects of prejudice. His later film ''Film/BrokenBlossoms'' even went out of its way to make the Chinese protagonist very sympathetic as a reaction to the [[YellowPeril rabid anti-Chinese sentiment]] of the time.
* ''Film/BlazingSaddles'' has reportedly been enjoyed by several people who hold racist views, apparently not seeing that the entire film is dedicating to mocking them. Every white character who uses racial slurs non-ironically in the film is presented as extremely stupid and/or extremely corrupt.
* No soundtrack album was ever released for ''Film/BobRoberts'' (about a right wing folksinger-turned-candidate). It's been reported that Creator/TimRobbins worried that the music (satirical folksongs about such topics as drug use, immigration, welfare, etc., from the point of view of a right-wing straw-man) would be played out of context.
* Many people enjoy ''Film/TheBourneSeries'' for its action and car chase scenes, but [[RootingForTheEmpire cheer for the CIA]] the entire way through because they wish the real life U.S. government had a program like Treadstone/Black Briar in place. In fact, the producers shot an alternate opening and closing sequence that played up to that sentiment, given the social/political climate at the time of its final release (originally 2001, pushed to 2002).
* ''Film/BoysDontCry'' is about young trans man Brandon Teena struggling to find his identity as an adult and as a man, since for the first time in his life he can truly be who he is inside. Most reviewers loved it, but while sympathetic to the character, referred to Teena as female and [[TransEqualsGay seemed to think it was a story about a lesbian who felt she had to pretend to be a boy because of homophobia or something]]. One reviewer even said something like "in disguising herself, ironically, this young woman helped other girls find themselves." (Yikes.) In real life, Teena was your average somewhat macho straight guy and had the kind of opinions on feminism and lesbianism you'd expect from a young man born in the Bible Belt in the early seventies. The fact that the film is on at least thirty "Best Lesbian Movies" lists is even further proof ''and'' Boys Don't Cry is listed on Netflix as a Lesbian movie. Most reviewers seemed to leave with the thought that it was a touching, heartbreaking lesbian film. And when told Brandon Teena was a trans man, and therefore not a lesbian, people will often say "''she'' wasn't a ''real'' man, so obviously ''she'' was a lesbian" *FacePalm*. Also, the movie doesn't shy away from the fact that Brandon Teena was not the finest, most upstanding human ever. Obviously, he didn't deserve to be raped or killed for his transgender status, but he was known to have stolen checks from friends and lied to many people for many (usually petty) reasons. Teenaged girls (gay and straight) who think he was "so sweet" are misplacing their fandom.
* On the subject of high school movies, Ally Sheedy's character Allison in ''Film/TheBreakfastClub'' is seen by some fans as some kind of proto-goth heroine and they were ''furious'' that she undergoes a makeover in the last 5 minutes of the movie. What they may fail to realise is that the character is deeply unhappy being on the fringe of school society and desperate, in fact, for attention and friends. Essentially, she's messed up, and so when Claire helps her feel special by giving her a makeover (she finally ''smiles''), it's supposed to be a good thing for her character - a new beginning with new friends, and potentially a new boyfriend (Andy). Her previous appearance (with straggly hair and scruffy clothes) might appeal to some viewers (who may see her as something of an AudienceSurrogate) but in the context of the film, it just made her look unapproachable to her contemporaries. We're supposed to be pleased for her, not horrified she's "not weird like us" anymore. The fact that the makeover is a huge example of FashionDissonance doesn't help.
* The "Cell Block Tango" from the musical ''Film/{{Chicago}}'', particularly its film adaptation, has been adopted by many (particularly on Website/{{Tumblr}}) as a kind of female empowerment anthem because of its passionate beat and chorus where the female prisoners confidently assert that their male victims "had it comin'!" Apparently these people haven't listened too closely to any of the other lyrics, since it becomes immediately clear that all but one of these prisoners is in fact a self-serving liar cynically trying to twist what are clearly petty acts of murder committed for no other reason than jealousy, greed or spite into noble acts of justice. And the one exception isn't a murderer at all. And since the point of the musical/movie is how easy it is to let yourself be blinded by shallow 'razzle-dazzle' and surface appearances that fit your existing preconceptions rather than focusing on the actual substance of the matter, it can be argued that they're also missing the point of the story in general.
** This was actually brought up on, of all places, ''Series/{{Glee}}'' when the girls are assigned to do a song on female empowerment and pick this number. For once, Sue makes total sense when she rants on how they completely missed the point of the song and the assignment.
* Many tween-age girls completely missed the point of ''Film/{{Clueless}}'' -- a vapid and shallow girl realizes how meaningless that sort of life is -- and instead attempted to ape the fashion and attitude of the characters from the beginning of the film. According to the PBS documentary ''[[http://www.pbs.org/speak/ Do You Speak American?]]'' (which is about the different dialects found in the United States), ''Clueless'' is '''directly responsible''' for speading the ValleyGirl dialect across the entire country; before that, it was contained to the West Coast. That's right, the movie that tried to mock Valley Girls turned their way of speaking into a nationwide phenomenon instead.
* ''Film/AClockworkOrange'' - see [[MisaimedFandom/{{Literature}} entry under Literature.]]
* Film/TheDarkKnightSaga:
** ''Film/TheDarkKnight'''s version of ComicBook/TheJoker is an ''especially'' disturbing case of MisaimedFandom, since we're talking about a guy who does his evil deeds ForTheEvulz. Though he makes a plot-critical miscalculation of human nature at the climax of the film, Joker fanvids [[http://www.youtube.com/watch?v=EQT6YCF6lhk like this one]] say things like ''"everything The Joker says is true."'' They wrote him extremely well, and he was acted very well by [[Creator/HeathLedger an actor]] [[AuthorExistenceFailure who died between filming and release]]. He lives in a CrapsackWorld where his StrawNihilist philosophies ''do'' seem true at first and still have truth in them, but it's heavily implied that he crafts these philosophies to get under people's skin or persuade them, not because he actually believes what he says.
** There's a similar (albeit more understandable) MisaimedFandom towards Ra's al Ghul in the previous Franchise/{{Batman}} film, ''Film/BatmanBegins''. Consider, for example, [[http://www.youtube.com/watch?v=cqHp9vLCYzM this video]]; some users in the comments section were saying they prefer Ra's al Ghul's philosophy to Batman's and that Ra's al Ghul had the right idea, whereas Batman was just foolishly defending a city with no hope. There is a difference between agreeing with a StrawNihilist and agreeing with a KnightTemplar WellIntentionedExtremist, but the issue is the same: people agreeing with the villain more than the director probably intended. Although in Ra's case, Creator/ChristopherNolan and David Goyer did both state that everything Ra's said was true, unlike The Joker. However it's defending Ra's methods (turning ''all'' of Gotham into mindless lunatics to destroy the guilty few) that mark him as firmly in this trope.
* ''Film/DazedAndConfused'' is often incorrectly labeled a Generation X movie. Given that the film's main characters would've had to have been born between 1957 and 1963, they're still technically Baby Boomers. They also frequently exhibit Boomer characteristics, such as a clear distrust for authority, and are missing the "slacker" characteristics often associated with Gen-X. Richard Linklater himself has stated that he doesn't like being labeled a "Generation X spokesperson", both because D&C was never meant to make any kind of generational statement and because (being born in 1960) he himself is actually a Baby Boomer.
* Justin Simien's ''Film/DearWhitePeople'' managed to acquire a rather massive Website/{{Tumblr}} fandom composed almost entirely of people (of ''all'' races) who praised the film because they thought that it was the perfect movie for educating ignorant white people about the true nature of racism. This despite the fact that Simien has repeatedly stated that he never intended his film to be any kind of accusatory statement about racism, but rather, an in-depth look at the complex nature of '''racial identity''', and how it conflicts with individual identity. Most glaringly, the character Sam--a perpetually angry radio host with an EverythingIsRacist bent--acquired an unironic following from Tumblr users who apparently missed that she was part of the satire.
* ''Film/{{Downfall}}'' is praised by neo-Nazi groups as a heartfelt tribute to the Fuhrer. Some Germans also regard it as a memoriam to the soldiers who defended Berlin in the final days of the war. The actual themes are that 1) Hitler was an egotistical maniac hiding under a friendly exterior, who manipulated people into fighting a war they shouldn't have and blamed everyone but himself when things went wrong, and 2) that Germany should have surrendered earlier to reduce casualties.
* The more upbeat, disco version of ''One Night Only'' is one of the most iconic songs of ''Film/{{Dreamgirls}}'', but it's not meant to be viewed positively at all. It's meant as StylisticSuck, a TakeThat to the disco era and is plagiarized off of a former member of the group just as she was starting to make a living on her own, [[KickTheDog for extremely selfish reasons.]] The plagiarized version's lyrics [[DramaticallyMissingThePoint Dramatically Miss the Point]] of the original, which was about being in love with someone who doesn't give a crap about you and only wants you for one night. The disco version changes the "you" in "you really don't have to time" to "I", making it from the point of view of the one who doesn't give a crap and ''glorifying'' it.
* ''Film/DrivingMissDaisy'' was both applauded for its look at race relations, and similarly mocked for its simple-minded examination of that same issue, as well as attacking Hoke as a caricature. However, the film was based on author Alfred Uhry's own grandmother and retainer, and the theme of the play (and film) was about growing older and finding friendships late in life.

* ''Film/TheEliteSquad'' is the best example in Brazil, where Captain Nascimento is hailed as a "true Brazilian hero", despite it being obvious that the director's was portraying him as [[AntiHero very deeply flawed at best]]. [[TropesAreNotBad It was used as a plot point]] in sequel, where Nascimento is KickedUpstairs after his unit massacred a prison revolt. The in-universe public hailed Nascimento as a hero, so his superiors couldn't punish him directly for his "success".
* Many people sympathize with Colonel "You can't handle the truth!" Jessup of ''Film/AFewGoodMen'' and his famous courtroom speech (intended as a MotiveRant) in which he admits he ordered the "Code Red" ("You want me on that wall! You need me on that wall!") is admired by many. This is partly because the film removed Kaffee's rebuttal in the stage play where he points out that Jessup essentially defied his responsibility as a Marine to uphold the law in order to do so. It may also be because while Cruise, Moore and Pollak are all fine actors, and the film certainly makes them believable as competent lawyers, apparently Creator/RobReiner never asked any to make the ''military'' side of their characters believable, until the very end of the picture -- by which point it's too late.
* ''Film/FightClub''. Many people mistake the message of the film to begin and end with Tyler Durden's anti-consumerist, neo-primitive philosophy, even though he's the villain. It doesn't help that [[spoiler:he's explicitly the embodiment of a man's ideal self, and his plot to blow up the banks succeeds]]. Ultimately the film is ''trying'' to show the valid points of Durden's stance while rejecting his extreme methods.
* Many current or former military (or people who are staunch military supporters) are also fans of ''Film/FullMetalJacket''. This is likely because many claim the depiction of Vietnam era training to only be ''slightly'' over-the-top. In particular, some laud R. Lee Ermey's DrillSergeantNasty as being harsh, but getting results, ignoring how one of his charges snaps and kills both the sergeant and himself by the end, completely missing the point that only a bad drill sergeant can lead to such a situation and whitewash his TooDumbToLive final rant.
* Gangster films: [[DamnItFeelsGoodToBeAGangster Many, many mobster movies]], such as ''Film/TheGodfather'', ''Film/{{Goodfellas}}'', ''Film/{{Casino}}'' and ''[[http://www.chud.com/14228/you-got-it-all-wrong-day-four/ Scar]][[Film/{{Scarface 1983}} face]]''. Far too many people see the big houses, beautiful women, expensive cars, and fancy suits and think of the protagonists as "men of honor". They completely forget that the characters are thieves, murderers, and drug dealers who lose everything and everybody close to them by the end. Worse still in that some of these movies are based on real events.
** The horrible things that the lead does in ''Film/{{Goodfellas}}'' have RealLife analogues: ''Goodfellas'' was [[TheFilmOfTheBook The Movie]] of a nonfiction book. Henry Hill was a real person.
** ''Film/{{Casino}}'' is also [[TheFilmOfTheBook The Movie]] of another nonfiction book by the same author, Nicholas Pileggi. Ace Rothstein was based on an actual guy, though the name was changed and Ace is comparatively less of a thuggish bastard, if only by virtue of certain incidents not making it into the film.
** ''Film/TheGodfather'': Several scenes show uncompromisingly how the mafiosi just murders many of their most loyal minions if they are no longer useful to them. Michael Corleone even goes so far that he orders to have his own brother murdered in ''Part II''. The endless cycle of revenge is also shown and the effects it has on the family. Don Corleone loses his eldest son because he gets mowed down in an ambush. When he hears the horrible news he bursts into tears, knowing that all of this wouldn't have happened if he had lead a different, more honest life. Even though Michael Corleone manages to stay alive all those years he becomes paranoid, reclusive and is alienated by everybody. He has no choice other than to distrust everybody for the rest of his life and fear that somebody might murder or arrest him one day. If you take all that in account it's amazing that there are still people out there who would want to glorify that world.
** In an episode of ''Series/KeyAndPeele'', the hosts note the cult popularity that mafia films have among African-Americans and Latinos. They go on to question why this is, since Italian-American gangsters, including many of the ones depicted in those films, tend to be notoriously racist.
** The {{Trope Codifier}}s of Gangster Films (''Film/LittleCaesar'', ''Film/ThePublicEnemy'', and the original ''Film/{{Scarface 1932}}'') were actually what led to the creation of UsefulNotes/TheHaysCode (along with allegations of leering female sexuality). The MoralGuardians were so disturbed that the American public saw these criminals as heroes that they created this code and the rule that criminals couldn't be seen as heroes nor could they do things that impressionable viewers could imitate.
* ''Film/GlengarryGlenRoss'' was, like the play it was based on, a satire of the sales world and the dishonest lengths to which successful salesman will go, with Alec Baldwin's profanity-ridden "motivational" speech intended as the culmination of ruthless capitalism. However, many real-life sales managers now use said speech out of context as an ''actual'' motivator for salespeople. Worse yet, some managers show it ''in context'', sometimes to take a stance against ruthless capitalism, and sometimes to let their employees know that they want nothing less.
* Director Shusuke Kaneko clearly stated that the version of Franchise/{{Godzilla}} in the film ''Film/GodzillaMothraKingGhidorahGiantMonstersAllOutAttack'' is pure evil and that no one is supposed to root for him. Guess which monster ends up getting the most praise.
* Allegedly UsefulNotes/AdolfHitler liked ''Film/TheGreatDictator''. It's been proven that he watched it twice, but it's not proven whether he liked it.
* Many viewers applauded ''Film/HardCandy'' as a TakeThat toward pedophiles. While Jeff is obviously beyond redemption for what he's done, many viewers don't take into account the fact that Hayley's methods are obviously supposed to demonstrate that she too is an incredibly sick individual. WordOfGod is that both Hayley and Jeff are intended to be equally repugnant. So misaimed [[http://www.wear-red.com/ it even created a real live group!]]
* Director Creator/JohnSingleton (''Film/BoyzNTheHood'') really tried to make Remy, the AntiVillain of his 1995 teen drama ''Film/HigherLearning'', so despicable that no one could possibly identify with him. In addition to being a certified racist Neo-Nazi who [[spoiler: kills a black girl by shooting her in the stomach]], Remy is a coward, a slacker, and an all-around loser looked down on by ''everyone'', even his fellow Nazis. It backfired: Singleton made Remy ''so'' pathetic that he actually elicited sympathy; of course, early scenes showing him as [[UsedToBeASweetKid a perfectly innocent college freshman]] [[FreudianExcuse being bullied by the wannabe black homeboys who live in his dormitory]] also didn't help matters. Actor Michael Rapaport, Remy's portrayer, says he was stunned when ''[[MindScrew blacks]]'' [[MindScrew came up to him to tell him how much they identified with the character]]!
* Film/AHistoryOfViolence [[{{Deconstruction}} goes to great length]] into showing [[RealityEnsues how traumatising in real life]] would be the brutality of your typical action thriller, with all the consequences and unpleasantness, not to mention huge quantities of {{Gorn}}. Cue numerous people being excited with the fight scenes. Teens usually cheer during the beat-down of school bullies, even if it's directly followed with a tense scenes about all the consequences of such action.
* Debora Kampmeier's film ''Film/{{Hounddog}}'' is meant to depict the horrible consequences of child abuse. Many critics (and viewers) see this [[RapePortrayedAsRedemption differently]].
* Disaffected youth have long put up posters of ''Film/{{Hud}}'' in their rooms as a mark of admiration for this iconic counter-culture hero. The story is about Hud trying to get his father falsely declared mentally incompetent and himself power of attorney so he can sell his father's farm and keep the money. ''And'' he attempts to rape his love interest.
* ''Film/TheHungerGamesCatchingFire'' includes a scene where one little girl tells Katniss that she wants to volunteer as a tribute, just like her, and Katniss is absolutely horrified. It is likely directed to fans who glorify the games, forgetting the fact that it's about teenagers killing each other.
** Covergirl ran a tie-in advertising campaign based on the decadent styles of the citizens of the Capital. That anyone thought this was a good idea speaks volumes about the way people reacted to the intended villains of the films - an upperclass of petty snobs with ridiculous outfits.

* Supposedly, the graphic rape in ''Film/ISpitOnYourGrave'' was supposed to be [[FanDisservice shocking and horrifying]] - you know, like a rape scene. When Creator/RogerEbert reviewed it, he listened to what his fellow audience members said regarding it, and "if they seriously believed the things they were saying, they were vicarious sex criminals."
* Several of Creator/RolandEmmerich's films are popular among audiences with anti-American sentiments, quite the opposite of what he intended, but scenes like the destruction of the White House in ''Film/IndependenceDay'' or the Americans refugees illegally crossing the Rio Bravo in ''Film/TheDayAfterTomorrow'' made audiences clap and cheer enthusiastically in movie theaters in some regions.
* ''Film/IntoTheWild'' is a dramatized account of Christopher [=McCandless=]' final days living alone in Alaska. Like the book and the real-life events that inspired it, the film ends with Chris (weak and starving to death) realizing that "happiness is only real when shared", and that you need other people in your life to live and thrive. Soon after this, Chris [[DyingAlone dies alone]] while wanting to be with his family again. Yet, bring the subject of the film or [=McCandless=] up online and you'll see at least a few people who either romanticize his actions or show disdain for modern society, seeking to emulate him.
* The 1970 film ''Film/{{Joe}}'' starred Peter Boyle as a working-class reactionary who fantasizes about murdering hippies (and does so in the film's climax). Boyle was horrified to find audiences cheering the character at screenings, and reportedly turned down the role of Popeye Doyle in ''Film/TheFrenchConnection'' at least partly out of fear of inspiring a similar reaction.
* ''Film/{{Juno}}'' got some appreciation from anti-abortion groups, because Juno considers an abortion and opts out. The filmmakers did not share that position on the issue and were surprised to hear this praise. After all, Juno doesn't change her mind for moral reasons; she just finds the clinic almost inexplicably intimidating.
* ''Film/TheKarateKid'' series. Judging by the nature of the posts on the [=IMDb=] and other film-discussion sites, some people have a pathological hatred for Daniel Larusso, calling him "Danielle" or "Whinielle," and are big fans of Johnny, Kreese, Chouzen, Mike Barnes and Terry Silver.
* ''Film/LeavingLasVegas'' was criticized for glamorizing alcoholism. Apparently, these people missed the bit where the protagonist decides he's going to drink himself to death ''and does.'' Then again, that summary can translate easily to "alcohol is worth dying for".
* After the Film/JamesBond movie ''Film/LicenceToKill'' was released, RobertDavi, who played drug lord [[BigBad Franz Sanchez]], was taken to meet with an actual drug lord in South America. Apparently, he loved his portrayal of Sanchez.
* Creator/JuddApatow's movies (''Film/KnockedUp'', ''Film/TheFortyYearOldVirgin'', etc.), are actually meant to ''subvert'' the sex comedy subgenre and ridicule the glorification of sex and promiscuity within our culture. Many people, however, miss this important point and watch these films during All Night Sex Parties, Make-Out Parties, etc.

* The first ''MadMax'' film was intended to show the dangers of reckless driving. The hoons and rev-heads who saw it felt that their lifestyles had been validated.
%%* Loki from the current ''Franchise/MarvelCinematicUniverse'' series.
%% Please expand this ZeroContextExample.
* ''Film/MeanGirls'' is most popular (almost to the point of cult status) among the same kinds of teenage girls that it spends two hours mercilessly making fun of. In any given American High School, you're likely to meet more than a few suspiciously Regina George-like girls who have every line of the film memorized. Misaimed fandom often results from the viewer's failure to grasp certain subtleties, but this could be the opposite; because the Plastics are caricatures, their real life equivalents may not see themselves reflected in them.
* "Das Millionenspiel" is a German movie from 1970 about a (fake) game show, which is about a group of people hunting and trying to kill the competitor, who will win one million Deutschmarks if he survives for 7 days. The film was pretty intense for its time and some people even thought it was a real game show. But that's not the point. Besides people who were complaining in indignation, there were also people who attended for becoming competitor, or even one of the hunters.
* Viewers of ''Film/TheMist'', of course, are not meant to sympathize with the crazed fundamentalist Christians, led by nutbag Mrs. Carmody, who demand sacrifices from the non-believers. That hasn't stopped some viewers - even some non-religious ones - from pointing out that Mrs. Carmody seems to have been right all along, and some have even suggested that she was the OnlySaneMan. She is the only one to remain calm during the store incursion on the first night, correctly surmises that David and his group going to the pharmacy will attract more monsters to the supermarket, unites the majority of the survivors and prevents them from falling into despair, and ultimately [[spoiler: the mist clears after David kills Amanda and Billy; the two people who Mrs. Carmody had demanded to be sacrificed]].
* Many fans celebrate the film ''Film/NaturalBornKillers'' because of how the two villain protagonists, Mickey and Mallory Knox were able to go on a killing spree, take on the system, and escape. However, the point of the film was to highlight the viewers' dangerous obsession with graphic violence and how it gets sensationalized in the public media. Sadly, the fans' response to the film proved director Creator/OliverStone's point.
* Howard Beale of ''Film/{{Network}}'' has quite a bit of quotable dialogue ("I'm as mad as hell and I'm not going to take this anymore!" for one), but many of his fans forget that he essentially went insane as a result of working in television news for too long, and treat him as some kind of visionary.
** Interestingly, the Howard Beale example works equally well in-universe as well. Chayefsky [[LampshadeHanging lampshaded]] the MisaimedFandom nature of Beale's popularity, and yet the character is still subject to it in real life.
** This one actually gets referenced in ''Web of Franchise/SpiderMan'' #13 (1985), where Peter, tired of putting up with [[TheChewToy the universe constantly dumping on him]] has this phone conversation with Mary Jane:
--->'''Spider-Man:''' Calm down? Why? Every time I calm down, someone steps on my face! For once I'm ''not'' going to calm down! I'm going with how I feel! Remember when you took me to see the movie "Network?" Remember what the crazy T.V. newscaster said? Words to live by, MJ. I'll see you. ''(slams down the receiver)''
--->'''Mary Jane:''' ''(to herself)'' Yes, Peter. I remember what the crazy newscaster said. He said, "I'm as mad as hell, and I'm not going to take it anymore." And he got killed at the end.
* The Dutch comedy series ''Series/NewKids'' and the movie ''Film/NewKidsTurbo'' center around a group of anti-social losers whose music tastes and fashion sense [[DeaderThanDisco went painfully out of style 20 years ago]]. The police in the area where the series is set claims that a sharp increase in (verbal) aggression towards police officers has been observed since the movie, where the protagonists do the same, came out.
* ''Film/OfficeSpace'': Ron Livingston, who played Peter, has said that a lot of people have told him they were inspired to quit their jobs. Probably not the best lesson to learn from the movie considering [[spoiler:the efforts of Peter, Michael, and Samir to get out of work for life nearly get them sent to prison, and at the end of the movie they're all relieved to have jobs again. What Peter has truly learned is that most people aren't in love with their jobs, but instead of chasing the dream job that never comes (and inevitably being disappointed by everything they do), they should find something they're at least comfortable with (as Peter does when he ends up doing construction work) and then make their own happiness some other way (as he does with his relationship with Joanna).]]
* Upon its release, ''Film/PartyMonster'' was revered by a small demographic of high school and college age kids who reveled in the fashions and debauchery of late 1980s and early 1990s Club Kid culture and conveniently ignored the real-life murder that took place.

* ''Film/RebelWithoutACause'', the film that made James Dean ''the'' cultural icon to an entire generation of teenagers, was made essentially as an Series/AfterSchoolSpecial to warn that "juvenile delinquency" would bring about the downfall of society. It does help that the movie played almost all of the teenage characters as sympathetic characters with poor home lives, which was much more nuanced than other "teens are monsters" movies that came later.
* ''Film/ReeferMadness'', meant to warn of the perceived dangers of marijuana use (which was shoehorned in due to the Hays Code), eventually became a pothead cult classic that has been shown at pro-legalization fundraisers, mostly because it's such an unrealistic and ridiculous portrayal of marijuana.
* ''Franchise/RoboCop'': Textbook example of the audience not even realizing that the movie was making fun of them for taking it at face value. If you go to the PlaceWorseThanDeath page and search under Detroit / Film, you will find a link to a magazine article that argues ''10 reasons Why a Robocop Statue ''[built in Detroit by the residents of that City]'' is a Bad Idea''. Here is the first of them:
--> '''1. It is insulting to UsefulNotes/{{Detroit}} and to Detroiters who have lived here through the worst.''' ''The reason Detroit is the setting for Robocop is because the city is considered a hellhole. Robocop may be a man/machine who overcomes injustice, but the Detroit in that movie is [[TakeThat no compliment]]. The statue would serve as a perpetual reminder that Detroit holds the distinction of being [[PlaceWorseThanDeath the most believable dystopia in America]].''
** The line "I'd buy that for a dollar!" is pretty clearly intended as HumorDissonance; it's repeated over and over as the {{Catchphrase}} of the corpulent lead of a glitzy, sleazy TV show, frequently uttered while he's leering at women. We're never even given [[OrphanedPunchline any real setup for it]], so there's nothing to laugh at. The entire thing is very clearly a satire of crass, soulless, catchphrase-driven TV shows... but for whatever reason, "I'd buy that for a dollar!" has become one of the film's most commonly-quoted lines, showing up without a hint of irony in things like ''VideoGame/SmashTV''. Even the remake used it, something that didn't go unnoticed by people wondering if it had missed the point of the original film.
* ''Film/{{Rollerball}}'' found its biggest success among people who were excited only by the rollerball scenes. Rollerball is a [[BloodSport ridiculously violent sport]] that is the centerpiece of the movie's satire of a society increasingly desensitized to violence (another scene features people at a party blowing off steam by taking a flamethrower to some trees.) Some sports people even asked the filmmakers' permission to create a rollerball league. Almost certainly this is due to the deliberate slowness most of the AuthorFilibuster scenes are played: The non-sport scenes are either a bit of wonderful contrast, or really draggy.
** The cast of rollerball players in the movie actually had a great deal of fun actually ''playing'' rollerball between takes and before and after shooting using the areas and props depicted in the film.
** To make it even worse, the symbolism of the original film was ''completely'' lost in the remake, which was little more than a typical sci-fi movie about a BloodSport.
* ''Film/RomperStomper'' and ''Film/AmericanHistoryX'' are quite popular among Neo-Nazi skinheads. ''Film/HigherLearning'', too, is defiantly embraced by some white viewers (and, bizarrely, even some black ones!) as some sort of reverse civil-rights tract, despite (or, arguably, because of) its depiction of its skinhead AntiVillain as a hopeless loser. The depiction backfired when viewers took him as TheWoobie instead of a murderous psychopath.
* ''Film/SaturdayNightFever'' is strongly remembered for Creator/JohnTravolta's iconic disco dance sequence at the end. However, within the movie itself, it is strongly implied that Travolta and his partner are actually the LEAST impressive dancers in the competition, and the only reason they win over their black and Puerto Rican opponents is because the judges are racist. Travolta's character recognizes this and in disgust gives the trophy to the runner-up couple. It shatters his vision of himself and makes him want to move beyond the shallow lifestyle he built around disco. The movie is remembered for how glamorous it made disco look.
* If ''Film/{{Scarface 1983}}'' isn't the epitome of a film doomed for misaimed fandom, nothing is. Creator/BrianDePalma intended for this movie to be a dark, unrelenting look at the downfall of a gangster who quickly climbed to the top of the drug trade world, only to become addicted to coke and alienate those around him. Instead, rappers sample Tony Montana's quotes, admire him for being all gangster, and have a bunch of their fans and misled teens suddenly become fans or the film without seeing what the point of the film was at all. Brian De Palma isn't happy about this ''at all''.
** It is very common to find copies of ''Scarface'', posters, as well as tons of "bling", clothes and personalized weapons based on or inspired by Tony Montana's tasteless excesses in the raided houses of many a cartel ''narco''.
** A ''[[VideoGame/ScarfaceTheWorldIsYours video game]]'' of the movie was made too. Which was a ''sequel'' to the movie, dictated that Tony Montana somehow '''survived''' the ending of the film, and has him go about his business with no negative consequences. Takes misaimed fandom up to eleven.
* SlasherMovie characters like [[Franchise/ANightmareOnElmStreet Freddy Krueger]], [[Franchise/{{Halloween}} Michael Myers]] and [[Franchise/FridayThe13th Jason Voorhees]] (all brutal serial killers) have huge fanbases, with many a teenage girl proclaiming their undying love for one or the other. The fact that Freddy and Jason are undead monsters who could ONLY exist in the safe world of the imagination probably helps. Although in the sequels to these movies, you are often ''clearly'' meant to root for the killer; in which case siding with other characters (Such as Busta Rhymes) is MisaimedFandom. As Creator/CliveBarker, creator of the ''Franchise/{{Hellraiser}}'' series, put it, "You've got Pinhead, who hasn't done a single decent thing in eight movies, and still gets mail from women who want to have his children."
* ''Film/{{Scream 1996}}'' was intended to be a parody and final-nail-in-the-coffin for the Slasher subgenre. The film wound up having the opposite effect, and actually breathed new life into the then-dying genre, helping it live past the 80s. It did, however, [[DeadHorseTrope put an end]] to many of the Slasher-genre tropes that its characters [[DiscussedTrope discussed]] throughout the movie. Though Slasher movies still exist, they tend to be more self-aware than in the past.
* The ''Film/{{Saw}}'' franchise has a disturbing number of fans who believe Jigsaw's methods of torturing people into appreciating life is actually ''beneficial''. Never mind the fact that the guy's a manipulative, hypocritical, homicidal sadist who ruins far more lives than anything, but he's also endangered dozens of innocents, [[WouldHurtAChild including children.]] Quite a few characters actually [[ShutUpHannibal call him out on this]] throughout the series, including a DirtyCop looking for his son, a doctor he's holding hostage to cure his brain tumor, and even his own henchwoman. The most recent installment even has a scene where one of the survivors rants about [[YouMonster how Jigsaw and his minions made her life worse]], and how fucking stupid you'd have to be to think any of this legitimately helps people.
* A particularly creepy example of this trope: reportedly, teens were cheering in theaters during ''Film/SchindlersList'' when Ralph Fiennes' monstrous Nazi officer randomly killed innocent people.
* ''Film/{{Showgirls}}'' is a satire of Hollywood 'a star is born' narratives, mocking the conventions of that genre with its intentionally absurd plot and excessive style, while revealing the ideologically corrupt nature of these American dreams. At least, that was the intention - legions of fans just see it as hilarious trash.
* Despite the fact that Creator/PaulVerhoeven is anti-war and anti-fascism (likely from having bombs dropped by the Allies in his backyard as a child when aiming at fascists), people will accuse him from now until judgment day that ''Film/StarshipTroopers'' ''glorifies'' war, fascism, and blind, jingoistic patriotism. To think Paul Verhoeven made the mistake of being ''too subtle''. Many have made the same false accusations about the novel that it InNameOnly shares a name with as well.
* Picard's statement [[MemeticMutation "The line must be drawn HERE!"]] from ''Film/StarTrekFirstContact'' is considered a BadassBoast by many, when it's really part of Picard's SanitySlippage in a hopeless fight against the Borg. (The fact that he actually ''wins'' the hopeless fight probably plays a big role in this.)
* Detractors of ''Film/StarTrekInsurrection'' tend to be the ones who defend Admiral Dougherty and the Son'a, claiming that the relocation of the Ba'ku is for the good of the Federation and citing TheNeedsOfTheMany. Never mind that their plan is essentially kidnapping and subjugating an entire sovereign civilization to steal resources from them, something we'd typically see from Federation enemies such as the Borg and the Dominion.
* The ''Franchise/StarWars'' Galactic Empire [[RootingForTheEmpire has almost as much fandom]] as the Rebellion, with many tying themselves in rhetorical knots to justify their support for a group of genocidal fascists at their worst, and {{Punch Clock Villain}}s at best. This has even been canonized in the lastest Star Wars film, with the evil Kylo Ren idolizing Darth Vader and apparently having no idea that Darth turned back to the light before his death.
** It also has to be said that the fanatical love many fans have of Boba Fett is something of an anomaly. He was essentially an EliteMook alongside a handful of others brought in to show the Empire was enlisting specialists to help capture our heroes. He had very few lines and never got into a serious fight with the protagonists, taking potshots at them while the Imperials lead by Vader actually arrested them. In the end when a fight does break out, his jetpack gets shot near the start by a mostly blind Han which sends him careening down the Sarlak's throat. This hasn't stopped him from being one of the most popular characters with the best selling toy and piles of fanfiction written about him. Wiki/ThatOtherWiki even has several hefty paragraphs dedicated to why he is so popular, which essentially boils down to the fact that he was a cool looking blank that kids were able to project themselves and their fantasies of being a badass into.
* ''Film/{{A Streetcar Named Desire}}'' has, of course, Stanley Kowalski. Marlon Brando, whose intense portrayal made the character into a sex symbol, himself hated how women melted for Stanley. An ardent feminist, Brando's reaction could be summed up as "Are you kidding me?! You seriously want to have sex with this abusive piece of shit? That's fucked up." It seems to have carried on past Brando's portrayal of the character and goes hand-in-hand with modern viewers seeing Blanche less sympathetically. There was even a case during a modern revival where the audience ''cheered'' as Stanley raped Blanche.
* ''Film/TaxiDriver'' has Robert [=DeNiro=] as a violent, socially maladjusted loner trying to kill a politician (being loosely based on Arthur Bremer, George Wallace's would-be assassin). [[http://en.wikipedia.org/wiki/John_Hinckley_Jr Some guy]] watched the movie many times, got obsessed with Creator/JodieFoster and, after many attempts to contact her, decided to impress her by shooting UsefulNotes/RonaldReagan...
** ''Taxi Driver'' scriptwriter Paul Schrader blames ExecutiveMeddling for the intentional toning down of Travis Bickle's racism (he was much more susceptible to muttering racial slurs, in addition to inciting hate crimes), thus making [=DeNiro's=] character a complex counterculture icon rather than the paranoid, simpleminded racist the character was intended to be.
* ''Film/{{Trainspotting}}'' is very popular among heroin users, with some even citing it as what inspired them to try heroin.
* The theme song of ''Film/TeamAmericaWorldPolice'', "America, Fuck Yeah!", ironically gets a lot of use from people who spout pro-American rhetoric, despite the song (and the whole movie) lampooning their patriotic views.
** Also, "[[http://www.youtube.com/watch?v=DIlG9aSMCpg derka derka Muhammad Allah jihad]]" is used by some people to disparage Arabs and Muslims, when it's supposed to be a satire of the ridiculous image many Americans have of Arabs. Plenty of these racists know this, but think it's funny anyway, and [[JustJokingJustification then use "it's just satire" to make themselves feel self-aware.]]
* ''Film/Terminator2JudgmentDay'': Linda Hamilton and Creator/JamesCameron have both said on an audio commentary that [[ActionMom Sarah Connor]] after she TookALevelInBadass was supposed to be a cruel, violent, emotionally unstable person, not an ideal feminist. John himself could arguably be considered a deconstruction of TheChosenOne and/or KidHero: it shows what happens when your mother [[MamaBear has been so determined to protect you]] that she drags you around the country committing acts of terrorism and teaching you paramilitary skills instead of anything close to a normal childhood. Maybe the Aesop was broken because, you know, she ''does'' raise the man who manages to defeat the machines, so she can't be all wrong... right?
* Creator/JohnCarpenter created ''Film/TheyLive'' as a satire of '80s [[CorruptCorporateExecutive yuppie capitalism]] run amok, positing a world where humanity is {{brainwashed}} through SubliminalSeduction into becoming [[GullibleLemmings mindless consumerist sheep]] in service to aliens who secretly rule the world. Given this setup, it's perhaps no surprise that {{Conspiracy Theorist}}s make up a significant chunk of its fanbase, with many of them seeing it as a metaphor for TheIlluminati. When Carpenter learned about neo-Nazi fans reading a specifically anti-Semitic message into the film, he [[http://www.avclub.com/article/john-carpenter-thinks-internet-nazis-need-put-sung-247940 told them to go to hell]].
* Harry Lime from ''Film/TheThirdMan'' is a black marketeer who sells his loyal girlfriend to the Russians and runs a "medical charity" that sells watered-down penicillin that results in mass death and illness. The movie even goes so far as to show a hospital room full of dying children. How does the audience respond? By demanding more adventures of Harry Lime. The result was ''Radio/TheLivesOfHarryLime'', a radio series chronicling his further adventures. This may have had something to do with the excellent performance by Creator/OrsonWelles.
** One of the interesting things about ''The Third Man'' is that this also happens within the film. Most of the main characters are convinced that Harry is just a loveable rogue, the protagonist is actually taken to the hospital specifically to dissuade him of this belief. In the end his love interest hates him for turning against Harry, despite it being the right thing to do.
* The Japanese live action/anime hybrid film ''Anime/TwilightOfTheCockroaches'' was quite popular with various minorities, especially Jews who identified with the cockroaches' struggle to survive the humans' callous attempts to exterminate them. One can only imagine what their reaction would be on learning that, [[WordOfGod according to the director]], the whole thing is an allegory for the fall of ''the Axis Powers''.

* Music/PinkFloyd's ''Music/TheWall'':
** There is a sequence in the movie version where Pink hallucinates that he is a fascist leader, leading a vicious army of skinheads. This scene is meant as a look at the relationship between a performer and his fans... but a group of RealLife white supremacists didn't get the joke and based themselves off the scene, adopting the crossed-hammers symbol of Pink's army and dubbing themselves the "Hammerskins".
** A great deal of the extras in that scene were in fact legitimate white supremacists. They were picked simply because of the energy they would generate in a scenario like the one Pink is creating in his head. If you look carefully, you can actually see many of them giving the Nazi salute which was 100% improvisation on their part.
** Even the album it's based on was influenced by misaimed fandom; Roger Waters (Pink Floyd's bassist and leader) once stated this in an interview. During the tour for ''Animals,'' members of the audience were so crazed that a mesh fence had to be erected between the stage and the seats, creating a literal wall. (It was not lost on Waters.) In one incident, a fan climbed up the fence; Waters insulted and spat on him... and the fan went nuts. Not mad, but happy. Waters decided that a metaphysical wall existed and started working on the album.
** The movie also has a lot of misogyny due to the main character being an UnreliableNarrator who has issues with women. You sometimes run into fans of the film who praise it for showing "the truth about women" or something.
** This a particularly egregious example. "The Dictator", a rock star, commands his fans to follow him in order to prove their loyalty. If you see ''The Wall'' live, when Roger Waters does the hammer salute as The Dictator, look around the audience and see how many people salute back...
* Gordon Gekko from ''Film/WallStreet'' was supposed to represent the worst excesses of the 1980s. Many people took him as a role model, taking his famous "Greed is Good" speech completely at face value, and ignoring all his underhanded dealings. Creator/MichaelDouglas did too good a job at making him [[ManOfWealthAndTaste charming.]] ''Film/WallStreetMoneyNeverSleeps'' tries to correct this, but is nowhere near as good of a movie. Michael Douglas said that every time a stock broker says that Gekko was the inspiration for his job, he feels a little sad, as Gekko is clearly the villain.
* With ''Film/TheWickerMan1973'', there are two groups of misaimed neopagan viewers. Some, who have a beef with Christianity, actually applaud the Summerisle Pagan cult for killing devoutly Christian Sgt. Howie at the end, despite the fact that this is ''murder'' and ''not'' supposed to be admirable or justified in the least, and while prudish and foolish, Howie was the [[DoomedMoralVictor one in the right here.]] Other neopagans resent the film for portraying their religion in a bad light, when in fact the Summerisle cult is stated in film to be a special case with a history behind it, and is in no way representative of other neopagan groups around the world. Creator/ChristopherLee himself states that it's less a condemnation of paganism and more of a condemnation of ''cults'' in general.
* ''Film/{{Whiplash}}'': There are those who saw the ending as Neiman's uplifting triumph, who are happy that he finally got the approval of Fletcher, his sadistic jazz conductor. However, the ending is really pretty depressing. Neiman has sacrificed basically everything in his life to his pursuit of music, and by upstaging his fellow players who are all trying to get noticed by talent agents for an extended drum solo, he is probably shooting himself in the foot just to one up/get recognition from his old conductor. And while he is playing his solo, there is a long shot of his father watching from off stage, looking aghast at what his son has become. An alternate ending that director Damien Chazelle had in mind was a lot less subtle, jumping a decade into the future, where we find that Neiman has died in his 30s as a burned out junkie, and at his funeral, Fletcher calls him a fucking ingrate.
* ''Film/TheWolfOfWallStreet'': In a similar case to the 1980s movie ''Film/WallStreet'', there are [[http://www.businessinsider.com/banker-pros-cheer-wolf-of-wall-street-2013-12 reports]] of financial experts ''cheering'' at some of the more questionable scenes from this film.

[[folder:In-Universe examples]]
* ''Film/BoilerRoom'': There's a scene where the company guys are having a party and watching Gordon Gekko's introduction from ''Film/WallStreet'', being such big fans that they start quoting the entire thing verbatim. Gekko is in fact a very corrupt stockbroker who would throw thousands of people on the street for profit and ultimately goes to jail for committing legal fraud. This might be [[JustifiedTrope justified]], since the Boiler Room guys are knowingly scam artists themselves who project an honest image to the outside world.
* ''Film/HaroldAndKumarEscapeFromGuantanamoBay'': The paranoid, racist, warmongering Homeland Security agent tells Creator/NeilPatrickHarris that ''Film/StarshipTroopers''--set in a fascist dystopia with the humans as {{Villain Protagonist}}s--inspired him to get into his line of work.
* ''Film/{{Jarhead}}'' includes a scene in which the Marines cheer for ''Film/ApocalypseNow''. On the commentary track, it is noted that marines [[DoNotDoThisCoolThing never see anti-war movies as such]]; the book the movie is based on goes so far as to say that there are [[DoNotDoThisCoolThing ''no'' true anti-war movies]] precisely because this trope will always kick in. Case in point: there are tales of Marines cheering the "soldier mutilates an Iraqi corpse" scene in ''Jarhead.''
* ''Film/LordOfWar'': Andre Baptiste Jr. asks Yuri to bring him Rambo's gun, specifically the M60 with armor-piercing bullets because he's only seen the first movie. ''Film/FirstBlood'' is in fact a drama about a traumatized Vietnam vet who unleashes a small-scale war in an American town when the locals hassle him, and ends with Rambo crying into his former superior's arms about how he's lost all purpose in life and willingly turns himself in. Baptiste Jr. uses the M60 to mow down African civilians while [[PutTheLaughterInSlaughter laughing about it]]. Being a cannibalistic psychopath and son to a Liberian warlord, that he missed the point of the film shouldn't be surprising.
* ''Film/NewJackCity'': Drug lord Nino Brown is a noted fan of ''Film/{{Scarface|1983}}'', watching Tony Montana's shootout at the end of the movie multiple times and quoting the "the world is yours line" as an inspirational motto. He probably quits watching before [[spoiler:Montana gets shot, or he might have drawn parallels between the Miami drug kingpin's demise and his own possible (and eventual) downfall.]]
* ''Film/StarTrekIITheWrathOfKhan'': The novel ''Literature/MobyDick'' is part of Khan's private library and he quotes Captain Ahab throughout the movie. Either Khan missed the point of the novel or [[AlternateCharacterInterpretation alternatively]], he understood the point of the novel completely and recognised the parallels between himself and Ahab, but was so consumed by his rage that he didn't care, or just so arrogant that he believed that, unlike Ahab, he could slay his white whale without destroying himself and his crew. Also, it's possible that Khan knew he would die as a result of his actions, but he wanted to [[TakingYouWithMe take Kirk with him.]] A "TheOnlyOneAllowedToDefeatYou"-sort of thing. None of this is thematically out of tone with ''Moby-Dick'', since Ahab himself is at least partly aware that he's dooming the entire ship over a matter of pride, but he just can't help himself.
* ''Film/BeetleJuice'': The title character claims to have [[SawStarWarsTwentySevenTimes seen]] ''Film/TheExorcist'' [[SawStarWarsTwentySevenTimes 167 times,]] "And it keeps getting funnier every single time I see it!"