[[quoteright:270:[[{{Manga/Akagi}} http://static.tvtropes.org/pmwiki/pub/images/akagi_is_jesus3.jpg]]]]
[[caption-width-right:270:A TabletopGame/{{mahjong}} match... of ''[[Literature/TheBible Biblical]]'' proportions.]]

->''"It's just an object. It doesn't mean what you think."''
-->-- '''River Tam''', ''Series/{{Firefly}}''

There are times when works rely a lot on symbolism, taking note of things that have occurred in history, religious texts or other such things. Symbols can add a considerable amount of depth to a story, leaving the audience coming back for more to further analyze a work that they love. This also creates opportunities for the audience to see how said symbol relates to the plot or themes of the story. Several famous works have used religious symbolism successfully, garnering praise.

Because of this, less experienced creators may try and slip some symbolism into a story, when in reality the event in question has nothing to do with the symbol, in hopes that people will look at it more seriously. That is where this trope comes in: when a creator just decides to throw a historical, religious or random reference into a scene just for the heck of it. Perhaps the creator misinterpreted the message that the symbol stood for, the creator wanted their work to be taken seriously as TrueArt, or the creator [[RuleOfCool just wanted the scene to look cool]].

This is especially problematic when in addition to faux symbolism, the author throws in symbolism that ''is'' meaningful and well thought-out. If such a piece of fiction happens to become popular, this usually results in a polarized fanbase where a large number of people either over-analyze it (try to find a meaning to both the faux symbolism and actually-meaningful-symbolism) or under-analyze it (assume that because some of the symbolism happens to be pointless, that it's ''all'' pointless).

Not all such references are arbitrary; this trope specifically applies only when someone has added random symbolism as an afterthought to add [[MindScrew (illusory) depth and meaning]] to an otherwise-standard story. Comparing your main character to the [[{{Satan}} Devil]] or [[EveryoneIsJesusInPurgatory Jesus]] seems popular; the latter can be easily done by [[SignificantMonogram giving him the initials "JC."]]

This technique is particularly popular in {{Anime}}, because the Japanese generally only have a passing familiarity with Christianity, and will often use names or apocrypha without regard for their actual significance. And of course the corollary being that Western productions likewise only have a passing familiarity with Eastern philosophies (for example, [[CallItKarma Karma]]). If Faux Symbolism is used purely in naming people or things, it's SquatsInAName, a subtrope of this.

Be wary though that this trope can be used not to point out use of fake symbolism but to shut down discussion of what may actually be legitimate observation; remember, just because you may not personally understand or like a piece of symbolism doesn't change whether or not it ''is''. When this trait is exhibited in music, it may overlap with NotChristianRock.

Long story short, anything can be considered symbolic in the right frame of mind. There are actual academic essays and papers about the symbolism of pieces of art where none actually exists or was intended (see ''Literature/TheLordOfTheRings'' and UsefulNotes/WorldWarII), and some artists will even claim their piece has symbolism when they didn't put any actual thought into it (they may or may not actually believe it themselves). If you are at all unsure if the "symbolism" has any actual intended meaning, please try to look into it or bring it up in discussion.

Compare CrystalDragonJesus, EveryoneIsJesusInPurgatory, and MundaneMadeAwesome.

Contrast RuleOfSymbolism, when something ''actually is'' symbolic. It is also not to be confused with a symbolic EasterEgg hunt where the writer, director and production design team purposefully insert numerous small but meaningful elements, the understanding of which are not necessary to appreciate the plot, theme or character development but create fan discussion and add to rewatch value.
!!Tropes often employed for Faux Symbolism:

* OneHundredAndEight
* AsTheGoodBookSays
* BackgroundHalo
* BloodstainedGlassWindows
* CreepyCoolCrosses
* CrucifiedHeroShot
* EveryoneIsJesusInPurgatory
* EveryoneIsSatanInHell
* FetalPositionRebirth
* MaybeMagicMaybeMundane (when the "magic" seems more than a little religious in nature)
* NumberOfTheBeast
* PietaPlagiarism
* SistineSteal
* TemptingApple



[[folder: Advertising]]
* Ads for TV series with a sufficient ensemble cast occasionally riff on Leonardo Da Vinci's "Last Supper". The two most famous examples are likely those for the final seasons of ''Series/{{Lost}}'' and ''Series/{{Battlestar Galactica|2003}}''.

[[folder:Anime & Manga]]
* Lots of this in the Washizu arc of ''Manga/{{Akagi}}''. In the manga there's a lot of drawings from classic works that depict [[Literature/TheDivineComedy Dante's Inferno]] which could be relevant by illustrating that the death-match between Akagi and Washizu is like a trip down into hell. In the anime though, the religious scenes (see picture above) are kind of out of place. The only relevance to the imagery of the crucifixion is superficially that Akagi will be sacrificed if he loses.
* In ''Manga/DeadmanWonderland'', the power wielded by the protagonist and his opponents is called Branches of Sin. The main enemy is called The Retched (sic) Egg, and it is explained that the serpent in the Garden of Eden was referred to as an egg.
* The religious motifs within ''Anime/NeonGenesisEvangelion'' are dismissed as this because of a popular statement from assistant director Kazuya Tsurumaki. Creator/HideakiAnno's statement that he chose the name "Evangelion" because "it sounds complicated" doesn't really help.
* ''Anime/YuGiOh'': Many of the characters and monsters in the ancient Egyptian Memory World are named after figures from Egyptian mythology (Isis, Set, Osiris, Ra) and have absolutely nothing in common with their namesakes or their stories (though it makes great inspiration for {{Fanfic}} writers and {{Shipp|ing}}ers).
** Noah's duel with Kaiba parallels the creation of Earth in the Bible, taking exactly 7 turns to play out. They start out in a field of lava, and Noah uses various demi-human monsters before using "Giant Flood" to wipe out everything on the field. They move on to a jungle where Noah uses a dinosaur monster, then uses "Deepest Impact" to against destroy everything with a meteor, switching to the ice age where he summons a woolly mammoth. After that he switches to modern times and starts using spaceships outfitted with lasers. When he merges with his deck master "Shinato King of a Higher Plane" Kaiba loses, and Yugi steps in. Noah then uses Spirit monsters associated with the afterlife.
*** No to mention his deck master "Shinato's Ark," onto which all destroyed monsters are sent.
** ''Anime/YuGiOhGX'' has three demon monsters and their fusions named for Judeo-Abrahamic angels, and the name of the organization pursuing them are the "Seven Stars" in the original version, a reference to the Book of Revelation.
** During the Pegasus arc, Yugi has a vision in which he sees the cards that have trapped the souls of his grandfather, Seto Kaiba, and Kaiba's little brother. Each flies onto its own huge cross for no obvious reason. 4Kids painted over the crosses.
* For all the [[ContemplateOurNavels philosophical rambling]] and half-symbolism in ''Anime/GhostInTheShellStandAloneComplex'' they mostly avoid religious imagery. But in the last episode of ''Second Gig'', Batou grabs a cross beam and holds it over his shoulder before using it to free Motoko. And, well... [[http://static.tvtropes.org/pmwiki/pub/images/NotSymbolicAtAll.jpg judge for yourself if this is supposed to be symbolic]]. And the Tachikomas' self sacrifice at that same moment.
* ''Manga/JoJosBizarreAdventure'' Part 3 introduced Stands, spiritual entities named after tarot cards. Few of them have anything in common with their namesakes, the author's {{handwave}}s notwithstanding. For example, Tower of Gray is a superfast fly, so named because it brings calamity; Death 13 is a dream-controlling Stand named only because it ''looks'' like TheGrimReaper (while the actual card, ironically, does ''not''), The Emperor is a handgun, and The Empress is a sentient wart which [[BodyHorror grows on its victim]]. About the only Stand that was really accurate was The Sun, a miniature sun. But, there weren't enough Tarot cards to have all the requisite [[MonsterOfTheWeek enemy Stand users]], so the author started naming them after similarly unrelated Egyptian gods. See Horus, an ice Stand named after the sun god. When the author ran out of ''those'' he decided to just name them after bands, and has continued to do so throughout parts 4, 5, 6, and 7, though even those can be sort of wonky at times, such as Super Fly, the tower Stand.
** The last one is [[SlidingScaleOfSillinessVersusSeriousness obviously]] because [[ContinuityNod Tower of Gray was the super-fly Stand]].
* ''Manga/DeathNote'' contains several religious allusions. Some notable examples are [[SistineSteal Michaelangelo's ''Creation of Adam'' (Ryuk and Light)]] and [[PietaPlagiarism ''Pietã '' (Ray Penbar and Naomi Misora)]] in the first opening credits, as well as the washing of Light's feet by L. And the symbolism of the apples Ryuk is always chomping on. This was actually the result of a mistake on the part of the manga artist, as it was a suggestion from the author who just thought it'd look cool.
** Light tests the power of the Death Note to control people's actions by making one man draw a pentagram in his own blood before dying.
** There's a ''huge'' number of objects in the series that just "happen" to look like crosses:
*** While L washes Light's feet, it cuts to a shot of a catwalk arranged like a cross.
*** In the final scenes of Episode 37, an oil refinery tower looks suspiciously like a cross.
*** The "Wammy House" is just ''littered'' with crosses. Well, it was previously a church.
*** Ryuk's notebook holder looks like a cross.
*** In the manga, crosses [[UnlimitedWardrobe occasionally]] appear on Mello's clothes (on the knees of his pants, for example). He also wears a rosary necklace[[note]]Which is actually not correct/proper; it ''looks'' like a necklace, but is not meant to be worn as one. Then again, Mello never was one for playing by the rules![[/note]], and a matching bracelet, and has a cross charm on his gun. In any other manga series, Mello would be a ChurchMilitant.
** When Mikami gets his deathnote light shines from the sky in one panel of the manga. And he's indoors.
** Ironically, the use of the apple can be interpreted as an accidental reference to Daniel Quinn's speculation (in The Story of B) as to the nature of the "original sin": the power to decide who lives and who dies, and the decision to use it.
** In [[Series/DeathNote the live-action drama]], Near and Mello[[note]]Who are actually two personalities of the same character, rather than separate entities like in the original[[/note]] are often sitting under a painting of the ArchangelMichael. Mello's real name [[spoiler: Mihael]] appears to be a reference to this as well. In the original series, they are often standing in front of stained-glass windows, even when they're ''not'' at the aforementioned Wammy's House.
** On a manga cover, Mello's vest this time displays an image of the Virgin Mary, and he's standing protectively behind Near (despite actually hating the latter's guts), in the pose that many statues of Mary depict. (Except Mello, being who he is, is [[DualWielding holding two guns]].)
** Matt [[spoiler: being shot multiple times, in an act of HeroicSacrifice]] ''may'' be a ShoutOut to the story of St. Sebastian
* Most of ''Manga/{{Hellsing}}'''s religious symbolism was put there simply because Kouhta Hirano was aiming to make a manga that "[[RuleOfCool looked cool]]".
** One example is the pentagram Alucard sports. What's written inside changes all the time, sometimes with pop culture reference (Berserk, CSI Miami, etc). Only the Animated adaptations bothered to make it consistent, using what Hirano wrote once upon a time in the cover of volume 2.
** However, it's a vampire manga, so some of the religious symbolism is plot-relevant on that basis alone.
* In ''Manga/HaruhiChan'', Haruhi (with Kyon's aid) ties Mikuru to a cross and decorates her with balloons. This is an obvious reference to Haruhi's nature as [[EldritchAbomination God]], and thus the Crucifixion of Mikuru shows Her love for the world in that she would sacrifice her favourite [[TheWoobie chew]]-[[BlackComedyRape toy]] for... no, I am just making it up here. It certainly means ''something,'' though. As far as Kyon and Haruhi knew Mikuru was dead before she was tied to the cross ([[RuleOfFunny despite the fact that she was begging them to take her down the entire time]]), so it doesn't involve her being a sacrifice of any sort.
* Mercurymon from ''Anime/DigimonFrontier'' stages a huge [[BloodstainedGlassWindows Church Shootout]] against Takuya, complete with OminousPipeOrgan (physical and musical) and a CrucifiedHeroShot. The grand finale even involves ''stuffing him in a coffin''. They are fighting inside Sefirotmon, which is a living cabbalistic figure.
** While the symbolism may not have any inherent value, it does work well with Mercurymon's character, SmugSnake that he is.
** And ''[[Anime/DigimonAdventure Adventure]]'' had the whole [[NumberOfTheBeast 666]] deal with Vamdemon's revival, which [[GettingCrapPastTheRadar got by the radar]].
** It continues to be surprising that it got through censors, because it wasn't sneaky at all. Vamdemon will revive when the clock strikes the hour of the beast. At precisely 6:06 PM and 6 seconds ([[FridgeLogic amazingly, one main character's watch is set to cosmic time or something]]!) we get round two with his OneWingedAngel form. None of this was changed when it came to [[DubNameChange Myotismon]].
* In the DVD extras for ''Anime/EurekaSeven'', voice actor Crispin Freeman discusses how the names of the main HumongousMecha and its associated AppliedPhlebotinum are derived from Buddhism, as well as the series' references to [[http://en.wikipedia.org/wiki/Golden_Bough The Golden Bough]].
** The Buddhist elements actually are central to the plot from the very beginning, however.
* ''Anime/TheBigO'' has giant kaiju-like artificial constructs named for the Biblical Leviathan and Behemoth--in addition, it's theorized that Big O corresponds to Behemoth, Big Fau to Leviathan, and Big Duo to the Ziz, rounding out the trio. Sure enough, pamphlet copies of William Blake's painting of Behemoth and Leviathan are mysteriously dropped onto the city at one point.
* ''Anime/FafnerInTheAzureDeadAggressor'' doubles down on pointless references, with heroes sporting a Germanic/Nore flavor (see: Fafner), and vague Egyptian-ness for the villains.
* ''Manga/{{Trigun}}'' goes for the {{subver|tedTrope}}sion; Nicholas D. Wolfwood carries around a cross that's actually a machine gun, rocket launcher, and holster for several handguns. The grip is shaped like a skull. However, his religious beliefs turn out to be very important to the story.
* ''Franchise/SailorMoon'' as a whole is chock-full of symbolism. The symbolism of the [[Manga/SailorMoon manga]] carries over to the [[Anime/SailorMoon anime]]. "The Messiah" is used as an allegory meant to illustrate the dichotomy of destruction and creation as embodied by Sailor Moon and Sailor Saturn; the "Messiahs" as it were. Hotaru even reads from William Butler Yeats' The Second Coming to foreshadow Saturn's return during the fourth arc of the manga. Add to that Naoko's more [[http://writelvin.tumblr.com/post/44035651394/fukufashion-william-blake-super-sailor-moon more subtle use of symbolism]] and the fact that Sailor Moon R, S, and Super S were directed by [[Anime/RevolutionaryGirlUtena Ikuhara]] and there's plenty of room to make a case for meaning.
** The Holy Grail appears when the three Talismans are brought together. Interestingly, these talismans are a sword, a mirror, and a garnet, which are three sacred objects in the traditional Japanese Shinto religion.
** There's one more level to the whole mess: The Grail (cup) plus the Space Sword, Garnet Rod (staff) and Deep Aqua Mirror (coin) match the 4 [[TarotMotifs suits of a Tarot deck]].
** There's a part in the Sailor Moon S opening where all of the Senshi are arranged in a circle like the signs of the Zodiac with Sailor Moon in the middle. It's a cool image, but don't waste time trying to analyze it.
* In the DownerEnding of episode five of ''Anime/{{Mnemosyne}}'', BigBad Apos rapes [[spoiler: Rin's sidekick Mimi]] while she is chained and nailed to a stone lamp post as OminousLatinChanting and OminousPipeOrgan plays in the background. This is only one in at least three incidents of horror in the last five minutes before the end credits roll.
* In the manga ''Manga/SamuraiDeeperKyo'', Mibu Kyoshiro calls himself the son of God and goes around healing wounded children[[note]]lepers[[/note]]. In a spectacular mix-up of biblical stories, he also [[spoiler:kills his own brother]], which leads to his leaving the Mibu lands[[note]]Garden of Eden[[/note]].
* ''Manga/{{Naruto}}'''s [[DiscOneFinalBoss Pain]] manipulates six PeoplePuppets named after [[http://en.wikipedia.org/wiki/Six_realms Buddhism's Six Paths of Rebirth]]: Hell Realm could summon the Judge of the dead that could revive the other bodies if they were too damaged, [[{{Necromancer}} resurrect everyone killed]] within certain limitations plus [[TruthSerum kill someone if they lied or refuse to answer your question]]; Hungry Ghost Realm [[EnergyAbsorption absorbs]] [[PowerNullifier chakra]] (the power source for 90% of the attacks in the series); Animal Realm summons [[AttackOfThe50FootWhatever giant animals]]; Human Realm [[MindProbe reads your mind]] and can [[YourSoulIsMine rip out your soul]]; Demon Realm is a friggin ShapeShifterWeapon-styled cyborg armed to the teeth with SchizoTech hidden in his body and God Realm had all kinds of weird shit with [[GravityMaster gravity and junk]].
** It eventually turns out that the statue Akatsuki uses is [[spoiler:something Nagato {{summon|Magic}}ed to kill Hanzo and Danzo's men in revenge]] which is called "Gedo Mazo". "Gedo" means "outer path", referencing the term in Buddhism for a false path to enlightenment (as opposed to the inner path, which is the correct one).
*** The statue resembles a sokushinbutsu (which were Japanese Buddhist priests that self-mummified themselves. Those that did successfully were immediately seen as Buddhas).
** On top of that, Konan reveals that [[spoiler:Nagato himself is another "path" of Pain called the "Outer Realm" and can also revive the recently deceased]].
** The Mangekyou Sharingan techniques which Itachi is normally seen employing (Amaterasu, Tsukuyomi, and Susanno'o) are named for three of the principle Shinto gods. Itachi is often linked with divinity throughout the course of the manga; he frequently performs jutsu which involve crows in some capacity. The Yatagarasu (the-three legged crow which is messenger of the Gods, the creature which stopped a demon from swallowing the sun, and which led Emperor Jimmu to Japan) could be linked. Just as the Gods used the Yatagarasu to carry out their will, so too does Itachi. And then there's the battle between Itachi and Orochimaru which seems to echo the Shinto tale about the eight-headed snake, Yamata no Orochi, which was destroyed by the God Susanno'o. Kishimoto apparently once said that he'd created Itachi with the premise that he was exploring what a God would be like as a human.
** Danzo's conversation with Itachi in chapter 590. He gives Itachi the choice between siding with the Uchihas, represented by a statue of the Buddha, and siding with the Leaf, represented by a statue of a three faced demon that looks very sinister. [[SarcasmMode Very subtle,]] [[AuthorTract Kishimoto]].
** The attack [[spoiler:the First Hokage]] used on [[spoiler:Madara and the Susanno'o-cloaked Kurama]] in chapter 621 looks like an image of the Buddhist bodhisattva of compassion, Avalokitesvara.
* ''[[Anime/RevolutionaryGirlUtena Utena]]'' lives off weird symbolism and the fandom goes crazy, what with the extreme wackiness that is Ikuhara. Miki's stopwatch holding the secrets to the universe is not believed, Ikuni-sama. And all the scenes in [[spoiler:Akio's car]].
** Also, [[WordOfGod according to Ikuhara]], ''every single interpretation of the series' symbolism is true''. [[LogicBomb welp]]
* And on the subject of Ikuhara, the symbolism in his followup series, ''Anime/MawaruPenguindrum'', is so dense that it's impossible to tell whether certain scenes are even real. For example, there's a place called the Child Broiler where unwanted children (depicted as silhouettes like you see on bathroom signs) are put on a conveyor belt and ground up into glass.
* In ''VideoGame/ZoneOfTheEnders Dolores, I'', the story of [[spoiler:Radium Lavans]] is highly similar with the story of [[http://en.wikipedia.org/wiki/Sekhmet Sekhmet, Goddes of War and Destruction]] [[spoiler:who get turned into Goddess of Love and Childbirth, Hathor.]] Guess the name of Radium's frame.
* In ''Anime/GaoGaiGar'', the leader of Green Planet was named Cain, while the leader of Red Planet was Abel. Interestingly enough, Abel was apparently ''female''.
* The demise of Colin Mcleod's dead love interest Moya in the OVA ''Anime/{{Highlander Path of Vengeance}}'', put up on a cross and forced to see her people getting wiped out by the [[HistoricalVillainUpgrade Romans]]. Partly justified trope, due to that part of the movie set in Roman times, but still...
* ''Franchise/{{Gundam}}'' is known for weird names in the UC era, but ''[[Anime/MobileSuitGundam00 Gundam 00]]'' takes symbolism to the far end. The Innovators is an example--Ribons Devine Almark Hilling Care Regene Revive Tieria Erde, Bring Anew Stability which when you look at it in one way: Reborn Divine Angel's Healing Care Regenerates and Revives the Green Earth, Bringing Anew Stability. Some of the names of the mecha themselves: [[OurAngelsAreDifferent Seraphim, Throne, Cherubim, Virtue]], etc.
** It's not exactly widely known, but "Nadleeh" is the Navajo term for DudeLooksLikeALady. Three guesses as to how Tieria, the pilot of Gundam Nadleeh, looks. For extra symbolism, ''Nadleeh is essentially a SamusIsAGirl [[http://www.youtube.com/watch?v=_l0K_JC6qX0 moment for Gundam Virtue]]'', revealed when Virtue drops off its armor to reveal Nadleeh's [[DoesThisRemindYouOfAnything slim form and long red hair]] beneath.
* In addition to more explainable symbolism (a stray dog as the main character's self, paired bullet casings for the two killers, puppet strings, masks), the first couple episodes of ''[[VisualNovel/PhantomOfInferno Phantom~Requiem for the Phantom]]'' has random crosses or shadows in the shapes of crosses cropping up around the two young assassins, Ein and Zwei.
* ''Manga/ChronoCrusade'' teeters back and forth on the "significant/insignificant" line. The series ''is'' about [[NaughtyNuns a nun]] that [[ChurchMilitant hunts demons]], so a lot of the religious symbolism is justified. Yet some moments push it, ''particularly'' in the anime. For example, after Chrono is badly injured in a battle and caught up in an explosion, Father Remington finds him buried in rubble marked by two steel beams welded together in the shape of a cross.
* The main characters of ''Anime/HaibaneRenmei'' are humans with grey wings and golden halos. WordOfGod states that this is not supposed to be symbolic, but was instead chosen because [[RuleOfCool it looked nice]]. It's hard to agree with that though, since the entire story seems to be [[spoiler:a metaphor for Purgatory]].
** It's perhaps worth noting that the entire series first originated from a gag doujinshi which revolved around the practical problems that cute {{Moe}} girls could get from having halos and wings, like being unable to put on a bra, or getting the halo stuck between subway train's doors. The setting and the symbolism came in later. The Japanese are incidentally not necessarily inclined to read the story's metaphor from the Christian perspective that the Western fans do.
* The main trio of leads in ''Manga/{{NEEDLESS}}'' are named Adam, Eve and Cruz ("Cross"). These elements seem to be almost purely decorative, considering the sheer wacky and over-the-top nature of the series.
* ''Manga/BloodyMonday'' has this in ♠ spades, which isn't unusual considering the antagonists are an evil {{cult}} bent on killing millions of people to [[UtopiaJustifiesTheMeans rebuild Japan.]] Off the top of my head, when the cult's imprisoned long-haired leader Simon is busted out he somehow manages to change into Jesus-like robes inside an AbsurdlySpaciousSewer. He dubs his most trusted operatives Michael, Judas (who does what you'd expect him to do), CainAndAbel (even though that applies better to another pair of siblings) [[spoiler: Eventually Simon is killed by a faithless operative (not Judas); the child of Simon who takes his place because they planned all this is also killed (by Judas, but because he felt the new leader was faithless and completely psychotic)]]. On top of all that [[spoiler: the cultists use the Babylonian calender for no reason other then RuleOfCool.]]
* This tends to be all over the place in the ''Manga/RikiOh'' manga (''Film/RikiOhTheStoryOfRicky'' is regarding the pre-symbolism part).
* All of the homonuculi in ''Manga/FullmetalAlchemist'' are named after the seven deadly sins.
** It doesn't end there: The manga version's Greed is more or less a walking example of this. Like every homonculi he was born from a single parent, (Father) he was later [[spoiler: hunted down and ended up {{crucified|HeroShot}} on Father's orders. Father then killed him on the cross and absorbed his Philosopher's Stone back into his body. Then later on he is returned to life by Father.]] Sound similar to anything?
** Rather impressive for a world [[WordOfGod in which Christianity does not exist.]]
** Also in the second anime, there's a scene where Edward is pulled into the Gate which closes after him, then he punches it open for a moment from the other side. It just so happens that his fist parts the Gate right where "Adonai" is engraved.
** Then again it is averted by constantly referring to medieval alchemy, which based on ancient Greek Hermetics (which one can summarize up with Izumi's TrainingFromHell lesson: All is one and one is all.). True, Arakawa took liberty to make it suit her story but the main principle is kept.
** Also it is absolutely subverted by marking the homunculi with the Ouroboros symbol. (that thing itself is 1st: symbol for the alchemical process and the circle of life and death, process and product, etc. etc... Thus, a symbol for the Philosopher's stone. 'Specially mean towards [[spoiler: Envy]]. Who in the first movie ended up [[spoiler: being a friggin big snake/dragon forced to lie in a circle, nose at his tail]]. Mean.
** The false god of Lior, Leto. Right. Leto was the Greek titanness who gave birth to Apollo and Artemis. Apollo later supplanted Helios as god of the sun, but Leto was never male, nor was she ever associated with the sun or light. Since her name could possibly mean "hidden one", that wouldn't make sense at all.
* ''Anime/PokemonArceusAndTheJewelOfLife'' has some of this, mainly because Arceus is supposed to be {{God}}.
* The short story 'Lucifer Rising', found in the scifi manga ''Manga/TwoThousandOneNights'', is MADE of this. A giant [[spoiler: anti-matter]] planet named Lucifer, orbitted by the moons [[Literature/TheDivineComedy Brutus, Cassius, and Judas]], whose creation is described with quotes from ''Literature/ParadiseLost'' and images from religious art, and a VillainousBreakdown being preceded by Satan's famous quote "As good to me is dead, Evil, be thou my good!" The final page has the famous image of God and Adam drifting apart to represent man's leaving the solar system for deep space. That symbolic enough for you?
* Director Creator/AkiyukiShinbo fills all of his shows with images of the Virgin Mary, stained glass windows, crucifixions, and impalings, but since he uses those in everything from dark action shows to light, fluffy comedies (and a few pornographic [=OVAs=]), it probably means a whole lot of nothing.
* Invoked in-universe in ''Manga/OnePiece''. Following the Paramount War, Luffy returns to Marineford and performs what is normally a ceremony that declares the ending of one era and the start of another. This act is photographed and reported, and everyone becomes so focused on what Luffy was doing it for that nobody catches the hidden message written on Luffy's arm except for the other Straw Hat pirates. The only one who was shown getting close was ex-Straw Hat Vivi, who figured out there ''was'' a message, and simply lacked the reference necessary to decode it.
** Sodom and Gomorrah are both names in the Bible. It's told there that they died by the wrath of God. Their submission in Enies Lobby could be interpreted as a reference to that. WordOfGod denies it all, though.
---> '''Oda:''' Err... One Piece isn't THAT deep of a story, but yeah, that's where I got their names from.
* In ''Anime/TengenToppaGurrenLagann'', there are various theories that says Simon's name is based on the Apostle Simon Peter and that Kamina was based on Jesus, but it is because Simon [[ThemeNaming means]] in Japanese "below" or "fingerprint" (which are spiral shaped), while Kamina means "above".
* ''Manga/FairyTail'': Jellal, especially in the ''Nirvana'' arc. [[spoiler:Crucifix? Yep, his coffin's shaped like one. He gets revived from the "dead"]], and in addition uses Heavenly Body Magic.

[[folder:Comic Books]]
* In ''ComicBook/{{Huntress}}: Year One'' #4, the Huntress essentially crucifies Stephen Mandragora, but even though Huntress is all about the Catholic imagery, she only does it to restrain him, and presumably because impaling someone through the palmar radial nerve is one of the most excruciatingly painful injuries one can inflict on someone. Lampshaded when Mandragora points out to her, with his dying breath "You honor me, with...with the stigmata... I knew... I'd be a saint someday."
* The trope is parodied in ''ComicBook/{{Preacher}}'' when someone pointed out that Jesse Custer's name has "J.C." for initials and Jesse says it's a ridiculous idea.
* The ''ComicBook/XMen'' went through a phase in UsefulNotes/{{the Dark Age|of Comic Books}} when a lot of new characters had Biblical or religious names, sometimes appropriately (Apocalypse and his Horsemen), vaguely appropriately (Babel spires), or for no particular reason at all (Bishop, Gideon[[note]]In both cases, it would turn out that these were the characters' real names[[/note]]). Ahab would count, except that he's an obvious reference to ''Literature/MobyDick.''
** Other examples would be the Acolytes, Exodus and Joseph[[note]]who was, to be fair, named in-universe by a Catholic nun[[/note]]. But this type of thing had been going on since the 1960s when you had Professor Charles Xavier (the name of a Catholic saint, made even more blatant when they added the middle name Francis), the original X-Man Angel (the name "Beast" presumably is only coincidentally reminiscent of the Book of Revelation), and villains Juggernaut (who gets a Hindu-Judaeo-Christian trifecta as his civilian name is Cain and he is Professor X's step-brother) and Lucifer. In the 1970s and 1980s there would also be two characters called Ariel, the Hellfire Club, Jubilee, two Thunderbirds (of Amerindian fame), Karma, Nimrod, Rachel, and Legion. And names from Graeco-Roman mythology like Cyclops, Proteus and Callisto.
* At the beginning of ''[[Franchise/{{Batman}} Detective Comics]]'' Issue #64 "[[http://cacb.wordpress.com/2008/11/22/the-joker-walks-the-last-mile/ The Joker Walks the Last Mile]]", ComicBook/TheJoker discusses his master plan of putting his JokerImmunity to the test with his {{mooks}} to have them make sure they follow his instructions, exclaiming that "The Joker shall die so that he may live again!" Afterwards, being kind of CrazyPrepared, he plays a villainous version of the SacrificialLion by turning himself in to the police and confessing to a long list of crimes (including robbery and murder), resulting in him being given a death sentence and in his execution by the electric chair at the midnight hour. Right after he is declared dead, his mooks quickly retrieve his body from the prison morgue and carry him to a nearby ambulance where they bring him BackFromTheDead with some life serum; once he is revived, he becomes a free man and can no longer die for his same crimes. This is kind of similar to the same plot concerning Jesus' passion and resurrection, except that he had God the Father and his angels at his side in his moments of death.

[[folder:Fan Fic]]
* In the Code Geass continuation [[http://www.fanfiction.net/s/6969408/1/In_the_End In the End]] Lelouch [[spoiler: wakes up from his first death in a stable, after a Bethlehem-like]] sequence with C.C as Mary.
* From the ''FanFic/DevaSeries'', we have [[AncientConspiracy the Circles]] calling Device-using students "Fallen Angels" and the anti-Device spell "Judgment of the Fallen". [[SarcasmMode That totally does not mean anything]].
* From ''FanFic/ToyHammer'', we have Batel; her name means 'Daughter of God', [[spoiler: and she's also a Chaos Cultist.]]
** [[spoiler: Interestingly enough, the author's actual first name is Vincent, which means 'Conqueror', and his AuthorAvatar becomes a SupportingLeader, although that's more MeaningfulName]]
* In ''FanFic/AceCombatTheEquestrianWar'', the Mirage squadron's unit number is 2nd Air Division, 179th Tactical Pegasus Squadron. These numbers refer to September 17, 2011, when the second season of ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' begun airing.
** There is also [[spoiler: [[VideoGame/AceCombat6FiresOfLiberation Talisman's]]]] cutie mark - a pair of angelic wings.
* ''FanFic/{{Whispers}}'': The statues of Celestia and Luna ([[SiblingYinYang the former a pure white shade with black eyes, the latter the inverse]]) and the satirical idea of a [[BlueAndOrangeMorality blue and orange]] yin-yang. Neither of these appear to be anything more than a StealthPun.
* Lampshaded in ''Fanfic/TheKeysStandAlone: The Soft World''. The four nickname the new civilians New Tirin, or N.T.s for short. When they're in a position to learn the whereabouts of the real tirin, they promptly nickname them Original Tirin, or O.T.s, “to be properly biblical for no reason at all,” according to John.

[[folder:Films -- Animated]]
* The ending of ''Anime/FinalFantasyVIIAdventChildren'' is a big fat wad of this. Cloud is temporarily [[spoiler: killed by Loz and Yazoo]], vanishes in a blur of light, and reappears in a CHURCH that has been flooded with magical healing water. As if it isn't blatant enough, he wakes up surrounded by kids suffering from geostigma, whom he heals by cupping water in his hands and "baptizing" them on top of the head.
* At a Q&A session, the writer/director of ''WesternAnimation/WeAreTheStrange'' admitted to viewers that the CreepyCoolCrosses were put in just as an afterthought or because he thought it'd look cool.

[[folder:Films -- Live-Action]]
* The ending of ''Film/LawAbidingCitizen'' can be seen like this. [[spoiler: Just a moment before Clyde's death, the flames from the bomb surround him in a manner similar to him being in hell.]]
* Applied in the fictional universe itself, Jules Winnfield's recitation of "Ezekiel 25:17" in ''Film/PulpFiction'', which couldn't be any more off to anyone who's read the actual excerpt. Winnfield himself openly admits that he never actually gave the verse much thought, he's just always thought of it simply as some cold-blooded shit to say to a mother fucker [[PreMortemOneLiner before popping a cap in their ass]]. The verse is deliberately built out of a patchwork of indistinct Bible references in order to emphasize that Jules [[AsTheGoodBookSays wants to sound Biblical]], rather than caring about his quotations and is actually taken from ''The Bodyguard'' starring Sonny Chiba. Then he gets a reason to sit and think about what he has been saying all these years and it turns out to be moderately applicable.
** In fact, [[http://www.cracked.com/article_19178_9-absurd-movie-premises-that-actually-happened_p2.html according to Cracked's website]], Jules' life is based on the life of [[http://en.wikipedia.org/wiki/Moses_the_Black St. Moses the Black]].
* ''Film/TheDoomGeneration'' was so full of this it was tripping over itself. The main characters' surnames are Redd, White and Blue. The female lead smokes Death brand cigarettes, and has a skull-shaped lighter. Every numerical value listed is some variation on 666. The penultimate scene involves "The Star-Spangled Banner" playing behind a scene probably better not described. This Faux Symbolism is thrown around like holy water across what is still unmistakably just a road movie.
* ''Film/IKnowWhoKilledMe'', which with its strange "symbols" (persistent use of the colors blue and red, an animated heart tattoo, an owl on a tree branch) made the already ridiculous premise even more insane and inane. Also, a lot of these motifs had [[Series/TwinPeaks already been done before, and better.]]
* The final shootout of Creator/JohnWoo's ''Film/TheKiller'' has this in spades. [[BloodstainedGlassWindows The shootout itself takes place in a church]], the Killer's last place of peace and refuge, with [[DisturbedDoves doves flying everywhere]] at key points in the battle. At one point, the Killer gets shot, and his arms are outstretched in a CrucifiedHeroShot. And just to drive home the point that the church is no longer a sanctuary for him and his blinded love interest, one of the bad guys blows up the church's centerpiece, a statue of Mary, at which point the Handel's Messiah Overture starts playing.
* ''Film/TwentyEightDaysLater'': Are all the statues of Laocoon in the manor house supposed to mean something? How about the Infected priest? How about the running horses? How about the "hell"/"hello" sign at the very end? Well, how about it?
* In Creator/KennethBranagh's ''Film/{{Hamlet}}'', the eponymous TragicHero's body is hoisted awkwardly so that the arms splay and the head flops back giving a brief cruciform. This would only make sense if there were ''any'' other sacrificial/messianic imagery in the rest of the film.
** Actually a ShoutOut to Creator/LaurenceOlivier, who fell into the same pose (being caught by his ankles by other actors) in his performances of Coriolanus.
* ''Film/ParadiseNow'' has a chilling, ironic ShoutOut to Da Vinci's ''Last Supper''. When Khaled and Said eat a supposedly last time with the preparers of their suicide bombings, for some reason they all cluster on the far side of the long table, facing the camera.
* ''Film/BladeRunner'' has the [[ArtificialHuman Replicant]] Roy Batty attempting to kill Deckard before his body dies. His arm begins to stiffen and numb, and so he drives a nail through the palm. He and Deckard fight on the roof -- Deckard is soon driven off the edge and dangles for his life, weakening. Roy grabs him and pulls him up onto the roof just as Deckard's hands slip, the nail through his hand in full view, and sits there, cradling a white pigeon in his hands, before finally dying. At least he had the decency not to splay his hands out in a [[CrucifiedHeroShot crucifix pose]].
* One draft of ''Film/TheSpyWhoLovedMe'' would have Bond hide out in a church during a shootout, and hide behind the crucifix, arms spread and all.
* ''Film/{{Westworld}}'' is a secular relative of this, with symbols both representing its LostAesop (the rebellion of the Roman slave-bots, for instance) and seemingly being thrown in for kicks (the Dark Knight on the throne).
** The use of a robotic snake to herald imminent disaster is also rather suggestive.
* In ''Film/{{Equilibrium}}'', the enforcers of Libria are the Grammaton Clerics, shortened from "Tetragrammaton", the Clerics' organization. The Tetragrammaton is a Greek term for the four-letter name of God in Hebrew[[note]]loosely translated as "YHWH" or "Yahweh"[[/note]]. Utterly meaningless in the context of the film, but it sounds cool, right?
* All of Lars Von Trier's ''Film/{{Antichrist}}'': The protagonist couple, known only as [[NoNameGiven He and She]], retreat to their cabin in the woods called "Eden" where they torture each other (He [[MindRape psychologically]], She [[NauseaFuel physically, with garden tools]]) following the untimely death of their child.
* The film ''Film/{{Gigantic}}'' has several scenes in which the main character is attacked by a [[ImplacableMan seemingly invulnerable]] homeless man for no apparent reason; near the end of the movie, the main character stabs his assailant with a knife, who then disappears without a trace. No explanation for this is ever given in the film itself; [[WordOfGod the writer/director]] said in an interview that the assailant is was a metaphor for the main character's subconscious demons.
* Dear God Music/RobZombie's ''Film/HalloweenII2009''. What was the deal with the white horse? ''Who fucking knows?!'' Why were Michael and Laurie having the exact same hallucinations? ''Who knows?'' Why was Mrs. Meyers in all white? ''Who the hell knows?'' Why was Michael just now having Jason Voorhees syndrome and seeing mommy? '''No clue.'''
** The endings for both the theatrical and director's cut imply that it's InTheBlood for Laurie. As for Michael, it's possibly FridgeBrilliance, as such imagery would only make sense to him.
*** A rumor has it that Rob Zombie originally wanted Laurie to be the killer all along, having developed a second personality based on Micheal she would slip into.
*** That would actually be [[TruthInTelevision a reallife possibility]].
* In ''Film/SpiderMan2'', After Peter stops the train, his webs have him hanging as if crucified. The citizens lifting him over their heads and laying him down just before he wakes up works as an allusion to Christ's resurrection.
* In ''Film/{{Darkman}}'', the titular character has his hand shot by a nail gun. Think about it.
* ''Film/SupermanReturns'' throws many, many shots of Superman in Christ-like poses (or Atlas-like in the case of Supes catching the Daily Planet) as well as recycling supposedly-meaningful phrases from the first film. This is merely pretentious when it comes to Superman doing standard Superman stuff, but becomes a BrokenAesop when this "Christ figure" finds out he [[spoiler: left a bun in Lois' oven.]]
** ''Film/BatmanVSuperman'' had Superman adopting Christ-like poses as well.
* Several Mexican crosses actually show up throught the film ''Film/WilliamShakespearesRomeoAndJuliet''.
* The first ''Film/ViolentShit'' is ripe with this, featuring gratuitous church shots (occasionally in blood red lighting) and [[BigLippedAlligatorMoment a random]] scene where Karl finds Jesus crucified in the forest, cuts him open, and crawls inside the gaping wound.
* The 9/11 footage in ''Murder-Set-Pieces''.
* At the climax of ''Film/TheGraduate'', Benjamin is banging on the stained glass wall of the church in a crucifixion pose, something that all the critics noted. WordOfGod says that the glass wall was an important gift to the location owner, and that pose was the only way to assure him that the glass would not break from all the pounding.
* ''Film/{{Zardoz}}'' is packed to the brim with faux symbolism. For instance, some of the exterminators are seen wearing helmets with faces on each side. Evocative of the two-faced Greek god Janus? Who knows...Granted, the movie is such a MindScrew even that was probably lost on people still trying to work out what the gun-spewing stone head shouting about evil penises was all about. Both of those examples were ultimately caused in-universe by a madman who just liked screwing with people; the stuff the movie intends you to take seriously makes them seem ''normal''.
* The boar hunt in ''Creator/AkiraKurosawa's ''Film/{{Ran}}''.
* In ''Film/TheWolfman2010'', Did Gwen really visit Lawrence in the asylum? Or did Sir John for that matter? Is there some hidden symbolism behind the razor and all the candles everywhere?! Plus all the symbolism and foreshadowing in the hallucination sequences. [[WildMassGuessing Perhaps Lawrence just imagined the whole movie!]]
* ''Film/TheBigLebowski'' subverts this for laughs. One of the first scenes in the film, where The Dude overhears George H. W. Bush commenting on the then-current Gulf War, hints that the story will parallel or serve as an allegory for the war. Ultimately, no such parallel emerges and, like so much else in the film, [[RedHerring the whole Gulf War backdrop turns out to be completely irrelevant.]]
* In ''Film/{{Elysium}}'' the titular space station where the rich and powerful take residence after abondoning the destitue Earth, has a shape of a wheel with five equidistant spokes. So every time it or it's outline is shown on screen, it's positioned to look like an inverted pentagram. Subtle.
* ''Film/SouthlandTales'' is absolutely notorious [[TrueArtIsIncomprehensible for]] [[CrucifiedHeroShot pulling]] [[ArcWords just]] [[ReferenceOverdosed about]] [[EveryoneIsJesusInPurgatory every]] [[AsTheGoodBookSays tactic]] [[RuleOfSymbolism imaginable]] to try to convince the viewer that it's ''so'' "deep and profound." Listing every single instance would probably more than double this page in length, but when a movie is trying to make [[{{Narm}} "Pimps Don't Commit Suicide"]] sound like a profound statement with ''utter sincerity,'' you know it's being hit with this trope.
* ''Film/MissionImpossibleII'': Ethan is so awesome that he rock climbs in Monument Valley without rope, slips and ends hanging from the rock in a CrucifiedHeroShot. Lots of white doves fly in slow motion through the movie... and that's it. What does it all mean? Is Ethan such a good spy because he is of divine origin or something? Then why was nothing of that in the first movie?
* The scene in ''Film/SenseAndSensibility'' where Colonel Brandon gives Marianne a knife when she's trying to gather reeds. Emma Thompson praises it on the commentary track while cheerfully admitting she has no idea what it's supposed to actually mean. It's just nice symbolism.

* Creator/DennisLehane's ''[[Literature/KenzieAndGennaroSeries Darkness, Take My Hand]]'' features a trio of serial killers who've modeled themselves after the Holy Trinity. It even includes a guy with [[LockedIntoStrangeness shock-induced white hair]] as "The Holy Ghost".
* Mark Z. Danielewski's ''Literature/HouseOfLeaves'' is chock-full of symbolism, some of it seemingly irrelevant. The most obvious allusions are to the Greek myth of the Labyrinth and the Minotaur because of the nature of the [[color:blue:house]], but other mythologies and religions have their place. For instance, Will Navidson's injuries mirror similar injuries sustained by figures in Norse mythology: Odin lost an eye, Tyr lost a hand, and Heimdall lost his hearing, which are similar to [[spoiler:the one blind eye, the frostbitten (and rendered useless) hand, and the lost ear]] he ends up with. The [[color:blue:house]] is located on Ash Tree Lane, and the [[TheWorldTree world-tree Yggdrasil]] is said to have been a giant ash tree. Danielewski doesn't stop at Greek and Norse mythology, but to list them all here would take up too much space.
** The book also contains numerous examples parodying this tendency. Most of the book is taken up by a critical examination of the FictionalDocument ''The Navidson Record'', a film which in the universe of the novel has already been given extensive critical analysis of the EpilepticTrees, EveryoneIsJesusInPurgatory nature. For example, two of the characters in the film are brothers, and based on this evidence alone, numerous critics surmise that they are meant to symbolically represent the Biblical characters Jacob and Esau. One review of the novel went so far as to describe as "a satire on the business of criticism".
* Parodied in Vladimir Nabokov's ''Literature/PaleFire''. This is actually [[UnreliableNarrator Charles Kinbote's]] favorite technique when he's doing the [[TheAnnotatedEdition footnotes]] to John Shade's poem "Pale Fire". He keeps relating very minor lines of the poem with some epic romance about a homosexual king fleeing a country in the grips of socialist revolution. Obviously John Shade was so subtle a poet that any mention or imagery of the color gray in "Pale Fire" alluded to the name of the assassin hired by an [[TheOmniscientCouncilOfVagueness Omniscient Council of Vagueness]] to track the forementioned king down.
** Ironically, Kinbote actually recounts a conversation with Shade in which Shade talks about ''how much he hates this trope'', stating that, after "not having read the required book," "looking for symbols" and more generally "having read [the book] like an idiot" are the worst crimes an interpreter can commit.
** It should be noted that, in general, Nabokov's works ''very'' strongly averted this trope, to the point where you could write theses on ''Laughter In The Dark'' ''alone'', which is one of his juvenilia, and certainly not his most polished work. (And let's not even get started on ''Lolita'').
* Done deliberately in ''Literature/EndersGame'' with the mind game imagery. While much of it is drawn from various sources, and much of it makes sense in itself, taken as a whole it's incoherent. WordOfGod [[http://www.hatrack.com/research/questions/q0022.shtml explains:]]
--->Second, I did not want to create a "plotted" mind game ... When I caught myself having a plan, I subverted it.
* ''Literature/TheConfidenceMan'' is considered by some to be the first Postmoderist book, written by Creator/HermanMelville in the 1800's. Mostly it was a social satire, but his own views on [[MoralityTropes morality]], [[ReligionTropes religion]], and the SlidingScaleOfIdealismVersusCynicism were in there through ridiculous amounts of religious symbolism. The GainaxEnding makes it so open to interpretation that scholars have been mulling over the meaning since it was first published. Just from one introduction, about the book's symbolism, most authorities trace the origin of All Fools' Day to a Hindu vernal celebration, a masquerade called Huli... The avatars of the Confidence man are avatara, that is, successive incarnations of the Hindu god of salvation, Vishnu. The first major avatar of Vishnu is as a fish who recovers the lost sacred books; the first avatar of the Confidence man is an "Odd fish!" who brings to the world injuctions from The Bible. The second avatar is a tortoise who upholds the world; the second avatar of the Confidence man is a "grotesque" man who slowly stumps around, lives "all 'long shore" and holds his symbolic "coal-sifter of a tambourine" high above his head. After this comes eight other major avatars and innumerable minor ones; the Guinea avatar lists eight other men and innumerable minor ones... The teachings of Buddha aimed for nirvana, which means the extinguishing of a flame or lamp. According to Hindus, Buddha was Vishnu incarnate as a deceiver, leading his enemies into spiritual darkness. The last avatar of the Confidence man, the Cosmpolitan, finally extinguishes the solar lamp and leads man into ensuing darkness.
* Creator/StephenieMeyer tries to insert Biblical symbolism into ''Literature/{{Twilight}}'' with references to the ForbiddenFruit and the Lion and the Lamb, with little regard to what those references actually mean. [[note]] Eating the forbidden fruit is mimicked by Bella's pursuit of Edward despite his warnings about his dangerous nature. To point out just one way the comparison doesn't make sense, doing that' s how Bella '''gets''', rather than '''loses''', her perfect life.[[/note]]
** In the second book, she makes ham-handed attempts to compare Edward and Bella to ''Theatre/RomeoAndJuliet''. Worse, she doesn't even seem to realize that ''Romeo and Juliet'' is a tragedy, not a love story.
* This trope is often mocked in the Literature/{{Discworld}} novels of Creator/TerryPratchett, in which it is not uncommon to have an ancient tradition whose origins and/or meanings are lost in time described as "very symbolic - not actually of anything, just generally symbolic" or words to that effect.
* In ''Literature/CityOfHeavenlyFire'', Sebastian leans over and kisses Jace on the cheek. Later on Jace explains that Judas did the same to Jesus to identify to the Roman solders who Jesus was. However the situation in the book has literally no parallels to the situation with Judas and Jesus.
* ''LightNovel/TheUnexploredSummonBloodSign'''s backstory can be summed up as follows: there was a boy and girl living peacefully [[Literature/TheBible in a garden]] until...something...went wrong and they were thrust into a world of conflict.

[[folder:Live-Action TV]]
* In the seventh episode of the sixth season of ''Series/MysteryScienceTheater3000'', the movie, ''Film/{{Bloodlust}}'', is mostly a ''Literature/TheMostDangerousGame'' ripoff. However, at the end, after the bad guy is [[HoistByHisOwnPetard killed by the lackey he betrayed]], said lackey pushes his hands through a pair of metal spikes, giving an obvious crucifixion image.
--> '''Tom Servo:''' So why ''this'' symbolism? Did Christ hunt people on deserted islands?
* In the ''Franchise/UltraSeries'' franchise, crosses and other Christian imagery are used in attacks and story plots, and many of the Ultras and monsters use Biblical names. Possibly a subversion as the creator of the franchise, Creator/EijiTsuburaya is actually a UsefulNotes/JapaneseChristian.
* ''Series/{{Lost}}'' liberally employs this trope in-universe. The characters interpret the signs and phenomena happening to them in different ways, and it's never clear whether the symbolism actually means anything or if a character is just interpreting it a particular way to satisfy their deep-seated psychological needs (often to the benefit of con men both mortal and immortal). This trope also extends to the audience, as the show contains numerous allusions to world religions, scientific concepts, and philosophical figures[[note]]often for the ideas they pioneered--i.e. Mikhail Bakunin isn't supposed to be like the actual Bakunin, but because Bakunin's ideas on collectivist anarchism can be applied to the societies on the show[[/note]] that can be applied to the proceedings any number of ways. In the end, the show concedes that interpretation is a deeply personal matter, and avoids definitively endorsing any one particular viewpoint. The fans who didn't pick up the [[http://en.wikipedia.org/wiki/Perspectivism perspectivist]] subtext, however, were not amused.
* ''Series/DoctorWho'':
** The 1967 story "[[Recap/DoctorWhoS5E2TheAbominableSnowmen The Abominable Snowmen]]" uses most of its Buddhist symbolism reasonably considering it's set in a Buddhist monastery - like paralleling the Doctor's use of time travel to the monks' understanding of astral projection, or how the Doctor teaches Victoria to chant 'om mani padme hum' to resist [[{{Brainwashed}} Brainwashing]]. Not all of it joins up, though - significantly, the main antagonist ([[spoiler: actually just a puppet of the Intelligence]]) is named Padmasambhava, the writer of ''[[TomeOfEldrichLore The Tibetan Book of the Dead]]'', a book known about at the time due to its recent appropriation by Timothy Leary for his [[HigherUnderstandingThroughDrugs writings about LSD]] - making it random drugs symbolism as well as random Buddhist symbolism. It's very unlikely that they would have had a character called [[TheUnpronounceable Padmasambhava]] in the story if it wasn't necessary to the story they were trying to tell, yet neither the drugs nor the religious allusion seems to have any significance.
** "[[Recap/DoctorWhoS11E5PlanetOfTheSpiders Planet of the Spiders]]" was written by a practicing Buddhist as an allegory about reincarnation, which makes it bizarre when the villains use "om mani padme hum" as OminousLatinChanting to summon evil space spiders.
** "[[Recap/DoctorWhoS12E2TheArkInSpace The Ark in Space]]" has continual references to the Bible: an Ark led by a man referred to as "Noah", the Doctor talking about how the HumanPopsicle passengers are 'the entire human race awaiting the trumpet blast' and obliquely referencing Doomsday prophet Nostradamus, lots of white outfits and coffins, the Doctor subtly namechecking the Four Horsemen of the Apocalypse in his PatrickStewartSpeech, and a dash of MessianicArchetype symbolism in that the Doctor is bringing chosen people back to life. It may mean something, or may also just be a story about parasitic space wasps.
** Several Dalek stories from the mid-70s onwards use terms from Christianity in the title: "[[Recap/DoctorWhoS12E4GenesisOfTheDaleks Genesis of the Daleks]]", "[[Recap/DoctorWhoS21E4ResurrectionOfTheDaleks Resurrection of the Daleks]]", "[[Recap/DoctorWhoS22E6RevelationOfTheDaleks Revelation of the Daleks]]" and "[[Recap/DoctorWhoS25E1RemembranceOfTheDaleks Remembrance of the Daleks]]". Whether any of these mean anything symbolic is debatable and at least one doesn't even have a literal example of the word in its title in it ("Revelation").
** "[[Recap/DoctorWhoS12E4GenesisOfTheDaleks Genesis of the Daleks]]" is full of this. The title is a reference to a book in the Bible. The Time Lords were originally scripted to appear to the Doctor in a beautiful garden and then cast him out into Skaro (but this was abandoned for budget and DarkerAndEdgier reasons). There are strong themes of temptation, sacrifice and trial. Davros says destroying the universe would 'set him up above the gods' while the Doctor won't save it because he feels he does not have the right to wield that power. Davros is trying to create a race of creatures but prevent them from having knowledge of good and evil; Nyder's MeaningfulName is a play on 'neidr', Welsh for 'snake'. An obvious scene is the sequence where the Doctor tortures Davros, which is done with the Doctor kneeling at Davros's feet and holding his hand (as Davros's hand is the only part of his body he can move) while gazing up at him in a painting-of-a-disciple-like fashion. None of this appears to really mean anything.
** In Season 14 the Doctor redecorates his TARDIS to look like a Catholic church, destroys a temple cult, gets strung up by the wrists and tortured for sins committed by other people, is dunked underwater in a river and emerges in a white shift with a beatific expression on his face, comes across a CargoCult society where he is considered a physical incarnation of a god, and takes a girl from that society with him as a disciple, who uses thorns as a weapon (from the Janis bush - Janus?). Changing the pronunciation of the thorns' name from "Janiss" to "Jaynus" was a Creator/TomBaker addition, as was his decision to pronounce the name of the Doctor's home planet (Gallifrey) as "Gallifree", adding an allusion to "Galilee" (especially with the slightly rolled rs that Baker uses for the Doctor's accent). Tom Baker was a former monk and has repeatedly stated he felt the Doctor to be [[MessianicArchetype a Jesus analogue]].
** The main villain in "[[Recap/DoctorWhoS17E2CityOfDeath City of Death]]" was originally called Sephiroth, with other characters named after the individual Sephiroth also appearing and representing aspects of him. None of this has anything to do with the plot, which was probably why those characters were excised and the character was renamed Scaroth in the final version.
** "[[Recap/DoctorWhoS18E2Meglos Meglos]]" features a Dodecahedron, a reference to the Platonic solid that formed the basis for quintessence or ether (the perfect element from which Aristotle suggested the stars were made from). Nothing else in the plot has anything to do with this, though.
** "[[Recap/DoctorWhoS18E7Logopolis Logopolis]]". Programmers who use code to hold the universe together are portrayed as chanting monks in a monastery, the Doctor is followed by an apparition who seems like both a revenant and a guardian angel. There is a distinctly Tarotic vibe with a Tower, a Hanged Man, a Judgement and arguably a King of Wands. The constellation Cassiopeia, named for a monarch turned upside down for vanity, is significant in the climax in which the Doctor dies and is resurrected in an inverted and diminished form. There are whole books dedicated to puzzling out what the symbolism in this one means, such as Elizabeth Sandifer's ''Recursive Occlusion'' (an explicitly occultist reading).
** There's also a ton of meaningless Buddhism allusions in "[[Recap/DoctorWhoS19E3Kinda Kinda]]" and "[[Recap/DoctorWhoS20E2Snakedance Snakedance]]". The monster is called the Mara and encountered on a planet called Deva where it takes over Tegan through the sound of wind chimes (used in Buddhist meditation). The names of its victims (Dukkha, Panna, Karuna, Anatta, Anicca and Tanha) all derive from Buddhist concepts and the Doctor uses meditation in order to work out how to defeat the thing.
** In [[Recap/DoctorWhoTVMTheTVMovie The TV Movie]], the regeneration-transfer-machine the Master straps the Doctor into looks an awful lot like a crucifix and crown of thorns. His companion is called "Grace" and the Master takes the form of a snake. The Doctor comes back from the dead barefoot, wrapped in a white robe with long hair flowing over his shoulders. His TARDIS looks like a cathedral. None of it is subtle. WordOfGod says the crown was not designed to be a symbol, nor was the Doctor's regeneration intended to be symbolic.
** Accusations of the Doctor as Messiah abound regarding the new series. [[FanNickname Tinkerbell Jesus]] rankles the most, though the series doesn't follow through on any but the basic level; that instance, for example, is the ''inverse'' of Jesus once you get past the pose and the shiny lights (humanity saving him, and through that action, saving ''themselves'', and not the other way around).
** Also of note is the scene in the Christmas special "[[Recap/DoctorWho2007CSVoyageOfTheDamned Voyage of the Damned]]" with the Doctor being carried upwards by the "hosts" which are designed to look like biblical angels. This scene has been openly criticized by some religious authorities, but there are also people encouraging teachers to use it as an example of resurrection imagery in Religious Studies classes.
** Rather nice moment in "[[Recap/DoctorWhoS29E1SmithAndJones Smith and Jones]]". Barefoot Doctor just been resurrected, carrying Martha Jones in his arms through a hospital as it starts raining. That must mean something, but ''sodomy non sapiens''.
** In-universe example in "[[Recap/DoctorWhoS32E8LetsKillHitler Let's Kill Hitler]]":
--->'''Rory''': [[ItMakesSenseInContext Okay, I'm trapped inside a giant robot replica of my wife]]. I'm really trying not to see this as a metaphor.
* Lampshaded by Creator/StewartLee in his ''Comedy Vehicle'' series. when asked by Creator/ChrisMorris what he meant by a line in his standup routine, that the £200 million London skyscraper which melted a £50,000 Jaguar was a 'superb' piece of 'heavy-handed satire'. Lee admitted that he didn't know what he meant by it and he only said it because it sounded clever, then going on to say that those who laughed at the line done so 'in an attempt to pass themselves off as "clever"'.
* In the KoreanSeries "Series/YouAreBeautiful", the main female lead is a runaway nun, the pop band's name is A.N.Jell, the FanGirl contingent wear wings, the Mother Superior shows up in Min Neyo's mind when she needs advice, pipe organ music at odd moments...you get the idea.
* ''Series/TerminatorTheSarahConnorChronicles'': [[spoiler: Cromartie is killed]] guns akimbo, arms outstretched, in a church, ''right in front of a crucifix'' in an incredibly [[SugarWiki/MomentOfAwesome awesome scene]]. This symbolism becomes not so faux when you realize that Cromartie's endoskeleton is "resurrected" to become the body of John Henry, who was meant to aid in the destruction of Skynet, thereby becoming humanity's salvation.
* The guy with the cheese slices in the ''Series/BuffyTheVampireSlayer'' episode "[[{{Recap/BuffyTheVampireSlayerS4E22Restless}} Restless]]". When asked about what he represented, Creator/JossWhedon said he was inserted specifically to be a meaningless element of a densely symbolic episode.
--> '''Buffy''': "Well, at least you all didn't dream about that guy with the cheese. I don't know where the hell that came from."
* The first CombiningMecha from ''Series/ChourikiSentaiOhranger'' is apparently based on Ezekiel's descriptions of Angels in Literature/TheBible. It's formed from a bird, a lion, a bull & two chariots. The Cherubim are said to have the faces of a man, an eagle a bull & a lion (although in Ohranger Robo's case the bird's face is folded inside the body when combined to make way for the robot's head) & Thrones are said to resemble chariot wheels.
* ''Series/AshesToAshes'' has always had fun alluding to [[MagnificentBastard Gene]] [[NobleBigotWithABadge Hunt]] as Jesus and/or God (the connection to [[Creator/CSLewis Aslan]]--i.e. the nickname "Manc Lion", how he can walk through falling glass and fire and bullets without getting hurt).
** He does, however, [[spoiler: turn out to be a {{Psychopomp}}. Who gets to punch out {{Satan}}]].
* An early episode of Series/{{House}} involved a nun with stigmata who claimed to have Jesus inside her. It turned out to be the result of metal allergy worsened by a faulty [[http://en.wikipedia.org/wiki/Intrauterine_device IUD implant]] -- [[{{Irony}} a copper cross]].
* In ''Series/MadMen'', [[StepfordSmiler Betty Draper's]] stultifying {{s|tepfordSuburbia}}uburban existence is set in [[UsefulNotes/NewYorkState Ossining, New York]], most famously home to [[TheAlcatraz Sing Sing]] Prison.
* In ''Series/TheSopranos'', the [[ShowWithinAShow Film Within a Show]] ''Film/{{Cleaver}}'' invokes this trope; for no real reason the movie closes on a close-up shot of a crucifix and a cornicello (a Southern Italian talisman in the shape of a little horn), to (in the words of [[{{Malaproper}} Little Carmine]]) "juxtapose the sacred and the propane [sic]". Why ''Cleaver'', a [[JustForFun/XMeetsY Mob movie meets paranormal flick meets revenge film]], might need this is anybody's guess.
* Brought up and discussed in ''Series/ParksAndRecreation''. Ron's favorite book is ''Moby Dick'', expressly because he believes that it's ''not'' filled with pointless metaphors and faux symbolism, simply being the tale of a man who really hates a whale. When it's later proposed to him that the whale might be a metaphor for something like the pointlessness of revenge, he gets extremely annoyed at the notion before rejecting it completely.
* The first series of ''Series/TrueDetective'' was praised for its elegant use of Lovecraftian allusions and GothicHorror references. The second, with its use of Greek myth allusions, was roundly criticised for using them shallowly and meaninglessly in comparison (the main female character whose father was involved in a cult is named "Antigone", her schizophrenic sister is named "Athena"...)
* In ''Series/{{Supernatural}}'', the Winchesters realize that an alleged "Hell House" was staged when they see that the occult symbolism scrawled on its walls includes a Music/BlueOysterCult logo. Unfortunately for the pranksters who did it, one sigil was authentic enough to start generating a {{Tulpa}} anyway...

* Music/BobDylan is notorious for misleading interviewers and fans as to the meanings of his songs (or as to whether they have meaning at all), often giving bizarre and contradictory explanations. As a result, many of his songs can be simultaneously interpreted to avert, lampshade, subvert and play straight this trope. When asked what his songs were about, to which he replied "Oh, some of them are about three minutes, some are five minutes, and some are even ''eleven'' minutes!"
* Music/JohnLennon cited this fact as his inspiration for writing Music/TheBeatles' song "I Am the Walrus".
** The line "TheWalrusWasPaul" was included in "Glass Onion" for the ''sole purpose'' of screwing with the conspiracy theorists. The originators of the "Paul is Dead" phenomenon have come out and admitted that it was a hoax.
** He was in the midst of writing "I Am The Walrus" when he learned one of his old primary school teachers was having his students analyze lyrics from Beatles' songs, and decided to vex them by adding a verse composed mostly of nonsense. Considering the song contains WordSaladLyrics like "Elementary penguin singing Hare Krishna / Man, you should have seen them kicking Creator/EdgarAllanPoe", you'd think the whole ''song'' was dedicated to confusing people who over-analyze song lyrics. After they finished it, Lennon said "Let the fuckers work that one out."
* Music/GreenDay's "East Jesus Nowhere" has a particularly incomprehensible example:
-->Raise your hands now to testify\\
Your confession will be crucified\\
You're a sacrificial suicide\\
Like a dog that's been sodomized
* Music/{{Rammstein}}'s song "Laichzeit" has no meaning at all but sounds very symbolic or at least, depending on how you look at it, like a song about sex using metaphors. It may be that they just wanted to [[TheWalrusWasPaul fuck with the minds of fans or critics who read too much in their songs]].
* Music/{{Disturbed}}'s "Stupify" video involves the psychologically broken character in a long crucified suspension shot, the screen frequently blinking between this and the lead singer David Draiman in the same pose. According to Draiman, the song was about the racism of his parents in not accepting a non-Jewish girlfriend he had.
* Most of Music/{{Nightwish}}'s songs. Of particular interest is "Planet Hell", which conflates Greek mythology ("Save yourself a penny for the ferryman") and Christianity ("This world ain't ready for the Ark") in the chorus. ''Century Child'' is an allusion to the myth of Selene and Endymion.
* Officially, Music/{{Rush}}'s "The Trees" is just about trees. Honest. According to drummer and songwriter Neil Peart, one night he was watching a cartoon about trees that walked and talked, which inspired him to write the song.
* ''The Reflex'' by Music/DuranDuran sure ''sounds'' like it must be symbolizing something, but they've admitted it's just WordSalad.
* In a similar vein, ''The Riddle'' by Nik Kershaw. The lyrics were a temporary track laid down in expectation of writing something more coherent later, but in the end they released it as is under the title "The Riddle", which implied that the chosen-because-they-fit-the-melody words actually have some symbolic meaning. The band used to get letter after letter explaining what it all meant.
* The song ''Bushy'' by lo-fi band ''Tiny Masters of Today'' is very clearly the opinion of some kids on George W. Bush. However, likely to avoid critical backlash for writing a song about something they don't fully understand, they often say that they actually wrote it about the bush in their front yard.
* This is especially common in {{Goth}} music; particularly early pioneers like Bauhaus and Sisters of Mercy. Many artists admit to choosing words purely for sound and rhythm. Others claim that their lyrics contain a deeper symbolic meaning (good luck figuring out what that is). Reaction among fans is equally mixed.
* Music/JethroTull's ''Thick as a Brick'' and to some extent ''A Passion Play'' are [[StealthParody stealth parodies]] of this.
* Music/CaptainBeefheart: Don Van Vliet's WordSaladLyrics were often claimed to be this trope by Vliet himself, and multiple band members. However, which lyrics were intended to be symbolic, and what, precisely, they symbolized, depended greatly on which band member was being interviewed, and when. Van Vliet himself was constantly changing his story, often appearing to be making it up as he went along, just to mess with peoples' heads.
* Music/LadyGaga does have her moments where people don't follow her symbolism and it's because it is faux. Meat Dress and Alejandro fit this particularly.
* Music/DeltaGoodrem, in her video for believe again the last 3 minutes don't really make much sense, first she's in a rock, dressed up like a mermaid, then she's outside the rock in a cat suit flying through the sky, then she's floating in the middle of nowhere, with her eyes closed with a circle around her.
* Music/{{Chevelle}}'s [[http://www.youtube.com/watch?v=43pDBP9HgAw music video for "Mia"]] is pretty rife with a mix between Christian imagery and a bit of {{squick}}.
* In one edit of Music/MichaelJackson's "You Are Not Alone" video (included on the ''[=HIStory=] on Film Volume 2'' set), there are several meaningless shots of Jackson with angel wings.
* Music/{{Ministry}}'s name seems like an ironic religious reference, especially with song titles like "Stigmata" and "Psalm 69," but the name is actually a reference to the movie ''Film/MinistryOfFear''.
* Music/PDQBach's "My Bonnie Lass She Smelleth" has the line, "She's Guinevere and I'm Sir Lancelot." Professor Schickele tells us that much work was done to find the meaning of that line, ignoring the probability that it had absolutely no meaning.

[[folder:Tabletop Games]]
* ''TabletopGame/{{Nobilis}}'' encourages merging this with SchrodingersGun to produce prophecies; just pick some random bits of symbolism, fire them at the players, and then run with the best explanation they come up with.
* An in-universe example in ''TabletopGame/GeistTheSinEaters'': the titular Sin-Eaters tend to cherry-pick symbols from religions, mythology, comics, movies and stuff they just flat-out make up for their fashion or rituals, with no regard whatsoever for their actual meaning.
* ''TabletopGame/YuGiOh''
** Most of the Elshadoll are named after concepts in Judaism--heck, even the name "Elshadoll" is a play on ''El Shaddai'', one of the names of God of Israel.
** The Qliphoth (lit. "peels", "shells" or "husks") are the representation of evil or impure spiritual forces in Jewish mysticism. They are documented in some texts of Kabbalah, a set of teachings originated in Judaism.

* Most of the second half of ''The Fantasticks'' is a parade of symbols. The El Gallo number "Round and Round" is particularly trippy in its symbolism; odds are the actors in any given production won't know what it means.
** If you think ''The Fantasticks'' is symbol-laden, check out the authors' follow-up, ''Celebration''. The bookwriter and lyricist Tom Jones even admits that the symbols were pretentious and overbearing, culminating in a song about the young hero's final battle with the old villain called "Winter and Summer."
* OlderThanRadio: Creator/GilbertAndSullivan's ''Theatre/{{Patience}}'' was mocking this way back in 1880:
-->''[[http://www.youtube.com/watch?v=eu_Xk_Vl6fk And ev'ry one will say / As you walk your mystic way / "If this young man expresses himself in terms too deep for me / Why, what a very singularly deep young man / this deep young man must be!"]]''
* ''Theatre/SeraMyu.'' The Third Stage (AKA the Dracul Arc) is particularly bad. Combine a KudzuPlot with nearly everything in the musical being a biblical or historical reference and you have four horribly confusing musicals.
** A few examples:[[spoiler: The Bible was written by the BigBad to get himself killed. Also after Cain killed Abel the latter became a vampire who became the basis for Dracula.]] And that's just the tip of the iceberg.
* ''Theatre/TheImportanceOfBeingEarnest'' has people debating the symbolism of food.
* Samuel Beckett intentionally wrote ''Theatre/WaitingForGodot'' with false symbolism and no discernable plot just to piss off literary critics who had [[EveryoneIsJesusInPurgatory overanalyzed his previous works]]. [[InvokedTrope His characters even talk about]] [[LampshadeHanging having no clue what is going on]].

[[folder:Video Games]]
* ''VideoGame/LuminousArc2'' has an interesting case with Mage Queen Elicia, whose witch title in Japanese is called "Holy Mother" and her outfit is very similar to her herself. Averted in English, which changed to Dark Queen instead.
* ''VideoGame/{{Xenogears}}'' and ''VideoGame/{{Xenosaga}}'' are notorious among VideoGames for being chock-full of religious symbolism. Matters are complicated by the fact that the core story really ''is'' based around religious symbolism--''Xenogears'' in particular is heavily inspired by the Gnostic interpretation of Christianity. The creators have published writings that explain every symbol and layer of the story.
** Some of this was lost in translation. The Elementals were named for four of the nine choirs of angels. Cherubina (Kelvena), Throne (Tolone), Seraphita and Dominia. Mr. Inferiority Complex Ramsus has a phonetic Japanese spelling that makes his surname pronounced like Rameses. And Miang's surname is a shout-out to Eve (Hawwa/Chavah).
** Since it's so deeply ingrained in the story and how things play out, it's obvious the writers of Xenogers DO understand Gnosticism... they just happened to twist it beyond recognition.
** ''Xenosaga'' is much more guilty of this, tossing around heady religious, philosophical, scientific and literary references willy-nilly that serve little to no coherent symbolic purpose - e.g. the series of [[SuperRobot Super Robots]] named after the Twelve Tribes of Israel.
** Much of ''Xenosaga's'' symbolism can be understood if the gamer can significantly bend their understanding of some of the key concepts of Jungian psychology, quantum physics, and Judeo-Christian theology. If this isn't possible... then the whole thing is just a mess of references that are probably best left not understood.
** ''VideoGame/{{Xenoblade}}'', ''VideoGame/XenobladeChroniclesX'', and ''VideoGame/XenobladeChronicles2'' all have plenty of Biblical symbolism, with varying degrees of relevance. This is lampshaded near the end of ''2'', when Malos finds out [[spoiler:that the true names of the three Aegises]] were Logos, Ontos, and Pneuma (Greek for Mind, Body, and Soul). When Malos asks what those names mean, he is snarkily told that they mean the people who created them were pretentious fools.
* {{Creator/Bungie}} games tend to do this.
** ''VideoGame/{{Marathon}}'' had Durandal trying to become God of the next universe, and quoting the Bible and such.
** The ''{{Franchise/Halo}}'' series is awash with Biblical and religious allusions (the Covenant, the Flood, the Ark, and the eponymous Halos, to name just the most obvious ones), most of which amount to little more than window dressing for a relatively straightforward "humans versus aliens" plot. Plus, the number 7 is hidden ''[[http://halo.wikia.com/wiki/List_of_%22seven%22_references_in_Halo EVERYWHERE]]''. That said, the Halos were built from the Ark, where the Forerunners also stored every single sentient species they could find. After they activated the Halos to kill all life left the galaxy, thus starving the Flood, they reseeded the galaxy with the life they had stored on the Ark, including humans and every Covenant species.
** Allusions to Islam also exist to a lesser extent within their games. The design team for ''VideoGame/{{Halo 2}}'' almost chose the name Dervish - an Arabic term for someone following the ascetic path of extreme poverty and austerity - instead of the Arbiter. They ultimately decided against the name considering the fact that they already had a character named "The Prophet Of Truth".
* In ''VideoGame/{{Drakengard}}'', you have the Cult of the Watchers, which is a vague allusion to a concept in Judeo-Christian theology and some books of the Apocrypha. The book of Enoch, specifically. Monstrous children of the grigori, the Nephilim = those crazyass giant demon babies? Well, maybe?
* ''VideoGame/FireEmblem'' games generally name characters and weapons after people and weapons in mythologies from '''everywhere''' in Europe. The names don't go any deeper than being names. ''VideoGame/FireEmblemTheSacredStones'' has a character named Tethys (a Greek Goddess), the sacred spear Siegmund (named after a Norse Hero) and the sacred sword Sieglinde (named after Siegmund's [[BrotherSisterIncest sister/lover]] Ironically, they're wielded exclusively by Lords who are twin brother and sister ''and'' have quite the [[{{Twincest}} twincestuous]] vibes). They just sound cooler than boring names, nothing more.
** Also in ''Sacred Stones'', there is a bow named "Nidhogg" which the game refers to as the "Serpent Bow". In Norse myth, Nidhogg is the name of the serpent that gnaws at the roots of Yggdrasill.
** In ''[[VideoGame/FireEmblemElibe Sword of Flames/Blazing Blade]]'', Eliwood receives a sword named Durandal, said to have been wielded by the hero Roland. Both of these names are taken directly from a French legend.
*** Hector's ultimate weapon [[SpellMyNameWithAnS Armads/Almace]], wielded by Archbishop [[SpellMyNameWithAnS Durbans/Turpin]], also come from the same legend, referring to a compatriot of Roland and his weapon.
** Marth[[note]]Mars[[/note]]. [[SpellMyNameWithAnS Uh, nevermind, I guess]].
* The ''Franchise/ShinMegamiTensei'' series in general loves to avert this trope. Players recruit demons, gods and spirits from a wide variety of world religions present and past; in the mainline series, you end up siding with God, Lucifer or neither. In between, there's about as much rampant religious imagery as you might imagine. Psychological symbolism and allusions are also tossed about willy-nilly in the ''Persona'' series (starting with the name). Despite the basis of the franchise being drawing from every religion, legend, and mythology imaginable, the symbolism is usually well thought out and relevant to the plot.
** ''VideoGame/DigitalDevilSaga'' is a rare example of a game that uses Aryan--no, not ''[[ThoseWackyNazis that]]'' Aryan--symbolism, with Hindu filling the gaps. From your ultimate goal being Nirvana, after you pass through Muladhara, Svadisthana, Manipura, Anahata, a few side dungeons, Ajna, and Sahasrara, to fighting Ravana, the Junkyard is practically made of (seemingly) random Hindu symbolism. And this being a ''Franchise/ShinMegamiTensei'' game, you kill God, who happens to be Brahman in this reincarnation.
* Joshua from ''VideoGame/TheWorldEndsWithYou'' attacks with "Jesus Beams." [[spoiler:It looks as though it symbolizes his being God or Jesus, but he's really just the Composer, which is a position that is supervised by the Producer. {{God}} wouldn't have a superviser.]]
* Two of the first towns your party visits in ''VideoGame/FinalFantasyIII'' are Canaan and Ur.
* ''VideoGame/SilentHillHomecoming'' has a lot of sexually-related imagery. None of it seems to mean a damn thing, as sexual themes aren't part of the plot nor do they relate to any of the characters. The entire series is also filled with occult references that include Metatron, Samael, the Olympic spirits and tarot cards, and eventually grows to include a fictional mythology and pantheon featuring such names as Xuchilbara the "Red God" and Lobsel Vith the "Yellow God". Whether any of these references are truly relevant to the story, or if they're just there to emphasize the fact that we're dealing with crazy cultist villains, is still a matter of debate among fans.
** Although many fans will simply go by the fact that since Homecoming is a rehash of ''VideoGame/SilentHill2'', it's most likely they were attempting to cash in on the franchise's most well known and popular aspects without understanding the symbolism behind the monsters. Hence why Alex encounters busty nurses and Pyramid Head without reason.
** A far straighter example was the part of ''VideoGame/SilentHill2'' where you find another James Sunderland dead in an armchair in front of a broken television. This sent the fans into a literal frenzy trying to figure out what it meant, until the developers admitted they simply reused James' model because they were lazy and didn't think anyone would notice. Of course, they have since [[ShrugOfGod shrugged]] it to be symbolic.
* ''VideoGame/MetalGearAcid2'' names the Test Subjects (Golab, Harab Serap, Chagadiel) after the Kabbalist Qliphoth for no good reason, and names the Metal Gear Chaioth Ha Kadosh (host of angels) and gives it a choral piece as a {{Leitmotif}}.
** The opening scene of ''VideoGame/MetalGearSolid2'' shows Snake (who had at this point abandoned his dream of having a normal life in order to fight against [[HumongousMecha Metal Gear]] proliferation, as his 'duty to the coming generations') throwing himself off a bridge with his legs together and his arms outstretched in a wide crucifix pose. He's in [[InvisibilityCloak Active Camo]] at this point, so the effect is made even more extreme by the fact that all that's visible is the outline of his long-haired, nearly-naked silhouette. Oh, and an ethereal choral song plays as he does it. [[WhatCouldHaveBeen For a while during development]], it would have been more extreme, with Snake wearing a brilliant white parachute that would spread out behind his body like a pair of angel wings. A lot of the symbolism is mollified, though, by the fact that when he lands on the surface of the Tanker there's a big HomageShot to, of all things, ''Franchise/{{Terminator}}''.
** ''VideoGame/MetalGearSolid3SnakeEater'' is considered by many to be a major offender, with codenames like ADAM and EVA, Snake, and biblical comparisons in the ending monologue. Likewise with Part 3 of ''VideoGame/MetalGearSolid4GunsOfThePatriots'', where a discussion of the events of [=MGS3=] takes place in a church and adds a very symbolic apple to the mix. It a more meta-symbolic sense, there are many easy-to-miss references to the earlier games, to the point where at least one analysis speculated that ''the way certain eggs in a loading cutscene cook'' represents earlier characters and events.
* The final series of bosses in ''VideoGame/FinalFantasyVI'' is a giant throwback to ''The Divine Comedy''. The first tier of enemies consists of a demon shown from the waist up, symbolizing Hell with Lucifer frozen up to his waist. The second tier is a jumbled mess of machinery, animals and people, representing Purgatory. The third tier, the formerly overcast and dark background has beams of light shining through the clouds, and the two enemies look like Jesus lying in Mary's lap, but with "Mary" as a disembodied head and "Jesus" looking like Kefka. The fourth tier, the heroes rise up from the overcast background to a sea of glowing white and gold clouds. The final part of ''The Divine Comedy'' has Dante meet God, who tells him the meaning of life. But here, Kefka descends from on high appearing as a FallenAngel, and tells the heroes that life is meaningless.
* It's pretty fair to say that so many fights wouldn't have been had about ''VideoGame/FinalFantasyVII'' if the villain hadn't been named after the Kabbalist 'Sephiroth' and he hadn't been obsessed with becoming a god and there wasn't a sacrificed martyr character.
** Add onto that that a more correct translation of his final form would be to call it Sepher Sephiroth, and watch more heads explode.
** In ''VideoGame/FinalFantasyVII: VideoGame/CrisisCore'', the character Genesis comes from a town famous for its apple harvest, and is producing clones of himself in an abandoned apple factory. When attempting to incite Sephiroth into rebellion against the Shinra, he offers him an apple. The rest of the final dungeon had a large amount of FauxSymbolism, too, what with Dante's Inferno references and a statue that looked like the Virgin Mary (at least in Japan).
*** Speaking of apples, one can certainly slap some Faux Symbolism onto [[spoiler:the burning apple when Tseng blows up Banora]] really, what could it mean? Especially its connection to not only Genesis but also [[spoiler:Angeal]]... speaking of names and symbolism...
* Yet more examples from ''Franchise/FinalFantasy: The Summons''. Yeah, Odin, Lakshmi, Quetzalcoatl and the like make sense in the context of being gods, but [[VideoGame/FinalFantasyVIII Eden]]? [[VideoGame/FinalFantasyIX Ark]]?
** Eden = Garden of Eden. The schools where the [=SeeDs=] are educated? They are called gardens as well. And Eden bears some resemblance to the flying gardens.
* The Tattered Spire in ''VideoGame/FableII'' is, at its full height, a model of Hell from Dante's ''[[Literature/TheDivineComedy Inferno]]''.
* Inverted entirely in ''VideoGame/MaxPayne'', when most people missed the oodles of valid and proper Norse symbolism.
* In the first ''VideoGame/SakuraWars'' game, there's a scene where villain Jade Setsuna has Maria tied to a cross, with the manga indicating that he was [[MindRape Mind Raping]] her.
* ''VideoGame/SilhouetteMirage'' contains notable examples, such as references like ''Megido'', ''Zohar'', and ''Metatron'', not to mention the SevenDeadlySins.
* ''VideoGame/EVEOnline'', wherein humanity discovers a wormhole (the titular ''EVE'') which ''delivers'' mankind to the ''New Eden'' system in another galaxy. It only gets better from this point onward, especially if you take the time to read the names of some of the systems and constellations.
** This seems to be more an example of the sort of names humans would actually come up with rather than unsubtle references.
* A little-known game called ''Adventures of Darwin'' features a tribe of monkeys that have to [[ArtisticLicenseBiology evolve into humans]] in time to survive the coming apocalypse. They are led by a monkey named Darwin, a ShoutOut that would make the actual Charles Darwin spin in his grave. Where does the symbology come in? The final boss is [[spoiler:{{God}} [[DidYouJustPunchOutCthulhu Himself]].]] Well, okay, according to the bestiary, [[spoiler:He is actually [[Myth/ClassicalMythology Zeus]], but given the context, he's clearly meant to be a monotheistic God, not one of a pantheon.]]
* In ''VideoGame/TheKingOfFighters'', SNKBoss Goenitz is a priest, and in his waiting for turn animation, he is seen reading a book (presumibly a Bible). He serves and awaits the return of a powerful, supernatural entity who would bring TheEndOfTheWorldAsWeKnowIt, who ended reincarnating in a the body of a boy named Chris; and to top it, he would throw phrases like "pray to your god" before fighting. In addittion, the SpinOff dating simulation games ''Days of Memories'' has him, Chris and Shermie wearing {{cr|eepyCoolCrosses}}ucifixes. Also, Kyo wears a black shirt with a cross in the NESTS saga.
* In ''VideoGame/SNKVsCapcomSVCChaos'', you fight BonusBoss Athena in a FluffyCloudHeaven and, after defeating her, an unnamed character who is a clear CaptainErsatz of {{God}} appears to sends you back to Earth. [[spoiler:Akuma returns to challenge him, though.]]
** Alternatively, you go to Makai, the Demon World, and face Red Arremer of ''VideoGame/GhostsNGoblins'' fame. Arremer, despite only being something of an [[TheDragon underling]] to recurring BigBad Astaroth, is the closest thing this game has to {{Satan}} (despite the fact that said character already appears in the ''Ghost 'n Goblin'' series... ''as a lackey to Astaroth''), being a cross between a devil and a gargoyle in appearance. Lose to him, and you're turned into a demon and then forced into servitude.
* ''VideoGame/StreetFighterIII: 3rd Strike'' has Gill, who in the previous [=SF3=] was little more than a BigBad with a weird color scheme. In the Dreamcast version of ''Double Impact'' compilation, where he was playable, his ending gave a cryptic Bible-sounding verse predicting a future calamity, and in ''3rd Strike'' he becomes a self-proclaimed savior who, in his ending in the console version, splits an ocean that leads to a paradise. [[MundaneMadeAwesome We are all very impressed.]]
* The game ''VideoGame/{{Baroque}}'' is ''littered'' with crosses and Gnostic imagery. If you explore the Outer World, you can find a graveyard of metal framework crosses in the background.
* ''VideoGame/LaMulana'' sure has a lot of maternal symbolism. One quest requires you to take a statue of a woman to an area where you can see sperm swimming around in the background, and then stand under a diagram of the uterus.
** [[spoiler: The final boss]] is all over this. [[spoiler: Especially the third form, where she takes on a really creepy version of the Virgin Mary. Also, one of her attacks is raining crosses on you.]]
* There's the Heaven/Hell imagery in ''VideoGame/SonicRiders''.
* In ''VideoGame/TalesOfMonkeyIsland Chapter 4: The Trial and Execution of Guybrush Threepwood'', Morgan [=LeFlay=] [[spoiler:betrays Guybrush and brings him to the [[MadScientist Marquis De Singe]] in Flotsam Island]]. When she arrives the doctor pays her with 30 Thousand pieces of eight in silver.
** [[http://www.telltalegames.com/community/discussion/18337 This thread in the Telltale Games forums expands on this idea with other events that have happened in the Monkey Island series.]]
* Like some earlier examples, ''VideoGame/TalesOfSymphonia'' uses a lot of symbolism, particularly in reference to Norse lore, for place-names and other things. Most of these references have little to do with their source. There are a couple of exceptions, though.
** ''VideoGame/TalesOfTheAbyss'' carries it to a whole new extreme. Nearly all the towns' names, the "Qlipoth" underworld, and the ''title'' -- all drawn directly from the Qabalah in ways that make it clear there was absolutely no understanding of the original material.
* In ''VideoGame/BrutalLegend'', Satanic circles are used as waypoint markers. It's supposed to fit in with the Metal theme. The Demons have a five-pointed emblem as well, but it's a Cheveron with a "V" superimposed.
* A ''VideoGame/StarOceanTillTheEndOfTime'' example. The layout for the second last room before the final boss is shaped like the Sephirot. Whether it has general meaning or is just randomness is left ambiguous. Considering that [[spoiler: the last boss--named ''Lucifer'', at that--has one very severe [[AGodAmI god complex]] with regard to his creation, it's probably yet another part of his claim to divinity over the Eternal Sphere]].
* If you look carefully, you can find this sprinkled through ''VideoGame/StarOceanTheSecondStory''. Krosse/Cross (although the continent is shaped like a plus rather than a crucifix), Salva/Salvation, Ell/El, etc. There probably isn't much to most of it, beyond ThemeNaming with various other occult/mysticism elements in the series. [[SdrawkcabName Nede]] and the [[BigBad God's Ten Wise Men]] are a bit more germane; [[spoiler: Nede is a major place of {{Precursors}}, and the Wise Men, named for the ethnarchs of the nine angelic choirs ([[MyFriendsAndZoidberg plus Lucifer]]), were the collective SuperPrototype of their latest way of maintaining control. It's worth noting that when you leave Lucifer out, you have the ''reverse'' of the actual pseudo-Dionysian hierarchy. There, Metatron ranked highest, and Gabriel ranked lowest; here, it's the other way around]]. Nonetheless, the milieu makes it clear that you're not expected to look ''that'' deeply.
* ''VideoGame/AssassinsCreedBrotherhood'' in the [[http://www.youtube.com/watch?v=kKrtbUinWOU]] trailer toward the middle. As Ezio approaches his target and other Assassins kill guards for him he walks (in slow motion) through a mass of cardinals, all wearing red, who get out of his way. [[Creator/{{Tobuscus}} "PART THE RED SEA!"]]
** Since he's in the Vatican, he's actually [[IncrediblyLamePun Parting the Red See]].
* ''VideoGame/AssassinsCreedII'' has Mario Auditore actually say [[SuperMarioBros It's a me, Mario]]. Because it's a video game ABOUT video games. Get it!?
* Averted in the ''VideoGame/ChzoMythos''. In ''5 Days A Stranger'', Jim at one point mentions he's been reading a copy of ''Literature/TreasureIsland'' that he found in the library, but prefers Creator/TerryPratchett. These references neither parallel the plot in any way, nor do they have any significant personal meaning to the characters (except perhaps the way a kid named Jim takes a shine to a shady character). In Quovak's LetsPlay, Yahtzee admits that he was never even pretending there was any symbolism; at the time he wrote that scene, namedropping a couple of well-known authors for no particular reason seemed like a terribly clever thing to do, so he did it.
* ''VideoGame/DevilMayCry'' has many references to various religions, literary works, legends, and mythologies. ''Literature/TheDivineComedy'' is a favorite: Dante was named after Dante Alighieri, after all, and Vergil was named after Publius Vergilius Maro.
** Just look at the names of some of the weapons (and bosses): Cerberus, Lucifer, Gilgamesh, Pandora, Ifrit...
** The whole third game is a reimagining of Dante's Inferno. For example, the third level has Dante fight Cerberus--and who guards the third circle of hell?
* In the old arcade game called ''[=MagMax=]'', also made for the NES, you fight a [[HybridMonster three-headed cyborg dragon machine]] called Babylon, which is odd since the name "Babylon" is mentioned a few times in some Hebrew Bible readings and in the Literature/BookOfRevelation in the Christian Bible's New Testament (even peculiar is that in Revelation, Babylon is a symbolic harlot who has a symbolic dragon-like beast with seven heads and ten horns; that beast may be like the mechanical dragon machine you see in the game).
* Parodied in ''VisualNovel/HatofulBoyfriend'' where the character [[AwesomeMcCoolname Anghel Higure]] (his last name being spelled in the Japanese version with two kanji both meaning 'red') who screams all the time about being a FallenAngel, the reincarnation of the Crimson Angel of Judecca and a Servant of God born whose destiny is to battle Demon Spores. He is actually the notorious school eccentric Akagi Yoshio, and he's a member of the Manga Club--and when the player enters his fantasy world, it's just a turn-based (and outrageously cheesy) JRPG, implying he's just a DaydreamBeliever who is into media containing Faux Symbolism rather than an actual believer in angels... although delving into the Latin he uses [[MaybeMagicMaybeMundane casts some doubt on this]].
* In ''VideoGame/BrainDead13'', one of the resurrection scenes (in case Lance dies in haunted rooms) shows the "fires of rebirth" reform Lance's body and restore him to life. This is a bit strange, as it is kind of reminiscent of ThePhoenix, which is an ancient and well known symbol of death and rebirth and portrayed as a magical bird made of living flames; the story says that when a Phoenix reaches the end of its life, it would make a cinnamon stick nest and self-immolate itself with fire, and from the ashes a new Phoenix is reborn. This could explain the "fiery" resurrection scene that Lance, like a Phoenix, can rise from the ashes of defeat and start over. Weird.
* Lampshaded in ''{{VideoGame/Touhou}}: Embodiment of Scarlet Devil'' with a pun.
-->Marisa: So, why are you stretching your arms out?\\
[[http://static.zerochan.net/Rumia.full.310338.jpg Rumia]]: Doesn't this look like it's saying "The saint was crucified"? [[spoiler:(cross : 十字形)]]\\
Marisa: It looks like "Humanity started using the decimal system." [[spoiler:(ten : 十)]]
* ''JESUS: Dreadful Bio Monster'': After the rise of the internet made this Japan-only game known lots of Western people were tempted to play this visual novel because it looked like if it was going to give a new view on Christianity. When they finally got their hands on it it turned out to be a visual novel that talked about aliens invading a space station. The only reason it has JESUS in the title is because that is the name that they gave to the space station of the game.
* ''VideoGame/TheBeginnersGuide'': The narrator presents you with a series of short games that a friend of his has made, and sometimes makes changes to the code, to help demonstrate his theories on his friend's mental processes over the span of several years where said friend sinks into depression. [[spoiler: Or not. None of it is actually true. This tendency to see symbolism where there was none has driven the two apart, and the friend has even left behind a message telling the narrator that, because of this habit of showing these games (which have been modified to fit the narrator's perceived symbolism) to other people, he can't enjoy making games anymore.]] This all goes over the narrator's head as he [[spoiler:pleads the players to help him find his friend back, so he can feel the validation of demonstrating the games, and his theories on them, to the public again.]]
* In ''VideoGame/TheElderScrollsIIIMorrowind'', this is {{Invoked}} by the Dunmeri PhysicalGod Vivec in his [[https://www.imperial-library.info/content/thirty-six-lessons-vivec-sermon-one Thirty-Six Lessons]] series. He uses ''oodles'' of biblical imagery to make sure that, if you take it seriously, there is NO WAY a person could see Vivec as anything less than the ''absolute god'' of ''The Elder Scrolls'' universe (which, of course, isn't necessarily true). Doubles with BreakingTheFourthWall, {{Anvilicious}}, TropesAreNotBad, and GettingCrapPastTheRadar with a sprinkling of InJoke.
* ''VideoGame/TheLegendOfZelda''. [[EarlyInstallmentWeirdness The first games in the series]] had a number of Christian elements and imagery, most of which were [[{{Bowdlerise}} removed]] from localizations as a result of [=NoA=]'s policy against the depiction of religious elements:
** ''TheLegendOfZeldaI'': There's a cross engraved on Link's shield, and the Book of Magic was called "Bible" in Japan (this is especially evident from looking at its [[https://d1u5p3l4wpay3k.cloudfront.net/zelda_gamepedia_en/4/46/TLoZ_Book_of_Magic_Artwork.png?version=072c7ff86c6faf9e0670e9aab765a143 official artwork]])
** ''ZeldaIITheAdventureOfLink'': Shields, gravestones and [[https://d1u5p3l4wpay3k.cloudfront.net/zelda_gamepedia_en/c/cf/TAoL_Wizzrobe_Artwork.png?version=3a261d9746aec0dff3ec5421a27d8c32 Wizard enemies]] have crosses on them, and there's even a [[https://d1u5p3l4wpay3k.cloudfront.net/zelda_gamepedia_en/3/35/TAoL_Cross_Artwork.png?version=56c1a106bc9bc1b93de1c4e4312b925a cross item]] that the player can collect.
** ''TheLegendOfZeldaALinkToThePast'': In Japan, the Sanctuary was a Church, the sage there was a priest, Agahnim's deceit of the king involved claiming to be a priest sent by God (as opposed to a wizard), and there's [[https://d1u5p3l4wpay3k.cloudfront.net/zelda_gamepedia_en/a/ab/LinkPraying.png?version=ad567538683c1ccb7c732c63bd90e856 this official artwork]] that depicts Link as a Christian praying in front of a crucifix. In addition, opening the entrance to the Desert Palace involves Link praying with church music in the background as he makes praying gestures with his hands.
** ''TheLegendOfZeldaOcarinaOfTime'' broke the trend by having Islamic elements instead. The Gerudo symbol depicted a crescent moon and star, very similar to the symbol of the Islamic faith. In addition, an Islamic prayer could be heard in the Temple of Fire's background music. Both elements were removed from later versions of the game, which introduced a new Gerudo symbol being used. Said symbol was used by later games, effectively retconning the original symbol away.

[[folder:Web Comics]]
* Summed up by [[http://static.tvtropes.org/pmwiki/pub/images/20050602a.gif this image]] (aptly titled ''"It makes you sound deep"''), brought to you by ''Webcomic/RPGWorld''.
* In ''Webcomic/KoanOfTheDay'', this happens when the guru attempts to [[http://www.koanoftheday.com/7/ define love]].
* [[http://questionablecontent.net/view.php?comic=1139 This]] Webcomic/QuestionableContent comic showes perfectly how easily good-sounding symbolism can be created over anything.
* In ''Webcomic/ElGoonishShive'', Susan's fairy doll acts on her subconscious. When it is first summoned, Sarah and Grace have a field day interpreting how its actions show things that [[TheStoic Susan]] tries so hard to hide.
-->'''Susan:''' ''[regarding using her subconscious fairy doll as a scout]'' It's just good strategy.
-->'''Sarah:''' Then why is the doll hugging-
-->'''Susan: STRATEGY.'''
* ''Webcomic/{{Sinfest}}'' presents:
--> '''Slick''': The appeal of ''"StarWars"'' is that it's open to different interpretations. [[http://www.sinfest.net/view.php?date=2000-01-22 Let's have a look at some!]]
* Parodied in ''Webcomic/UnwindersTallComics''. The ShowWithinAShow ''[[http://tallcomics.com/?id=86 Tokyo Delta Jetlag D]]'' culminates in a battle against the Messiah Demon, a {{kaiju}} with a cross on its back. The hero kills it with a Crown of Thorns, and when the monster's head explodes, the cloud takes the shape of Leonardo da Vinci's painting of The Last Supper. Unwinder, watching the show, can only respond, "Huh."
* ''Webcomic/{{Homestuck}}'', while normally [[AvertedTrope actually very good at proper symbolism]], will often [[InvokedTrope use pointless symbolism]] as a RedHerring to distract you from more subtle {{Foreshadowing}} and symbolism.
* ''Webcomic/CinemaSnobReviewsFrozen'' (a fan comic where ''WebVideo/TheCinemaSnob'' reviews ''Disney/{{Frozen}}'') spoofs this with Snob applying fake symbolism to the end of "In Summer" (when Anna and Kristoff realize they are now in the middle of the ImagineSpot), and then admits he did that just because he wanted to feel better about [[AnimationAgeGhetto watching a movie for kids]].
* In ''Webcomic/StringTheory'', when Abel uses his PsychicPowers to manifest inside Schtein's MentalWorld and read his memories, Abel is the only figure in black-and-white amid a vividly coloured, surreal landscape. Abel finds it curious, forgetting that Schtein lost his colour vision after the events of the memory but before their first meeting.
* Parodied in the ''VideoGame/DungeonFighter'' webcomic ''Arad's Merry Band of Friends'', the party's [[CharacterClassSystem priest]] has a cross-shaped weapon that has no symbolic meaning and is used for [[http://arad.nexon.co.jp/library/comic_view.aspx?no=430 ridiculous functional reasons.]]
* Parodied in ''Webcomic/TheOrderOfTheStick'' when Haley gets a TraumaticHaircut, but soon gets an opportunity to have it [[RapidHairGrowth magically regrown]] and [[http://www.giantitp.com/comics/oots0752.html decides]] it wasn't "[[ImportantHaircut somehow symbolic]] of [my] [[CharacterDevelopment character growth]]" after all.
--> '''Haley:''' I guess it was just a crappy haircut.\\
'''[[FourthWallObserver Elan]]:''' Weird.

[[folder:Web Original]]
* Cody Jenson's discovery of a motorcycle in ''Roleplay/SurvivalOfTheFittest'', a mundane occurrence tooled up with as much symbolism and imagery as was humanly possible. Oh, and he [[ICallItVera named it]] too.
* A running gag on [[WebVideo/BadMovieBeatdown Bad Movie Beatdown]] is for Film Brain to throw his hands in the air and yell [="SYMBOLISM!!!11!!OMGWTFGENIUS!!!"=] when he encounters examples of this trope.
* Mocked by LetsPlay/ChipCheezum and [=GeneralIronicus=] while {{WebVideo/retsupurae}}ing [[http://www.youtube.com/watch?v=gr8c6Ike3B4 "A Demon Tale".]]
* Rational Wiki refers to examples of this as [[http://rationalwiki.org/wiki/Deepity "Deepity"]]. The term refers to statements that are at best true but completely irrelevant, at worst something that, while profound on the surface, is completely nonsensical (bonus points if said statement would be completely world shattering if true).
** An example given is the phrase "gravity is just a theory"; yes that's true since a theory is a well-established scientific explanation, but it's trivial and [[CaptainObviousAesop obvious]] to anyone with a brain. And if gravity ''was'' nonexistent like the statement implies than the way life functions would be changed forever.
* ''WebAnimation/BrokenSaints'' has a lot of symbolism. A lot a lot. Much of it is just there for style and to set the mood.

[[folder:Western Animation]]

* The opening of ''WesternAnimation/GIJoeRenegades'' features Adam [=DeCobray=] (aka [[BigBad Cobra Commander]]) picking an apple off a tree and handing it to a young girl and boy.
* Sent up fairly often in surreal anime parody ''WesternAnimation/PerfectHairForever''. One episode has crucified clowns in the forest for no real reason. It's also lampshaded: ''I wish these hot dogs and cats were not symbolic of anything, and this was all just a dumb anime mind'''''[[SoundEffectBleep *EFF*]]'''
* In the ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' episode [[Recap/MyLittlePonyFriendshipIsMagicS1E2ElementsOfHarmony Elements Of Harmony]], when the Mane Six use the [[CareBearStare Elements]] [[WaveMotionGun of Harmony]] on Nightmare Moon, Rainbow Dash, Pinkie Pie and (especially) Applejack are visible in a CrucifiedHeroShot, while Rarity and Fluttershy look like they are praying.

[[folder:Real Life]]
* Seventh Sanctum has [[http://www.seventhsanctum.com/generate.php?Genname=symbolitron the Symbolitron]], whose purpose is to generate random symbolism to use in your own writings.
* [[http://en.wikipedia.org/wiki/Miroslav_Šatan Miroslav Šatan.]]
** Notice anything unusual in [[http://sportsillustrated.cnn.com/hockey/nhl/players/666/ this URL]]?
* Fashion in general is full of that, from having the Iron Cross, to the Prussian Flags, etc etc.