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[[quoteright:350:[[Film/MeetTheFockers http://static.tvtropes.org/pmwiki/pub/images/hoffman_streisand_fockers.jpg]]]]
[[caption-width-right:350:Putting the "bohemian" in Bourgeois Bohemian.]]

->''"A bohemian-looking girl with dreadlocks floated past in a long paisley dress, but a five-thousand-pound handbag revealed that her hippy credentials were as fake as [[ObfuscatingDisability Tempest's disability]]."''
-->-- '''[[Creator/JKRowling Robert Galbraith]]''', ''Literature/CareerOfEvil''

The Bourgeois Bohemian is often what the {{Hipster}} or GranolaGirl turns into when he/she hits middle age, or what the NewAgeRetroHippie might have become had he not dropped out. Is not specifically associated with UsefulNotes/{{Capitalism}} or UsefulNotes/{{Socialism}}, despite the 'bourgeois' name.

The defining trait of the Bourgeois Bohemian (Bobo for short) is that while he belongs to the upper or upper-middle class in socioeconomic terms, his values are often inherited from the countercultural movements of the 1960s. Expect very open attitudes towards issues such as religion, sexuality, and recreational drugs, as well as support for liberal or progressive political causes. A fondness for the state-owned Creator/{{NPR}} (National Public Radio, USA), Creator/{{PBS}} (Public Broadcast System, USA), BBC (British Broadcast Corporation, UK) and ABC (Australian Broadcast Corporation) is also common, as is a tendency to shop at places like the USA's Whole Foods 'organic' food retail chain.

[[StrawmanPolitical Unsympathetic examples]] of the trope will often be portrayed as being hypocritical about their wealth, criticizing other wealthy elites while sharing much of their lifestyle. Sympathetic portrayals will usually suggest that socialist principles and wealth aren't incompatible, and may in fact invoke such ideals as the "Gospel of wealth" or ''noblesse oblige'' as a justification for it.

The trope originated as an insulting depiction in the 1890s, and among Socialists rather than the nationalists, with Populists in the United States and Labourites in Britain using it to mock their more bourgeois liberal/socialist counterparts. Anti-liberal and anti-socialist nationalists and conservatives began to co-opt it in the mid-20th century, although one could argue that it is the "bohemian" rather than the "bourgeois" part of the equation that truly offends them given their sympathy towards 'the right kind' of liberalism. The [[TropeNamer term itself]], however, comes from the [[NewerThanTheyThink 2000]] book ''Bobos in Paradise'' by ''[[UsefulNotes/AmericanNewspapers The New York Times]]''[='=]s pet conservative David Brooks. Brooks identified "bobos" as Baby Boomers like himself who had grown up with the individualistic, do-it-yourself ethos of the 1960s counterculture, but now found themselves in TheNineties as well-off middle-aged professionals. It's significant that in Brooks' conception, [[UnbuiltTrope the "bourgeois" is the dominant element rather than the "bohemian"]].

Often someone's HippieParents, and often NouveauRiche, having earned their comfortable living after a poor and rebellious youth.

See also: TheManIsStickingItToTheMan, RuleAbidingRebel, FoxNewsLiberal, and UpperClassTwit. If the aging character becomes conservative rather than retains their counterculture values, they're a FormerTeenRebel. BourgeoisBumpkin is ''almost'' this trope, but with the political ideology flipped and combined with ItsAllAboutMe. CoolPeopleRebelAgainstAuthority may motivate young {{Hipster}} Bobos.



[[folder: Comic Books ]]

* UndergroundComics artist Mary Fleener met some of these people. Like an ex-hippie girl turned stereotype yuppie, and a former (female) drug dealer who became a realtor.
* In ''ComicBook/{{Runaways}}'', Frank and Leslie Dean are an extremely cynical version of the Bourgeois Bohemian, pretending to be reformed hippies in order to disguise the fact that they're actually alien criminals.
%%* Billy's grandmother, Sky, from Season 9 of ''Series/BuffyTheVampireSlayer''.
* Oliver Queen, aka ''ComicBook/GreenArrow'', has become the main superhero comics representative of this archetype over the years. Quite how rich and powerful he is, and quite how sincere and thoughtful his politics are, tends to vary with how sympathetically the [[DependingOnTheWriter writer]] views him.


[[folder: Comic Strips ]]

* British cartoonist Posy Simmonds spent much of the 1980s satirising this type of person in her comic strips for ''The Guardian'', whose readership tended that way.
* Vitriolically parodied in John Fardell's ''ComicBook/{{Viz}}'' strips "The Modern Parents" and "The Critics". The protagonists of both are wealthy, privileged cultural leftists with shallow, ignorant politics, who are massively socially and intellectually snobbish.


[[folder: Film ]]

* The trope image features Greg's parents (Dustin Hoffman and Barbara Streisand) in ''Film/MeetTheFockers'': They are pretty much well-off, and they also embrace some pretty weird activities (an over-the-top parody of New Age beliefs popular at the time).
%%* ''Film/{{Tanguy}}'''s parents.
%%* The protagonists of ''Film/{{Mammoth}}'', a 2009 film by Lukas Moodyson.
* Ben Stiller's real parents in ''Film/FlirtingWithDisaster'', played by Alan Alda and Lily Tomlin, are a pair of aging, affluent hippies who still use drugs recreationally.
* Jane in ''It's Complicated'', though her ex-husband seems to be more of the businessman type.
%%* Olive's parents in ''Film/EasyA''.
* ''Everybody'' in ''Film/TheBigChill'', having been part of the '60s counterculture while studying at the University of Michigan.
* ''Film/TeamAmericaWorldPolice'' casts a number of Hollywood celebrities as wealthy liberal activists who try to aid Kim Jong-Il.
* Varying degrees in the main characters in ''The Decline of the American Empire'' and ''The Barbarian Invasions'', by Quebecois director Denys Arcand.
%%* Calvin's mother and step-dad in ''Film/RubySparks''.
%%* Bob and Carol in ''Bob & Carol & Ted & Alice'' (1969) are an early example.
* ''Film/{{Coherence}}'': This is Beth's characterization. The film takes place in her very nice home, so she's obviously wealthy. She mentions a number of New Age beliefs and habitually uses recreational drugs.
* Ferdinand in ''Pierrot Le Fou'' is so pissed off by this type that he abandons his family and [[ChaoticNeutral goes on a existentialist rampage]] with his children's nanny.
* Cleo in ''Film/TheScribbler''. She dresses in hippie[=/=]gypsy garb, her speech tends towards SesquipedalianLoquaciousness, and she doesn't go anywhere without her pet boa constrictor draped around her shoulders.
* Dean and Missy Armitage in ''Film/GetOut2017'' are a villainous example. Upper-middle class suburbanites who go out of their way to present themselves as progressive and non-racist people, this doesn't stop them from being [[CondescendingCompassion incredibly condescending]] towards Chris and treating young black people like human props, [[spoiler:stealing their bodies so they can enjoy extended lives with the "physical advantages" of being young and black]].
* ''Film/{{Trumbo}}'': Dalton Trumbo is a wealthy screenwriter as well as an unashamed Communist, as was TruthInTelevision.

[[folder: Literature ]]
* ''New York Times'' columnist and PBS/NPR commentator David Brooks [[TropeNamer coined the term]] "Bourgeois Bohemian" in his 2000 nonfiction book ''Bobos in Paradise''. He admits in the book's introduction that he himself probably counts as one.
* Discussed and critiqued in the non-fiction book ''[[http://www.amazon.com/Rebel-Sell-Culture-Cant-Jammed/dp/0006394914 The Rebel Sell]]'' as part of the shifting values of the political left from old-school socialism to counterculture hipsterism, and how these values have fed the consumer culture they claim to resent.
* Similarly discussed in Thomas Frank's 2004 book ''What's the Matter with Kansas: How Conservatives Won the Heart of America''. He charges that many of the U.S. political class's wealthy leftists are not really leftists at all; they are "libertarian" (which in American political parlance roughly equals "moderate conservative") opportunists who feign politically correct attitudes in order to appeal to more upscale (and ostensibly more sophisticated) urban and suburban voters in the "blue states". Conversely, those elites who live in the "red states" generally prefer to act like right-wing culture warriors in order to court the more downscale (and generally more traditionalist) constituents of America's conservative coalition. Regardless of ideology, Frank proposes, each of these groups of political insiders care only about maintaining the status quo and have no problem with screwing the most economically vulnerable of their respective constituencies.
* ''Literature/SixteenThirtyTwo'': Thomas "Stoner" Stone is a last-wave hippie, whose knowledge of chemistry (he made LSD in the sixties) has made him one of the richest men in Europe, with a personal fortune that rivals that of many nations. He is completely devoted to the ideals of peace, love and understanding, in word and deed. For example, he refuses payment for all medicines he makes, only making money from dyes and cosmetics. Profiting from people's vanity is OK, profiting from their pain is not.
* In ''Literature/TheIsland'', India is an example of this, although her sister Birdie is much more conservative. India is the widow of a famous artist and herself is a college professor.
* The Chalfen family of ''Literature/WhiteTeeth'' is a mixed Jewish/Catholic couple (though they don't practice either religion) who were former hippies with a strong interest in Hinduism and other "alternative" religions. The novel shows that, about two decades later, they are raising a family of overachieving children in a suburb in North London. While (to their credit) the Chalfens send their kids to a [[TheGoodOldBritishComp comprehensive]], they are also shown (by their magazine subscriptions) to be strong aficionados of socialism, anarchism, what-have-you despite their material comfort (the mother is a successful author of gardening books, while the father is a cutting-edge genetic engineer). The book portrays them more or less sympathetically: they are not arrogant or hypocritical, just incredibly clueless about reality (like when they take a gang member who goes to their kids' school under their wing and [[TheFarmerAndTheViper show him great compassion]] [[StupidGood even though he is very angry and rude and a potential terrorist]]).
%%* The protagonist's parents in ''The Elegance of the Hedgehog''.
%%* The protagonists of ''Freedom'' by Jonathan Franzen.
* Young Jolyon from ''Literature/TheForsyteSaga'' is very much a political liberal by the standards of the time. He left his first wife and his eldest daughter to live with another woman, start a family with her and become an artist. And even after he inherits his father's fortune, which makes it possible for him to raise also his younger three children in an upper middle class lifestyle, he sticks by his ideals and remains the antipole to his conservative cousin Soames.
* In ''Literature/{{Madicken}}'', Madicken's father is a newspaper editor, so he's rich enough to give his daughters a priviledged upper middle class upbringing. And the family belongs to the upper crust of the small town. Even so, he is proud to be a socialist and gets really angry when other rich people treat poor people badly.

[[folder: Live Action TV ]]
* ''Series/FamilyTies'', which is centered around the conflicts between Bobo parents and their Reaganite conservative offspring.
* The Hillard-Findlay family from ''{{Series/Maude}}'' is an early example: An upper-middle class household which supports the liberal side of the main issues of the 1970s, most notably feminism.
* ''Series/{{thirtysomething}}'' also lives for this trope. All of the main characters first became friends as part of the '60s counterculture, and have become standard-issue '80s yuppies.
%%* Dharma's parents in ''Series/DharmaAndGreg''.
* Nora Walker on ''Series/BrothersAndSisters'', who is a classic upper-middle class housewife who drives a Prius and fervently supports socially-liberal causes, but lives in a huge house and throws extravagant parties.
* Paul Kinsey on ''Series/MadMen'' is the {{beatnik}} version.
* ''Series/{{Portlandia}}'' makes fun of the counter-culture scene of Portland, Oregon. Many characters are middle-aged professionals with bohemian values.
* You could also definitely include Warren and Lois Whelan--Debra's wealthy (or at least upper middle-class) parents--from ''Series/EverybodyLovesRaymond''. When they first appear, Ray, Frank, and Marie are not looking forward to it, groaning about how much Warren and Lois basically embody this trope to a tee, and how different their own blue-collar family is from the Whelans. When they arrive later in the episode, HilarityEnsues obviously. Over the course of the series, Warren and Lois continue to embody this trope, leading to more awkwardness (and hilarity) when they and the Barones interact.
* George in ''Series/BoredToDeath'', played by Ted Danson, is a pot-smoking hippy who runs a magazine similar to ''Magazine/TheNewYorker''. He's quite wealthy, but still has his left-wing lifestyle and opinions. In the second season, he suffers a serious clash of cultures when his magazine is bought out by a right-wing organization.
%%* Fanny Flowers in ''Series/{{Bunheads}}''.
* French Canadian sketch comedy ''Les Bobos'' is ExactlyWhatItSaysOnTheTin: a satirical depiction of a couple of Bourgeois Bohemians living in Montreal's hippest neighborhood.
* In ''Series/{{Saxondale}}'' Tommy Saxondale and Mags are a NewAgeRetroHippie and GranolaGirl respectively but live in a fairly middle-class suburban neighborhood, and own their own businesses. Of course, being a BritCom, this contradiction is the whole point of the show.
* The Fourth Doctor in ''Series/DoctorWho'' is an extremely weird variation of this archetype. His appearance and personality is modelled on Victorian bohemians like Creator/HenriDeToulouseLautrec and Creator/OscarWilde, but he has as much material wealth as he needs, is technically a ''Lord'' and possesses lots of stereotypically upper-class mannerisms and interests. He makes a [[CoolPeopleRebelAgainstAuthority great show of being anti-authoritarian]] and his hatred of it is genuine, but spends much of his run as the puppet of the Time Lords, fulfilling their orders (although he does show notable resentment whenever he's aware this is happening and usually only plays along because not doing so would be catastrophic on a potentially world-or-universe-ending level, which the Time Lords of course exploit).
%%* Frankie of ''Series/GraceAndFrankie,'' played by Creator/LilyTomlin.

[[folder: Magazines ]]
* ''Magazine/PrivateEye'' satirised this kind of attitude in affluent students during the Occupy movement, where an Occupy protester wrote in to the (fictional) letters page asking for fashion advice on her protest outfit. "My hammer and sickle earrings I bought from Etsy."

[[folder: Music ]]
* Music/PhilOchs' "[[http://www.youtube.com/watch?v=u52Oz-54VYw Love Me, I'm a Liberal]]" attacks this type from the left.
-->I go to civil rights rallies\\
And I put down the old D.A.R.\\
I love [[Creator/HarryBelafonte Harry]] and [[Creator/SidneyPoitier Sidney]] and [[Creator/SammyDavisJr Sammy]]\\
I hope every colored boy becomes a star\\
But don't talk about revolution\\
That's going a little bit too far\\
So love me, love me, love me, I'm a liberal
* This sort of character is referenced in Don Henley's haunting hit song [[http://www.youtube.com/watch?v=po75VoiMuvo "The Boys of Summer,"]] which is about aging and looking back at the past. The particularly poignant line "saw a Deadhead sticker on a Cadillac" paints a harsh image of contrast: Music/TheGratefulDead represented a freewheeling lifestyle (they openly encouraged bootlegging and it is a large part of Deadhead culture), while Cadillacs are expensive symbols of luxury and social status. (The Ataris' cover version changes the sticker to Music/BlackFlag, which is ironic conisdering that Black Flag singer Henry Rollins now pitches for Infiniti.)
* "Les Bobos", a song by French singer Renaud, is ExactlyWhatItSaysOnTheTin: a satirical portrayal of Bourgeois Bohemians. At the end of the song, the singer acknowledges that he may be one of them.
* The Music/{{Pulp}} song "Common People" is a TakeThat to one of these.
-->Rent a flat above a shop\\
Cut your hair and get a job\\
Smoke some fags and play some pool\\
Pretend you never went to school\\
But still you'll never get it right\\
'Cos when you're laid in bed at night\\
Watching roaches climb the wall\\
If you called your Dad he could stop it all
* Mocked in the Music/DeadKennedys song "Holiday in Cambodia"
-->Play ethnicky jazz\\
To parade your snazz\\
On your five grand stereo\\
Braggin' that you know\\
How the niggers feel cold\\
And the slums got so much soul

[[folder: Theater ]]
* ''Keating! The Musical'' has the title character assure the audience that "there's nothing wrong with being inner-city elite" in his first song. Paul Keating, the former Australian Prime Minister on whose career the musical is based, is probably the highest ranking Bobo in Australian history.
* In ''Theater/{{Rent}}'', a criticism against the character of Mark is that he's from an upper-class background ([[http://en.wikipedia.org/wiki/Scarsdale,_New_York Scarsdale]] is a real suburb of New York City and one of the wealthiest in the area), and his poverty is largely self-imposed; even if he doesn't take any help from his parents, he has the skills to land a job in the media but considers that "selling out." Collins is another example, being a college professor between teaching gigs, and what we know of his life implies that he comes from money too.

[[folder: Video Games ]]
* The [[Radio/GTARadio show-within-the-game]] ''Impotent Rage'' in ''VideoGame/GrandTheftAutoV'' is a mocking parody of this trope.

[[folder: Web Original ]]
* [[http://www.stuffwhitepeoplelike.com Stuff White People Like]]'s definition of "white people" generally refers to American, metropolitan, bicoastal, college-educated liberals, and includes a lot of Bourgeois Bohemian tastes. The initialism "SWPL" is sometimes used by conservative critics as a pejorative term for the type of people described here.

[[folder: Western Animation ]]
* Though he's technically part of a blue-collar household, Brian Griffin of ''WesternAnimation/FamilyGuy'' has most of the stereotypical traits of this type, up to and including driving a Toyota Prius.
* In the ''WesternAnimation/SouthPark'' episode "Smug Alert", the adult residents of San Francisco are portrayed as bourgeois bohemians who are so smug and self-satisfied that they enjoy the smell of their own farts.
* Though typically portrayed as an UpperClassTwit, Bruce Wayne's (platonic) friend, Veronica Vreeland, on ''WesternAnimation/BatmanTheAnimatedSeries'' had donated much of her family's fortunes to various charities (mostly stuff relating to animals and the environment, but especially animals). Selina Kyle (aka, Catwoman), [[PretenderDiss who doesn't consider Veronica to a be a "real" animal rights activist,]] argues that Veronica's only doing what she's doing for appearances and possibly because she feels guilty about all the endangered species her ancestors shot when they were [[GreatWhiteHunter big-game hunters]]. Bruce Wayne (aka, Batman) has come to Veronica's defense at least once, pointing that whatever Veronica's motivation is, she's at least doing responsible with her family's fortune (something that ultimately benefits society). And that's still way more than what can be said for most of the other rich people in Gotham City (at least from what's seen on the show).