Heartwarming / Roméo et Juliette, de la Haine à l'Amour
The lovely lighting and billowing white dress for Giulietta, coupled with Giulia Luzi's angelic voice, in Ama e cambia il mondo makes her look like a pure moon goddess. note That thou, her maid, art far more fair than she.
Romeo screaming, "ICH LIEBE DICH!!!" at the top of his lungs as he descends from Julia's room while she giggles happily in the background of the Vienna production.
"Et voila, qu'elle aime" ("And look, she's in love"), in which the Nurse is both happy that Juliet's found romance and afraid to lose her.
Julia overhears her father's soliloquy about how he only wants her to marry Paris to secure her future and safety in the Austrian version, and she runs to him and hugs him tightly when he finishes the song. Doubles as a Tear Jerker, since while she doesn't know she'll end up really dying, she still plans on faking dead and running away with Romeo, and thus it's secretly a farewell hug to the father she loves and will never see again.
Another little moment that doubles as Tear Jerker for the Nurse: when she calls Julia "mein Kind, mein Herz" note my child, my heart, during Die Verzweiflung (Duo du désespoir).
Within the choreography is often portrayed the duplicitous nature of affection and violence. A hug quickly turns into a grapple and vice versa, the taunting takes an erotic aspect, and enemies lean on each other's foreheads. It implicitly shows that the violence is the cause of lonely people lashing out, and subconsciously reaching out, rather than true viciousness. This is usually most visible in the duel when Romeo attempts to reason with Tybalt, and in any interaction between Tybalt and Mercutio. It implies that The Power of Love could easily turn the fight around, were it not for the forces of fate.
The ending usually has all the Montagues and Capulets literally embracing each other, starting with the ladies of the houses, takng the former entry to it's natural conclusion.
Tybalt and Mercutio have their arms around each other in the Austrian production.
The final song played after the curtain call gives the impression that Romeo, Juliet, Mercutio and Tybalt may finally be happy in the afterlife, depending on how it's played.
Meta heartwarming and funny: Mark Seibert (Tybalt), Lukas Perman (Romeo), Marjan Shaki (Julia), and Maya Hakvoort's performance of "Liebe" (Aimer). Watch it here. Little affectionate gestures like Marjan leaning into Mark with her arm around his waist (and then patting his hip), Mark cradling Lukas' head in his hand, and then the pair of them holding hands and swinging them like little schoolchildren... Compounded by the fact that Lukas and Marjan are very happily married, and that Mark and Lukas are good friends who graduated together. At least somewhere, Romeo, Julia, and Tybalt are smiling together.