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Changed line(s) 4 (click to see context) from:
** Best moment is when Quinn "cuts off" Creedy's hand. The kids start freaking out, causing Creedy to break character and show them that he's okay.
to:
** Best moment is when When Quinn "cuts off" Creedy's hand. The hand, the kids start freaking out, causing making Creedy have to briefly break character and show assure them that he's okay.
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Changed line(s) 3 (click to see context) from:
* The Film/StarWars re-enactment. The kids' reaction is ''priceless''.
to:
* The Film/StarWars Franchise/StarWars re-enactment. The kids' reaction is ''priceless''.
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Changed line(s) 3 (click to see context) from:
* The StarWars re-enactment. The kids' reaction is ''priceless''.
to:
* The StarWars Film/StarWars re-enactment. The kids' reaction is ''priceless''.
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!!Administrivia/SpoilersOff applies to all Funny pages, so all spoilers are unmarked. Administrivia/YouHaveBeenWarned!
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Changed line(s) 11 (click to see context) from:
* Before facing off against the Alpha Male, everyone takes a shot from Van Zan's flask. [[spoiler: Turns out it's full of water and it's just for show]]. "Keep it."
to:
* Before facing off against the Alpha Male, everyone takes a shot from Van Zan's flask. [[spoiler: Turns out it's full of water and it's just for show]].show. "Keep it."
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Added DiffLines:
* Before facing off against the Alpha Male, everyone takes a shot from Van Zan's flask. [[spoiler: Turns out it's full of water and it's just for show]]. "Keep it."
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Added DiffLines:
** Best moment is when Quinn "cuts off" Creedy's hand. The kids start freaking out, causing Creedy to break character and show them that he's okay.
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Badass is no longer a trope.
Changed line(s) 10 (click to see context) from:
* Many of [[BadAss Van Zan's]] scenes can be pretty funny. Mainly because they can sometimes, if not all, count as {{Narm}} or NarmCharm.
to:
* Many of [[BadAss Van Zan's]] Zan's scenes can be pretty funny. Mainly because they can sometimes, if not all, count as {{Narm}} or NarmCharm.
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Deleted line(s) 13 (click to see context) :
* [[spoiler:Van Zan's death]] is so sudden that it's very hard not to laugh at it.
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* [[spoiler:Van Zan's death]] is so sudden that it's very hard not to laugh at it.
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Changed line(s) 12 (click to see context) from:
"Let go of the wall. Let go of the wall...'''''Let go of the wall!'''''
to:
* "Let go of the wall. Let go of the wall...'''''Let go of the wall!'''''go...'''Let go!"'''
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Changed line(s) 9 (click to see context) from:
* When the Brits party after killing the dragon that burned down their food supply. Van Han was not amused.
to:
* When the Brits party after killing the dragon that burned down their food supply. Van Han Zan was not amused.
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Changed line(s) 10,11 (click to see context) from:
* Many of [[BadAss Van Han's]] scenes can be pretty funny. Mainly because they can sometimes, if not all, count as {{Narm}} or NarmCharm.
--> '''Van Han:''' (meaning the male dragon) ''Come on big boy!''
--> '''Van Han:''' (meaning the male dragon) ''Come on big boy!''
to:
* Many of [[BadAss Van Han's]] Zan's]] scenes can be pretty funny. Mainly because they can sometimes, if not all, count as {{Narm}} or NarmCharm.
--> '''VanHan:''' Zan:''' (meaning the male dragon) ''Come on big boy!''
--> '''Van
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Added DiffLines:
* When the Brits party after killing the dragon that burned down their food supply. Van Han was not amused.
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Added DiffLines:
* Many of [[BadAss Van Han's]] scenes can be pretty funny. Mainly because they can sometimes, if not all, count as {{Narm}} or NarmCharm.
--> '''Van Han:''' (meaning the male dragon) ''Come on big boy!''
"Let go of the wall. Let go of the wall...'''''Let go of the wall!'''''
--> '''Van Han:''' (meaning the male dragon) ''Come on big boy!''
"Let go of the wall. Let go of the wall...'''''Let go of the wall!'''''
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Changed line(s) 3,8 (click to see context) from:
--> AJ: "Barlow, I've got voices."
--> Barlow: "AJ, what are you smoking?"
--> AJ: "I'm not kidding. Take a look."
--> Barlow (checks the bird): "She's not moving."
--> AJ: "Forget the bird, and use the scope, you ''wanker''!"
The sheer anger and frustration in AJ's voice is what makes the scene for me.
--> Barlow: "AJ, what are you smoking?"
--> AJ: "I'm not kidding. Take a look."
--> Barlow (checks the bird): "She's not moving."
--> AJ: "Forget the bird, and use the scope, you ''wanker''!"
The sheer anger and frustration in AJ's voice is what makes the scene for me.
to:
--> AJ: "Barlow, '''AJ:''' Barlow, I've got voices."
voices.
-->Barlow: "AJ, '''Barlow:''' AJ, what are you smoking?"
smoking?
-->AJ: "I'm '''AJ:''' I'm not kidding. Take a look."
look.
-->Barlow '''Barlow (checks the bird): "She's bird):''' She's not moving."
moving.
-->AJ: "Forget '''AJ:''' Forget the bird, and use the scope, you ''wanker''!"
The''wanker''!
**The sheer anger and frustration in AJ's voice is what makes the scene for me.
-->
-->
-->
-->
The
**The sheer anger and frustration in AJ's voice is what makes the scene for me.
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Changed line(s) 2 (click to see context) from:
to:
* The following exchange between AJ (the radio man) and Barlow (the lookout).
--> AJ: "Barlow, I've got voices."
--> Barlow: "AJ, what are you smoking?"
--> AJ: "I'm not kidding. Take a look."
--> Barlow (checks the bird): "She's not moving."
--> AJ: "Forget the bird, and use the scope, you ''wanker''!"
The sheer anger and frustration in AJ's voice is what makes the scene for me.
--> AJ: "Barlow, I've got voices."
--> Barlow: "AJ, what are you smoking?"
--> AJ: "I'm not kidding. Take a look."
--> Barlow (checks the bird): "She's not moving."
--> AJ: "Forget the bird, and use the scope, you ''wanker''!"
The sheer anger and frustration in AJ's voice is what makes the scene for me.