->''"It's me... Ana."''

1973 Spanish slow-paced drama film with lots of [[RuleOfSymbolism symbolisms]] and [[SilenceTropes silences]] directed by Creator/VictorErice (one of the only two full-length films he made) and produced by Elías Querejeta, originally titled ''El espíritu de la colmena''. It stars Fernando Fernán Gómez, Teresa Gimpera, and a young Ana Torrent.

Set in a remote village in Segovia, Spain just after the end of the UsefulNotes/SpanishCivilWar, the film follows six-year-old Ana, who, mesmerised by a travelling cinema screening of the 1931 film ''Film/{{Frankenstein|1931}}'', begins a search for the gentle monster.

It was a major influence on Creator/GuillermoDelToro - ''Film/TheDevilsBackbone'' and ''Film/PansLabyrinth'' both have similar themes, particularly the latter in regards of the coming of age story of a young girl and the limits between fantasy and reality in a post-Civil War period.

It is on the RogerEbertGreatMoviesList and was ranked 42nd on the UsefulNotes/ListOfFilmsYouShouldSeeByTheAgeOf14.
!!This film provides examples of:
* ChekhovsGun: When running away from home, Ana comes across a poisonous mushroom, similar to the one her father warned her about in an earlier scene.
* ColorMotif: A lot of yellow, which alludes to the implicit comparison between the beehive, and Spain itself (yellow being the predominant color of the Spanish flag).
* ComfortingComforter: In the second to last scene, Ana's father is shown asleep at his desk and her mother takes off his glasses and covers him with a jacket.
* CurtainsMatchTheWindow: Dark haired, dark eyed Ana.
* DrivenToSuicide: Some theorize that Ana, upon realizing that her only friend was dead, and erroneously believing her father being involved in it, decided to eat the lethal mushroom, which may then have caused an accidental drug trip involving Frankenstein's monster.
* FakingTheDead: Isabel plays a prank on her sister by pretending to be dead.
* FreeRangeChildren: Ana and Isabel love to make escapades to the abandoned building, where the spirit is supposed to be living. Then it's Ana herself who makes escapades, especially when she makes good friends with a fugitive.
* GettingCrapPastTheRadar: One theory is that the "powerful experience" the doctor talks about is Ana been on a magic mushroom trip. In an early scene, the father warns the girls about 'bad' mushrooms, says they will kill them, but it may just be him not wanting his daughters, to get in touch with hallucinogen substances. Ana may then have eaten this 'bad' mushroom, though we don't see it on-screen because of {{Media Watchdog}}s, especially under the Franco regime which ruled in Spain at the time the film was made.
* ImaginaryFriend: After watching ''Film/{{Frankenstein|1931}},'' inspired by the ghost story of her sister, Ana becomes obsessed with the idea of befriending the imaginary monster.
* NoEnding: The movie has no conclusion, it ends with Ana talking to her ImaginaryFriend.
* ProtectedByAChild: The Republican fugitive is briefly sheltered by Ana.
* ShoutOut: Ana meeting the monster at the lake parallels the scene from ''Film/{{Frankenstein|1931}}.''
* SkipOfInnocence: Both Ana and Isabel.
* TrivialTitle: The titular bees are only featured in one scene, though bee symbolism like the hexagonal windows that look like honeycomb is present elsewhere.