->'''Brad Allen:''' Look, I don't know what's bothering you, but don't take your bedroom problems out on me.
->'''Jan Morrow:''' I have no bedroom problems. There's nothing in my bedroom that bothers me.
->'''Brad Allen:''' Ohhh. That's too bad.

Released in 1959, ''Pillow Talk'' was the first of three films starring Creator/DorisDay and Creator/RockHudson. It concerns Jan Morrow, a career woman, and Brad Allen, a playboy songwriter. Much to her chagrin, her phone line is connected to his through a party line; his multiple romances make it near impossible for her to make a decent work-related phone call. When he meets her for real, he disguises his voice and adopts the name Rex Stetson. The charade works since she's never seen him, but can it last?

Often considered the TropeCodifier for the RomanticComedy all the way up to today, it solidified many of the staples of the genre throughout the years: a serious career gal who's too busy for love, a dashing playboy who [[LadyKillerInLove falls in love]] with one of his attempted conquests, a masquerade made to deceive a love interest, BelligerentSexualTension, slapstick comedy, DoubleEntendre up the ying-yang, etc etc. For many scholars of the genre, this is ''the'' RomanticComedy. The film ''DownWithLove'' is an AffectionateParody of this film and the tropes it popularized.

!!This work features examples of:
* AwesomeMcCoolname: Brad's deliberately absurd cowboy persona, Rex Stetson.
* BathKick: A rare male example as well, shot in conjunction with a SplitScreenPhoneCall to create the illusion that Jan and Brad are [[https://image.tmdb.org/t/p/original/3DsU80AFls5cpvOE9E7rV0wHXC2.jpg playing footsie with each other]] while bathing.
* BrickJoke[=/=]ChekhovsGun: In an early scene, one of Peirot's clients is admiring an African-looking sculpture until Jan informs her that it's a fertility goddess. Towards the end, Jan uses it as a finishing touch when [[spoiler:decorating Brad's apartment. (Judging by the final scene and end credits, it must've been effective!)]]
* TheCasanova: Brad.
* CreativeClosingCredits: "TheEnd" appears written on some pillows, then [[spoiler: [[BabiesEverAfter pink and blue pillows stack on top of them, each reading, "not quite..."]]]]
* CrowdSong: "Roly Poly".
* DeconfirmedBachelor[=/=]LadykillerInLove
* DistractedByTheSexy
* DramaticIrony
* DrivingADesk: To and from Connecticut.
* DoubleEntendre: The movie is full of them.
* HangoverSensitivity: Brad, after his excursion with Alma.
* LivingWithTheVillain: Jan's unaware that her new boyfriend is also her arch-rival.
* MisterSeahorse: oddly enough...Brad ducks into an obstetrician's office to avoid Jan and Jonathan and ah, claims to need an appointment for himself. Becomes a RunningGag because the doctor really wants to see him just in case a miracle of science has occurred.
* OhCrap: Brad, when Jan finds out the truth.
* PrettyInMink: Jan has a white mink jacket and a lynx-trimmed coat.
* PullTheThread: Jan deduces Rex's real identity when she finds the sheet music of the song she kept hearing on Brad's calls.
* TheReasonYouSuckSpeech: Jan to Brad (after finding out his ruse), where she states that at least her "bedroom problems" can be solved in one bedroom, his couldn't be solved in a thousand!
* SpiritualSuccessor: ''Lover Come Back'' (1961) and ''Send Me No Flowers'' (1964) reunited Day, Hudson, and Tony Randall for further comedic escapades, albeit as different characters in each.
* SplitScreenPhoneCall
* SuspiciouslyAproposMusic: "You Lied". The singer even looks at Rex while singing it.
* StylisticSuck: Jan's redecorating of Brad's apartment.
* ThemeTuneCameo: Doris Day hums a few bars of the theme song to herself as the opening music fades.
* TitleThemeTune: Sung by Doris Day.