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A Date With Rosie Palms is not a trope anymore. example is now covered under Masturbation Means Sexual Frustration


* ADateWithRosiePalms: Diane at one point does this while [[spoiler: crying after she hallucinates that Camilla is still alive.]]
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* ADateWithRosiePalms: Diane at one point does this while [[spoiler: crying after she hallucinates that Camilla is still alive.]]
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In addition to the main plot, there is also a film director (Justin Theroux), who just can't seem to catch a break. He even walks in on his wife in bed with their pool man, played by Music/BillyRayCyrus [[WTHCastingAgency of all people]]. Betty's eccentric landlady is played by Ann Miller in her final role before her death. There is a terribly inept hitman played by the incomparable Creator/MarkPellegrino, a creepy cowboy who [[MaybeMagicMaybeMundane may or may not be part of this world]], a surreal theatre with an even more surreal magician/MC, that mysterious blue box, and some sort of grungy zombie hobo who lives behind an old-fashioned diner and gives a man a heart attack at just the sight of it.

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In addition to the main plot, there is also a film director (Justin Theroux), who just can't seem to catch a break. He even walks in on his wife in bed with their pool man, played by Music/BillyRayCyrus [[WTHCastingAgency [[QuestionableCasting of all people]]. Betty's eccentric landlady is played by Ann Miller in her final role before her death. There is a terribly inept hitman played by the incomparable Creator/MarkPellegrino, a creepy cowboy who [[MaybeMagicMaybeMundane may or may not be part of this world]], a surreal theatre with an even more surreal magician/MC, that mysterious blue box, and some sort of grungy zombie hobo who lives behind an old-fashioned diner and gives a man a heart attack at just the sight of it.
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Disambiguation


* WorldOfMysteries: [[MysticalHollywood This movie's version of Hollywood is this]]: it has mafia, mysterious MenInBlack on limos, an enigmatic phone call chain involving unspecified people from different parts of LA, weird {{McGuffin}}s like a strangely shaped blue key and a black book with phone numbers, supernatural entities like the AmbiguouslyHuman Cowboy and a creepy bum living in the backyard of a diner, and much more... [[spoiler: Probably subverted, since the ending implies that it was a dream of a failed actress who ordered a hit on her successful friend and lover out of envy and jealousy, and the overall feel of mystery and paranoia is due to her subconscious feelings of guilt and fear of being caught. Then again, maybe not.]]

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* WorldOfMysteries: [[MysticalHollywood This movie's version of Hollywood is this]]: it has mafia, mysterious MenInBlack Mafia, TheMenInBlack acting mysteriously on limos, an enigmatic phone call chain involving unspecified people from different parts of LA, weird {{McGuffin}}s like a strangely shaped blue key and a black book with phone numbers, supernatural entities like the AmbiguouslyHuman Cowboy and a creepy bum living in the backyard of a diner, and much more... [[spoiler: Probably subverted, since the ending implies that it was a dream of a failed actress who ordered a hit on her successful friend and lover out of envy and jealousy, and the overall feel of mystery and paranoia is due to her subconscious feelings of guilt and fear of being caught. Then again, maybe not.]]

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Daylight Horror is no longer a trope, don't link it anywhere.


* DaylightHorror: The "man behind Winkie's" scene is somehow made even more disturbing by the fact that it happens in broad daylight.


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* SceneryDissonance: The "man behind Winkie's" scene is somehow made even more disturbing by the fact that it happens in broad daylight at the back of a normal looking diner.
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It also [[SimilarlyNamedWorks has nothing to do]] with the 1996 film ''Film/MulhollandFalls''.
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* SleepsInTheNude: When Betty asks Rita if she wants to share a bed for the night, Rita casually drops her towel and climbs into bed naked.

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* SexySweaterGirl: Laney, the prostitute, is wearing a sweater and she seems to be freezing.



* SweaterGirl: Laney, the prostitute, is wearing a sweater and she seems to be freezing.

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* ADateWithRosiePalms: Near the end, Diane Selwyn has this kind of date. It is extremely unsexy, seeing as how she's weeping as she's getting herself off.


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* MasturbationMeansSexualFrustration: Near the end, Diane Selwyn masturbates on the couch after Camilla broke up with her. It is extremely unsexy, seeing as how she's weeping as she's getting herself off.

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* {{Fanservice}}: Rita and Betty have a softcore sex scene about halfway through. While nothing is shown that would take the film beyond an R-rating, it is very erotic.



* LipstickLesbian: Betty and Rita. Also Camilla and Blond Camilla kissing at the dinner party.

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* LipstickLesbian: Betty and Rita. Also Camilla and Blond Camilla kissing at the dinner party. They're all women with long hair who wear dresses mostly, usually with an elegant manner.


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* MsFanservice: Rita and Betty have a softcore sex scene about halfway through. While nothing is shown that would take the film beyond an R-rating, it is very erotic. It includes full frontal nudity by Betty, and them both topless having sex. Both are quite attractive.

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[[caption-width-right:350:Betty (left) and Rita (right) are also wondering what the hell is going on.]]



** To clarify; the sequence starts the morning after Camilla's death, cuts to a series of flashbacks that are presumably shown in chronological order (interrupted by a moment where Diane masturbates). It then transitions to the present, which is marked by the homeless person getting ahold of the blue box and releasing the creepy elderly couple.



** Dan describing his dream as set at "sort of half-night". When Rita gets into bed with Betty, the window behind her shows it's quite bright outside, [[spoiler: because this is all a dream]].



* EmergingFromTheShadows: Mr. Roque, in his first meeting with Adam.

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* EmergingFromTheShadows: Mr. Roque, Roque always sits in a near-empty office that lets in no natural light. Also the Cowboy in his first meeting with Adam.



* GratuitousFrench: The magician is abusing this trope.

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* GratuitousFrench: The magician is abusing abuses this trope.


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* ItsAllAboutMe: [[spoiler: Diane's dreamworld rewrites her environment and her actions in such a way as to make her into a Mary Sue, with Camilla's likeness given to a far less complicated love interest while her name and any negative traits are passed onto a random blonde woman the real Camilla had an affair with. The hit was also conducted by an ObviouslyEvil crime lord so that Diane can deny accountability, with the target surviving to assuage her guilt.]]
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Up To Eleven is a defunct trope


** The movie borrows its name from an actual California location and takes place at Hollywood. Five years later, Lynch would do the same again but in a [[UpToEleven more incoherent manner]] with ''Film/InlandEmpire''.

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** The movie borrows its name from an actual California location and takes place at Hollywood. Five years later, Lynch would do the same again but in a [[UpToEleven more incoherent manner]] manner with ''Film/InlandEmpire''.
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* RealityWarper: May or may not be the hobo or the cowboy or the magician [[spoiler:or Diane]].

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* RealityWarper: May or may not be the hobo or the old couple or the cowboy or the magician [[spoiler:or Diane]].
Willbyr MOD

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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/mulholland_dr.png]]
[[caption-width-right:350:Betty (left) and Rita (right) are also wondering what the hell is going on.]]

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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/mulholland_dr.org/pmwiki/pub/images/a94ee53b_1945_4ac5_9c1e_1cdd39a70910.png]]
[[caption-width-right:350:Betty (left) and Rita (right) are also wondering what the hell is going on.]]
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* JumpScare: One of the most iconic examples of the modern age - This is how the man behind Winkies [[EstablishingCharacterMoment is introduced]], only to [[MindScrew disappear just as quickly]].

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* JumpScare: One of the most iconic examples of the modern age - age. This is how the man behind Winkies [[EstablishingCharacterMoment is introduced]], only to [[MindScrew disappear just as quickly]].
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* GolfClubbing: Adam uses his golf club to trash the windshield of the Castigliane brothers' limo.
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-->''"Silencio."'''

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-->''"Silencio.->''"Silencio."'''
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-->''"Silencio."'''
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** The last line of the film, "Silencio," is also the last line of Creator/JeanLucGodard's 1963 film ''Film/{{Contempt}}'', which is also a movie about people making movies, and which is also a film in which the protagonist gets dumped by their partner for someone more powerful and glamorous.
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* MirrorUniverse: The "Betty story" and the "Diane story" are this to each other, at least to begin with. In the Betty story, Betty is an idealistic and gifted young actress who finds true love with 'Rita' and whose talented is noticed by people around her; Adam is a hapless loser whose wife throws him out and whose career is almost destroyed until he learns to be a spineless hack; 'Rita' is a gorgeous brunette who loves Betty; Camilla is a moderately talented actor who only gets work because of her connections; Joe the hitman is comically bad at his job. In the Diane story, Diane, Betty's equivalent, is a depressed and struggling actress who lacks love and respect, and whose lover Camilla leaves her for another man (''and'' another woman); Adam is a successful director who's engaged to Camilla; Camilla is a successful actress whose career is way ahead of Diane's; Joe is a competent hitman [[spoiler: who succeeds in killing Camilla.]] But the Betty story begins to fall apart, as if under the influence of the Diane story.
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* {{Foreshadowing}}: If there can even be such a trope in the film of such narrative complexity, [[spoiler:Diane Selwyn '''will''' die.]]

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* {{Foreshadowing}}: If there can even be such a trope in the film of such narrative complexity, complexity. [[spoiler:Diane Selwyn '''will''' die.]]
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* AutomobileOpening: The opening credits roll over shots of a limo riding up Mulholland Drive at night.
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* MacGuffin: Diane, including the audience, are not supposed to know what the key is for or why Joe gave it to her, only to know that the mystery behind it is what kickstarts Diane's dream.

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* MacGuffin: Diane, including the audience, are not supposed to know what the blue key is for or why Joe gave it to her, only to know that the mystery behind it is what kickstarts Diane's dream.

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