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[[caption-width-right:285:''"[[Film/GuardiansOfTheGalaxy There's a legend... Called 'Footloose'. Where a great hero named Kevin Bacon shows an entire town full of people with sticks up their butts that dancing is the greatest thing there is.]]" "[[LiteralMinded ...Who put the sticks up their butts?]] That is cruel"'']]

->"If ''Footloose'' has taught me anything, it's that there are people everywhere trying to shut you down just for the crime of ''being young!''"
-->-- '''WebVideo/ToddInTheShadows'''

Not to be confused with [[Webcomic/{{Footloose}} the webcomic]] of the same name, '''''Footloose''''' is an 80's Paramount musical about a young man who, after finding himself under the rule of a harsh religious regime, bands together a group of allies to rise up and speak out against the laws that are oppressing their right of expression.

It's also about a school dance.

After his parents' divorce, Ren (Played by Kevin Bacon) moves with his mother [[FishOutOfWater from Chicago to a small town in middle America]]. While he finds many of the town's backwards ways frustrating, there is one inexplicable rule that really catches his attention: Rock music and dancing are illegal. He soon makes it his mission to try and reform the law before senior prom, but Ren faces some stiff adversaries. His main opposition comes in the form of the extremely conservative Reverend Shaw Moore (Creator/JohnLithgow), who is certain that if rock music is allowed in the town, then all the young people will end up pregnant cocaine-addicts.

Obviously.

Regardless, Ren and his new friends--including the beautiful Ariel, who happens to be Reverend Moore's daughter--set out on their quest to give the town's teenagers sex, drugs and rock n' roll.

Well... rock 'n' roll, at least.

Like ''Film/FerrisBuellersDayOff'' and ''Film/TheBreakfastClub'', ''Footloose'' isn't one of those fantastic cinematic experiences you need to see for artistic reasons. It's one of those [[TheEighties 1980s]] film classics that you have to see because it has been referenced time and time again until it has become a cultural icon.

A [[AllMusicalsAreAdaptations stage musical]] was made in 1998. It won two Tony Awards and ran for 709 performances. A film remake was released in October 2011.

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!!This film provide examples of:

* EightiesHair: Oh yeah!
* AbandonedWarehouse: Great place for doing an AngryDance.
* AccidentalHero: Ren is challenged to a GameOfChicken in a tractor, and finds himself the accidental victor as his shoelaces get stuck in the gearing, preventing him from bailing out.
* AdaptationalAngstUpgrade: Ren's mother is dead in the remake.
* AdaptationalHeroism: Wes is much supportive of Ren in the remake. When Reverend Shaw tries to get him to make see that Ariel is too good for Ren, Wes replies that it's most likely the other way around. He also explains how Ren spent his mother's last years taking care of her, after his father left.
* TheAggressiveDrugDealer: Subverted. The "dealer" just wants Ren to get caught with contraband.
* AllThereInTheManual: The novelization reveals that Principal Dunbar lost his daughter in the accident on the bridge, which explains why he supports the ban so much.
* AMFMCharacterization: The contrast between Ren and Rev. Moore is underpinned by the music they like.
* AngryDance: To the max in the warehouse.
* AsTheGoodBookSays: Ren quotes Biblical scripture to support the value of dance to town council. It doesn't work, but Rev. Moore personally appreciates the gesture.
* BannedInChina: InUniverse - Rock and dancing are banned in Bomont.
* BetaCouple: Rusty (Sarah Jessica Parker) and Willard (Chris Penn).
* BeYourself: Don't conform to what your parents want you to be.
* TheBigGuy: Woody. Class 2 with some signs of Class 5: between keeping Chuck's thugs off his smaller friends' backs, he explains to Ren how the town government works in Bomont.
* BlitheSpirit: Fits Ren like a glove. Or some sort of dance shoe.
* BookBurning: Townspeople start doing this, making the reverend realize things had gone too far.
* TheCobblersChildrenHaveNoShoes: Reverend Moore is a great motivational speaker, but he cannot reach his daughter. Lampshaded by his wife.
--> '''Vi''': You're a wonderful preacher. You can lift a congregation up so high ... they have to look down to see heaven. But it's the one-to-one where you need a little work.
* CorruptHick: Subverted with Reverend Moore, who genuinely thinks he's doing the right thing. He is also willing to listen to Ren's argument, and stops a group of people burning "unseemly" books from the library. Principal Dunbar is a straighter example; his [[TheFundamentalist fundamentalism]], up to and including BookBurning, creeps out the Reverend.
* CulturePolice: The Reverend and the older generations that follow his lead.
* DancePartyEnding: Of course!
-->'''Ren''': "Hey, I thought this was a party! LET'S DAAAAANCE!!"
* DancingIsSeriousBusiness: You better believe it.
* DeathByAdaptation: Ren's mom, in the remake.
* DeathSeeker: It's heavily implied that Ariel is this as a way of coping with her brother's death.
* DisappearedDad: Ren's father abandoned him and his mom.
* DisobeyThisMessage: In a way.
* DystopianEdict: No Dancing!
* DivingSave: Ren pushes Ariel out of the way of the onrushing train.
* TheEighties
* EstablishingCharacterMoment: Ariel's car stunt showcases her DeathSeeker attitude.
* FishOutOfWater: Ren.
* GameOfChicken: On ''tractors,'' set to "HoldingOutForAHero" to great effect. Ren wins [[spoiler:because his shoelace gets caught on the gas pedal]].
* GenreBusting: comedy? drama? romance? musical? You tell me.
* HateSink: Both Principal Dunbar and Chuck, contrasting to [[AntiVillain Reverend Moore]]. Dunbar is the [[SmugSnake slimy but ultimately ineffectual]] sort, while Chuck is [[DomesticAbuser legitimately dangerous]] in his own right.
* HeelFaceTurn: Reverend Moore starts going through this when Ren, attempting to get the ban on dancing repealed, quotes several Bible verses that are supportive of dancing. Reverend Moore is moved by Ren's speech, but the repeal fails anyway because the city council votes against him.
* HighSchoolDance: The film ends with the prom that the school is allowed to have after the no dancing law is overturned.
* ICantDance: When Willard reveals to Ren that he cannot dance, the latter challenges him to a TrainingMontage of HoYay [[https://www.youtube.com/watch?v=B8S3OVzof8s dance practice]].
* InformedAttractiveness: Early on, one of the town girls about Ren: Are you blind? He is gorgeous!
* IOwnThisTown: The no-dancing law doesn't get repealed because Reverend Moore already had enough City Council voters in his back pocket.
* MeaningfulName: Ariel. [[ShoutOut/ToShakespeare The spirit from]] ''Theatre/TheTempest'' who longs for freedom. (This was five years before the [[SmallReferencePools more readily available]] [[Disney/TheLittleMermaid use of the name]].)
* MonochromeCasting: Bomont in rural Utah might well be the whites town in America.
* MoralGuardians: The Reverend is acting as one of these but ends up being a [[CulturePolice Culture Cop]]
* MyGodWhatHaveIDone: Perhaps part of the reason Reverend Moore was willing to listen to Ren after the book-burning incident: he finally realized that the repressive trends that he'd started and approved of had gone too far. He also gets this when slaps Ariel in anger.
* TheNewRockAndRoll: Dancing is forbidden and the Reverend preaches against the evils of rock music. All because of a fatal car crash that happened five years ago.
* PacManFever: The music-and-dance montage at the drive-in abruptly ends when Rev. Moore presses the stop button on the blaring boombox. Everyone stops celebrating and bows their heads in shame, including the reverend's daughter, Ariel,and the sound of Pac Man dying can be heard from the arcade.
* ParentalObliviousness: Rev. Moore is very guilty of this, as he thinks that Ariel only began misbehaving when Ren came to town, somehow managing to overlook the fact that she's been acting like this ever since her brother died.
* PetTheDog: The Reverend has several moments to show that he isn't ''completely'' close-minded. The most memorable might be when he stopped a group of citizens from burning books, or when he sits down to actually talk to Ren about their respective losses after the town meeting. The most touching is his reunion with Vi at the close.
* PopCulturalOsmosisFailure: Willard doesn't know ''Music/ThePolice'' or ''Music/MenAtWork''.
* ThePowerOfRock: Played straight.
* PlayingGertrude: Dianne Wiest (Ariel's mother Vi) is only 9 years older than Lori Singer (Ariel).
* PreachersKid: Ariel's standing on moving pickup trucks and [[DeathSeeker answering the train]] is likely far from what her father had in mind for her. To say nothing of [[DomesticAbuser Chuck]].
* RealityIsUnrealistic: It's based on an actual 80's news story.
* RepeatCut: Towards the end of Ren's AngryDance, there is a take of him jumping high up in the air which is repeated five times.
* RepeatWhatYouJustSaid: Willard jokingly suggests to start a nightclub in the church which gives Ren his EurekaMoment about the dance.
* RippedFromTheHeadlines: See above.
* RuleAbidingRebel: Ren actually ''does'' try to follow the rules most of the time (as restrictive as they may be) but is still labeled a rebel simply because he's from out of town. [[invoked]]
* SettingUpdate: The remake takes place in modern times, naturally. It also introduces a tiny bit of a problem that RogerEbert noted in his review. Namely, that while Moore, in 1984, could conceivably have grown up without rock music really being a part of his life (and thus scapegoat it), this would be practically impossible in 2011, other than his being raised to be ''much'' more of a religious fundamentalist than he is.
* ShamingTheMob: From Reverend Moore: "Satan is not in these books! He's in here! He's in your hearts. Go on home, all of you. Go and sit in judgment on yourselves."
* SpontaneousChoreography: During the climatic HighSchoolDance, where everyone can dance despite being from a town where dancing is illegal.
* SuspiciouslySpecificSermon: Two of them. One early on establishing the town elders' opposition to rock 'n' roll, and the change of heart one near the end of the film.
* ThereIsNoHigherCourt: The Movie would be much less entertaining if it had been about Judicial review though.
* TooDumbToLive: Subverted. Early on in the movie, Ariel stands in between two trucks as they speed down the highway, one foot inside each window. It's meant to paint her as wild and rebellious but looks more suicidally reckless. It's implied that it might actually be.
* TownWithADarkSecret: Ren doesn't get told immediately why dancing is outlawed and has to do some asking around to find out. Even then, he doesn't find out until much later that one of the car accident victims was Ariel's older brother. The remake actually tells us from the beginning.
* TrainingMontage: We are shown how Willard learns to dance under Ren's supervision.
* TheUnfairSex: Averted in the remake. Chuck might be angry at Ariel for her cheating on him with Ren, but that's no excuse to physically assault someone.
* UntrustingCommunity: The entire town is suspicious of Ren because he's from Chicago. Many locals go out of their way to try to prove that Ren is a troublemaker despite that he has the best of intentions. In the end, he helps the town move on from the past by setting up a dance and convincing the Reverend to lighten up.
-->'''Ren''': It's like something's choking everybody. Only they don't know they're choking.
* WellIntentionedExtremist: Reverend Moore.
* WhosOnFirst: When Ren asks Willard about his musical tastes.
-->'''Ren:''' You like Music/MenAtWork?\\
'''Willard:''' Which man?\\
'''Ren:''' Men at Work.\\
'''Willard:''' Well where do they work?\\
'''Ren:''' No, they don't, they're a music group.\\
'''Willard:''' Well what do they call themselves?\\
'''Ren:''' Oh no! What about Music/ThePolice?\\
'''Willard:''' What about 'em?\\
'''Ren:''' You ever heard them?\\
'''Willard:''' No, but I seen them.\\
'''Ren:''' Where, in concert?\\
'''Willard:''' No, behind you.
* WindowPain: Ren tries to start a movement to repeal his town's "no dancing" law... and late at night, he gets a brick through a window of his home for his troubles.
* WouldHitAGirl:
** Chuck is quite willing to hit Ariel.
** Reverend Moore slaps his daughter in a rage but he later reveals it to be the first time he's ever done such a thing.


!!The Musical contains examples of:
* AdaptationExpansion: Understandably, the musical has about twice as many songs as the movie, along with several new characters.
* AndADietCoke: Verbatim when Wendy Jo orders food at the Burger Blast.
* BeingWatched: "Somebody's Eyes" provides this in spades.
--> "If you've ever had anything to hide
--> Think twice before you step outside."
* CanonForeigner: Urleen (friend of Ariel, Rusty and Wendy Jo), Jeter, Garvin, and Bickle (Willard's buddies), Lyle (a second sidekick for Chuck), a couple of named characters at the dance palace, Betty Blast...
* TheCobblersChildrenHaveNoShoes: Referenced by Ren, when the Reverend comments that he's enforced a curfew for all the teenagers in town, but can't get Ariel to follow it:
--> "Well, you know what they say, it's always the shoemaker's kids that go barefoot."
* CrisisOfFaith: Reverend Moore's song "Heaven Help Me!".
* DecompositeCharacter: The school principal, Roger Dunbar, is split into two different characters in the musical: Principal Harry Clark and Coach Roger Dunbar.
* EverytownAmerica
* GreekChorus: Rusty and her cohorts Urleen and Wendy Jo.
* ICantDance: Willard's big secret, remedied in "Let's Hear It For the Boy!"
* IronicEcho: "Let the Lord hear your voices!"
* MundaneMadeAwesome: The Act I closer song "I'm Free/Heaven Help Me", a take on "I'm Free (Heaven Helps The Man)" from the original soundtrack. It's such an epic song of rockin' rebellion (intercut with reporting on the said rebellion by Reverend Shaw, pleading with his God to intervene) that you kind of forget that all they want to do is ''have a dance party.''
* ScreenToStageAdaptation: Let's face it. It was only a matter of time.
* SidekickSong: ''Both'' Ariel's and Ren's sidekicks get songs. Rusty has "Let's Hear It For the Boy" (and to a lesser extent "Somebody's Eyes") while Willard has "Mama Says."
* SmallTownBoredom
* WhereTheHellIsSpringfield: "Bomont? ''Where the hell is Bomont?"''

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