[[quoteright:280: http://static.tvtropes.org/pmwiki/pub/images/GeoffJohns0.jpg]]
[[caption-width-right:280:''"Good. Good. Everything is going as [[MagnificentBastard I]] have foreseen."'']]

Formerly the assistant of film director [[{{Film/Superman}} Richard Donner]], Geoff Johns broke into comic books in 1999. He worked freelance for about four years before signing an exclusive contract with Creator/DCComics, where he's been ever since. He writes an average of four comics a month, so he's responsible for a large percentage of DC's total monthly output.

Johns is also good friends with fellow DC exclusive writer Creator/GrantMorrison, and the two of them co-wrote the ''DC Universe #0'' one-shot as well as the best-selling weekly DC series ''52''.

Johns is largely considered to be the Mr. Fixit of comics, largely on the back of his restoration of Hal Jordan as Green Lantern. His specialty is revamping characters, especially villains, [[VillainDecay who have lost their way]] ([[HarmlessVillain or were always lame]]) into something more compelling. He's also the go-to guy for untangling a ContinuitySnarl, though he sometimes has to take [[{{Retcon}} a sword]] to the Gordian Knot.

On February 18th, 2010 he was named DC's Chief Creative Officer which basically makes him the No. 3 guy at the company after co-publishers Creator/DanDiDio and Jim Lee.

DC properties Johns has worked on include:
* ''ComicBook/JusticeSocietyOfAmerica''
* ''ComicBook/TheFlash''
* ''Comicbook/{{Flashpoint}}''
* ''{{Superman}}'' and ''Action Comics''
* ''Comicbook/TeenTitans''
* ''GreenLantern'' including the epic SinestroCorpsWar and ComicBook/BlackestNight storylines.
** ''ComicBook/BrightestDay''
* ''Franchise/JusticeLeagueOfAmerica''
** ''ComicBook/TrinityWar''
* ''ComicBook/InfiniteCrisis''
* ''ComicBook/FiftyTwo''
* ''ComicBook/FinalCrisis: [[TheFlash Rogues Revenge]]'' and ''ComicBook/FinalCrisis: [[ComicBook/{{Legion Of Super-Heroes}} Legion of Three Worlds]]''
* ''Stars and S.T.R.I.P.E.''
* ''ComicBook/{{Hawkman}}''
* ''ComicBook/BoosterGold''
* ''ComicBook/{{Aquaman}}''
** ''ComicBook/ThroneOfAtlantis''
* ''ComicBook/BatmanEarthOne''
* ''ComicBook/ForeverEvil''

MarvelComics properties Johns has worked on include:
* ''Comicbook/TheAvengers''
* ''[[ComicBook/FantasticFour The Thing]]''
* ''[[ComicBook/XMen The Morlocks]]''

Properties that Johns co-created and co-own include:
* ''Olympus''
* ''The Possessed''

Television Shows that Johns has written episodes for include:
* ''WesternAnimation/JusticeLeague Unlimited''
* ''WesternAnimation/RobotChicken''
* ''Series/{{Smallville}}''
* ''WesternAnimation/TitanMaximum''
* ''Series/{{Arrow}}''
* ''[[Series/TheFlash2014 The Flash]]'' (2014)
!!Tropes associated with Geoff Johns:
* AlternateCompanyEquivalent: Creator/BrianMichaelBendis - Bendis actually commented on this when [[https://twitter.com/BRIANMBENDIS/status/294973436516790274 he wished Johns a Happy Birthday]].
** FriendlyRivalry: Their books frequently ends up competting with each other in sales charts, but they are fond of one another and play video games together.
* AuthorAppeal: Johns is a self-confessed Silver Age Fanboy. Naturally this played a role in his writing of {{Superman}} and the revivals of [[ComicBook/GreenLantern Hal Jordan]], [[TheFlash Barry Allen]], and [[ComicBook/{{Aquaman}} Arthur Curry]].
** Another thing that's become the target of both criticism and jokes over the years is his love of graphic dismemberment and/or arm trauma.
* ArcWelding
* ArmedWithCanon: The fact remains he has the largest listing on this page for a single creator
* BatFamilyCrossover: He's done ''Black Reign'' for the JSA family, ''Sinestro Corps'' for the Green Lantern Family, and ''New Krypton'' for the Super family.
* BloodierAndGorier: Another common lament about Johns' work. Hey, kids, who's getting which body part ripped clean off in ''this'' issue?
* BunnyEarsLawyer: Rumors abound of him being a very... unusual... person in real life. A hint of this is the [[https://data.archive.moe/board/co/image/1349/35/1349350862111.png Cereal Adventure.]]
* {{Continuity}}: He's a master of this, which makes him a {{Fanboy}} favorite. Generally, if you think you've caught a continuity error in one of his stories it will turn out to be a plot point.
** Example, long time fans were scratching their heads when Barry started talking about his father being framed for the murder of his mother as his motivation for becoming a police scientist (as he'd had a good relationship with both of his parents up to the point of his death.) This could have been handwaved as being the byproduct of any of three major cosmic retcons that had taken place since his death but it turned out it was Professor Zoom using TimeTravel to screw up his past.
* CrisisCrossover: ''Day of Judgement'', ''ComicBook/InfiniteCrisis'', and ''ComicBook/BlackestNight''.
* DarkerAndEdgier: A lot of his writing, especially post-ComicBook/InfiniteCrisis.
* ElephantInTheLivingRoom: Subverted, as the usual superhero-comic "Why does everyone ''stay'' in a supervillain-plagued city?" question has been dealt with a few times:
** The twin cities of TheFlash (Keystone and Central) are home to important industries--heavy industry and electronics, respectively--that probably wouldn't be available in many other places. In addition, the Flash rogues are not as deadly as, say, Batman's.
** Coast City ''was'' almost completely abandoned until recently, simply because the GreenLantern villain gallery often showed up there and ''the fact that the robot Superman had blown it up awhile back'' was hanging over their heads. In fact, the situation in Coast is a recurring motif of Johns' run.
*** And it even got a reversal in the ''Sinestro Corps War''. The Sinestros intended to wreck Coast City yet ''again'' to trigger a DespairEventHorizon, but the inhabitants' refusal to evacuate gave the city a reputation so badass that people started moving ''in'' in droves. They even decided to follow Green Lantern's example by nicknaming their home "The City Without Fear".
* LegacyCharacter: Likes working with these, but...
* LegacyImplosion: He has gradually become synonymous with this trope as Chief Creative Officer at DC, particularly because of the [[UnfortunateImplications unfortunate]] (and entirely coincidental) fact that his love of the DCU circa the 70s often means women or characters of colour passing their legacy titles back ''up'' to the white guys from the mid-20th century. Usually by dying, messily.
* LoadsAndLoadsOfCharacters: He is on record as stating that the more characters, the better.
* OldShame: He's not so proud of his ''Avengers'' run, because, according to his own words, he skimped on studying existing continuity. Some fans have developed an appreciation for it, if only because it was the last run before Bendis.
** Also, it wouldn't be a good idea to bring up [[AngryBlackMan Muhammad X]], a black superhero in Suicide Slums who is extremely suspicious of white authority figures and calls out Superman on not caring about the black community (since saving the entire city and/or ''planet'' several times apparently doesn't count). In other words, basically like the old man who guilt tripped Hal Jordan at the beginning of the famous ''"Green Lantern/ Green Arrow" run from several decades ago... only coming across with the '''same''' ValuesDissonance that it comes across today.
* PassingTheTorch: A theme in many of his books like ''JSA'' and ''Teen Titans''.
* PromotedFanboy: You'll be able to find some letters from ''Geoffrey Johns from Detroit'' in the letter columns of a few back issues of his favorite characters' books.
** According to Tom Brevoort, while working for Marvel Johns' love for DC was so apparent everybody knew it's just a matter of time before he jumps ships.
* {{Retcon}}: When the PostCrisis Superboy was revealed to be a modified clone of the director of the Cadmus Project, a young Geoff wrote in to the comic complaining that it would have been better if he'd been a combined clone of Superman and Lex Luthor. Years later, Geoff established this as Superboy's origin.
* RunningTheAsylum: Played mostly in good examples of this.
** With the revival of [[TheFlash Barry Allen]] being a bad example. His death was a big moment, and most readers got over it. They had 20 years to do so, and Wally had become the Flash for two generations of readers. He really didn't need to be brought back, unlike Hal Jordan, and his revival also led to ''Flashpoint'', which led to the erasing of Wally West from existence...
*** Though whether or not erasing Wally West from existence was something he actually wanted or forced on him by way of Dan [=DiDio=]'s ExecutiveMeddling we will probably never know...
** His treatment of SwampThing prior to ''{{New 52}}'' (which pretty much scrapped everything about the character from the start of AlanMoore's run onwards) wasn't exactly well-received either.
** He's got a pretty well-documented axe to grind with the Kyle Rayner incarnation of Green Lantern, and tends to go out of his way to undermine the character (up to and including having a villain in a Booster Gold story set in an alternate future bring up how much harder it was to kill Hal than Kyle apropos of nothing). To a lesser extent, Johns tends to treat any character/concept from the 1990s as disposable, though of course that's not always a bad thing.
* ShownTheirWork: He brings back characters that haven't been used in over 30 years and gives them a good reason for being there.
* WorldOfSymbolism: One of Johns's favourite techniques is to rebuild the world's around his characters so that everything and everyone, no matter how insignificant they seem, ties into a larger overarching theme. David Uzumeri at ''Comics Alliance'' has named this trope [[http://www.comicsalliance.com/2011/11/17/johnsian-literalism-geoff-johns/ Johnsian Literalism]] in his honor.
* WriterOnBoard: His DC work is the pinnacle example that [[TropesAreTools this can be a good thing]].
* WriterRevolt: He absolutely refused to write the death of Dick Grayson (the original Robin and one of the longest continually published characters in comic book history). He even sacrificed Superboy, one of his favorite characters, to keep Dick alive.
* WritingForTheTrade: Refused to do it early in his career at Marvel, but now tends to follow the six-part storyline himself, albeit whilst developing and carrying on larger plots.