[[caption-width-right:350:Thunder... thunder... Thunder god, ho!]]

''Valhalla'' is a Danish comic series by Henning Kure (script) and Peter Madsen (script and artwork) that chronicles the stories of the [[Myth/NorseMythology Norse gods]] in a mostly lighthearted and humorous way. It started out as a [[NewspaperComics newspaper comic]], the first story, ''Cry Wolf,'' being printed as a serial strip in the Danish newspaper ''Politiken'' in 1978 and then the following year being collected and reprinted in album format.

From 1979 to 2009, fifteen albums (and one [[TheMovie animated feature]]) were produced, during which all the major and most of the minor known myths are covered in one way or the other.

The albums are, as follow:

# ''Ulven er Løs'' ("Cry Wolf")
# ''Thors Brudefærd'' ("Thor's Wedding")
# ''Odins Væddemål'' ("Odin's Wager")
# ''Historien om Quark'' ("The Story of Quark")
# ''Rejsen Til Udgårdsloke'' ("The Journey to Utgards-Loki")
# ''[=De Gyldne Æbler=]'' ("The Golden Apples")
# ''Ormen i Dybet'' ("The Serpent in the Abyss")
# ''Frejas Smykke'' ("Freya's Necklace")
# ''Den Store Udfordring'' ("The Big Challenge")
# ''Gudernes Gaver'' ("The Gifts for the Gods")
# ''Mysteriet om Digtermjøden'' ("The Magic Mead")
# ''Gennem Ild og Vand'' ("Through Fire and Water")
# ''Balladen om Balder'' ("The Ballad of Balder")
# ''Muren'' ("The Wall")
# ''Vølvens syner'' ("The Vala's Visions")

!!Provides Examples Of:

* AbusiveParent: Tyr's father, Hymer, used to regularly beat him with his beer mug.
* AdaptationalHeroism: The comic makes Loki an UnsympatheticComedyProtagonist rather than actually evil.
* AdaptationalVillainy: Vili and Ve, Odin's two brothers, though to be fair, the actual myths give them little to no characterisation at all. Likewise, [[spoiler:Hoenir]] in the eleventh album is made into an evil mastermind who is behind [[spoiler:Mimir and Gilling's murders]] and is given a complete personality reversal from the myths going from a quiet ExtremeDoormat to a JerkAss ControlFreak.
* AdaptationExpansion: Lots of extra plot threads and characterizations are added to the original myths.
** TheMovie was adapted into the fourth and fifth album, which greatly expands on its story, adding many new scenes and more properly explains things that might seem a little nonsensical in the movie itself.
* AffablyEvil: Several of the jotunns have traces of this, but Utgards-Loki, one of the few jotunn characters who's actually portrayed as ''intelligent,'' is the clearest example.
** You'd think that Loki would qualify, but on the whole, he's more of a JerkassWoobie with traces of UnsympatheticComedyProtagonist than an actual villain.
* AlternateCharacterInterpretation: [[invoked]] Of the Gods in original stories of the Norse mythology. Mostly of the humorous kind, as several of the gods are (mostly sympathetic) caricatures.
* AnachronismStew: Odin and Mimir are often seen playing ''chess.'' Other modern-time references usually fall under RuleOfFunny.
* AnnoyingYoungerSibling: Røskva to Tjalfe. This is especially clear in the first album, though both children go through a lot of CharacterDevelopment over the series, and Røskva proves to be the more levelheaded of the two.
* ArsonMurderAndJaywalking: Loki is the god of lies, deceit and [[TakeThat politics]].
* ArtEvolution: Naturally, given that the last album was published thirty years after the first one. Even so, the style stays remarkably consistent from the fourth album and onward.
* ArtShift: In the last album. Roskva's visions are all presented in a painted style with no outlines.
* AscendedExtra: Thor's servants, Tjalfe and Røskva, are very minor characters in the original myths (Tjalfe only appears in a couple of stories, Røskva only in one), but have been given major roles in this series, serving as [[AudienceSurrogate viewpoint characters]] for several stories.
** Also, Utgards-Loki only appears in one original myth (coincidentally the same one that introduces Tjalfe and Røskva), but is a recurring villain in the comic and possibly the closest the series has to a BigBad. While not actually a threat to the gods for the most part, he does pull off quite a few [[BatmanGambit Batman Gambits]] in the hope of humiliating or harming them. He's pretty much the only major villain in the series who is not killed.
*** Utgards-Loki actually is not a case, except by CommonKnowledge. Many of the myths associated where Loki is depicted as being evil are actually Utgards-Loki. How many is disputed, but Snorri's interpretation of the mythology, while the most widespread, contains many confirmed inaccuracies. For example, the binding of Loki is actually Utgards-Loki and pre-dates Loki's involvement with the death of Baldur (Hod killed Baldur due to jealousy, and Loki wasn't even mentioned, in the original myth). Pretty much any myth depicting Loki as flat out evil, is probably either false or a myth about Utgards-Loki.
* [[Main/{{Asexuality}} Asexuality]]: Loki quite notably expresses his lack of interest repeatedly throughout the series. The only times that he tries to seduce someone or expresses his love for someone it's a matter of [[BlatantLies blatant lies]] as he is really after something else altogether, be it winning a bet or avoiding getting beaten to a pulp by the other gods for his misdeeds.
** At the end of the series it is revealed that [[spoiler:Loki has had a lock of Freya's hair in his possession, in a heart shaped box]]. Røskva insists that he was in love after all, but this of course does not mean that he is not asexual. Rather it comes down to the question if he is aromantic or not, and if he is perhaps he still cannot help being in love with the goddess of love. We do get two incidents when he is around Freya naked in the series, at one point she is trying to seduce him even, and he just doesn't care.
* AttractiveBentGender: Subverted with Thor, who does ''not'' make for an attractive woman.
** Both played straight and subverted with Loki: When he dressed up as Freya's handmaiden, he ''thinks'' he's incredibly sexy but is the only one who thinks so. However, when he's disguised as a mare in order to distract the jotunn horse Svadilfare, the horse finds him irresistible.
* BadassBoast: Thor, Heimdall and Loki are all extremely fond of this, but only Thor can regularly back it up.
* BerserkButton: Most of the major gods have one.
** Odin despises being disrespected, and by extension when non-Aesir disparage the Aesir. [[ArsonMurderAndJaywalking And losing at chess, which he does constantly]].
** Freya does ''not'' take it well when the male gods try to sell her off to Thrym in return for Mjollnir.
*** She's even more upset when they come up with a 'better plan' (they decide to dress up ''Thor'' instead) and ditch her, and their previous plan, as an afterthought without any hint of an apology or admission of fault.
** Thrym's wedding becomes one to Thor. The rest of the series makes it a RunningGag that he's unable to live down having dressed as a woman and flies off the handle out whenever anyone mentions it.
** Tyr's appearance beneath his bowlcut, [[spoiler:which reveal his Jotun heritage and his unhappy family life]].
** Heimdall's gets pressed when Loki disrespects Freya.
** Hoedir being pitied, or unfavourably compared to his brother.
* BigBeautifulWoman: Gerd, Frey's LoveInterest, is obese but good-looking, and Frey is completely smitten with her.
* BigDamnHeroes: Thor comes to the last-minute rescue of Tjalfe and Røskva no less than twice in the last album.
* BlatantLies: Loki (naturally) is prone to this. He denies being the mother of Sleipner, but all evidence points to him having given birth to the horse. In an earlier comic he tries to explain Fenrir's appearance the same way thus implying that he is the father of the wolf as well. He also denies being Hel's father to her face, but as far as we know this is a lie as well. The only times he expresses any interest in sex it is, indeed, blatant lies as he is merely trying to get the women in question to cooperate in their own kidnapping or into giving him a lock of hair for his bet.
* {{Bookends}}: ''The Serpent in the Abyss'' starts and ends with new arrivals coming to Valhall, and gods in disguise mingling to hear which god the warriors think is mightiest. [[spoiler:The first time around Thor blows his top when he hears the new arrivals praise Tyr, but at the end Thor and Tyr hear the new bloods praise ''Heimdall'' and simply break down laughing.]]
* BrainlessBeauty: Freya is very good at playing the part when it suits her, but it is always very clear that it is an act. Freya is usually portrayed as [[TheChessmaster a chessmaster]] who can give Odin a run for his money on a good day, and far more socially astute than her nominal superiors.
* BrilliantButLazy: Loki. When Tjalfe tells Røskva that Odin doesn't do any work because he's a king, Røskva asks if Loki's a king, too. Right before Loki, true to form, gets the kids to do his work for him.
* CanonForeigner:
** Quark, the ill-tempered Jotunn kid, does not appear in any of the original myths but was invented for the series. He appears in TheMovie and the two albums based on it, as well as some background appearances in other albums. For a while was considered the BreakoutCharacter, starring his own animated TV series and newspaper comic, but he avoids becoming TheScrappy largely because his actual appearances in ''Valhalla'' are so sparse.
*** A somewhat amusing development. In the second album the author plays around with Jotunn names along the lines of "H[insert dairy product]". The reason for this is the existence in the myths of the jotunn "Hymir", in modern danish "Hymer". [[http://en.wikipedia.org/wiki/Ymer_%28dairy_product%29 Ymer]] is a dairy product ... alright stay with me fellows ... so Madsen inserts a series of names based on soured milk and the like. These include a single background gag involving a misbehaved jotunn brat someone calles [[http://en.wikipedia.org/wiki/Quark_%28cheese%29 Hquark]] ... Dang, a joke just isn't much fun when you explain it is it? ... Anyway this kid seems to have lodged himself in Madsen's brain, springing to life in the aforementioned albums etc.
** Rolf Herringskin, Tyr's sergeant, is a recurring minor character original to the comic. He seldom has any real role in the plot, but is occasionally used for exposition or comedy relief.
* CharacterDevelopment: Heimdall undergoes this in Freya's Necklace. Previous volumes cast him as a pompous, cowardly fool, but Freya's charms cause a more sensitive, chivalrous, and even thoughtful side of his character to come to the surface. Not to mention the fact that when he realizes the extent of Loki's mischief he goes on a rampage, finally proving that the titles he keeps harping on about (The All-Seeing Aesir, The All-Hearing Aesir) aren't just for show.
** Tjalfe and Røskva also go through noticable CharacterDevelopment over the course of the series; Tjalfe gradually becomes less foolish and insensitive, and more inclined to think before he acts, while Røskva goes from a naive little child to a far more insightful and intelligent young lady.
* ChasedOffIntoTheSunset:
** One of the albums ends this way. Earlier in the story, Loki lures a giant's horse away to make sure the giant can't complete a bet. He does this by disguising himself as a mare -- and months later, comes back with a gift for Odin, the eight-legged steed Sleipnir. Loki runs into the male horse again at the end of the story and promptly flees for his life with [[AbhorrentAdmirer the horse in pursuit]].
** It happens ''again'' with Loki in the very last album. [[spoiler: He escapes his fate at Ragnarokk and believes himself to be the last god alive. After lamenting the loss of his friends, he can't resist spouting some post-mortem insults about Thor and Heimdall... only to discover that they are NotQuiteDead after all. The last we see of Loki in the series is him once again running for his life as Thor chases him with his cart.]]
* ChasteHero: Balder. A lot of women are interested in him, but he's saving himself for the right one. [[spoiler: This leads to the comic's huge CrackPairing, namely Balder/Hel.]]
* TheChessmaster: Odin, [[AnachronismStew in addition to have a fondness for the actual game,]] is portrayed as such in several of the stories (though not in the ones where he's the main character).
* CloudCuckooLander: Of a slightly darker variety. Tyr's mother, in 'The Serpent in the Abyss', comments on how "nice" their family life used to be before Tyr ran away from home. Said family life having included regular verbal abuse from Tyr's cranky, many-headed grandmother, as well as physical abuse from his father Hymir.
* CockADoodleDawn: A RunningJoke is Thor throwing Mjölnir at a crowing rooster to shut it up. This only inconveniences roosters when he's staying somewhere on an adventure, though; the Valhalla rooster has learnt to dodge.
** To be more specific: all roosters know they have to duck. The Valhalla rooster know it has to dodge mjollnir ''twice''.
* CompanionCube: Thor has a tendency to treat {{Mjollnir}} as a pet in addition to a weapon -- most notably in the second album, where it's stolen by Thrym and Thor panics because the hammer "isn't used to being alone." May be slightly [[JustifiedTrope justified]] in that Mjölnir is a ''magical'' hammer and on one or two occasions (mostly for brief gags) has shown some semblance of sentience.
* CompositeCharacter: In ''The Wall'', Frey's messenger and servant Skirnir is in fact Tjalfe, operating under an assumed name.
** Freyja and Sol are the same combinded into a single godess and Frigg and Jord have the same treatment. But this also reflects some actual theories about these godesses.
** Røskva [[spoiler: is revealed to be the same as the titular völva of Völuspa]].
* ContinuityNod: At the beginning of ''Odin's Wager'', the valkyries bring the recently dead to Valhalla, and one already permanent resident comments that his younger brother is not among them. In ''The Serpent In The Abyss'', said brother finally arrives.
* CourtlyLove: Heimdall spends most of "Freya's Necklace" having a 'romantic ideal' type of crush on Freya and is actually offended when she propositions him sexually. [[spoiler:Subverted in the ending.]]
* CrouchingMoronHiddenBadass: Heimdall is for the most part portrayed as a self-important, blustering fool with a huge cowardly streak... but as Loki finds out, if you actually get him riled enough, he becomes ''dangerous.''
** Hoedir might also count; he's not the parodic figure that Heimdall is, but for the majority of the series he's more or less the harmless blind background character that hardly anyone notices. When he gets his DayInTheLimelight, though, he thoroughly demonstrates why underestimating the blind guy is ''not'' a good idea.
* CuteKitten: Tjalfe gets one in the last album, as his "fylgja" (a spirit companion in the form of an animal). Initially disappointed because his fylgja isn't a cooler animal, like a big strong bear, he nevertheless falls for the kitten almost immediately.
* DayInTheLimelight: Many, including Tyr's in 'The Serpent in the Abyss', Heimdall's in 'Freya's Necklace' and Hoedir's in ''The Ballad of Balder''.
* DeadpanSnarker: Several of the gods have their moments, but Loki (not surprisingly) has the most.
* DirtyCoward: Loki may talk big, but ask him to actually face real danger and he'll grab any excuse to not have to.
* DirtyOldMan: Odin has definite shades of this.
* {{Disneyfication}}: Mostly subverted. While the comic is definitely LighterAndSofter than the original myths, and the cartoony drawings and slapstick sequences can make it seem like it's aimed at a younger audience, there are a lot of mature themes in the stories, and quite a bit of blood, nudity and sexual references.
* TheDitz: Idunn. Balder, on occasion.
* DoubleStandardRapeFemaleOnMale: At the end of ''Freya's Necklace'' Loki leaves for Utgard to be free of everyone's obnoxiously amorous spring mood, claiming that trolls and giants have no such feelings. He promptly gets clubbed over the head by a giant woman who drags him into her cave where a bed is waiting. It's played for laughs.
** It should probably also be noted that Loki is forced to seduce a stallion by the other gods, and he wants no part in it. That is to say, until the horse's owner insults his mare shape, at which point it becomes a matter of pride. Any interest in being part of the whole affair evaporates the moment the stallion is free however, and again his misfortunes are played for lauhgs.
* DumbBlonde: Played fairly straight with Idunn, but completely averted with Freya, who may occasionally be giggly and flirty but is consistently portrayed as one of the smartest and most skillful of all the gods.
* DumbMuscle:
** Thor is definitely viewed as this by several of the other gods (especially Loki), though in reality he's generally ''thoughtless'' rather than stupid. When he actually bothers to use his brain, he can be quite cunning.
** Hymer is considered one of the strongest amongst the Jotunns. He is also incredibly naïve, dimwitted, and frequently LateToThePunchline, and the Jotunns sees him as easily being the stupidest of their kind.
* EthicalSlut: Freya swings between being this and an InnocentFanserviceGirl, often within the same story. She is quite open about her sexuality and often hits on the male gods, but in the end she is more concerned about love than sex. The prospect of being forced into a loveless marriage disgusts her, and it's also notable that she never hits on any of the ''married'' men.
* EvenEvilHasStandards: The Franchise/ConanTheBarbarian {{expy}} in "Odin's Wager" slaughters enemy fighters like it's going out of fashion, but [[HotBlooded flips out]] when his commander orders him to kill those who have surrendered.
* ExactWords: Like in the original myth, when Brokk wants Loki to bet his head, he means betting his ''head''. The comic shows Loki's thought process in thinking he's being metaphorical[[note]]'betting your head' in old Norse society usually meant 'the price on your head', i.e. a sum of money befitting of your wealth and station[[/note]] and, of course, his dismay at learning he's not. Like in the original myth, Loki gets out of it by pointing out that the bet never was about his ''neck''.
* EyesAlwaysShut: Hoedir, to illustrate his blindness. He opens his eyes exactly once during the series, towards the end of ''The Ballad of Balder'', when he in a shared dream gets to experience sight for the first time. (His reaction: "I did think something seemed different...")
* FieryRedhead: Thor, as in the original myths, has red hair and a huge temper.
* TheGadfly: Loki. While his primary motivation is usually {{greed}}, he also gets into all sorts of trouble just because he thinks it's funny to annoy and mess with people.
* GoodIsNotNice: Again, many of the gods have definite touches of this, displaying some extremely morally questionable behavior, though in most cases it's used for comic effect. Odin is probably the clearest example of the trope; he usually doesn't bother to get involved in anything unless there's something in it for him personally -- and when there ''is,'' he'll lie, cheat, steal and sleep around to get what he wants -- but he does have his own moral code that he follows very strictly, and when it comes down to it he does ultimately have everyone's best interests at heart.
* HappilyMarried:
** Thor and Sif, though their relationship does have a few rocky points (especially during ''Thor's Wedding''). Both have been in relationships before (Sif came to Valhall a widow and Thor has [[HeroicBastard Magni]]), but are faithful and happy together during the course of the story.
** Bragi and Idunn also seem like this, although being secondary characters their marriage is less explored.
* HeelRealization: Thor seems to undergo a subtle one at the end of ''Thor's Wedding'', when complaining about how the jotunns treat their women, and Sif points out that the gods aren't much better.
* HeroicBSOD: Tyr undergoes one when he's forced to confront his parentage in ''The Serpent in the Abyss.''
* HeroicSacrifice: [[spoiler: Odin pulls one in the last issue to reverse Ragnarök, but if Röskva's vision is anything to go by he will rise again]].
* HeterosexualLifePartners: Thor and Loki are a VitriolicBestBuds version. Though Loki is actually ''Odin's'' blood-brother, he's far more likely to hang out with Thor -- and even though they get on each other's nerves occasionally (Loki loves to insult and humiliate Thor, while Thor never hesitates to threaten Loki with savage beatings) they remain the best of friends and often go journeying together.
* HonoraryUncle: Loki (somewhat unwillingly) to Thor's children -- when they are old enough to talk, they even call him "Uncle Loki."
* HotterAndSexier: The comic never shied away from sexual references and nudity, but the eighth album, "Freya's Necklace" -- hoo boy.
* InformedFlaw: In "Thor's Wedding" and "Through Fire and Water", it's implied that Thor is pretty much a helpless weakling without his hammer. In contrast, most of the other stories portray him as the strongest and most invincible being in existence, with or without his hammer.
** "Through Fire and Water" spends pretty much the entire story subverting this notion. After being insulted by Frey as DumbMuscle who can't do anything without his hammer, Thor decides he's going to help Loki free Odin using nothing but his wits... And succeeds. [[spoiler:Also subverted in that he went along fully armoured and gauntleted under his winter clothes, allowing him to do a BulletCatch in the climax. "Without his hammer" does not mean "unarmed".]]
* ItsAllAboutMe: Loki in a nutshell. He's not actually malicious, but he ''is'' completely self-centered, and as long as he himself doesn't suffer, then the rest of the world -- even his best friend Thor -- can go hang for all he cares.
* {{Jerkass}}: Loki, though unlike in the myths not a malicious one (usually).
* JerkWithAHeartOfGold: Thor is temperamental, thoughtless, insensitive and with a big selfish streak, but he's also genuinely kind and honorable.
** Especially evident in 'The Serpent in the Abyss'. Thor is probably the Aesir who most hates Jotunns, and certainly the one who enjoys beating them up the most; however, when he discovers the truth about Tyr's father, he defends him against Heimdall's accusations and states, in his own way, that he respects Tyr as a warrior and commander, in spite of the intense rivalry between them, and that he considers Tyr's parentage inconsequential.
* KidSidekick: Tjalfe, to Thor.
* NeverSayDie: Averted, and hilariously played with in the thirteenth album, when Loki upon finding himself in the underworld tries to ask Hel if he's really dead or not. He uses every every possible euphemism for "death," only to have her completely misunderstand them all, until he breaks down and screams the real word. Translated and paraphrased:
-->'''Loki:''' What brings me here... to the kingdom of the dead... ''ulp!'' Does this mean I have... passed away?\\
'''Hel:''' Away? You're right here.\\
'''Loki:''' I mean... Have I found my peace?\\
'''Hel:''' You don't look very peaceful.\\
'''Loki:''' Forgot to breathe?\\
'''Hel:''' Doesn't sound like it.\\
'''Loki:''' Kicked the bucket?\\
'''Hel:''' You have a bucket?\\
'''Loki:''' Danced the last dance... perished... pushing up the daisies... snuffed out... croaked... '''''Am I DEAD, damn it?!'''''
** [[spoiler:He isn't, he's just dreaming.]]
* NiceGuy: Balder, which should come as no surprise to anyone.
* NoirEpisode: "The Magic Mead", which has Odin acting as the HardboiledDetective protagonist constantly sprouting {{Private Eye Monologue}}s to boot.
* NonMaliciousMonster: The huge wolf Fenris (who was the most dangerous monster in Norse mythology) turns out to only be a over-sized dog, who was controlled and abused by the evil giant Surtr.
* OmnicidalManiac: Surtr, like in the original myth.
* PetTheDog: Loki gets a few in the first volume, ''Cry Wolf.'' He pleads with the Aesir to allow the Fenris wolf to roam free (note however that in that volume Fenris has the temperament of a loveable pooch who just happens to be oversized, even if being chained up is his BerserkButton.) Also near the end of the volume when he tells Røskva she can take Fenris out for walks as long as she isn't seen. Makes sense if you know that Fenris is Loki's son.
* PollyWantsAMicrophone: Huginn and Muninn, Odin's ravens, are full-fledged {{Talking Animal}}s who spend their appearances in roughly equal parts giving cryptic advice and making bad jokes.
** In TheMovie, the "Cryptic advice" part is [[{{Flanderization}} emphasized to the point]] where the other characters seldom understand what in the world the two ravens are even talking about.
* PragmaticAdaptation: Since there are so many versions of the legends, this becomes a necessity... but it's pulled off well, often paying homage to even the versions that turn out incompatible with the comic's continuity. Most importantly, the {{Jerkass}} tendencies of the gods are toned down (though by no means done away with altogether) in order to keep them from becoming too unsympathetic.
* ReallyGetsAround: Freya certainly has this reputation, though it's probably exaggerated. Odin, on the other hand...
* TheReasonYouSuckSpeech: Sif delivers an epic one to the other gods about their treatment of women at the end of ''Thor's Wedding.'' Sadly, the only one who actually seems to listen to any degree at all is Thor, who after his stunt disguised as Freyja has just experienced first-hand how the jotunns treated ''their'' women.
* TheRival: Thor's son Magni is introduced as one to Tjalfe in ''The Big Challenge.'' At the end of the album, they decide they make better friends than rivals.
* RunningGag: One that runs through several albums is that of a crowing rooster getting hit by Thor's thrown hammer. See CockADoodleDawn above.
* SelfServingMemory: Both Thor, Sif and Loki display this in the WholeEpisodeFlashback album 10, ''Gifts for the Gods.'' All three of them are telling the children a story from their youth, and all three of them remember events ''slightly'' differently. Notably, Thor and Sif spend most of their story inverting this trope, showing their LoveAtFirstSight (which was mutual) through portraying ''themselves'' as young and awkward and bumbling while the other is portrayed as a divine figure of perfection. Loki, on the other hand, plays the trope completely straight; in his version of the story he's always cool, witty and in perfect control of the situation -- but Thor and Sif portray him as far more cowardly and bumbling.
* SingleMindedTwins: It's never said whether they actually are twins or not, but Odin's brothers, Vili and Ve, play this trope completely straight.
** Same with the two dwarf brothers, Fjalar and Gjalar. Two other dwarf brothers, Eitri and Brokk, act like this in their firstappearance in ''Cry Wolf,'' but not in their second appearance in ''Gifts for the Gods,'' where Brokk gets far more screen-time and attention.
* ShoutOut: Several, often to myths that for reasons of characterization and continuity are not part of the comic.
** The third album also includes a notable ShoutOut to the Creator/MarvelComics, when Odin meets [[spoiler: Balder, Thor and Loki disguised as]] three mortal warriors named Fander, Hogur and Voldsdag -- [[LawyerFriendlyCameo Lawyer Friendly Cameos]] of [[ComicBook/TheMightyThor Fandral, Hogun and Volstagg.]]
*** Not sure if it was an intentional ShoutOut or not, but you can definitely see some traces of [[ComicBook/TheMightyThor Marvel's Thor]] in Tjalfe's dream sequence in the ninth album, where Thor passes Mjölnir on to him and tells him that from now on he is to be the "new Thor." In this sequence, Tjalfe is wearing a winged helmet and a red cape (and of course he's already blonde and beardless), making the parallels noticable.
** Also in the third album, a mortal woman named Thora, who is said to be "the fairest of them all" looks almost exactly like Disney's Disney/SnowWhite.
** In the second album, the band that plays at Thrym's wedding looks suspiciously like [[Series/TheMuppetShow The Electric Mayhem.]]
** When asked to come up with a way to capture Fenris in the first album, Loki exclaims "I've got a plan!", to which Heimdall timidly asks "Is it dangerous?" - similar to an oft repeated exchange between criminal mastermind Egon Olsen and his cowardly henchman Kjeld in the long-running Danish crime-comedy film series ''Film/OlsenBanden''.
** In the third album a beserker is seen brandishing a [[AwesomeButImpractical sawn-off sword]] and shouting "Does he want somehing from the sawn-off", a CatchPhrase from the classic Danish comic ''Pirelli and Firestone'' by Claus Deleuran.
** In the fourteenth album, ''The Wall'', Tjalfe while out on his "secret mission" meets up with an old shepherd ([[spoiler:really Odin in disguise]]) who keeps referring to action movies into his dialogue:
-->"Tell me, do you want to Film/DieHard? Or do you think [[Film/YouOnlyLiveTwice you live twice]]?"
-->"I see you're equipped with a Film/LethalWeapon... and a Film/LicenceToKill."
-->"Heh heh. "Film/MissionImpossible," it seems."
** In "Odin's Wager" Odin meets a HotBlooded warrior who betrays his Lord, because he was ordered to [[MoralEventHorizon kill surrendering enemies.]] This character is a near carbon copy of Franchise/ConanTheBarbarian.
* SmartPeoplePlayChess: Odin and Mimir play chess all the time. Mimir always wins.
* SparedByTheAdaptation: Several characters who die in the original myths live in the comic.
** Loki deserves special mention. In the original myths, after killing Balder and taunting the gods, he is bound and imprisoned in an underground cave with a snake dripping poison in his face, and does not get free until Ragnarok, when he leads the attack on Asgard and is killed by Heimdall. In the comic, where Loki is far less malicious, these things are all alluded to and given [[ShoutOut Shout Outs]], but do not actually happen.
* SuspectIsHatless: Subverted in "Odin's Wager", when Thor tries to describe his encounter with a mysterious stranger. Loki asks "How many eyes did he have?", and it occurs to Thor that the stranger was, in fact, ''one-eyed'', which means it was probably Odin (who has been missing for a while).
* SymbolSwearing: Hrugnir, from the album ''The Big Challenge,'' can't string two sentences together without SymbolSwearing up a storm. Tjalfe, when drunk on the mead Hrugnir has forced him to consume, gets in on the act too.
* TagalongKid: Røskva starts off as a pure example of this. Tjalfe, to a lesser degree. They both come into their own over the course of the stories.
* TheQuietOne: Vidarr, one of Odin's bastard sons, makes a short appearance in ''Through Fire and Water''. He only speaks the absolute minimum necessary to communicate (Loki claims it's because he's simple), but still manages to build up a rather friendly rapport with his half-brother Thor.
* TraumaticHaircut: On two separate occasions, both of which bring notable plot developments. The straightest example (and the only one that's actually mentioned in the original myths) is Sif's haircut by Loki, but on a separate occasion Tyr also gets one after an argument with his hairdresser -- it's played more humorously, but when his new short hair reveals that he has the ears of a jotunn and a scar on his forehead [[spoiler: because he was the son of a jotunn who abused him as a child]], it's suddenly [[MoodWhiplash not as funny anymore.]]
** Subverted at one point with Tjalfe, who ''acts'' as if he's getting a TraumaticHaircut, but the only result is a slightly different hairstyle.
* TyrantTakesTheHelm: Part of the plot of ''Odin's Wager'' involves Odin's two decidedly less talented brothers taking over leadership of Asgard in his absence. A case of AdaptationalVillainy, as in the story this idea came from Vili and Ve immediately handed Asgard back to Odin when he returned.
* UnsympatheticComedyProtagonist: Loki. Odin in ''Odin's Wager''.
* WellDoneSonGuy: Tjalfe and Magni are both this towards Thor, despite only the latter being his actual son.
* WholeEpisodeFlashback: Both the tenth and eleventh album count as this, the former being Thor, Sif and Loki telling the kids about how Sif got her golden hair and Thor his hammer (this is also an example of SelfServingMemory, as all three gods remember the events slightly differently), and the latter being Odin narrating a story from his younger days, in an over-the-top Film Noir detective parody.
** There are many shorter [[{{Flashback}} flashback sequences]] in the comic as well, especially in the later albums.
* WomenAreWiser: Frigg and Sif are definitively more grounded than their husbands. In Frigg's case this was pretty much her role in the original myths as well, and is carried over. Freya, though she may seem giggly and ditzy at times, repeatedly shows herself to be both wiser and more cunning than most other gods.