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Spoilers shouldn't be marked on Awesome subpages.
Changed line(s) 13 (click to see context) from:
* While it ends in tragedy, the film charge of the Yeomanry early in the war is this as they utterly trample a German camp after appearing out of the cornfield. If it wasn't for the [[spoiler:machine guns]], the charge would have been a complete success.
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* While it ends in tragedy, the film charge of the Yeomanry early in the war is this as they utterly trample a German camp after appearing out of the cornfield. If it wasn't for the [[spoiler:machine guns]], machine guns, the charge would have been a complete success.
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Changed line(s) 6 (click to see context) from:
** And that's not counting the build-up even ''before'' that when his reluctance to jump was established multiple times, both with Alfred and with Emily.
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** And that's not counting the build-up even ''before'' that when his reluctance to jump was established multiple times, both with Alfred Albert and with Emily.
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Changed line(s) 13 (click to see context) from:
* While it ends in tragedy, the charge of the Yeomanry early in the war is this as they utterly trample a German camp after appearing out of the cornfield. If it wasn't for the [[spoiler:machine guns]], the charge would have been a complete success.
to:
* While it ends in tragedy, the film charge of the Yeomanry early in the war is this as they utterly trample a German camp after appearing out of the cornfield. If it wasn't for the [[spoiler:machine guns]], the charge would have been a complete success.
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Changed line(s) 12 (click to see context) from:
* The stage play has one when Friedrich, the man that's been taking care of Joey and Topthorn, finally crosses the DespairEventHorizon after Topthorn dies of exhaustion, damning the war ''and the Kaiser himself.'' The ColonelKilgore officer that caught him with the horses and pressed him into service is angry at the statement, draws his pistol...[[UnfriendlyFire and the other two German soldiers in the group level their guns at him.]]
to:
* The stage play has one when Friedrich, the man that's been taking care of Joey and Topthorn, finally crosses the DespairEventHorizon after Topthorn dies of exhaustion, damning the war ''and the Kaiser himself.'' The ColonelKilgore officer that caught him with the horses and pressed him into service is angry at the statement, draws his pistol...[[UnfriendlyFire and the other two German soldiers in the group level their guns at him.]]]]
* While it ends in tragedy, the charge of the Yeomanry early in the war is this as they utterly trample a German camp after appearing out of the cornfield. If it wasn't for the [[spoiler:machine guns]], the charge would have been a complete success.
* While it ends in tragedy, the charge of the Yeomanry early in the war is this as they utterly trample a German camp after appearing out of the cornfield. If it wasn't for the [[spoiler:machine guns]], the charge would have been a complete success.
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/war_horse_awesome.jpg]]
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** And that's not counting the build-up even ''before'' that when his reluctance to jump was established multiple times, both with Alfred and with Emily.
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Changed line(s) 10 (click to see context) from:
* The stage play has one when the German man that's been taking care of Joey and Topthorn finally crosses the DespairEventHorizon after Topthorn dies of exhaustion, damning the war ''and the Kaiser himself.'' The ColonelKilgore officer that caught him with the horses and pressed him into service is angry at the statement, draws his pistol...[[UnfriendlyFire and the other two German soldiers in the group level their guns at him.]]
to:
* The stage play has one when Friedrich, the German man that's been taking care of Joey and Topthorn Topthorn, finally crosses the DespairEventHorizon after Topthorn dies of exhaustion, damning the war ''and the Kaiser himself.'' The ColonelKilgore officer that caught him with the horses and pressed him into service is angry at the statement, draws his pistol...[[UnfriendlyFire and the other two German soldiers in the group level their guns at him.]]
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* From the play, the [[http://youtu.be/EK89VshuTnM First Gallop]]. This, coupled with the effects used by the puppeteers to simulate the gallop, is normally one of the first things to draw out applause from the audience.
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Changed line(s) 1,3 (click to see context) from:
* Joey cutting a big stone in half with the plow
* Joey winning the race
* Joey using an approaching tank like a jumping ramp and galloping through the German lines before going into no man's land
* Joey winning the race
* Joey using an approaching tank like a jumping ramp and galloping through the German lines before going into no man's land
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* Joey cutting a big stone in half with the plow
plough.
* Joey winning therace
race.
* Joey using an approaching tank like a jumping ramp and galloping through the German lines before going into no man'slandland.
* Joey winning the
* Joey using an approaching tank like a jumping ramp and galloping through the German lines before going into no man's
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Changed line(s) 6 (click to see context) from:
* Anyone who's seen the stage play will agree that the ''phenomenal'' horse puppets are a SugarWiki/MomentOfAwesome for everyone involved in their creation and control.
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* Anyone who's seen the stage play will agree that the ''phenomenal'' [[https://www.youtube.com/watch?v=LGCKS0UW3k0 horse puppets puppets]] are a SugarWiki/MomentOfAwesome for everyone involved in their creation and control.
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Changed line(s) 7 (click to see context) from:
** The reveal of the main Joey puppet. For the opening, the foal puppet is used, and the audience gets a while to get used to it. And then the music reaches on crescendo, the foal puppet is disassembled, and the huge horse puppet thunders onstage. That moment tends to get a lot of cheers.
to:
** The reveal of the main Joey puppet. For the opening, the foal puppet is used, and the audience gets a while to get used to it. And then the music reaches on a crescendo, the foal puppet is disassembled, and the huge horse puppet thunders onstage. That moment tends to get a lot of cheers.
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** The reveal of the main Joey puppet. For the opening, the foal puppet is used, and the audience gets a while to get used to it. And then the music reaches on crescendo, the foal puppet is disassembled, and the huge horse puppet thunders onstage. That moment tends to get a lot of cheers.
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Changed line(s) 7 (click to see context) from:
** Hell, they're awesome alright, but it might be good to mention that the play also has a huge (though of course largely hollow and skeletal) ''tank'' puppet/prop as well, which bursts through the obstacles of no-mans-land accompanied by smoke and darkness with flashes of light.
to:
** Hell, they're awesome alright, but it might be good to mention that the play also has a huge (though of course largely hollow and skeletal) ''tank'' puppet/prop as well, which bursts through the obstacles of no-mans-land accompanied by smoke and darkness with flashes of light.light.
* The stage play has one when the German man that's been taking care of Joey and Topthorn finally crosses the DespairEventHorizon after Topthorn dies of exhaustion, damning the war ''and the Kaiser himself.'' The ColonelKilgore officer that caught him with the horses and pressed him into service is angry at the statement, draws his pistol...[[UnfriendlyFire and the other two German soldiers in the group level their guns at him.]]
* The stage play has one when the German man that's been taking care of Joey and Topthorn finally crosses the DespairEventHorizon after Topthorn dies of exhaustion, damning the war ''and the Kaiser himself.'' The ColonelKilgore officer that caught him with the horses and pressed him into service is angry at the statement, draws his pistol...[[UnfriendlyFire and the other two German soldiers in the group level their guns at him.]]
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Changed line(s) 4 (click to see context) from:
** The buildup to this one makes it even better. We see Joey backed into the corner and trying in vain to get out, as the tank keeps drawing closer and closer. Finally, he stands and faces it, and just when you think it's leading up to a DyingMomentOfAwesome...he ''jumps over the whole thing''. '''Wow'''.
to:
** The buildup build-up to this one makes it even better. We see Joey backed into the corner and trying in vain to get out, as the tank keeps drawing closer and closer. Finally, he stands and faces it, and just when you think it's leading up to a DyingMomentOfAwesome...he ''jumps over the whole thing''. '''Wow'''.
Changed line(s) 6,7 (click to see context) from:
* Anyone who's seen the stage play will agree that the ''phenomenal'' horse puppets are a CMoA for everyone involved in their creation and control.
** Hell, they're awesome alright, but it might be good to mention that the play also has a huge (though of course largely hollow and skeletal) ''tank'' puppet/prop as well, which bursts through the obstacles of no mans land accompanied by smoke and darkness with flashes of light.
** Hell, they're awesome alright, but it might be good to mention that the play also has a huge (though of course largely hollow and skeletal) ''tank'' puppet/prop as well, which bursts through the obstacles of no mans land accompanied by smoke and darkness with flashes of light.
to:
* Anyone who's seen the stage play will agree that the ''phenomenal'' horse puppets are a CMoA SugarWiki/MomentOfAwesome for everyone involved in their creation and control.
** Hell, they're awesome alright, but it might be good to mention that the play also has a huge (though of course largely hollow and skeletal) ''tank'' puppet/prop as well, which bursts through the obstacles ofno mans land no-mans-land accompanied by smoke and darkness with flashes of light.
** Hell, they're awesome alright, but it might be good to mention that the play also has a huge (though of course largely hollow and skeletal) ''tank'' puppet/prop as well, which bursts through the obstacles of
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Changed line(s) 6 (click to see context) from:
* Anyone who's seen the stage play will agree that the ''phenomenal'' horse puppets are a CMoA for everyone involved in their creation and control.
to:
* Anyone who's seen the stage play will agree that the ''phenomenal'' horse puppets are a CMoA for everyone involved in their creation and control.control.
** Hell, they're awesome alright, but it might be good to mention that the play also has a huge (though of course largely hollow and skeletal) ''tank'' puppet/prop as well, which bursts through the obstacles of no mans land accompanied by smoke and darkness with flashes of light.
** Hell, they're awesome alright, but it might be good to mention that the play also has a huge (though of course largely hollow and skeletal) ''tank'' puppet/prop as well, which bursts through the obstacles of no mans land accompanied by smoke and darkness with flashes of light.
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** The buildup to this one makes it even better. We see Joey backed into the corner and trying in vain to get out, as the tank keeps drawing closer and closer. Finally, he stands and faces it, and just when you think it's leading up to a DyingMomentOfAwesome...he ''jumps over the whole thing''. '''Wow'''.
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None
Changed line(s) 4 (click to see context) from:
* The end of the film, where Albert rides Joey home once more
to:
* The end of the film, where Albert rides Joey home once moremore
* Anyone who's seen the stage play will agree that the ''phenomenal'' horse puppets are a CMoA for everyone involved in their creation and control.
* Anyone who's seen the stage play will agree that the ''phenomenal'' horse puppets are a CMoA for everyone involved in their creation and control.
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None
Changed line(s) 3 (click to see context) from:
* Joey galloping through the German lines before going into no man's land
to:
* Joey using an approaching tank like a jumping ramp and galloping through the German lines before going into no man's land