Trope Repair Shop
: This entry is made because of misuse of Person of Mass Destruction
. Please move entries that fit the below here.
Alt. Names: Human Bioweapon
, Human As Weapon
A Human Weapon
is someone who has been converted by military forces into A weapon for the purpose of warfare. The methods can range anywhere from Genetic Engineering
to Exposure to nuclear or atomic energy
, but the key result is that this person is now capable of mass destruction
Most of the time the people who made the Human into a Human Weapon
will not give them much sympathy, treating "it
" as an object rather than a person. This is often due to shame of having to turn their own against their enemies, Fantastic Racism
, or because they now see it
as nothing more than a weapon, a tool for murder. Expect All Ofthe Other Reindeer
or Bullying a Dragon
to happen. These types of People are easy to make into Woobies
as a result.
Compare Tyke Bomb
where the Human Weapon
is designed and bred from the start to be this and Person of Mass Destruction
where someone has the power to destroy the world without direct military help also see I Am Not a Gun
for when they decide themselves to not be a weapon. Compare/Contrast Super Soldier
where the Human Weapon
is treated as a human being(Though there is some overlap if said Soldier works for an unethical army). Also see Living Weapon
. Not to be confused with Grievous Harm with a Body
or Equippable Ally
[[folder:Anime and Manga]]
- The Contractors from Darker Than Black are coldly logical sociopaths with super powers. While not all their powers are directly destructive, and most can't kill more than a handful of people at once, their unique outlook make them perfectly suited to being controlled by the government and other organizations. Evening Primrose is a group of Contractors who are fighting back, due to finding out that the humans are planning to erase all Contractors from existence.
- The otome from Mai Otome are a direct WMD analogy, and therefore fit perfectly with Person of Mass Destruction as well. Not only can they not unleash their full powers without a master's approval, but if the otome dies, so does their master, which does help bring life-and-death decisions a bit closer to home.
- A variety of people in the A Certain Magical Index verse.
- The level 5 espers get this to varying degrees. Accelerator, Kakine, and Mugino are the big ones. Kakine and Mugino are the leaders of powerful black ops groups, where they serve in the "blaster" role. Accelerator is in many ways literally treated as a weapon, especially once he needs a special device to use his powers, which his superiors can turn off remotely if they don't like what he's doing.
- The Sisters project started as an attempt to clone a level 5 (Mikoto Misaka) for this purpose. When that didn't work, it was recycled into the Radio Noise project, which created a Hive Mind of 20,000 espers for use as a military. That was scrapped as well, and the project turned into Level Grinding fodder for Accelerator, so that he could become a more effective weapon.
- Eve in Black Cat was meant to be this until our heroes saved her.
- Dr. Manhattan is treated as the ultimate nuclear deterrent and anti-nuclear weapon by the US government of Watchmen. He decides to go play god in another galaxy before things go that far.
- In the first issue of Ultimates 2, after Captain America single-handedly frees hostages in the Middle East; the world is worried that the US government might start using the Ultimates in politically-motivated conflicts. Gee, ya think?
- The Dark Knight Returns has Superman being nothing but an icon who reports directly to the President, who gives him orders that include waging a one-man war in a Banana Republic, stopping the nuclear strike that follows (he fails), and assassinating Batman, all of which he does without question. This is otherwise Averted with Superman though.
- The Asha'man in The Wheel of Time are trained this way, to use their channeling for hugely destructive purposes, because of a dire need to get powerful soldiers in time for the Last Battle, but also because the price of their power drastically shortens their lifespan. Rand's instruction to the man placed in charge of the Black Tower is, "Make them weapons." He later changes his mind, sending in a messenger to tell them, "We're not weapons. We're men." This has its part in causing them to rally around him.
[[folder:Live Action TV]]
- In Dark Angel, Max and the other X-5s were treated as though they were biological warbots rather than people.
- River Tam in Firefly was engineered to kill people on order. Subverted because the crew of the Serenity seem to treat her rather well.
- Played Straight in Serenity. The Operative activated her programming and she started a massacre so that he can find her.
- In Final Fantasy VI, Kefka controls Terra with a Slave Crown so that he can exploit her rare magical abilities for destructive power.
- Metal Gear has this as the main theme. The plots of the games usually revolve around the protagonist and their direct opposition being manipulated by politicians, conspiracies, and other forces, and being treated as expendable tools with no goal or aspirations of their own.
- Metal Gear Solid 4: Guns of the Patriots takes this trope to its logical conclusion with the SOP system, where the economy has become utterly dependent on constant war, and nanomachines ensure that the soldiers used are utterly under control. Wars aren't fought for ideology, resources, or nationalism, but out of routine, and soldiers find themselves trapped fighting in conflicts they don't understand, for causes they don't believe in.
- Metal Gear Rising: Revengeance plays with this recurring theme by having the main characters be as close to literal human weapons as possible (they are cyborgs), but having the protagonist go completely Off the Rails and acting as a One-Man Army Vigilante Man Spanner in the Works. It is, however, identical to the other installments in the series, in that the final boss's plan usually revolves around imposing an aversion of this trope, but hypocritically/paradoxically/tragically necessitates playing it straight as a means to get to that stage.