In most series, you can expect a few people to die. Murder Mysteries start with a death every episode, action series usually have at least one per fight scene, and war movies always have lots of redshirt deaths.
Then there are the series that are known for the high bodycount. Named characters die early and often. This is typically used to establish a dark and gritty setting, or to enhance realism in works that are set in dangerous situations such as wars or extreme jobs.
Compare Anyone Can Die, which is only about named characters dying, bodycount is irrelevant. Contrast Kill 'em All, where no one—or at most a bare handful of characters—survives to the end.
Note that this does not count for series where Death Is Cheap, or millions of nameless characters die off-screen.
As a Death Trope, expect unmarked spoilers.
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Fist of the North Star has so many people die that it would be easier to count how many people are still alive at the end of this series, even if one discounts all the random mooks that get massacred throughout the series. Driving this in further is the fact that these people are still remembered, to the point that the Toei anime had the credits of the Grand Finale had the images of about every named character (Aside from the most important of them) scrolling by.
Justified in Death Note. Light needs the names of criminals to kill them, so he's always killing characters that have names. But even ignoring the redshirts, lots of important characters get offed. Several times, they'll have a few chapters of focus, they'll die...at which point we find out they were being controlled by the Death Note that entire time.
In the x1999 film, everyone dies except for Original!Kamui.
Berserk. Absurd bodycount of the named characters, not even factoring in the genocidal slaughters on the battlefield every few episodes.
Shingeki No Kyojin. For starters, the main characters are members a Redshirt Army whose job is not even to save humanity but DIE BRAVELY so humanity can survive just a bit longer. That said, named characters get eaten by Titans every five pages (that's right, even the protagonist).
The Punisher: Given the basic premise, no one is safe from death (even Frank died once, though he came back making no reference to the whole affair). Recurring characters like Barracuda and Yorkie Mitchell are safe for maybe three arcs.
In Battle Royale every students' death is announced by the Big Bad, and by the end only two students remain.
Robert Graves's I, Claudius recounts the life of Tiberius Claudius Caesar Augustus Germanicus, a member of Caesar's family who survived the genocidal purges of both Tiberius and Caligula because he was believed to be mentally handicapped, but was later crowned emperor. During the arc of the novels (and history for that matter), Claudius witnesses practically every member of his family being murdered due to political intrigues and infighting.
Oka Shohei's novel Nobi or Fires on the Plains (1951) follows a Japanese soldier deployed to Manila in the final months of World War II after the army started to fall apart. Ordered on a pointless death march to a loosing battle, most of the characters succumb to disease, madness, murder...or worse.
Especially the early books in the Honor Harrington series had lots of named bit characters dying. When Eric Flint was to start writing in the universe, he tried to find some few characters appearing in only a single book or two that he could use — and found they had a 90% mortality rate. (He did manage to find three.)
The Chung Kuo series include the deceased characters in the list of characters as a separate section. It's by far the longest one.
Live Action TV
The The Vampire Diaries TV show is notorious for this. Not only do they kill off lots of named characters, they especially like doing it after said character has had at least a few episodes of character development.
In The Walking Dead, while in the first three seasons much of the original "core" cast from the first season is still alive, many of the rest of the characters, developed or not, have no such luck. Even being "core" isn't a guarantee of survival, as seen with Dale, Shane, Lori, and T-Dog.
Battlestar Galactica (Reimagined) gives us: Billy, Gaeta, Zarek, Dualla, Cally, Anders (effectively brain dead), D'Anna Biers (presumably perishes on the uninhabitable "Earth"), multiple supporting cast crew members whose deaths were depicted, several last-episode fatalities (Roslin, Cavil, Tory, etc.) and that's not counting characters who die but come back at least once.
Midsomer Murders is famous for its ridiculously high murder rate (even for a detective series). Depending on population estimates, the rural county of Midsomer has a crime rate beaten only by a few countries.
Revolution: Within the first season itself, lots of named characters end up as dead as a door nail. By the first season finale, Charlie Matheson, Rachel Matheson, Miles Matheson, Aaron Pittman, Priscilla, Priscilla's daughter, Tom Neville, Jason Neville, Julia Neville, Kelly Foster, Grace Beaumont, and Sebastian Monroe are the only big characters still alive. Not only that, but trailers for the second season have made it very plain that a number of those characters still alive are going to end up as dead as a door nail too.
Shakespeare's Titus Andronicus is a veritable bloodbath featuring not only murder but also rape, torture and cannibalism with more than a 90% kill rate for named characters.
Although much less gory, Hamlet also ends with a pile of corpses on stage.
In the Japanese Kabuki play Yotsuya Kaidan, or "The Ghost Story of Yotsuya" a samurai named Iemon wants to get rid of his wife so he can marry the daughter of a rich man, and in the course of his overly-intricate murder plot, kills her off as well as several innocent bystanders. Later in the play, his wife comes back from the dead as a ghost and in the course of her overly-intricate revenge manages to kill off most of the remaining characters.
Danganronpa, as a Deadly Game, is known for this. In the original, only 6 characters out of the 15 introduced at the start actually survive until the end.
Five hats means that five tropers think it is ready to publish.
You are saying that you think this draft is ready to be published. That means the description is not ambiguous,
it doesn't duplicate an existing trope, there are at least three examples, and the title makes sense.
Is that what you meant to do?
You are saying this draft has a ready-to-publish hat it does not deserve and you are taking it back.