Adaptation deals karmic punishment to character who was a Karma Houdini in source material
An adaptation of a story changes the fate of a character who was a Karma Houdini in the original work, by having them receive a fitting karmic punishment. This trope was mandated by The Hays Code, and thus, often sprung up in films made during that period. Similarly, it can sometimes occur to appease other Moral Guardians. Sometimes, however, it may simply be used by directors who think that the story is strengthened by a Karmic Twist Ending. In any event, it adds an element of Not His Sled for adaptations of very well-known stories. In some instances, the film is an adaptation of the first installment of a series, and the change allows for finality when sequels are unplanned or uncertain. This may overlap with Death by Adaptation and Super Hero Movie Villains Die. Examples are sorted by medium of adaptation, not by medium of the source material. Because of the nature of the trope, spoilers ahead. Examples:
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Films - Animated
- In Muppet Treasure Island, Long John Silver escapes with loot, but it is too heavy for his canoe, and he ends up trapped on a desert island with weird muppets. In Treasure Island, Long John escapes with some loot, and is believed to have settled down after that, and the protagonist makes no effort to pursue him.
- Both the 1950s animated film and the 1999 live-action film of George Orwell's Animal Farm end with the pigs' regime falling.
- In the book Babar's Story, the hunter completely disappears from the story after killing Babar's mother. In the Nelvana animated series Babar, he returns in a later episode, and dies in a forest fire that he caused himself.
- The Wicked Fairy in Sleeping Beauty disappears from the story after cursing the princess, and gets no comeuppance for her evil deed. In Disney's Sleeping Beauty, Maleficent is slain by Prince Philipp when she turns into a dragon to stop him from breaking the curse.
Films - Live Action
- Kind Hearts and Coronets is a case of this in regard to the source novel Israel Rank: in the film, the Villain Protagonist narrowly escapes being executed for a death in which he had no involvement, but then the film ends with him realizing that he left his Memoirs (in which he had confessed to everything) in his cell. In the source novel, Israel Rank, there isn't this kind of twist (the Villain Protagonist is on trial for the murders he did commit), but an Adapted Out love interest kills herself and takes the blame for the crimes.
- The George Sanders film The Private Affairs of Bel Ami has the Villain Protagonist Georges Duroy get in trouble for posing as an aristocrat. In Maupassant's original novel Bel Ami, Duroy gets away with everything and the "posing as aristocrat" is a minor detail (he is from a town called Canteleu starts calling himself Du Roy de Cantel).
- Layer Cake has an ambiguous ending that implies the drug dealer protagonist's death from a gunshot wound to the chest. In the original novel, he's actually shot in the head, but since his assailant is a bad shot, he lives (but gets a metal plate in his head and experiences some memory issues). At that point, he retires to the Caribbean with the small amount of ill-gotten gains he'd been able to salvage. There is a sequel novel, and so if that is ever adapted, the protagonist will obviously be revealed to have survived, but until then, he's in a Schr÷dinger's Cast situation.
- Topkapi ends with the band of thieves and the protagonist Arthur Smith breaking rocks in prison, but on good terms and plotting escape/future jobs. In the source novel The Light of Day, the thieves escape and Smith (who in both versions was planted as a Sixth Ranger Traitor by the Turkish police) who is a much more anti-heroic character, leaves with a small reward, but is essentially stateless. At the end of the sequel novel Dirty Story (written after Topkapi), he ends up in a slightly better position.
- Les MisÚrables (2012) has this with the Thenadiers in regard to both the original novel and the source musical:
- In the novel, M. Thenardier, who is the evilest character in the book, is given money by Marius to settle a debt, and the narration indicates that he became a wealthy slave trader in America.
- In the musical, Thenardier and his wife (who is Spared by the Adaptation) have the role of Plucky Comic Relief but still do the same evil stuff as in the novel. At the end, they crash Marius' wedding and are paid by him as in the book, and sing a cheery song about how people like themselves who scavenge off society without moral compunction always win.
- In the newer film (which is mostly an adaptation of the musical but is also in some respects more faithful to the novel), the Thenardiers are physically thrown out of Marius' wedding and don't receive any payment (although oddly, they still sing the same song about "winning").
- In the original movie of The Bad Seed, the Devil in Plain Sight Enfant Terrible Rhoda manages to survive her mother's attempt to kill her when she discovers what kind of being her daughter is and is implied that she has a new victim in her sights. The 1958 movie adaptation, because it was made during the Hays Code era, wasn't going to allow such a monster to live... and because her mother failed, Rhoda was struck down by lightning on the very last scene (an epilogue right after that has the actresses of Rhoda and her mother break character and, in a pretty comedic moment, Rhoda's actress gets spanked).
- Thanks to the fact that Joker Immunity wasn't in play, The Joker is actually killed in Tim Burton's first Batman movie rather than being sent to a Cardboard Prison.
- The 1995 film of A Little Princess does this to the evil Miss Minchin, who was a Karma Houdini in the original, by having her lose the school and forced to become a chimney sweep.
- While the actual Karma Houdini-ness may vary, many adaptations of The Count of Monte Cristo replace Morcerf's suicide (due to the Count revealing his sordid past, causing his wife and son to desert him) with a Sword Fight where he is defeated by the Count.
Live Action TV
- Saturday Night Live adapted the final scene of It's a Wonderful Life for one of their sketches... which immediately goes this route by having the characters pointing out how Mr. Potter had been quite the Karma Houdini up to that moment (like in the original movie) and the mobilizing to lynch Mr. Potter.
- In the Sherlock Holmes story "The Disappearance of Lady Frances Carfax", the villains get away. In the adaptation by Granada starring Jeremy Brett, they are caught - although Lady Frances also suffers brain damage.
- Happens in both the BBC and the ITV adaptations of the Miss Marple novel At Bertram's Hotel by Agatha Christie. In the original novel, the murderer is not seen to be apprehended, although Chief Inspector Fred "Father" Davy vows to go after her. In both screen adaptations, she is exposed by Miss Marple and taken into custody.
- In Disney's Cinderella, the wicked stepmother and stepsisters don't face any punishment for their treatment of Cinderella besides losing their live-in servant. In the level it inspired in Kingdom Hearts: Birth by Sleep, they are killed by an Unversed while trying to keep her from escaping.
- In the Disney film Pinocchio, Pinocchio merely escapes the Coachman and his slave camp on Pleasure Island. In the video game of the film, Pinocchio kicks the Coachman off a cliff.
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