Line #51 Music/SkinnyPuppy


1	[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/maxresdefault7.jpg]]
2	[[caption-width-right:350:L-R: Dwayne, Ogre, cEvin.]]
3	A Canadian {{Industrial}} [[CanadianMusic music]] project.
4
5	Skinny Puppy are one of the most influential bands in the field of ElectronicMusic. However, their mainstream success has been modest at best (a few hits on the dance music charts during TheEighties). The impact of "[[FanNickname Skuppy]]" comes primarily from the amount of artists they in turn have influenced.
6
7	The band was formed when Kevin Crompton (a.k.a. cEvin Key), drummer for the SynthPop band ''Images in Vogue'', got bored with making SynthPop and wanted to make new and groundbreaking ElectronicMusic. He got his friend Kevin Ogilvie (a.k.a. Nivek Ogre), to provide vocals. Along the way, various other members have provided the role of third member, such as Bill Leeb (who went on to form Music/FrontLineAssembly), and most famously Dwayne Rudolph Goettel (who died of a heroin overdose in the mid-90s, causing the band to break up for almost a decade), and most recently Mark Walk.
8
9	Skinny Puppy are widely considered the band responsible for the more popular vibe {{Industrial}} has today, as opposed earlier Industrial, which was largely inaccessible to the average audience. Basically, they took the experimental and bizzare approach pioneered by bands such as Music/ThrobbingGristle and applied it to almost-entirely electronic music. Unsurprisingly, their first releases, "Remission" and "Bites" (their first full album, released in 1985), sounded like experimental, angry SynthPop. Think of ''Skinny Puppy'' as "Music/{{Kraftwerk}} (TropeMakers for SynthPop) + Music/ThrobbingGristle (TropeMakers for {{Industrial}})" and you'll have a good idea of what they sound like.
10
11	Skinny Puppy were not the first band to take Throbbing Gristle's attitude and approach ElectronicMusic with it. Arguably, Throbbing Gristle did this (albeit their work was more eclectic and less electronic than Skinny Puppy's), and Music/CabaretVoltaire (as well as many other acts associated with early '80s SynthPop) did it as well. But Skinny Puppy took these ideas into much DarkerAndEdgier territory and were easily the most influential partly because they had a truly gruesome stage act and never refrained from the use of NightmareFuel.
12
13	The band's second album, ''Mind: The Perpetual Intercourse'', added Dwayne Goettel to the lineup. Goettel was a classically-trained keyboardist who also had a knack for extremely demented synthesizer and sampler programming. This is the classic lineup that defined the band during their golden age.
14
15	Their output was released on the Nettwerk record label and managed to influence a very large number of artists. One of these artists was Trent Reznor, who decided to combine Skinny Puppy's style with heavy riffs and rock-style vocals and lyrics (and, at times, increased use of guitars). The result was Music/NineInchNails. Trent Reznor himself acknowledges his inspiration, and the song "Down in It" off of "Pretty Hate Machine" is very similar to Skinny Puppy's "Dig It" from ''Mind: The Perpetual Intercourse''. At one point in Trent's early career, Nine Inch Nails was the opening act for Skinny Puppy.
16
17	In 1989, Skinny Puppy released the album ''Rabies'', which was (upon release) considered a NewSoundAlbum because it contained metal-style guitar riffs on three tracks, courtesy of Music/{{Ministry}}'s Al Jourgensen (who had struck up a friendship with Nivek Ogre when the two bands were touring together). In hindsight however, most Skinny Puppy fans have got over the 'surprise' and embraced the album, partly because the song "Worlock" is considered one of Skinny Puppy's [[SugarWiki/MomentOfAwesome Crowning Moments]] and to this day remains one of their [[SignatureSong Signature Songs]]. Unfortunately, it was during this era that Al introduced the band to heroin.
18
19	In 1990, the band released ''Too Dark Park'', which is arguably considered their artistic high point by the majority of their fans. The album is not the ''most'' bizarre and inaccessible of their works (that honor is reserved for 1988's "[=VIVIsectVI=]" (pronounced "Vivisect Six"), but it manages to approach it, with tighter songwriting, catchy basslines, and surprising sonic range that went from pure MindRape rhythmic noise (songs like "Convulsion") to dark ambient (like "Reclamation") to danceable, melodic and bizarre industrial (like "Tormentor") to darker and more minimal industrial (like "Nature's Revenge") to going between all these various different styles ''within the same song'' (like "Shore Lined Poison").
20
21	1992 saw the release of ''Last Rights'', their last work for Nettwerk. This was a bizarre, dark album with lyrics influenced by Nivek Ogre detoxing from heroin, which caused tensions within the band as the other band members had not yet done so. Because of this, the lyrics were not released with the album. Clearance issues also prevented the planned inclusion of the song "Left Handshake", due to its lengthy sample of Timothy Leary navigating the listener through an acid trip (Leary himself was OK with the band's use of the sample, but did not own the rights); as a result, the liner notes state, "SONG 10 IS MISSING?" "Left Handshake" was ultimately released as a limited-edition single (although with its title slightly misspelled as "Left Hand Shake") that has been heavily subject to KeepCirculatingTheTapes. ''Last Rights''[='=] first half is relatively conventional (by Skuppy standards) and its second half is substantially more experimental and chaotic. The lengthy final track, "Download", is also notable for featuring some of their hardest music in its first half and some of their most serene in its second half. ''Last Rights'' is one of their most acclaimed albums and was their first to crack the Billboard 200.
22
23	In 1996, the band suffered another CreatorBreakdown after switching to a new label. They released what was believed to be their final album, ''The Process'' (a ConceptAlbum about a psychotherapy cult known as the Process Church of Final Judgement), after Dwayne Goettel's fondness for heroin caught up with him and left him as a corpse at his parents' house.
24
25	In the early 2000's, Skuppy did a one-off reformation show in Dresden at that "Doomsday" festival. The two Kevins performed in front of a screaming crowd of goths and rivetheads; they left a spare spot on stage for Dwayne out of respect. This reformation resulted in new albums; 2004's ''The Greater Wrong of the Right'' followed by 2008's ''Mythmaker'', 2011's much delayed ''[=hanDover=]'', which incorporated more minimalist IDM elements, and 2013's ''Weapon''.
26
27	In February of 2023, Skinny Puppy announced that they were embarking on their final tour, which coincided with the 40-year anniversary of the band's formation. The tour concluded in December of that year, marking end of one of industrial music's most influential acts.
28	----
29
30	!Tropes Applicable to Skinny Puppy:
31
32	* AlbumTitleDrop: "Left Handshake" was intended to drop the title for ''Last Rights'', but due to legal troubles, it was left off the album.
33	* TheBandMinusTheFace: Subverted during their live reunion in Dresden; it was The Band Minus the Keyboardist.
34	* CanonDiscontinuity: The ''Too Dark Park'' backing videos: The band made 14 high quality music videos songs performed on the Too Dark Park tour, most of which were songs that lacked an official video. Many fans consider the videos (God Gift Maggot, Tin Omen, etc.) to be official music videos for said songs, a view not shared by the band sadly.
35	* ConceptAlbum: ''The Process'' is about a religious cult called The Process Church of Final Judgement. ''Last Rights'' is a loose concept album based around life and death as well.
36	* DarkerAndEdgier: The basic concept of their work is DarkerAndEdgier (in the sense of being more bizarre and experimental) SynthPop.
37	** After recording two relatively radio-friendly albums (''The Process'' and ''The Greater Wrong Of The Right''), ''Mythmaker'' saw the band reverting to the dense and foreboding feel that they were known for.
38	* DrugsAreBad: Ogre's use of heroin was what started tensions between the band members. Goettel ended up getting hooked on it too, which led to his death and the band's dissolution.
39	* EightiesHair: [[http://i.imgur.com/U41X0bZ.jpg Yes]].
40	* EpicRocking: The live noise jam "Spahn Dirge" is 16 1/2 minutes long. The final track on ''Last Rights'', "Download," while not really so an example of rocking due to the fact that it's mostly ambient, certainly is epic at eleven minutes long. "Puppy Gristle" also falls into this territory. 40 minutes.
41	* FreudianTrio: Especially in [[https://www.waste.org/~skumm/AP2.html this interview]], it's easy to see Ogre as TheMcCoy, cEvin as TheSpock, and Dwayne as TheKirk.
42	* GaiasVengeance: "Nature's Revenge."
43	* {{Gorn}}: The stage show and most of the music videos. And sometimes the lyrics.
44	* HarshVocals: The growling, raspy sound of Ogre's voice arguably counts, helped by the [[IndecipherableLyrics indecipherableness of most of it]]. And they were doing it [[UrExample a while before Metal bands were, to boot]]. This was dropped for ''The Process'' and ''The Greater Wrong Of The Right'' but brought back for subsequent works.
45	* HemoErotic: Their live shows often involve quite a bit of that, yes.
46	* ImportantHaircut: Much like [[Music/AliceInChains Layne Staley]], Dwayne Goettel cut his hair after he started using heroin.
47	* {{Improv}}: A frequently-used compositional technique. Often done [[ThisIsYourPremiseOnDrugs on drugs]] in a process the band called "Brap."
48	* IndecipherableLyrics: Ogre's guttural vocals make trying to figure out what he's singing almost impossible. The worst example is "Reclamation" from ''Too Dark Park'', which nobody has managed to decode to this day.
49	* {{Instrumentals}}: "Riverz End," "Stairs and Flowers," "Download", and other examples.
50	* LastNoteNightmare: Inverted with the album ''Last Rights''. The majority of the album is [[HellIsThatNoise dissonant]], terrifying industrial noise, but the second half of the song "Download" (the last song on the album) is serene ambient music that you could probably sleep to. The first half of the song, though, is some of the hardest music Skinny Puppy ever made.
51	* LighterAndSofter: Arguably their best songs: "Pro-Test," "Testure," "Nature's Revenge," are all more accessible than the majority of their songs and these songs are generally fan favorites.
52	** ''The Process'' and ''The Greater Wrong of the Right'' combine this with NewSoundAlbum.
53	* MindRape: What ''many'' of their songs can induce.
54	* MoodWhiplash: "Scrapyard" has a break in the song with a sample from the movie Film/UncleBuck of Buck getting beaned by a bowling ball. And then the song restarts in all its nightmarish glory.
55	* MrFanservice: Nivek Ogre in a nutshell.
56	* NewSoundAlbum:
57	** ''Mind: The Perpetual Intercourse'' is a downplayed example- Goettel's joining made their sound more layered and noticeably darker than the more minimal and SynthPop influenced ''Remission'' and ''Bites'' were and set the stage for their signature sound.
58	** ''The Process'' added significant AlternativeRock influences, saw Ogre ditch his signature rasp for a more normal singing style, and was overall a lot less creepy than their previous albums.
59	** ''The Greater Wrong Of the Right'' expanded on the ''The Process'' and added influences from IDM.
60	** ''Mythmaker'' saw them doubling down on the IDM influences and bring back Ogre's famous growl while downplaying the industrial rock elements.
61	* OneSteveLimit: Averted. The band has two Kevins.
62	* PhraseSaladLyrics: If a song isn't outright WordSaladLyrics, it's this. "Smothered Hope" is a good example.
63	* ProtestSong: ''Tons'' of them.
64	* PunBasedTitle: Frequently. "Lust Chance," ''Last Rights'', "Knowhere?," most of the songs from ''The Greater Wrong of the Right'' (even the album title is one!), ''[=VIVIsectVI=]'' (an association of vivisection with SixSixSix), etc.
65	* RealMenEatMeat: Inverted with Key. Ogre was vegetarian until health issues forced him to incorporate meat back into his diet.
66	* RearrangeTheSong: "Riverz End" from ''Last Rights'' is a remixed mash-up of the songs "Rivers" and "Chloralone" from ''Rabies''.
67	* {{Sampling}}: Of any bizarre sound (but rarely other songs). Said sample is then warped to be made even ''more'' insane, then is spliced together with all the nasty bits from various [[UsefulNotes/{{Italy}} Italian]] {{horror films}}, THEN a drumbeat and bassline are added, THEN you have a Skinny Puppy song. They also frequently incorporate samples from the film adaptation of ''Literature/HellHouse'' in their works, while "Testure" from ''[=VIVIsectVI=]'' incorporates samples of dialogue from the animated film adaptation of ''Literature/ThePlagueDogs''.
68	** A rare case of them sampling other songs is "Worlock" incorporating both clips of UsefulNotes/CharlesManson and the guitar riff from Music/TheBeatles' "Helter Skelter", a song Manson famously claimed contained hidden apocalyptic messages.
69	* ScaryMusicianHarmlessMusic: Zig Zagged. Their appearance is frightening, but their rig appears harmless... Until they play it. On the other hand, Ogre is a legitimately nice person.
70	* SdrawkcabAlias: Nivek Ogre.
71	* SexDrugsAndRockAndRoll: Subverted, in that they're more Drugs Drugs And Industrial. [[DeconstructedTrope Deconstructed]] tragically when Dwayne Goettel died of a heroin overdose. This deconstruction is subverted in [[BlackComedy a blackly comic fashion]] by the fact Goettel's overdose occurred at his parents' house rather than in an expensive hotel room or a supermodel's bedroom. JustForFun/OneOfUs indeed.
72	* SongStyleShift: "Download" has to be the most extreme example in their discography, going from borderline HarshNoise in its first half to serene {{Ambient}} that you could probably sleep to in its second. The shift is almost instantaneous, too.
73	* StageNames: Kevin Crompton = cEvin Key, Kevin Ogilvie = Nivek Ogre
74	* StockScream: A somewhat common female scream is used in the track "Brap" on ''Remission''.
75	* SurrealHorror: Both their lyrics and music videos give off this vibe.
76	* SurrealMusicVideo: All of their music videos are this as well as terrifying.
77	* SurprisinglyGentleSong: "The Centre Bullet" and "One Day", both from ''Bites'', are mellow, ambient pieces that the listener could almost sleep to.
78	* {{Theremin}}: Occasionally one of these is used.
79	* TortureCellar: Skinny Puppy is the soundtrack for locales such as these.
80	* UpdatedRerelease: The standalone CD of ''Bites'' features several avant-garde instrumental tracks not found on the original LP; these were originally composed under the name "Hell-O Death Day" and performed as an opening act of [[Music/ThrobbingGristle Chris and Cosey]].
81	* VideoFullOfFilmClips: "Worlock."
82	* WithLyrics: "The Centre Bullet" by Skinny Puppy and "The Center Bullet" by [=cEvin=] Key's other project The Tear Garden are identical except the latter has vocals and lyrics by Edward Ka-Spel - according to Edward, [=cEvin=] wanted to collaborate and asked him to write lyrics to the Skinny Puppy track so they'd have something to test the waters with.
83	* WordSaladLyrics: All the time, the worst offender being "Worlock".

Context Music / SkinnyPuppy