Line #14 Main/InAndOutOfCharacter


1	[[quoteright:280:[[Webcomic/DMOfTheRings https://static.tvtropes.org/pmwiki/pub/images/in_and_out_of_character3_3169.jpg]]]]
2
3	-> ''"Players may blunder through dialog with shocking ineptitude, forget the name of the country they are in, or get confused about which side they are on, but once it comes time to roll for initiative they all turn into Sun Tzu."''
4	-->-- '''Shamus Young''', author of ''[[http://www.shamusyoung.com/twentysidedtale/?p=931 Twenty Sided]]''
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6	In a RolePlayingGame, players face a conflict. They want {{improv}} theater. But they also want to slaughter orcs and grab their loot. When these two objectives collide, realism goes out the window: combat is conducted in BulletTime.
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8	It takes a split second, in-world, for players to discuss positioning, weapons, defense and the merits of different magical attacks. If we could see it play out, the characters' hands would smear into in an unnatural blur. With uncanny coordination, characters would converge on their weakest opponents and optimally render them lifeless.
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10	In our world, three pizzas and some flat Mountain Dew have been consumed. It's half an hour later, and the GameMaster is [[RocksFallEveryoneDies getting testy]].
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12	[[GameMaster GMs]] have theories and techniques to handle this: Gamers did not grow up in a yurt, waking to live-ammo swordplay each dawn with their warlord father. They learned the twisty, but bloodless, art of modern life instead. And often suck at ''dodgeball''. Out-of-band chatter compensates for this.
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14	Compare with [[TalkingIsAFreeAction Talking Is A Free Action]]. Not to be confused with OutOfCharacter, OOCIsSeriousBusiness, or OutOfCharacterMoment.
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16	See also WatsonianVsDoylist, AudienceAwarenessAdvantage, and RealLifeWritesThePlot for more general concepts about separating in-universe and out-of-universe behavior.
17	----
18	!!Examples:
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20	[[foldercontrol]]
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22	[[folder:Anime & Manga]]
23	* ''Manga/TheTruthAboutBleach'' lives and breathes this trope, what with the characters being genre-savvy actors playing one-dimensional manga characters in a series where the script already is a muddled mess of in-and-out-of-characterisms.
24	-->'''Ichigo:''' I know you insulted Chad as well. You said something about him being [[DepartmentOfRedundancyDepartment Mexican when he's clearly Hispanic]]!! You Racisto Son-of-a-bitcho!!\
25	'''Shinji:''' Listen to you talking. You need to embrace your true self. You're a Vizard.\
26	'''Ichigo:''' Damn straight I'm a wizard!! I'm ''eff''ing Dumbledore!!! Why are you still coming to my school, yo!?\
27	'''Shinji:''' What the ''eff'' is wrong with your character...? Are you sure you read the script for today?\
28	'''Ichigo:''' For the first time ever, yes I did!!
29	[[/folder]]
30
31	[[folder:Films -- Live-Action]]
32	* Battles in ''Film/TheGamers'' are shown entirely in character with no pauses while the characters strategize. In ''Film/TheGamers: Dorkness Rising'', however, this trope is played straight in the battle with the goblins, with both the characters and the goblins pausing as the characters describe their actions. Later battles are done more seriously, although at one point Cass takes advantage of a distraction to rearrange everyone's miniatures.
33	[[/folder]]
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35	[[folder:Literature]]
36	* ''Literature/PrincessesOfThePizzaParlor'': The stories swap between segments of in-game events and segments of the players discussing their next action, when in-game events reflect and impact the players' mindstates, or when there's a food break for pizza, lasagne or pasta.
37	[[/folder]]
38
39	[[folder:Podcasts]]
40	* ''Podcast/AintSlayedNobody'': Even -- if not especially -- during tense combat situations, the cast spends almost as much time bantering and bickering with each other and the Keeper, cracking jokes, and making pop-culture references while out-of-character as they do in-character... and that's just the content that makes it through the editing process.
41	* ''Podcast/CriticalHit'' has this in spades, as it's a recording of an actual ''TabletopGame/DungeonsAndDragons'' campaign.
42	* ''Podcast/FindUsAlive'': InUniverse, during their Outer Kingdoms game, the gang spends more time arguing over mechanics, goofing off, and pulling things out of their ass than actually playing. Special mention goes to Lancaster, who gives Harley's character his bard bonus by plucking the main riff of [[Music/DeepPurple Smoke on the Water]] ''on his real life acoustic guitar''.
43	[[/folder]]
44
45	[[folder:Tabletop Games]]
46	* In the RPG ''TabletopGame/{{Paranoia}}'' and its sequels, the rule is that [[spoiler:if the GM asks someone what they're doing and they take longer than three seconds to answer, they stand there and do nothing. Now, report for termination, Citizen; that information was above your security clearance]]. In-character, this is because life in Alpha Complex is supposed to be overwhelmingly confusing all the damn time, doubly so for the type of citizens that players usually portray. Out-of-character, this is because ''Paranoia'' gameplay is supposed to be [[RuleOfFunny entertaining]] rather than tactically optimal; the GM is encouraged to reward entertaining players (while still screwing them over) while just plain screwing tacticians (or at least making the [=NPCs=] equally merciless in their own tactics). Also, a character using out-of-character knowledge is usually considered evidence of spying and therefore treason. This makes ''Paranoia'' possibly the only game that has a direct, in-character punishment for metagaming. The GM's section of the rulebooks has a ''hilarious'' example of gameplay illustrating how this is supposed to work.
47	-->'''GM:''' Right. George, one of the guys that was yelling "Ooga-Booga" is running at you with a pointy stick. What do you do?\
48	'''George:''' Um, what?\
49	'''GM:''' Right. Fred, what do ''you'' do?
50	* ''TabletopGame/TheWorldOfDarkness'' has a Derangement (mild psychological trauma caused by evil actions) based on this: Vocalisation. Any OOC chatter that isn't about game mechanics is actually spoken aloud by the character. They have to make a save to realize it (if they aren't told) and another one to stop doing it for ten-ish minutes, at which point it starts happening again.
51	* ''[[TabletopGame/ProseDescriptiveQualities Vox]]'', a game where each of the characters is HearingVoices, suggests the "table talk" representative of this trope is really chatter from the voices to the [=PCs=]. If another player is trying to suggest a combat action to you even when their character is not around, then you can assume the advice is coming from the voice you hear.
52	[[/folder]]
53
54	[[folder:Video Games]]
55	* ''VideoGame/TheWhatIffersInFinalFancy'' stars a group of roleplayers acting out a story, and they speak to one another out-of-character, signified by an <OOC> tag, almost as much as they speak in-character.
56	[[/folder]]
57
58	[[folder:Web Comics]]
59	* ''Webcomic/DarthsAndDroids'' is in part an AffectionateParody of In And Out Of character. The strip visuals are the in-world personas and settings, but their speech is that of the players. This produces comical, jarring, juxtapositions that gets to the heart of In And Out Of character. See [[http://www.darthsanddroids.net/episodes/0006.html this strip]] and [[http://www.darthsanddroids.net/episodes/0167.html This one.]] [[{{Munchkin}} Pete]], who's playing R2-D2, uses this to get around the fact that he took the Mute disadvantage as part of his MinMaxing. The [=GM=] take this in stride, arbitrarily enforcing the rule that he use sound effects to communicate in character just for amusement. This eventually escalates into [[spoiler:Pete creating an entire consistent language out of beeps which R2 speaks, which some of the other players eventually work out how to understand.]]
60	* In the JournalComic ''Webcomic/TodayNothingHappened'', GM Brittany kept player discussion to a minimum [[http://www.todaynothinghappened.com/index.php?c=20 in this strip]] by making things happen faster and faster the longer the players discussed their plans. To the players' horror.
61	[[/folder]]

Context Main / InAndOutOfCharacter