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* ValuesDissonance: For various reasons (among them being heavier emphasis on gender roles and a general promotion of femininity for girls), dreaming about getting married and a love for wedding dresses isn't uncommon for young girls in Japan, and the series is marketed towards this demographic. Although there had already been concerns about the series promoting marriage as a woman's ultimate happiness in Japan[[note]]While the series doesn't contain any examples of pressuring anyone into accepting this, and its focus is more on love than marriage, it does happen to be quite gender role-reliant and it doesn't do anything to discourage this mentality[[/note]], the concept seems downright alarming to a Western viewer.
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* ValuesDissonance: For various reasons (among them being heavier emphasis on gender roles and a general promotion of femininity for girls), dreaming about getting married and a love for wedding dresses isn't uncommon for young girls in Japan, and the series is marketed towards this demographic. Although there had already been concerns about the series promoting marriage as a woman's ultimate happiness in Japan[[note]]While the series doesn't contain any examples of pressuring anyone into accepting this, and its focus is more on love than marriage, it does happen to be quite gender role-reliant and it doesn't do anything to discourage at the very least encourages the stereotype that most or all girls dream about this mentality[[/note]], kind of thing[[/note]], the concept seems downright alarming to a Western viewer.
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* ValuesDissonance: For various reasons (among them being heavier emphasis on gender roles and a general promotion of femininity for girls), dreaming about getting married and a love for wedding dresses isn't uncommon for young girls in Japan, and the series is marketed towards this demographic. Although there had already been concerns about the series promoting marriage as a woman's ultimate happiness in Japan[[note]]While the series doesn't contain any examples of pressuring anyone into accepting this, and its focus is more on love than marriage, it does happen to be quite gender role-reliant.[[/note]], the concept seems downright alarming to a Western viewer.
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* ValuesDissonance: For various reasons (among them being heavier emphasis on gender roles and a general promotion of femininity for girls), dreaming about getting married and a love for wedding dresses isn't uncommon for young girls in Japan, and the series is marketed towards this demographic. Although there had already been concerns about the series promoting marriage as a woman's ultimate happiness in Japan[[note]]While the series doesn't contain any examples of pressuring anyone into accepting this, and its focus is more on love than marriage, it does happen to be quite gender role-reliant.[[/note]], role-reliant and it doesn't do anything to discourage this mentality[[/note]], the concept seems downright alarming to a Western viewer.
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* GermansLoveDavidHasselhoff: Although the series was a moderate success in Japan and earned a fairly comfortable seat in magical girl genre history, the anime was ''explosively'' popular in Korea, to the point where it received three entirely separate dubs in four airings and still maintains a fairly dedicated following to this day (the most recent dub was in 2013 in an attempt to gain a new generation of fans ''eighteen years'' after its initial airing, though it carries a bad reputation among more long-standing fans due to excessive network censorship that had come into play since then). The first dub's version of the opening song also happens to be one of the more prominent anime songs among the Korean anime fanbase.
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* GermansLoveDavidHasselhoff: Although the series was a moderate success in Japan and earned a fairly comfortable seat in magical girl genre history, the anime was ''explosively'' popular in Korea, to the point where it received three entirely separate dubs in four airings and still maintains a fairly dedicated following to this day (the most recent dub was in 2013 in an attempt to gain a new generation of fans ''eighteen years'' after its initial airing, though it carries a bad reputation among more long-standing fans due to excessive network censorship that had come into play since then). The first dub's version of the opening song AlternativeForeignThemeSong also happens to be one of the more prominent anime songs among the Korean anime fanbase.
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* AdaptationDisplacement: Despite the fact the manga ran earlier. Notably, the [[http://dic.pixiv.net/a/%E6%84%9B%E5%A4%A9%E4%BD%BF%E4%BC%9D%E8%AA%AC%E3%82%A6%E3%82%A7%E3%83%87%E3%82%A3%E3%83%B3%E3%82%B0%E3%83%94%E3%83%BC%E3%83%81 Pixiv article]] for it barely mentions the manga or its continuity at all. It's hard to say whether this is an ''adaptation'' displacement, however; the manga indeed ran for a year before the anime began, but the two are separate entities as part of a mixed-media franchise.
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* AdaptationDisplacement: Despite The anime, despite the fact the manga ran earlier. Notably, the [[http://dic.pixiv.net/a/%E6%84%9B%E5%A4%A9%E4%BD%BF%E4%BC%9D%E8%AA%AC%E3%82%A6%E3%82%A7%E3%83%87%E3%82%A3%E3%83%B3%E3%82%B0%E3%83%94%E3%83%BC%E3%83%81 Pixiv article]] for it barely mentions the manga or its continuity at all. It's hard to say whether this is an ''adaptation'' displacement, however; the manga indeed ran for a year before the anime began, but the two are separate entities as part of a mixed-media franchise.
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* GermansLoveDavidHasselhoff: Although the series was a moderate success in Japan and earned a fairly comfortable seat in magical girl genre history, the anime was ''explosively'' popular in Korea, to the point where it received three entirely separate dubs in four airings and still maintains a fairly dedicated following to this day (the most recent dub was in 2013 in an attempt to gain a new generation of fans ''eighteen years'' after its initial airing, though it carries a bad reputation among more long-standing fans due to excessive network censorship that had come into play since then). The first dub's version of the opening song also happens to be one of the more prominent anime songs among the Korean anime fanbase.
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* ValuesDissonance: For various reasons (among them being heavier emphasis on gender roles and a general promotion of femininity for girls), dreaming about getting married and a love for wedding dresses isn't uncommon for young girls in Japan, and the series is marketed towards this demographic. Although there had already been concerns about the series promoting marriage as a woman's ultimate happiness in Japan[[note]]While the series doesn't contain any examples of pressuring anyone into accepting this, and its focus is more on love than marriage, it does happen to be quite gender role-reliant.[[/note]], the concept seems downright alarming to a Western viewer.
** Westerners might also question why a preference for physical violence and activity makes Hinagiku considered so masculine that she's [[NoGuyWantsAnAmazon in danger of not being able to get a boyfriend]] considering that she still indulges in and enjoys dressing femininely, fangirls over cute boys, and is a fairly sensitive and emotional person. Other than some things LostInTranslation (she uses an almost exclusively masculine speech pattern and [[JapanesePronouns a hyper-masculine first-person pronoun]]), heavier pressures on gender roles in Japan mean that Hinagiku's blunt personality and hobbies would make her come off as unusually masculine. There's also temporal values dissonance at play here, too; characters like Hinagiku were not as common during the time of the series' run, and since then other works would produce far more stereotypically masculine female characters treated with less stigma.
** Westerners might also question why a preference for physical violence and activity makes Hinagiku considered so masculine that she's [[NoGuyWantsAnAmazon in danger of not being able to get a boyfriend]] considering that she still indulges in and enjoys dressing femininely, fangirls over cute boys, and is a fairly sensitive and emotional person. Other than some things LostInTranslation (she uses an almost exclusively masculine speech pattern and [[JapanesePronouns a hyper-masculine first-person pronoun]]), heavier pressures on gender roles in Japan mean that Hinagiku's blunt personality and hobbies would make her come off as unusually masculine. There's also temporal values dissonance at play here, too; characters like Hinagiku were not as common during the time of the series' run, and since then other works would produce far more stereotypically masculine female characters treated with less stigma.
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* StrangledByTheRedString: The way it's initially presented, [[spoiler:Yuri's crush on Yanagiba]] had always been about as shallow as the other girls', and as soon as her [[spoiler:previous life's backstory with Limone]] (which had no foreshadowing at all) comes up they immediately become a couple without much development compared to the other two. It's slightly better in the manga, in which an extra chapter reveals the details of what their [[spoiler:past relationship]] was actually like, but it does so ''after'' the fact. Both versions eventually do build up what their romance ends up being afterwards, but the fact that it's done ''after'' their hookup is a little jarring.
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* StrangledByTheRedString: The way it's initially presented, [[spoiler:Yuri's crush on Yanagiba]] had always been about as shallow as the other girls', and as soon as her [[spoiler:previous life's backstory with Limone]] (which had no foreshadowing at all) comes up they immediately become a couple without much development compared to the other two. It's slightly better in the manga, in which an extra chapter reveals the details of what their [[spoiler:past relationship]] was actually like, but it does so ''after'' the fact. Both versions eventually do build up what their romance ends up being afterwards, but the fact that it's done ''after'' after their hookup and that their initial fall for each other comes out of nowhere is a little jarring.
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* StrangledByTheRedString: The way it's initially presented, [[spoiler:Yuri's crush on Yanagiba]] had always been about as shallow as the other girls', and as soon as her [[spoiler:previous life's backstory with Limone]] (which had no foreshadowing at all) comes up they immediately become a couple without much development compared to the other two. It's slightly better in the manga, in which an extra chapter reveals the details of what their [[spoiler:past relationship]] was actually like, but it does so ''after'' the fact.
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* StrangledByTheRedString: The way it's initially presented, [[spoiler:Yuri's crush on Yanagiba]] had always been about as shallow as the other girls', and as soon as her [[spoiler:previous life's backstory with Limone]] (which had no foreshadowing at all) comes up they immediately become a couple without much development compared to the other two. It's slightly better in the manga, in which an extra chapter reveals the details of what their [[spoiler:past relationship]] was actually like, but it does so ''after'' the fact. Both versions eventually do build up what their romance ends up being afterwards, but the fact that it's done ''after'' their hookup is a little jarring.
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* StrangledByTheRedString: The way it's initially presented, [[spoiler:Yuri's crush on Yanagiba]] had always been about as shallow as the other girls', and as soon as her [[spoiler:previous life's backstory with Limone]] (which had no foreshadowing at all) comes up they immediately become a couple without much development compared to the other couples. It's slightly better in the manga, in which an extra chapter reveals the details of what their [[spoiler:past relationship]] was actually like, but it does so ''after'' the fact.
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* StrangledByTheRedString: The way it's initially presented, [[spoiler:Yuri's crush on Yanagiba]] had always been about as shallow as the other girls', and as soon as her [[spoiler:previous life's backstory with Limone]] (which had no foreshadowing at all) comes up they immediately become a couple without much development compared to the other couples.two. It's slightly better in the manga, in which an extra chapter reveals the details of what their [[spoiler:past relationship]] was actually like, but it does so ''after'' the fact.
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* StrangledByTheRedString: The way it's initially presented, [[spoiler:Yuri's crush on Yanagiba]] had always been about as shallow as the other girls', and as soon as her [[spoiler:previous life's backstory with Limone]] (which had no foreshadowing at all) comes up they immediately become a couple without much development compared to the other couples. It's slightly better in the manga, in which an extra chapter reveals the details of what their [[spoiler:past relationship]] was actually like, but it does so ''after'' the fact.
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* TheyCopiedItSoItSucks: The most frequent negative backlash against the series in regards to itself and ''Anime/SailorMoon'', as it was a particularly common (and scathing) criticism in Japan during its airing and tends to elicit this reaction when first presented to anyone who's familiar with the latter. Ultimately, its own influence on the MagicalGirl genre redeemed it somewhat in its home country, but it never quite escaped this stigma in the West, as it is indeed one of the MagicalGirl shows that resembles ''Sailor Moon'' the closest (not helped by the anime having the same character designer).
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* TheyCopiedItSoItSucks: The most frequent negative backlash against the series in regards to itself and ''Anime/SailorMoon'', as it was a particularly common (and scathing) criticism in Japan during its airing and tends to elicit this reaction when first presented to anyone who's familiar with the latter. Ultimately, its own influence on the MagicalGirl genre redeemed it somewhat in its home country, but it never quite escaped this stigma in the West, as it is indeed one of the MagicalGirl shows that resembles ''Sailor Moon'' the closest (not helped by the (mainly due to its shared primary writer and anime having the same character designer).
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\"This is not an audience reaction trope.\"
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* RealWomenNeverWearDresses: A wedding motif means this show is misogynistic? Really?
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* AdaptationDisplacement: Look at the main page and how many tropes listed refer to the anime compared to the original manga. Notably, the [[http://dic.pixiv.net/a/%E6%84%9B%E5%A4%A9%E4%BD%BF%E4%BC%9D%E8%AA%AC%E3%82%A6%E3%82%A7%E3%83%87%E3%82%A3%E3%83%B3%E3%82%B0%E3%83%94%E3%83%BC%E3%83%81 Pixiv article]] for it barely mentions the manga or its continuity at all.
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* AdaptationDisplacement: Look at Despite the main page and how many tropes listed refer to fact the anime compared to the original manga.manga ran earlier. Notably, the [[http://dic.pixiv.net/a/%E6%84%9B%E5%A4%A9%E4%BD%BF%E4%BC%9D%E8%AA%AC%E3%82%A6%E3%82%A7%E3%83%87%E3%82%A3%E3%83%B3%E3%82%B0%E3%83%94%E3%83%BC%E3%83%81 Pixiv article]] for it barely mentions the manga or its continuity at all. It's hard to say whether this is an ''adaptation'' displacement, however; the manga indeed ran for a year before the anime began, but the two are separate entities as part of a mixed-media franchise.
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* SeinfeldIsUnfunny: Other than the usual "[[TheyCopiedItSoItSucks Sailor Moon ripoff]]" argument, the series is often said to be a fairly cookie-cutter FollowTheLeader magical girl show. While it wasn't the first to use most of the tropes in it, it was in fact the TropeCodifier for certain elements of the genre, such as the PinkHeroine.
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* SeinfeldIsUnfunny: Other than the usual "[[TheyCopiedItSoItSucks Sailor Moon ripoff]]" argument, the series is often said to be a fairly cookie-cutter FollowTheLeader magical girl show. While it wasn't the first to use most of the tropes in it, it was in fact the TropeCodifier for certain elements of the genre, such as the PinkHeroine.PinkHeroine being the lead magical girl.
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* SeinfeldIsUnfunny: Other than the usual "[[TheyCopiedItSoItSucks Sailor Moon ripoff]]" argument, the series is often said to be a fairly cookie-cutter FollowTheLeader magical girl show. While it wasn't the first to use most of the tropes in it, it was in fact the TropeCodifier for certain elements of the genre, such as the PinkHeroine.
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* TheyCopiedItSoItSucks: The most frequent negative backlash against the series in regards to itself and ''Anime/SailorMoon'', as it was a particularly common (and scathing) criticism in Japan during its airing and tends to elicit this reaction when first presented to anyone who's familiar with the latter. Ultimately, its own influence on the MagicalGirl genre redeemed it somewhat in its home country, but it never quite escaped this stigma in the West, as it is indeed one of the MagicalGirl shows that resembles ''Sailor Moon'' the closest (not helped by the anime having the same character designer).
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* AdaptationDisplacement: Look at the main page and how many tropes listed refer to the anime compared to the original manga.
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* AdaptationDisplacement: Look at the main page and how many tropes listed refer to the anime compared to the original manga. Notably, the [[http://dic.pixiv.net/a/%E6%84%9B%E5%A4%A9%E4%BD%BF%E4%BC%9D%E8%AA%AC%E3%82%A6%E3%82%A7%E3%83%87%E3%82%A3%E3%83%B3%E3%82%B0%E3%83%94%E3%83%BC%E3%83%81 Pixiv article]] for it barely mentions the manga or its continuity at all.
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** The Korean dub renames the girls Lily, Daisy, and Peach (even in human form), renames Takurou to "Peter", changes "Momopi" to "Peanut" (which has NO similar connotations or pun-marks in Korean), and ''erases Pluie from existence'', using really bad cuts to pretend he's not there. The episode order is mixed up to the point where the plot no longer makes sense.
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** The There were three Korean dub renames dubs, but the girls Lily, Daisy, and Peach (even in human form), renames Takurou to "Peter", changes "Momopi" to "Peanut" (which has NO similar connotations or pun-marks in Korean), and earliest one from 1996 notably ''erases Pluie from existence'', using really bad very abrupt and forced-in cuts to pretend he's not there. The episode order is mixed up to the point where the plot no longer makes sense.
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* AdaptationDisplacement: Look at the very page and how many tropes listed here refer to the anime compared to the original manga.
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* AdaptationDisplacement: Look at the very main page and how many tropes listed here refer to the anime compared to the original manga.
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** In the Italian dub, the conflict was changed from angels and demons to aliens of the Crystal Planet and the Dark Planet, most likely to avoid offending religious viewers (since the show takes a lot of liberties on what angels are.) Added to that, Wedding Peach was renamed "Sun Rose," possibly to cash in on SailorMoon.
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** In the Italian dub, the conflict was changed from angels and demons to aliens of the Crystal Planet and the Dark Planet, most likely to avoid offending religious viewers (since the show takes a lot of liberties on what angels are.) Added to that, Wedding Peach was renamed "Sun Rose," possibly to cash in on SailorMoon.''Franchise/SailorMoon.''
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* DuelingShows: With SailorMoon
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* DuelingShows: With SailorMoon''Anime/SailorMoon''
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* JerkassWoobie: Salvia during her intro, who refued to believe that Devils can before reformed, dispite Wedding Peach being able to do it once per episodes, and even insulted both Jama-P, for being a reformed Devil, and Limone, because she believe he was a weak coward. Even Jama-P said that she was worse than any Devil that he ever knew. When Peach finally [[ArmorPiercingSlap slaps some sense into her]], she reveals that [[spoiler:her best friend was killed by a Devil during the war, and she was so shocked by her death that she closed her heart to everyone to keep herself from geting hurt like that again]]. Good thing she has the other Love Angels to mellow her out.
* {{Macekre}}: The Korean dub. Most notably it renames the girls Lily, Daisy, and Peach (even in human form), renames Takurou (to the best of my knowledge) to "Peter", changes "Momopi" to "Peanut" (which has NO similar connotations or pun-marks in Korean), and most of all ''erases Pluie from existence'', using some really bad cuts to try to pretend he's not even there. The episode order is mixed up to the point where the plot no longer makes sense. Oh, and the first season opening (like America, Korea just can't leave an anime opening alone) spoils 50% of everything from Season 2.
** In the Italian dub, the conflict was changed from angels and demons to aliens of the Crystal Planet and the Dark Planet, most likely to avoid offending religious viewers (especially since the show takes a lot of liberties on what angels actually are.) Added to that, Wedding Peach was renamed "Sun Rose," possibly to cash in on SailorMoon.
* {{Macekre}}: The Korean dub. Most notably it renames the girls Lily, Daisy, and Peach (even in human form), renames Takurou (to the best of my knowledge) to "Peter", changes "Momopi" to "Peanut" (which has NO similar connotations or pun-marks in Korean), and most of all ''erases Pluie from existence'', using some really bad cuts to try to pretend he's not even there. The episode order is mixed up to the point where the plot no longer makes sense. Oh, and the first season opening (like America, Korea just can't leave an anime opening alone) spoils 50% of everything from Season 2.
** In the Italian dub, the conflict was changed from angels and demons to aliens of the Crystal Planet and the Dark Planet, most likely to avoid offending religious viewers (especially since the show takes a lot of liberties on what angels actually are.) Added to that, Wedding Peach was renamed "Sun Rose," possibly to cash in on SailorMoon.
to:
* JerkassWoobie: Salvia during her intro, who refued to believe that Devils can before reformed, dispite Wedding Peach being able to do doing it once per episodes, episode, and even insulted both Jama-P, for being a reformed Devil, and Limone, because she believe he was a weak coward. Even Jama-P said that she was worse than any Devil that he ever knew. When Peach finally [[ArmorPiercingSlap slaps some sense into her]], she reveals that [[spoiler:her best friend was killed by a Devil during the war, and she was so shocked by her death that she closed her heart to everyone to keep herself from geting hurt like that again]]. Good thing she has the other Love Angels to mellow her out.
*{{Macekre}}: The {{Macekre}}:
**The Koreandub. Most notably it dub renames the girls Lily, Daisy, and Peach (even in human form), renames Takurou (to the best of my knowledge) to "Peter", changes "Momopi" to "Peanut" (which has NO similar connotations or pun-marks in Korean), and most of all ''erases Pluie from existence'', using some really bad cuts to try to pretend he's not even there. The episode order is mixed up to the point where the plot no longer makes sense. Oh, and the first season opening (like America, Korea just can't leave an anime opening alone) spoils 50% of everything from Season 2.\n
** In the Italian dub, the conflict was changed from angels and demons to aliens of the Crystal Planet and the Dark Planet, most likely to avoid offending religious viewers(especially since (since the show takes a lot of liberties on what angels actually are.) Added to that, Wedding Peach was renamed "Sun Rose," possibly to cash in on SailorMoon.
*
**The Korean
** In the Italian dub, the conflict was changed from angels and demons to aliens of the Crystal Planet and the Dark Planet, most likely to avoid offending religious viewers
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* CrowningMusicOfAwesome: DX's OP, "[[http://www.youtube.com/watch?v=n-5MMqvzqc8 Merry Angel]]"
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Removing wick to Did Not Do The Research per rename at TRS.
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* DidNotDoTheResearch: Devils are actually supposed to be former angels, not a separate entity entirely.
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* DidNotDoTheResearch: Devils are actually supposed to be former angels, not a separate entity entirely.
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* DuelingSeries: SailorMoon
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* DuelingSeries: DuelingShows: With SailorMoon
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* DuelingSeries: SailorMoon
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** In the Italian dub, the conflict was changed from angels and demons to aliens of the Crystal Planet and the Dark Planet, most likely to avoid offending religious viewers (especially since the show takes a lot of liberties on what angels actually are.) Added to that, Wedding Peach was renamed "Sun Rose," possibly to cash in on SailorMoon.
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* AdaptationDisplacement: Look at the very page and how many tropes listed here refer to the anime compared to the original manga.
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we no longer collect Fetish Fuel
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* FetishFuel: Hey, having [[ClicheStorm nearly every Magical Girl cliche]] does have [[TropesAreNotBad a good side]]. Lets see. Japanese schoolgirls? Check. Bishonen? Check. Transformation? Check. Mind control? Check. Being tied up by evil vines? Check. Doing all of the above while wearing a wedding-dress? Double-check.
** The cat girls in the GrandTheftMe example below, combined with the fact that [[BreastExpansion their breasts become bigger]] as cat girls, and then shrink when they turn back to normal.
** The cat girls in the GrandTheftMe example below, combined with the fact that [[BreastExpansion their breasts become bigger]] as cat girls, and then shrink when they turn back to normal.
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* FetishFuel: Hey, having [[ClicheStorm nearly every Magical Girl cliche]] does have [[TropesAreNotBad a good side]]. Lets see. Japanese schoolgirls? Check. Bishonen? Check. Transformation? Check. Mind control? Check. Being tied up by evil vines? Check. Doing all of the above while wearing a wedding-dress? Double-check.
** The cat girls in the GrandTheftMe example below, combined with the fact that [[BreastExpansion their breasts become bigger]] as cat girls, and then shrink when they turn back to normal.
** The cat girls in the GrandTheftMe example below, combined with the fact that [[BreastExpansion their breasts become bigger]] as cat girls, and then shrink when they turn back to normal.
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* {{Macekre}}: The Korean dub. Most notably it renames the girls Lily, Daisy, and Peach (even in human form), renames Takurou (to the best of my knowledge) to "Peter", changes "Momopi" to "Peanut" (which has NO similar connotations or pun-marks in Korean), and most of all ''erases Pluie from existence''. The episode order is mixed up to the point where the plot no longer makes sense. Oh, and the first season opening (like America, Korea just can't leave an anime opening alone) spoils 50% of everything from Season 2.
to:
* {{Macekre}}: The Korean dub. Most notably it renames the girls Lily, Daisy, and Peach (even in human form), renames Takurou (to the best of my knowledge) to "Peter", changes "Momopi" to "Peanut" (which has NO similar connotations or pun-marks in Korean), and most of all ''erases Pluie from existence''.existence'', using some really bad cuts to try to pretend he's not even there. The episode order is mixed up to the point where the plot no longer makes sense. Oh, and the first season opening (like America, Korea just can't leave an anime opening alone) spoils 50% of everything from Season 2.
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* {{Narm}}: Momoko: "CAPTAIN?" Hinagiku: "Yanagiba?" Yuri: "He's hot!" when they see Yanagiba. Also, "I have a paw!" just after the {{Painful Transformation}} scene in the OVA.
