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* ToyShip: There are a good number of fans that pair together Kai and Gerda. This extends to several adaptations, where they end up becoming a couple after the events of the story, and after they become adults.
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* SugarWiki/HeartwarmingMoments:
** Gerda goes through a journey worthy of The Hero's Journey, all to find and return with her Playmate, Kai. This is all in spite of him having been mean to her due to the Mirror Shard's influence.
** Gerda saving Kai from being permanently frozen. When Kai finally recognizes Gerda after being free of the Mirror Shards, he immediately goes back to being her friend, and Gerda holds no ill will against him.
*** Also doubles as a literal example.
** Gerda goes through a journey worthy of The Hero's Journey, all to find and return with her Playmate, Kai. This is all in spite of him having been mean to her due to the Mirror Shard's influence.
** Gerda saving Kai from being permanently frozen. When Kai finally recognizes Gerda after being free of the Mirror Shards, he immediately goes back to being her friend, and Gerda holds no ill will against him.
*** Also doubles as a literal example.
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zce
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* NightmareFuel: The Robber Girl and her knives.
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Deleted line(s) 19 (click to see context) :
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* CommonKnowledge: "The Snow Queen" is frequently (at least in the English-speaking world) referred to as Andersen's longest story, but "The Marsh King's Daughter," "A Story from the Dunes" and especially "The Ice Maiden" are all longer.
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Changed line(s) 10 (click to see context) from:
* DesignatedVillain: The Snow Queen herself in the original story, as Kai ''chooses'' to go with her to her kingdom rather than being kidnapped, and his problem is caused by the mirror shard put within him before he even met the Snow Queen, rather than being under the Queen's control.
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Changed line(s) 8 (click to see context) from:
** Is the Robber-Girl a budding PsychoLesbian with an unhealthy interest in Gerda? Or is she a lonely -- if maladjusted -- child seeking companionship with someone who isn't a criminal? Is she some combination of the two, a young girl with a crush but lacking the knowledge of how to express such feelings without resorting to threats and/or imprisonment.
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** Is the Robber-Girl a budding PsychoLesbian with an unhealthy interest in Gerda? Or is she a lonely -- if maladjusted -- child seeking companionship with someone who isn't a criminal? Is she some combination of the two, a young girl with a crush but lacking the knowledge of how to express such feelings without resorting to threats and/or imprisonment.imprisonment?
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** Like [[EmotionEater dementors]], the mirrors shards are depression incarnate.
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** Like [[EmotionEater dementors]], the mirrors mirror's shards are depression incarnate.
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*** Likewise the Hallmark adaptation has the Snow Queen as the villain but in the end she gets a happy ending as well when her Polar Bear servant is transformed into a handsome prince, implying that she just needed to be loved.
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*** Likewise the Hallmark adaptation has the Snow Queen as the villain but in the end she gets a happy ending as well when her Polar Bear servant is transformed back into a handsome prince, implying that she just needed to be loved.
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Changed line(s) 8 (click to see context) from:
** Is the Robber-Girl a budding PsychoLesbian with an unhealthy interest in Gerda? Or is she a lonely -- if maladjusted -- child seeking companionship with someone who isn't a criminal? Is she some combination of the two, a young girl with a crush but lacking the knowledge of how to express such feelings without resorting to threats as a consequence of being raised by, you know, violent forest bandits.
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** Is the Robber-Girl a budding PsychoLesbian with an unhealthy interest in Gerda? Or is she a lonely -- if maladjusted -- child seeking companionship with someone who isn't a criminal? Is she some combination of the two, a young girl with a crush but lacking the knowledge of how to express such feelings without resorting to threats as a consequence of being raised by, you know, violent forest bandits.and/or imprisonment.
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Added something to the Alternative Character Interpretation for the robber girl
Changed line(s) 8 (click to see context) from:
** Is the Robber-Girl a budding PsychoLesbian with an unhealthy interest in Gerda? Or is she a lonely -- if maladjusted -- child seeking companionship with someone who isn't a criminal?
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** Is the Robber-Girl a budding PsychoLesbian with an unhealthy interest in Gerda? Or is she a lonely -- if maladjusted -- child seeking companionship with someone who isn't a criminal?criminal? Is she some combination of the two, a young girl with a crush but lacking the knowledge of how to express such feelings without resorting to threats as a consequence of being raised by, you know, violent forest bandits.
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Changed line(s) 5 (click to see context) from:
*** In Shelley Duvall's ''Faerie Tale Theatre'' the Snow Queen is protecting Kai and providing him with the opportunity to save himself. In that version, the troll's laboratory is on a raft floating around in outer space, and at the end the Snow Queen is shown to blow her wintry breath and send him sailing off far away.
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*** In Shelley Duvall's ''Faerie Tale Theatre'' Creator/ShelleyDuvall's ''Series/FaerieTaleTheatre'', the Snow Queen is protecting Kai and providing him with the opportunity to save himself. In that version, the troll's laboratory is on a raft floating around in outer space, and at the end the Snow Queen is shown to blow her wintry breath and send him sailing off far away.
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* AwesomeMusic: Among many versions the BBC's version with the songs makes great use of singer Sydney Rae White.
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* AwesomeMusic: SugarWiki/AwesomeMusic: Among many versions the BBC's version with the songs makes great use of singer Sydney Rae White.
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** [[TheSnowQueen1995 The Martin Gates Productions]] AnimatedAdaptation turns Bae (renamed Dimly) into one. It only intensifies in their original sequel. The trolls are also {{Jerkass Woobie}}s.
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** [[TheSnowQueen1995 [[WesternAnimation/TheSnowQueen1995 The Martin Gates Productions]] AnimatedAdaptation turns Bae (renamed Dimly) into one. It only intensifies in their original sequel. The trolls are also {{Jerkass Woobie}}s.
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Added line(s) 5 (click to see context) :
*** Likewise the Hallmark adaptation has the Snow Queen as the villain but in the end she gets a happy ending as well when her Polar Bear servant is transformed into a handsome prince, implying that she just needed to be loved.
Deleted line(s) 5 (click to see context) :
*** Likewise the Hallmark adaptation has the Snow Queen as the villain but in the end she gets a happy ending as well when her Polar Bear servant is transformed into a handsome prince, implying that she just needed to be loved.
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Added line(s) 6 (click to see context) :
*** Likewise the Hallmark adaptation has the Snow Queen as the villain but in the end she gets a happy ending as well when her Polar Bear servant is transformed into a handsome prince, implying that she just needed to be loved.
Deleted line(s) 6 (click to see context) :
** Likewise the Hallmark adaptation has the Snow Queen as the villain but in the end she gets a happy ending as well when her Polar Bear servant is transformed into a handsome prince, implying that she just needed to be loved.
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Changed line(s) 3,4 (click to see context) from:
** There is an animated version where the Snow Queen herself was under a curse, and captured Kai because she needed his help to solve the puzzle in order to break the curse.
** In Shelley Duvall's ''Faerie Tale Theatre'' the Snow Queen is protecting Kai and providing him with the opportunity to save himself. In that version, the troll's laboratory is on a raft floating around in outer space, and at the end the Snow Queen is shown to blow her wintry breath and send him sailing off far away.
** In Shelley Duvall's ''Faerie Tale Theatre'' the Snow Queen is protecting Kai and providing him with the opportunity to save himself. In that version, the troll's laboratory is on a raft floating around in outer space, and at the end the Snow Queen is shown to blow her wintry breath and send him sailing off far away.
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Changed line(s) 8 (click to see context) from:
** Is the Robber-Girl a budding PsychoLesbian with an unhealthy interest in Gerda? Or is she a lonely -- if -- maladjusted child seeking companionship with someone who isn't a criminal?
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** Is the Robber-Girl a budding PsychoLesbian with an unhealthy interest in Gerda? Or is she a lonely -- if -- maladjusted -- child seeking companionship with someone who isn't a criminal?
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Changed line(s) 8 (click to see context) from:
** Is the Robber-Girl a budding PsychoLesbian with an unhealthy interest in Gerda? Or is she a lonely, if maladjusted child seeking companionship with someone who isn't a criminal?
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** Is the Robber-Girl a budding PsychoLesbian with an unhealthy interest in Gerda? Or is she a lonely, lonely -- if -- maladjusted child seeking companionship with someone who isn't a criminal?
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Changed line(s) 12,14 (click to see context) from:
* LesYay: Gerda and the Robber Girl: when she gets a look at Gerda, she demands to have her and sleep with her. S
some translations even show the girl later doubting Kai is worth "going to the ends of the Earth for."
some translations even show the girl later doubting Kai is worth "going to the ends of the Earth for."
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* LesYay: Gerda and the Robber Girl: when she gets a look at Gerda, she demands to have her and sleep with her. S
someSome translations even show the girl later doubting if Kai is worth "going to the ends of the Earth for."
some
Deleted line(s) 16 (click to see context) :
* PsychoLesbian: Going with the above, when she gets a look at Gerda, she demands her, and while her other pets are tied/caged, Gerda is to sleep essentially snogging her with a knife to her neck.
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Changed line(s) 12 (click to see context) from:
* LesYay: Gerda and the Robber Girl; some translations even show the girl later doubting Kai is worth "going to the ends of the Earth for."
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* LesYay: Gerda and the Robber Girl; Girl: when she gets a look at Gerda, she demands to have her and sleep with her. S
some translations even show the girl later doubting Kai is worth "going to the ends of the Earth for."
some translations even show the girl later doubting Kai is worth "going to the ends of the Earth for."
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Changed line(s) 8 (click to see context) from:
** Is the Robber-Girl a budding PsychoLesbian with an unhealthy interest in Gerda, or is she a lonely and maladjusted child seeking companionship with someone who isn't a criminal?
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** Is the Robber-Girl a budding PsychoLesbian with an unhealthy interest in Gerda, or Gerda? Or is she a lonely and lonely, if maladjusted child seeking companionship with someone who isn't a criminal?
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Added DiffLines:
** Is the Robber-Girl a budding PsychoLesbian with an unhealthy interest in Gerda, or is she a lonely and maladjusted child seeking companionship with someone who isn't a criminal?