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* ActorShipping: There was ''tremendous'' shipping for Mariah Rose Faith and Robert Manion after this show, ironically despite the fact that their characters almost never interact onstage (except for being the two backup cops in "Show Me Your Hands"). It's mainly due to Mariah and Robert being the two youngest sets of the cast with among the most powerful vocal ranges, as well as their flirtatious banter on social media and the multiple duets they've done together for Website/YouTube. (And it's notably all in jest because Mariah is quite public about having a boyfriend, who also frequently shows up in her videos.) Cue massive squeeing at the prospect of the two of them playing a couple in Theatre/BlackFriday, followed by massive tears at Mariah having to bow out after being cast in the touring production of Theatre/MeanGirls.

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* ActorShipping: There was ''tremendous'' shipping for Mariah Rose Faith and Robert Manion after this show, ironically despite the fact that their characters almost never interact onstage (except for being the two backup cops in "Show Me Your Hands"). It's mainly due to Mariah and Robert being the two youngest sets members of the cast with among the most powerful vocal ranges, as well as their flirtatious banter on social media and the multiple duets they've done together for Website/YouTube. (And it's notably all in jest because Mariah is quite public about having a boyfriend, who also frequently shows up in her videos.) Cue massive squeeing at the prospect of the two of them playing a couple in Theatre/BlackFriday, followed by massive tears at Mariah having to bow out after being cast in the touring production of Theatre/MeanGirls.
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* CanonDefilement: A tongue-in-cheek version -- there's a [[https://youtu.be/kWr8Ox-AUl4 tribute video]] of Jon Matteson being absolutely psyched to sing the TGWDLM medley at Starkid Homecoming, a set of songs that, in the context of the show, were specifically about him hating musicals and refusing to sing with them.

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* MoodWhiplash: "Not Your Seed" is one of the few songs completely devoid of comedy and it ends with [[spoiler:the assimilated Alice shooting her father in the back]]...then immediately follows with a comedic scene of the assimilated trying to SpeakInUnison but failing to agree on what to say.
** A split-second one occurs right at the end. [[spoiler:After being convinced that Paul died in the destruction of the meteor, the sight of him alive and well and reunited with Emma is enough to send the audience into full [[{{Squee}} squeeing]] mode. But then he starts to sing and, in the taped recording, you can audibly hear the audience's mood switch to dread in an instant.]]
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*** Does Paul try to like musicals? Or did he just listen to one and decided he would never like any? Supporting the former theory is that Paul is the one to know the most of Moana, and he's seen both Godspell and Mamma Mia in the past. A popular Youtube comment theory is that he tries to listen to musicals, just in case he ever finds one her likes.

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*** Does Paul try to like musicals? Or did he just listen to one and decided he would never like any? Supporting the former theory is that Paul is the one to know the most of Moana, and he's seen both Godspell and Mamma Mia in the past. A popular Youtube comment theory is that he tries to listen to musicals, just in case he ever finds one her he likes.



* MoodWhiplash: "Not Your Seed" is one of the few songs completely devoid of comedy and it ends with [[spoiler:the assimilated Alice shooting her father in the back]]...then immediately follows with a comedic scene of the assimilated SpeakingInUnison but failing to agree on what to say.
** A split-second one occurs right at the end. [[spoiler:After being convinced that Paul died in the destruction of the meteor, the sight of him alive and well and reunited with Emma is enough to send the audience into full [[Squee squeeing]] mode. But then he starts to sing and, in the taped recording, you can audibly hear the audience's mood switch to dread in an instant.]]

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* MoodWhiplash: "Not Your Seed" is one of the few songs completely devoid of comedy and it ends with [[spoiler:the assimilated Alice shooting her father in the back]]...then immediately follows with a comedic scene of the assimilated SpeakingInUnison trying to SpeakInUnison but failing to agree on what to say.
** A split-second one occurs right at the end. [[spoiler:After being convinced that Paul died in the destruction of the meteor, the sight of him alive and well and reunited with Emma is enough to send the audience into full [[Squee [[{{Squee}} squeeing]] mode. But then he starts to sing and, in the taped recording, you can audibly hear the audience's mood switch to dread in an instant.]]
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** A split-second one occurs right at the end. [[spoiler:After being convinced that Paul died in the destruction of the meteor, the sight of him alive and well and reunited with Emma is enough to send the audience into full [[Squee squeeing]] mode. But then he starts to sing and, in the taped recording, you can audibly hear the audience's mood switch to dread in an instant.]]


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** Emma's monologue to Paul on her wasted relationship with her sister and her general feelings of inadequacy and unhappiness with how her life has turned out so far has been known to cause lumps in a few throats and is often the first thing people point to when they want to discuss Lauren Lopez's skills as a dramatic actress.
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* SpecialEffectsFailure: This show embraces the B-movie feel of having extremely low budget blood and gore. Special mention goes to Sam having his skull "busted open" by Ted by having a blue plastic "head wound" prosthetic obviously stuck to his head under his hat (which, in at least one performance, kept falling off). Prof. Hidgens is carried offstage by the aliens and returns with an obvious body-puppet so that the aliens can [[spoiler:rip his guts out.]]
* SpiritualAdaptation: It's basically ''Film/InvasionOfTheBodySnatchers'' as a musical.
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* ActorShipping: There was ''tremendous'' shipping for Mariah Rose Faith and Robert Manion after this show, ironically despite the fact that their characters almost never interact onstage (except for being the two backup cops in "Show Me Your Hands"). It's mainly due to Mariah and Robert being the two youngest sets of the cast with among the most powerful vocal ranges, as well as their flirtatious banter on social media and the multiple duets they've done together for YouTube. (And it's notably all in jest because Mariah is quite public about having a boyfriend, who also frequently shows up in her videos.) Cue massive squeeing at the prospect of the two of them playing a couple in Theatre/BlackFriday, followed by massive tears at Mariah having to bow out after being cast in the touring production of Theatre/MeanGirls.

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* ActorShipping: There was ''tremendous'' shipping for Mariah Rose Faith and Robert Manion after this show, ironically despite the fact that their characters almost never interact onstage (except for being the two backup cops in "Show Me Your Hands"). It's mainly due to Mariah and Robert being the two youngest sets of the cast with among the most powerful vocal ranges, as well as their flirtatious banter on social media and the multiple duets they've done together for YouTube.Website/YouTube. (And it's notably all in jest because Mariah is quite public about having a boyfriend, who also frequently shows up in her videos.) Cue massive squeeing at the prospect of the two of them playing a couple in Theatre/BlackFriday, followed by massive tears at Mariah having to bow out after being cast in the touring production of Theatre/MeanGirls.
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* ActorShipping: There was ''tremendous'' shipping for Mariah Rose Faith and Robert Manion after this show, ironically despite the fact that their characters almost never interact onstage (except for being the two backup cops in "Show Me Your Hands"). It's mainly due to Mariah and Robert being the two youngest sets of the cast with among the most powerful vocal ranges, as well as their flirtatious banter on social media and the multiple duets they've done together for YouTube. (And it's notably all in jest because Mariah is quite public about having a boyfriend, who also frequently shows up in her videos.) Cue massive squeeing at the prospect of the two of them playing a couple in Theatre/BlackFriday, followed by massive tears at Mariah having to bow out after being cast in the touring production of Theatre/MeanGirls.
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None

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* MoodWhiplash: "Not Your Seed" is one of the few songs completely devoid of comedy and it ends with [[spoiler:the assimilated Alice shooting her father in the back]]...then immediately follows with a comedic scene of the assimilated SpeakingInUnison but failing to agree on what to say.
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I want song titles to be remembered correctly. And don't call me Paul.


** Like with Sam up above, there is a moment during "What Do Want" where after Mr. Davidson calls his wife on the phone to tell her he wants her to choke him out during sex where he gets a bewildered look on his face and claims he forgot, before hanging up on her and getting back to singing. Was what was left of Mr. Davidson trying to save face in front of his employee and wife? Or perhaps trying to keep from her somehow being infected over the phone somehow? Given what Hidgens says about there being spores in the air and all it takes to be infected for some people are just hearing someone sing.

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** Like with Sam up above, there is a moment during "What Do Want" You Want, Paul" where after Mr. Davidson calls his wife on the phone to tell her he wants her to choke him out during sex where he gets a bewildered look on his face and claims he forgot, before hanging up on her and getting back to singing. Was what was left of Mr. Davidson trying to save face in front of his employee and wife? Or perhaps trying to keep from her somehow being infected over the phone somehow? Given what Hidgens says about there being spores in the air and all it takes to be infected for some people are just hearing someone sing.
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*** Does Paul try to like musicals? Or did he just listen to one and decided he would never like any? Supporting the former theory is that Paul is the one to know the most of Moana, and he's seen both Godspell and Mama Mia in the past. A popular Youtube comment theory is that he tries to listen to musicals, just in case he ever finds one her likes.

to:

*** Does Paul try to like musicals? Or did he just listen to one and decided he would never like any? Supporting the former theory is that Paul is the one to know the most of Moana, and he's seen both Godspell and Mama Mamma Mia in the past. A popular Youtube comment theory is that he tries to listen to musicals, just in case he ever finds one her likes.
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*** Does Paul try to like musicals? Or did he just listen to one and decided he would never like any? Supporting the former theory is that Paul is the one to know the most of Moana, and he's seen both Godspell and Mama Mia in the past. A popular Youtube comment theory is that he tries to listen to musicals, just in case he ever finds one her likes.

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** A much milder example is Manion's other character - an archetypal nerd with two line ("And I still haven't gotten my hot chocolate. I have very low blood sugar.")



** Hot Chocolate Guy (the one who has very low blood sugar) has also proved ridiculously popular despite only appearing Paul's first scene with Emma.

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** Hot Chocolate Guy (the one who has very low blood sugar) has also proved ridiculously popular despite only appearing Paul's first scene with Emma.Emma (and in the background during La Dee Dah Dah Day).
--> "And I still haven't gotten my hot chocolate. I have very low blood sugar."
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* BrokenBase: Is ''America is Great Again'' a hilarious moment that uses real life events to give the audience chills? Or is it an overly anvilicious song that has no reason to exist? [[TakeAThirdOption Or is it a great song that doesn't fit into the musical?]]
** Everyone loves Beatty's solo in ''Join Us (And Die)'' but there's some debate on Charlotte. Is she an annoying character who takes away the spotlight from other, more interesting characters? Or one of the funniest parts of the musical (special mention going to her romance with Ted)? [[TakeAThirdOption Or was she meant to come off as annoying and hypocritical?]]
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** Like with Sam up above, there is a moment during "What Do Want" where after Mr. Davidson calls his wife on the phone to tell her he wants her to choke him out during sex where he gets a bewildered look on his face and claims he forgot, before hanging up on her and getting back to singing. Was what was left of Mr. Davidson trying to save face in front of his employee and wife? Or perhaps trying to keep from her somehow being infected over the phone somehow? Given what Hidgens says about there being spores in the air and all it takes to be infected for some people are just hearing someone sing.

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What Do You Mean It'sNotPolitical is defined by its laconic as "The audience reading political allegory into a work that didn't intend it." ‘America is Great Again’ was *very* clearly *intended* to be political, so it's not an example.


* WhatDoYouMeanItsNotPolitical: One of the songs is about cops boasting about how they can do whatever they want and if anyone disobeys they'll shoot them. Another, sung by villains currently posing as American military, is titled "America is Great Again".
** "America Is Great Again" elicited audibly uncomfortable laughter from the audience, first comparing the meteor to UsefulNotes/DonaldTrump and then comparing the HiveMind (and by extension the forces behind Trump's election) to a "[[UsefulNotes/TheHolocaust Final Solution"]] and "[[TheSingularity Singularity]] achieved through a [[ApocalypseCult predestined self-destruction]]". The metaphor behind the idea of a relentlessly destructive HiveMind became very clear very quickly.

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* WhatDoYouMeanItsNotPolitical: One of the songs is about (Hive Mind-infected) cops boasting about how they can do whatever they want and if anyone disobeys they'll shoot them. Another, Though it's possible (and perhaps all too easy) to read in a satire of American police brutality, the main point of the song is clearly that, as always with the Hive Mind infectees, the cops are playing out common "tough police officers" tropes without any meaning left behind them, as exemplified by their nonsensical litany of "Get out of the vehicle! Get ''back'' in the vehicle! Slowly get ''out'' of the vehicle! (etc.)". The political interpretation is, of course, helped by the fact that another song is ''clearly'' political: "America is Great Again", sung by villains currently posing as American military, is titled "America is Great Again".
** "America
military.[[note]]"America Is Great Again" elicited audibly uncomfortable laughter from the audience, first comparing the meteor to UsefulNotes/DonaldTrump and then comparing the HiveMind (and by extension the forces behind Trump's election) to a "[[UsefulNotes/TheHolocaust Final Solution"]] and "[[TheSingularity Singularity]] achieved through a [[ApocalypseCult predestined self-destruction]]". The metaphor behind the idea of a relentlessly destructive HiveMind became very clear very quickly. [[/note]]

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* AlternativeCharacterInterpretation: During "Show Me Your Hands", Charlotte faces her assimilated husband Sam, and there's just one moment where he lifts up his sunglasses and gasps, "Charlotte...?" Was this Sam genuinely breaking through for just a moment, or the alien just messing with Charlotte's head? For that matter, if it ''was'' really Sam, did that one gasp come out of joy and relief, showing that he did care about her to some degree, or was he just so discombobulated from being assimilated and just said the first thing that came to mind?

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* AlternativeCharacterInterpretation: AlternativeCharacterInterpretation:
**
During "Show Me Your Hands", Charlotte faces her assimilated husband Sam, and there's just one moment where he lifts up his sunglasses and gasps, "Charlotte...?" Was this Sam genuinely breaking through for just a moment, or the alien just messing with Charlotte's head? For that matter, if it ''was'' really Sam, did that one gasp come out of joy and relief, showing that he did care about her to some degree, or was he just so discombobulated from being assimilated and just said the first thing that came to mind?


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*** Is any of the things assimilated!Alice sings about resenting Bill for true, or is the HiveMind using Alice's memories about things Bill worried about in order to drive him over the edge? Keep in mind at the beginning of the show, Deb keeps Alice from being pressured into smoking, but during "Not Your Seed" she claims "You were right, Deb is a stoner". There's also her line "Why does it hurt to love you...?" which is fairly somber compared to the rest of the number. Was this the real Alice attempting to fight back from the inside? Or just assimilated!Alice twisting the knife even more?
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** We only ever see Alice twice, once during the meteor strike and then "Not Your Seed." Her struggles with peer pressure in the former and her side of the relationship with Bill in the latter might've made for a really interesting character to follow.
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** Even on this wiki there's some controversy over whether Bill was really a good father -- there are little hints that his bad relationship with Alice may be partly due to the fact that he seems more interested in competing with his ex-wife to be the better parent than actually listening to Alice. (One popular interpretation of the lyrics of "Not Your Seed" saying "I was fucking seventeen" despite Bill earlier saying she's eighteen is that he's lost track of her birthdays; another argument is that she means she was seventeen before the divorce.) One has to keep in mind that while Bill may be an UnreliableNarrator, assimilated!Alice is surely even more so.
** Part of the theme of this musical seems to be that all of the characters have HiddenDepths lending themselves to this. Is Emma really an underdog hero or is she in fact an irresponsible jerk who unnecessarily takes out her anger at her own poor life choices on her coworkers and customers? Sam is a scumbag, no doubt about it, but Charlotte doesn't seem like the easiest person to live with either -- and she cheats on him right back with Ted. Ted, for his part, certainly owns that he's a sleazeball, but seems actually emotionally hurt by Charlotte treating their relationship as just sex, and has a moment of empathy with actual tears in his eyes when he hears the plot of ''Workin' Boys''.
** Hidgens inspires his fair share of debate, mostly over the question of the degree to which ''Workin' Boys'' is based on real life. Is Hidgens thinking about real friends he's lost touch with, or making up a pure fantasy of a life he never had? And does either of these options make him enough of TheWoobie for us to forgive him for [[spoiler: betraying and ending the human race]]?
** And then there's Paul himself. Does his apathy and passivity at the beginning of the show -- on topics from ranging from giving to the homeless to saving the planet to helping Bill with his daughter -- make him a relatable ClassicalAntihero or just a JerkAss? Is his hatred of musicals genuine or is it him protesting too much because he has the potential to love musicals more than anyone else, which might be the reason the HiveMind becomes obsessed with him [[spoiler: and possibly leads to his body becoming the new HiveQueen when the meteor is destroyed]]? In the ending, [[spoiler: has he really been completely assimilated or is he FightingFromTheInside]]?
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* AlternativeCharacterInterpretation: During "Show Me Your Hands", Charlotte faces her assimilated husband Sam, and there's just one moment where he lifts up his sunglasses and gasps, "Charlotte...?" Was this Sam genuinely breaking through for just a moment, or the alien just messing with Charlott's head? For that matter, if it ''was'' really Sam, did that one gasp come out of joy and relief, showing that he did care about her to some degree, or was he just so discombobulated from being assimilated and just said the first thing that came to mind?

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* AlternativeCharacterInterpretation: During "Show Me Your Hands", Charlotte faces her assimilated husband Sam, and there's just one moment where he lifts up his sunglasses and gasps, "Charlotte...?" Was this Sam genuinely breaking through for just a moment, or the alien just messing with Charlott's Charlotte's head? For that matter, if it ''was'' really Sam, did that one gasp come out of joy and relief, showing that he did care about her to some degree, or was he just so discombobulated from being assimilated and just said the first thing that came to mind?
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* AlternativeCharacterInterpretation: During "Show Me Your Hands", Charlotte faces her assimilated husband Sam, and there's just one moment where he lifts up his sunglasses and gasps, "Charlotte...?" Was this Sam genuinely breaking through for just a moment, or the alien just messing with Charlott's head? For that matter, if it ''was'' really Sam, did that one gasp come out of joy and relief, showing that he did care about her to some degree, or was he just so discombobulated from being assimilated and just said the first thing that came to mind?
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* InformedFlaw: We’re apparently supposed to just take Alice’s word for it that Bill doesn’t pay enough attention to her when in literally every scene he’s in, his #1 concern is clearly her. In the first scene he’s in, he complains about losing her. Even some of her evidence (like letting her mom take her away) is only ever mentioned in her personal solo. In fact, every problem they have is about him being an [[OverprotectiveDad Overprotective Dad]].


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* UnintentionallyUnsympathetic: Alice comes across as this in her solo “Not Your Seed”. To be fair, she was taken over by an alien. But still, the message she has lines like, “If you actually paid attention to me.” The thing is, in literally every scene her dad is in, his first priority is her. In the first scene he’s in, he complains about losing her, making her sound ungrateful of a man who would clearly do anything for her. In fact all their problems are even justified seeing as Alice herself admits that Deb is a stoner.
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-->'''Greenpeace Girl: Do you want to save the planet?

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-->'''Greenpeace Girl: Girl:''' Do you want to save the planet?
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* TheyWastedAPerfectlyGoodCharacter: One of the complaints about this show is that Corey Dorris doesn't get a solo at any point (except for two lines in the OpeningChorus), which is a waste of an amazing performer, and from an in-universe perspective it's a wasted opportunity to have Paul directly rather than incidentally confront the death and conversion of his best friend Bill.
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** Hot Chocolate Guy (the one who has very low blood sugar) has also proved ridiculously popular despite only appearing Paul's first scene with Emma.
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** The basic idea of this show matches this [[https://improveverywhere.com/2009/10/20/grocery-store-musical/ series of pranks]] Improv Everywhere did in RealLife, which makes Paul's extreme FreakOut reaction even more hilarious.
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** Paul's apathy about donating to Greenpeace in Act 1 arguably [[{{Foreshadowing}} foreshadows]] [[spoiler: Prof. Hidgens']] MotiveRant about how the only way to motivate the human race to save the planet from themselves is assimilation into the HiveMind.
-->'''Greenpeace Girl:''' Do you want to save the planet?
-->'''Chorus:''' Of course you want to save the planet!
-->'''Greenpeace Girl: Do you want to save the planet?
-->'''Chorus:''' There's just one way you can do it!
-->'''Greenpeace Girl:''' By singing a song... Singing along!
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** In particular, Jaime Lyn Beatty has been onstage lovers in Starkid shows with Creator/DarrenCriss, Joey Richter and Jeff Blim. It seems unlikely that Darren will come back for a full show anytime soon, but in the meantime we finally get to see her, Joey and Jeff in a LoveTriangle (with her as a maximally {{Woobie}} combination of [[Theatre/MeAndMyDick Sally]], [[Theatre/HolyMusicalBatman Candy]] and [[Theatre/TheTrailToOregon Mouthface]].

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** In particular, Jaime Lyn Beatty has been onstage lovers in Starkid shows with Creator/DarrenCriss, Joey Richter and Jeff Blim. It seems unlikely that Darren will come back for a full show anytime soon, but in the meantime we finally get to see her, Joey and Jeff in a LoveTriangle (with her as a maximally {{Woobie}} combination of [[Theatre/MeAndMyDick Sally]], [[Theatre/HolyMusicalBatman Candy]] and [[Theatre/TheTrailToOregon Mouthface]]. )
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Moving to subpage


* CrowningMomentOfAwesome: ''All'' of the musical numbers are fantastic, but to expand:
** The beginning of "Join Us And Die", where zombie Charlotte reveals herself by belting on the word "die." Jaime Lyn Beatty (pardon the pun) ''kills it.''
** "Show Stoppin' Number", where Professor Hidgins reveals his true intentions in a dazzling song-and-dance number that Robert Manion absolutely nails.
** When Paul is almost taken over by the plauge, he loudly declares "I Don't! Like! MUSICALS!" and blows up the meteor.
** A meta one for Jon Matteson. With it being his first Starkid production, people were naturally skeptical over how he'd compare with the others. Not only did he have to prove he could act first, as with most Starkids, it's the voices people praise before all of their undeniable acting talent, but when he does eventually sing, he absolutely kills it with his solos in "Let it Out" and "Inevitable."
** This whole show is an acting CMOA for all the actors involved. From Lauren’s astounding delivery of Emma’s monologue about her sister, to Joey’s [[PlayingAgainstType asshole-ish]] Ted, to Corey’s heartwrenching facial expressions during “Not Your Seed” as Bill, not to mention Jon’s incredible moments as Paul fighting against the alien spores infecting him, this show provided acting opportunities for everyone involved that were significantly different from a lot of Starkid’s previous material. And, as Emma herself said, they “fuckin killed it”.
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* BreakoutCharacter: Even the cast pretty unanimously agrees Robert Manion as Prof. Hidgens is this, with people clamoring to see more of him in a full length version of ''Workin' Boys'', as difficult as that might be to fit into continuity.

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