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* ArcFatigue: A common criticism of the Martez sisters arc is that it was a story that could been told in 2 or 3 episodes but was pushed into 4 leading to some odd pacing and moments of {{Padding}}. The most obvious example of this is that the third episode of the arc "Dangerous Debt" [[spoiler: ends in the same spot where it started with Ashoka and the Martez Sisters being captured by the Pykes]].
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* PresumedFlop: The film is the lowest-grossing ''Franchise/StarWars'' movie ever, and [=CostantMusic=].com referred to it as "the first bona fide ''Star Wars'' flop". Except it wasn't. It earned more than seven times its $8.5 million budget, which isn't bad for what was essentially a CompilationMovie of the first few episodes of the subsequent television series.

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* PresumedFlop: The film is the lowest-grossing ''Franchise/StarWars'' movie ever, and [=CostantMusic=].com referred to it as "the first bona fide ''Star Wars'' flop". Except it wasn't. It earned more than seven times its $8.5 million budget, which isn't bad for what was essentially a CompilationMovie of the first few episodes of the subsequent television series. Compared to movies such as ''Film/AttackOfTheClones'' (which underperformed) or ''Solo'' (which outright [[BoxOfficeBomb bombed]] at the box office) it's really hard to say this movie was a commercial flop.
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Wick cleaning


* PeripheryDemographic: ''The Clone Wars'' was originally created for kids and pre-teens, but has a very large teen and adult fanbase as a result of its characters, wonderful voice acting, well-written episodes, visually appealing art style and designs, brilliant animation, {{CallBack}}s[=/=]{{Futureshadowing}}s to the other works in the franchise, and mature tone and themes.

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* PeripheryDemographic: ''The Clone Wars'' was originally created for kids and pre-teens, but has a very large teen and adult fanbase as a result of its characters, wonderful voice acting, well-written episodes, visually appealing art style and designs, brilliant animation, {{CallBack}}s[=/=]{{Futureshadowing}}s {{Call Back}}s[=/=]{{Futureshadowing}}s to the other works in the franchise, and mature tone and themes.



** The second episode of ''Series/{{MADtv}}'' has Gary Anthony Williams doing a parody of Count Dooku (or "Count Poo-Poo"). One year later, he is voicing Riff Tamson, one of Dooku's subordinates, in ''The Clone Wars''.

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** The second episode of ''Series/{{MADtv}}'' ''Series/MadTV1995'' has Gary Anthony Williams doing a parody of Count Dooku (or "Count Poo-Poo"). One year later, he is voicing Riff Tamson, one of Dooku's subordinates, in ''The Clone Wars''.
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* BaseBreakingCharacter: Martez sisters. Some fans like them for their dynamic with Ashoka and the perspective they provide on the Clone Wars and failings of the Jedi Order. Others, however, dislike them for what they see as idiotic and reckless decisions, the fact they took up an entire arc of the final season with their antics, and a perceived lack of depth.
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They are more base breakers than true scrappies


* TheScrappy: The Martez sisters were disliked by fans because of their constant idiotic and reckless decisions, the fact they took up an entire arc of the final season with their antics, and a perceived lack of depth. Out of the two of them, Rafa gets the most hate because of her [[{{Jerkass}} unpleasant personality]] and NeverMyFault tendencies.

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** They are also quite a few who dislike the shippings with Anakin/Rex/Barriss/[[LauncherOfAThousandShips etc]]. because they ''want'' her paired with Lux. It never ends.

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** They There are also quite a few who dislike the shippings with Anakin/Rex/Barriss/[[LauncherOfAThousandShips etc]]. because they ''want'' her paired with Lux. It never ends.


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** Those who ship Obi-Wan with [[Literature/JediApprentice Siri Tachi]] have no love for Satine.
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* UnpopularPopularCharacter: Hondo Ohnaka isn't exactly someone that a lot of people in the galaxy like. Both the Sith and Separatists hate him for either capturing their leaders or humiliating them in some way. He's not too popular with the Jedi either and Obi-Wan, the one Jedi whom Hondo considers his friend, sees having to deal with Hondo as an unpleasant chore. He can be popular with his own men but they would willingly backstab him if they saw an opening, since they're all space pirates. With the fans, however, Hondo is wildly popular as a BreakoutCharacter, and is a main character at ''Ride/StarWarsGalaxysEdge''.

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* UnpopularPopularCharacter: Hondo Ohnaka isn't exactly someone that a lot of people in the galaxy like. Both the Sith and Separatists hate him for either capturing their leaders or humiliating them in some way. He's not too popular with the Jedi either and Obi-Wan, the one Jedi whom Hondo considers his friend, sees having to deal with Hondo as an unpleasant chore. He can be popular with his own men but they would willingly backstab him if they saw an opening, since they're all space pirates. With the fans, however, Hondo is wildly popular as to the point of being a BreakoutCharacter, and is a main character at ''Ride/StarWarsGalaxysEdge''.
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** Out of all the retcons that ''The Clone Wars''' has made to the material from ''Legends'', the most highly contested one is its portrayal of the Mandalorians. Is the idea of a ProudWarriorRace culture becoming pacifistic a serious case of BadassDecay for them and an insult to how other writers have developed them? Or is it a much-needed [[ThisIsReality reality check]] for the historical progression of the culture (as well as how the warrior culture would be viewed by outsiders) after [[Creator/KarenTraviss Karen Traviss's]] [[Literature/RepublicCommando depiction]] of it was controversial to some ''Legends'' fans? It's not helped by the fact that what seems to be the only remnants of the warrior culture left are a [[KnightTemplar fanatically bloodthirsty terrorist cult]]. After [[spoiler:the New Mandalorian government comes crumbling down during the Shadow Collective arc]], the depiction of the Mandalorians (which is part of the canon) is still a contested territory and the ''Legends'' decision (which effectively erased almost all aspects of the old Mandalorians from the canon) didn't help this debate very much.

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** Out of all the retcons that ''The Clone Wars''' has made to the material from ''Legends'', the most highly contested one is its portrayal of the Mandalorians. Is the idea of a ProudWarriorRace ProudWarriorRaceGuy culture becoming pacifistic a serious case of BadassDecay for them and an insult to how other writers have developed them? Or is it a much-needed [[ThisIsReality reality check]] for the historical progression of the culture (as well as how the warrior culture would be viewed by outsiders) after [[Creator/KarenTraviss Karen Traviss's]] [[Literature/RepublicCommando Creator/KarenTraviss's [[Literature/RepublicCommandoSeries depiction]] of it was controversial to some ''Legends'' fans? It's not helped by the fact that what seems to be the only remnants of the warrior culture left are a [[KnightTemplar fanatically bloodthirsty terrorist cult]]. After [[spoiler:the New Mandalorian government comes crumbling down during the Shadow Collective arc]], the depiction of the Mandalorians (which is part of the canon) is still a contested territory and the ''Legends'' decision (which effectively erased almost all aspects of the old Mandalorians from the canon) didn't help this debate very much.

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* InformedWrongness: In the Clovis arc, Anakin walks in on Clovis trying to force a kiss on Padmé, and reacts by beating him up. The scene is played as Anakin being a jealous husband who is bringing himself closer to the dark side, rather than a husband justifiably defending his wife from sexual assault. Padmé even tells him to stay away from her, as if it was ''Anakin'' who crossed a line, rather than Clovis.
** It makes the scene worse of anyone read Queen's Shadow where it wasn't the first time Clovis forced a kiss on Padmé.

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* InformedWrongness: InformedWrongness:
**
In the Clovis arc, Anakin walks in on Clovis trying to force a kiss on Padmé, and reacts by beating him up. The scene is played as Anakin being a jealous husband who is bringing himself closer to the dark side, rather than a husband justifiably defending his wife from sexual assault. Padmé even tells him to stay away from her, as if it was ''Anakin'' who crossed a line, rather than Clovis.
** *** It makes the scene worse of anyone read Queen's Shadow where it wasn't the first time Clovis forced a kiss on Padmé.Padmé.
** The Jedi Council in the Wrong Jedi arc is treated by the narrative as having betrayed and abandoned Ahsoka, with several characters calling them out for it and Ahsoka herself lamenting that even after all she's done for the Order the Council had no faith in her. Putting aside the hypocrisy in that,[[note]]Ahsoka's time as a fugitive only even happens because she refuses Anakin's plea to turn herself in and make her case to the Council i.e. refusing to put her faith in the Council to resolve the false accustations against her.[[/note]] Ahsoka's actions during the arc are a colossal case of NotHelpingYourCase where she breaks out of prison, works with a Separatist war criminal, and is caught red-handed holding the bombs used in the attack. When she is finally forced to make her case before the Council, she contradicts herself several times due to her confusion as to what happened, with Council members sharing looks that say they believe she can't keep her lies straight. All things considered, them believing she might be guilty and turning her over to the courts for trial seems fairly reasonable, yet is still slammed as a heinous betrayal and proof of the Council's callousness.[[note]]Particularly glaring is how Anakin declares the Council's hearing for Ahsoka a mere formality and they've already decided she's guilty when, as mentioned, Ahsoka hardly acquited herself well in the hearing and the Council includes Obi-Wan, Plo Koon, and Yoda, all three of whom are fond of Ahsoka and would naturally want to avoid condemning her if they could at all make a case in her defense.[[/note]]
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** ''The Clone Wars'' is praised for being DarkerAndEdgier than most ''Star Wars'' media, sometimes to the point where it is claimed to be either the first or the most mature work in the modern times of the franchise, but ''The Clone Wars'' is actually neither, not even limited to the Clone Wars era. Back during the Prequel Trilogy's very heyday, ''Legends''' media set during the Clone Wars had a tendency to be equally edgy, if not more so and sometimes in ways that ''The Clone Wars'' would not touch due to its channel, format, and target audience. Comics like ''ComicBook/StarWarsRepublic'', video games like ''VideoGame/StarWarsRepublicCommando'' and novels like ''Literature/{{Shatterpoint}}'' and ''Literature/LabyrinthOfEvil'' from ''Legends'' were essentially adult media, being often exceedingly nasty, intense, psychological, and explorative of concepts like the Dark Side and the consequences of the war (and even the animated micro-series ''WesternAnimation/StarWarsCloneWars'' could be included here, given how disturbing it could be at points).

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** ''The Clone Wars'' is praised for being DarkerAndEdgier than most ''Star Wars'' media, sometimes to the point where it is claimed to be either the first or the most mature work in the modern times of the franchise, but ''The Clone Wars'' is actually neither, not even limited to the Clone Wars era. Back during the Prequel Trilogy's very heyday, ''Legends''' ''Legends'' media set during the Clone Wars had a tendency to be equally edgy, if not more so and sometimes in ways that ''The Clone Wars'' would not touch due to its channel, format, and target audience. Comics like ''ComicBook/StarWarsRepublic'', video games like ''VideoGame/StarWarsRepublicCommando'' and novels like ''Literature/{{Shatterpoint}}'' and ''Literature/LabyrinthOfEvil'' from ''Legends'' were essentially adult media, being often exceedingly nasty, intense, psychological, and explorative of concepts like the Dark Side and the consequences of the war (and even the animated micro-series ''WesternAnimation/StarWarsCloneWars'' could be included here, given how disturbing it could be at points).
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** ''The Clone Wars'' is praised for being DarkerAndEdgier than most ''Star Wars'' media, sometimes to the point where it is claimed to be either the first or the most mature work in the modern times of the franchise, but ''The Clone Wars'' is actually neither, not even limited to the Clone Wars era. Back in the Prequel Trilogy's very heyday, pieces of ''Legends''' media set in the Clone Wars had the tendency to be equally edgy, if not even more and sometimes in ways that ''The Clone Wars'' would not touch due to its channel, format, and target audience. Comics like ''ComicBook/StarWarsRepublic'', video games like ''VideoGame/StarWarsRepublicCommando'' and novels like ''Literature/{{Shatterpoint}}'' and ''Literature/LabyrinthOfEvil'' from ''Legends'' were essentially adult media, being often exceedingly nasty, intense, psychological, and explorative of concepts like the Dark Side and the consequences of the war (and even the animated micro-series ''WesternAnimation/StarWarsCloneWars'' could be included here, given how disturbing it could be at points).

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** ''The Clone Wars'' is praised for being DarkerAndEdgier than most ''Star Wars'' media, sometimes to the point where it is claimed to be either the first or the most mature work in the modern times of the franchise, but ''The Clone Wars'' is actually neither, not even limited to the Clone Wars era. Back in during the Prequel Trilogy's very heyday, pieces of ''Legends''' media set in during the Clone Wars had the a tendency to be equally edgy, if not even more so and sometimes in ways that ''The Clone Wars'' would not touch due to its channel, format, and target audience. Comics like ''ComicBook/StarWarsRepublic'', video games like ''VideoGame/StarWarsRepublicCommando'' and novels like ''Literature/{{Shatterpoint}}'' and ''Literature/LabyrinthOfEvil'' from ''Legends'' were essentially adult media, being often exceedingly nasty, intense, psychological, and explorative of concepts like the Dark Side and the consequences of the war (and even the animated micro-series ''WesternAnimation/StarWarsCloneWars'' could be included here, given how disturbing it could be at points).
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* TheyWastedAPerfectlyGoodPlot:
** While the film makes it clear that Anakin does have a distaste for Hutts, it is oddly lowkey considering Anakin was a slave from Tatooine and Jabba is a major crime boss who is either directly responsible or at least heavily contributes to the practice of slavery on Tatooine and across the Outer Rim. While Jabba was not personally involved in his and Shimi's enslavement, Jabba and the Hutts create and sustain the environment that led to their enslavement and her eventual death. Yet, Anakin does not have much of a reaction to the Republic and Jedi Order working with Jabba and being forced to rescue his son beyond some mild annoyance at looking after an infant Hutt. This really could have been a great opportunity to explore the divide between Anakin and Jedi Order/Republic as they are willing to turn a blind eye to his enslavement for the sake of gaining access to Hutt space and Anakin would be torn between his duty to the Republic and his past as a slave.
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** Issues #7-9--"In Service of the Republic" arc: [[FatBastard Warlord Unger Gout]] is the [[Characters/StarWarsRiseOfTheEmpireEraSeparatists Separatist]] leader on Khorm, who [[SlaveryIsASpecialKindOfEvil enslaved]] his own people and works them to death in his mines, feeding corpses to the slaves to save money on food. He uses a WeatherControlMachine to keep the Republic forces off of Khorm, even though it devastates the planet's ecosystem and causes many deaths. A [[DirtyCoward coward]] who runs and hides from battle, at Asajj Ventress's suggestion, he plants bombs in the mines to kill the slaves if the Jedi come after him. When Ventress goes to kill the Jedi, Gout attempts to kill them with an ice storm, not caring that Ventress could also die.

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** Issues #7-9--"In Service of the Republic" arc: [[FatBastard Warlord Unger Gout]] is the [[Characters/StarWarsRiseOfTheEmpireEraSeparatists Separatist]] leader on Khorm, who [[SlaveryIsASpecialKindOfEvil enslaved]] his own people and works them to death in his mines, feeding corpses to the slaves to save money on food. He uses a WeatherControlMachine to keep the Republic forces off of Khorm, even though it devastates the planet's ecosystem and causes many deaths. A [[DirtyCoward coward]] who runs and hides from battle, at [[Characters/StarWarsAsajjVentress Asajj Ventress's Ventress]]'s suggestion, he plants bombs in the mines to kill the slaves if the Jedi come after him. When Ventress goes to kill the Jedi, Gout attempts to kill them with an ice storm, not caring that Ventress could also die.

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