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* CompleteMonster: ''Music/{{Batman|1989}}'''s "[[https://www.youtube.com/watch?v=4zqaTU5bGx8 Partyman]]": The [[AntagonistTitle titular]] "[[Characters/BatmanFilmSeriesTheJoker Partyman]]" is the mysterious "guest of honor" who hosts a party where hundreds attend. [[BitchInSheepsClothing Pretending to be a comedic, fun-loving host]], it is then revealed he [[TamperingWithFoodAndDrink has been poisoning the drinks]], and watches with sadistic glee as his victims slowly die from the poison.
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* FandomRivalry: It can happen with the fandoms of many other pop/R&B legends, but it's most common with Music/MichaelJackson fans. It doesn't help that Prince had his own real-life rivalry with MJ (though it seemed to be largely on a musical level).

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* FandomRivalry: It can happen with the fandoms of many other pop/R&B legends, but it's most common with Music/MichaelJackson fans. It doesn't help that Prince had his own real-life A longstanding rivalry with MJ (though it seemed to be largely on a exists between Prince's fanbase and that of Music/MichaelJackson, the other Black musical level).superstar of the '80s. Many of Jackson's more "mainstream" fans decry Prince as a vulgar womanizer, while many of Prince's more hardcore fans view Jackson as a formidable singer and dancer, but an overly commercialized one who relied too much on other musicians for writing, playing, and producing. Ironically, Jackson and Prince were on good terms with one another, with their rivalry being more musical than personal, and attempted to collaborate with one another on two separate occasions in the '80s.
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* PosthumousPopularityPotential: While a respected artist, it was generally established that Prince's most acclaimed and iconic work was in the 80s and mostly behind him due to an AudienceAlienatingEra and generally unexceptional work. His death prompted greater appreciation and reevaluation of his work and made him one of the biggest posthumous superstars alongside Music/DavidBowie, with several of his albums and songs charting again.
* ProtectionFromEditors: Once he gained this after splitting from Creator/WarnerBros, he barreled straight towards SeasonalRot territory.

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* PosthumousPopularityPotential: While a respected artist, it was generally established that Prince's most acclaimed and iconic work was in the 80s and mostly behind him due to an AudienceAlienatingEra and generally unexceptional work. His death prompted greater appreciation and reevaluation of his work and made him one of the biggest posthumous superstars of the 21st century alongside Music/MichaelJackson and Music/DavidBowie, with several of his albums and songs charting again.
* ProtectionFromEditors: Once he gained this greater creative freedom after splitting from Creator/WarnerBros, he barreled straight towards SeasonalRot territory.



* SecondVerseCurse: "Kiss."

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* %%* SecondVerseCurse: "Kiss."" (Zero-Context Example)



* VindicatedByHistory: ''Come'' was met with mixed reviews upon release in 1994, not helped by Prince's ongoing row with Warner Brothers but its dark and experimental nature allowed it to [[https://www.youtube.com/watch?v=yaWCsg65YLQ become more appreciated with the passing of time]].

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* VindicatedByHistory: ''Come'' was met with mixed reviews upon release in 1994, not helped by Prince's ongoing row with Warner Brothers Brothers, but its dark and experimental nature allowed it to [[https://www.youtube.com/watch?v=yaWCsg65YLQ become more appreciated with the passing of time]].time]], with many people positively reappraising it as a precursor to AlternativeRAndB.

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The creator's death on its own does not make something Harsher in Hindsight as death is inevitable.


** "Let's Go Crazy" is a song about enjoying life to the fullest because we never know what'll happen tomorrow. There's a line that goes:
--->"You better live now 'fore TheGrimReaper come knocking on your door."
*** Which is what exactly happens to Prince on April 21, 2016.

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** "Let's Go Crazy" is Crazy", a song about enjoying life to the fullest because we never know what'll happen tomorrow. There's a tomorrow, contains the repeated line that goes:
--->"You better live now 'fore TheGrimReaper come knocking on your door."
*** Which is what exactly happens to Prince on April 21, 2016.
"Are we gonna let de-elevator bring us down?" Prince's body was found in an elevator.



** The one lyric from his 1985 single "Pop Life" of "What u putting in your nose? Is that where all your money goes?" has a bitter aftertaste to it given his own death a little over thirty years later (although it was from a Fentanyl overdose instead of anything inhaled.)
** The closing line of "Endorphinmachine": "[[GratuitousSpanish Prince esta muerto.]]"

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** The one lyric from his 1985 single "Pop Life" of "What u putting in your nose? Is that where all your money goes?" has a bitter aftertaste to it given his own death fatal overdose a little over thirty years later (although it was from a Fentanyl overdose instead of anything inhaled.)
** The closing line of "Endorphinmachine": "[[GratuitousSpanish Prince esta muerto.]]"
)



** The video for [[https://www.youtube.com/watch?v=HsD0dkACM8k "Face Down"]] features a mock funeral with Prince laying in a coffin face down. The joke being, of course, that when he's dead, all his critics can kiss his ass on the way out. Obviously, now that Prince really is dead, it's a little eerie to watch now. And for the record, Prince was cremated.
** From "1999":
--->"But life is just a party and parties weren't meant to last"
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Face Of The Band is a disambig


* FaceOfTheBand: Invoked for the bands he formed: the Revolution, the New Power Generation and [=3rdeyegirl=]. Hey, it's not like Prince could possibly be a second banana in any band he's in - the guys at the Rock & Roll Hall Of Fame found that out the hard way.
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* ToughActToFollow: Prince managed to get hit by this twice with ''Music/{{Purple Rain|Album}}'' and ''Music/SignOTheTimes''. The former album catapulted Prince into superstardom and set high expectations for his following material, which factored into the underperformance of both ''Music/AroundTheWorldInADay'' and ''Music/{{Parade|Album}}'', which leaned into his PsychedelicRock influences to audience confusion. ''Sign o' the Times'' meanwhile consolidated the approach of ''Purple Rain'' with that of its follow-ups and became seen as the "true" follow-up to his 1984 megahit, but also cast a large shadow over his following material thanks to its high sales and acclaim. Many fans consider ''Sign'' Prince's last truly great album, while ''Purple Rain'' would maintain a greater foothold in pop culture than any other release from the man. Tellingly, the years after ''Sign'' would be marked by declining fortunes for Prince, which wouldn't be reversed until ''Musicology'' in 2004 and especially his death in 2016.
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No Real Life


* NeverLiveItDown: Changing his name to a symbol, although that was at least partially due to ExecutiveMeddling. Having a phallic guitar was all him, though.
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Requires Word Of God confirmation


* AuthorsSavingThrow: Thanks to the [[ScrewedByTheLawyers legal battles]] surrounding "The Most Beautiful Girl in the World", ''The Gold Experience'' was pretty much all but forbidden to be reissued, with only certain songs being available to listen to on streaming services. For the longest time, this was the album's fate, but thanks to the Prince Estate continuing the legal battles for the rights to distribute the album again, ''The Gold Experience'' was finally available in full again on streaming services in February 2022, "The Most Beautiful Girl in the World" included, and was slated to have another physical reissue starting in June 2022.
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* WinBackTheCrowd: While the soundtrack to the 1990 film ''Graffiti Bridge'' actually did go gold and spin off a successful single in "Thieves in the Temple," the film itself bombed commercially; turns out no one really needed a sequel to ''Film/PurpleRain''. A year later, Prince shook that failure off in one fell swoop with the platinum-selling ''Diamonds And Pearls,'' released in conjunction with the New Power Generation. It has his fifth and last #1 single in America, "Cream," as well as several other fan favorites, and it's still considered some of his best 90s material.
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* PosthumousPopularityPotential: While a respected artist, it was generally established that Prince's most acclaimed and iconic work was in the 80s and mostly behind him due to an AudienceAlienatingEra and generally unexceptional work. His death prompted greater appreciation and reevaluation of his work and made him one of the biggest posthumous superstars alongside Music/DavidBowie, with several of his albums and songs charting again.
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** From "1999":
--->"But life is just a party and parties weren't meant to last"
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** "Let's Go Crazy" is a song about enjoying life to the fullest and not worrying about mortality. There's a line that goes:

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** "Let's Go Crazy" is a song about enjoying life to the fullest and not worrying about mortality.because we never know what'll happen tomorrow. There's a line that goes:

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** "Let's Go Crazy" is a song about enjoying life to the fullest and not worrying about mortality. There's a line that goes:
--->"You better live now 'fore TheGrimReaper come knocking on your door."
*** Which is what exactly happens to Prince on April 21, 2016.



---> "Sometimes I wish that life was never-ending\\

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---> "Sometimes --->"Sometimes I wish that life was never-ending\\
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* BigLippedAlligatorMoment: Towards the end of "Pop Life", the music abruptly stops and there's the sound of a bell dinging, fans booing and a man yelling "Throw the bum out!" (as if there was a boxing match going on) only for the song pick up after that as before. No one is quite sure why that moment was in the song, and according to a forum Q&A he gave years later, [[RiddleForTheAges neither was Prince.]]
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Tastes Like Diabetes is no longer a trope. Moving examples to other tropes when applicable.


** "[[TastesLikeDiabetes Friend, Lover, Sister, Mother/Wife]]" off of ''Emancipation''.

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** "[[TastesLikeDiabetes Friend, "Friend, Lover, Sister, Mother/Wife]]" Mother/Wife" off of ''Emancipation''.

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Sacred Cow applies to works, for something like Prince, this counts as Creator Worship.


* CreatorWorship: While not all of his work is equally well-regarded, Prince is frequently recognized as one of the greatest all-around music artists of all time, recognized as a multi-instrumentalist, live-performer, prolific songwriter, and more. Therefore, it's usually not wise to criticize him in front of fans.



* SacredCow: While not all of his work is equally well-regarded, Prince is frequently recognized as one of the greatest all-around music artists of all time, recognized as a multi-instrumentalist, live-performer, prolific songwriter, and more. Therefore, it's usually not wise to criticize him in front of fans.
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** "When You Were Mine", a song off 1980's "Dirty Mind" album, performed decently enough to see release as a B-Side and a few cover versions in the following years. And then came [[Music/CyndiLauper Cyndi Lauper's version]] in 1983, part of her insanely popular album "She's So Unusual".
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* FriendlyFandoms:
** Due to Prince drawing influences and lineage from R&B and funk among other music genres, fans of Prince tend to be fans of his influences such as Music/JamesBrown, Music/SlyAndTheFamilyStone, Music/GeorgeClinton, Music/StevieWonder, and more.
** With Music/DavidBowie fans. The artists are frequently seen as two of the most musically talented and adventurous artists in popular music, both exploring and mixing a variety of musical styles in the course of their career. It helps that Bowie himself saw Prince as doing for the 80s what he did for the 70s.

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* FandomRivalry: It can happen with the fandoms of many other pop/R&B legends, but it's most common with Music/MichaelJackson fans. It doesn't help that Prince had his own real-life rivalry with MJ (though it seemed to be largely on a musical level).



* SignatureAlbum: Although Prince had already been establishing his SignatureStyle across critically respected albums like ''Music/DirtyMind'' and ''Music/NineteenNinetyNineAlbum'', ''Music/PurpleRain'' was the album that propelled Prince to superstardom while also showcasing his crossover appeal. Both image-wise and musically, it is the album that immediately springs to mind when it comes to Prince.
* {{Signature Song}}s: "1999", "Little Red Corvette", "When Doves Cry", "Purple Rain" and "Kiss." Although "1999" is more fondly remembered now, "Little Red Corvette" is pointed to as the moment when Prince became well-known in the mainstream[[note]]It was his first US top 10 hit and an inspiration to both Music/PhilCollins and Music/StevieNicks, directly causing "1999" to climb back up the charts; originally not breaking the top 40 in the US, "1999" peaked at #12 on its second try[[/note]]; "When Doves Cry" is arguably Prince's highest-praised song and was the best-selling single of 1984 according to ''Billboard''; and "Purple Rain", being the TitleTrack to [[Film/PurpleRain his best-known film]] and its soundtrack album, was not only a very successful and acclaimed single but can be thought of as the "Stairway to Heaven" of the 1980s. And "Kiss"..... well, even casual fans know all the words to that one, as it's usually the go-to song on North American radio stations. Since his death, "Nothing Compares 2U" has become one, though the best-known version was the cover by Music/SineadOConnor.

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* SignatureAlbum: Although Prince had already been establishing his SignatureStyle across critically respected albums like ''Music/DirtyMind'' and ''Music/NineteenNinetyNineAlbum'', ''Music/PurpleRain'' was the album that propelled Prince to superstardom while also showcasing his crossover appeal. Both image-wise and musically, it is the album that immediately springs to mind when it comes to Prince.
* {{Signature Song}}s: Multiple candidates here: "1999", "Little Red Corvette", "When Doves Cry", "Purple Rain" and "Kiss." "
**
Although "1999" is more fondly remembered now, "Little Red Corvette" is pointed to as the moment when Prince became well-known in the mainstream[[note]]It mainstream.[[note]]It was his first US top 10 hit and an inspiration to both Music/PhilCollins and Music/StevieNicks, directly causing "1999" to climb back up the charts; originally not breaking the top 40 in the US, "1999" peaked at #12 on its second try[[/note]]; try.[[/note]]
**
"When Doves Cry" is arguably Prince's highest-praised song and was the best-selling single of 1984 according to ''Billboard''; ''Billboard,'' and "Purple Rain", being the TitleTrack to [[Film/PurpleRain his best-known film]] and its soundtrack album, was not only a very successful and acclaimed single but can be thought of as the "Stairway to Heaven" of the 1980s. And "Kiss"..... No surprise that said soundtrack album and parent album to both of these songs, ''[[Music/PurpleRainAlbum Purple Rain]]'' itself, is considered his most definitive LP.
** As for "Kiss,"
well, even casual fans know all the words to that one, as it's usually the go-to song on North American radio stations. It defines his loverman persona as well as any other song of his.
**
Since his death, "Nothing Compares 2U" has become one, though the best-known version was the cover by Music/SineadOConnor.
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* SignatureAlbum: Although Prince had already been establishing his SignatureStyle across critically respected albums like ''Music/DirtyMind'' and ''Music/NineteenNinetyNineAlbum'', ''Music/PurpleRain'' was the album that propelled Prince to superstardom while also showcasing his crossover appeal. Both image-wise and musically, it is the album that immediately springs to mind when it comes to Prince.
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* LGBTFanbase: Subverted. He did have plenty of queer fans, but the way he [[CampStraight carved out his own definition of masculinity]] made him especially popular with black men in the '80s who were either questioning or straight and didn't fit in traditionally masculine roles. Despite this, and despite having two openly gay members of the Revolution (Wendy & Lisa, of course) Prince remained mum on fully acknowledging that side of his base, and, in an interview with Creator/ChrisRock, implied that he wasn't comfortable with homosexuality, at least for himself.

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* LGBTFanbase: Subverted. [[ZigZaggingTrope Zigzagged.]] He did have has plenty of queer fans, but and the way he [[CampStraight carved out his own definition of masculinity]] made him especially popular with black men in the '80s who were either questioning or straight and didn't fit in traditionally masculine roles. Despite this, and despite having two openly gay members of the Revolution (Wendy & Lisa, of course) Prince remained mum on fully acknowledging that side of his base, and, in an interview with Creator/ChrisRock, implied that he wasn't comfortable with homosexuality, at least for himself.

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* CoveredUp: Prince's songs are often covered, and most of them stay Prince songs FirstAndForemost. There are a few exceptions:

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* CoveredUp: Prince's His songs are often covered, and most of them stay Prince songs FirstAndForemost. There are a few exceptions:



** A cover of "1999" b-side "How Come U Don't Call Me Anymore?" was a hit for Music/AliciaKeys in 2002.
* EndingFatigue: The full, extended version of "America" is 21 minutes. It was longer, but the recording tape ran out, so a quick fade out was inserted. Fun note: Prince had a chime set up in the studio to ring out at the twenty minute mark of a recording, and that made the final cut of the song.

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** A cover of "1999" "1999"'s b-side "How Come U Don't Call Me Anymore?" was a hit for Music/AliciaKeys in 2002.
* EndingFatigue: EndingFatigue:
**
The full, extended version of "America" is 21 minutes. It was longer, but the recording tape ran out, so a quick fade out was inserted. Fun note: Prince had a chime set up in the studio to ring out at the twenty minute mark of a recording, and that made the final cut of the song.



* GrowingTheBeard: It's debatable on when this actually happened. His mastering the integration of synths on 1980's ''Dirty Mind''; the zeitgeist-defining ''Purple Rain'' in 1984; his mature auteur sensibilities crystallizing on ''Sign O The Times'' in 1987: all of these and more points in between work. Prince's run throughout the 1980s made huge leaps forward in terms of artistic growth, from synth-funk to psychedelia and beyond, so perhaps one could go so far as to say the better part of that decade was one long beard-growing period.

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* GrowingTheBeard: It's debatable on when this actually happened. His mastering the integration of synths on 1980's ''Dirty Mind''; the zeitgeist-defining ''Purple Rain'' ''Music/PurpleRainAlbum'' in 1984; his mature auteur sensibilities crystallizing on ''Sign O The Times'' ''Music/SignOTheTimes'' in 1987: all of these and more points in between work. Prince's run throughout the 1980s made huge leaps forward in terms of artistic growth, from synth-funk to psychedelia and beyond, so perhaps one could go so far as to say the better part of that decade was one long beard-growing period.



* HilariousInHindsight: Here's a fun activity for all. Go on the Internet and read as much as you can about how The Revolution broke up - pay attention to the role Wendy & Lisa played in it. Then go watch ''Purple Rain'', and pay particular attention to what Wendy & Lisa do in the movie.

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* HilariousInHindsight: HilariousInHindsight:
**
Here's a fun activity for all. Go on the Internet and read as much as you can about how The Revolution broke up - pay attention to the role Wendy & Lisa played in it. Then go watch ''Purple Rain'', ''Film/PurpleRain'', and pay particular attention to what Wendy & Lisa do in the movie.



* LGBTFanbase: Subverted. Prince did have plenty of queer fans, but the way he [[CampStraight carved out his own definition of masculinity]] made him especially popular with black men in the '80s who were either questioning or straight and didn't fit in traditionally masculine roles. Despite this, and despite having two openly gay members of the Revolution (Wendy & Lisa, of course) Prince remained mum on fully acknowledging that side of his base, and, in an interview with Creator/ChrisRock, implied that he wasn't comfortable with homosexuality, at least for himself.

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* LGBTFanbase: Subverted. Prince He did have plenty of queer fans, but the way he [[CampStraight carved out his own definition of masculinity]] made him especially popular with black men in the '80s who were either questioning or straight and didn't fit in traditionally masculine roles. Despite this, and despite having two openly gay members of the Revolution (Wendy & Lisa, of course) Prince remained mum on fully acknowledging that side of his base, and, in an interview with Creator/ChrisRock, implied that he wasn't comfortable with homosexuality, at least for himself.



* MisaimedFandom: One of the tributes to Prince after his passing was by a butcher who dyed all their sausages purple, apparently missing the fact that Prince had been a vegan for 20 years.
* {{Narm}}: The dialogue between Prince and God in "Temptation", but there's more than just that. Like that time he compares love to surgery in "I Love U in Me", the entirety of "Scarlet Pussy", or the amount of times he crosses from IntercourseWithYou territory to [[Website/{{Cracked}} ball-kneeing idiocy]].

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* MisaimedFandom: One of the tributes to Prince after his passing was by a butcher who dyed all their sausages purple, apparently missing the fact that Prince had been a vegan for 20 twenty years.
* {{Narm}}: {{Narm}}:
**
The dialogue between Prince and God in "Temptation", but there's more than just that. Like that time he compares love to surgery in "I Love U in Me", the entirety of "Scarlet Pussy", or the amount of times he crosses from IntercourseWithYou territory to [[Website/{{Cracked}} ball-kneeing idiocy]].



* ProtectionFromEditors: Once he gained this after splitting from Warner Bros., he barreled straight towards SeasonalRot territory.

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* ProtectionFromEditors: Once he gained this after splitting from Warner Bros., Creator/WarnerBros, he barreled straight towards SeasonalRot territory.



* SeasonalRot: Prince began the 1990s by ditching every shred of his previous backing band The Revolution, creating The New Power Generation instead, which focused more on a live band and '90s R&B tropes. Prince was growing increasingly embittered by his record contract, which led to a lot of quickly released cash-ins to end his contract. As a result, critics and fans don't love his [[TheNineties nineties]] work as much as his [[TheEighties eighties]]. The "Love Symbol" years in particular tend to receive the brunt of criticism, as these are commonly believed to represent Prince at his most insular and self-indulgent, and the period between him returning to the "Prince" moniker in 2000 and the release of his CareerResurrection album ''Musicology'' in 2004 tend to be lumped in as well. Barring ''Come'', the 90's albums before Prince's use of the Love Symbol on his albums tend to be consistently well-regarded[[note]]the untitled black album is a special case in that it was recorded in 1987, but not officially released until 1994, just before Prince began putting out albums under the Love Symbol title[[/note]], but with the exception of 1995's ''The Gold Experience'', the latter era is considered Prince's creative nadir.

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* SeasonalRot: Prince began the 1990s TheNineties by ditching every shred of his previous backing band The Revolution, creating The New Power Generation instead, which focused more on a live band and '90s R&B tropes. Prince was growing increasingly embittered by his record contract, which led to a lot of quickly released cash-ins to end his contract. As a result, critics and fans don't love his [[TheNineties nineties]] work as much as his [[TheEighties eighties]]. The "Love Symbol" years in particular tend to receive the brunt of criticism, as these are commonly believed to represent Prince at his most insular and self-indulgent, and the period between him returning to the "Prince" moniker in 2000 and the release of his CareerResurrection album ''Musicology'' in 2004 tend to be lumped in as well. Barring ''Come'', the 90's albums before Prince's use of the Love Symbol on his albums tend to be consistently well-regarded[[note]]the untitled black album is a special case in that it was recorded in 1987, but not officially released until 1994, just before Prince began putting out albums under the Love Symbol title[[/note]], but with the exception of 1995's ''The Gold Experience'', the latter era is considered Prince's creative nadir.
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* AcceptableTargets: Creator/WarnerBrosRecords. Prince wasn't the only artist to pull stunts to get out of his contract with them. Back in the 1970s, Music/FrankZappa would have a banner onstage reading "Warner Brothers Sucks," and tried to get them to release a 4 LP set titled ''Music/{{Lather}}'' as a way to release four albums at once. Warner Bros. disassembled the album and released it as ''Music/StudioTan'', ''Music/SleepDirt'', ''Music/ZappaInNewYork'' and ''Music/OrchestralFavorites''. It wasn't released in its proper form until 1996, after Zappa's passing in 1993. Music/{{Devo}} were also notoriously vocal about their contempt for WB, creating the character Rod Rooter to specifically mock the executives at the label as out-of-touch, arrogant, and possibly incestuous.

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* AudienceAlienatingEra: It's easy to just say "the Love Symbol years," aka "the artist formerly known as Prince" years, though it's not quite that simple. Prince briefly seemed rejuvenated when he first changed his name, earning success and acclaim with ''The Gold Experience,'' in spite of the poor performance of ''Chaos and Disorder'' which is generally understood as a throwaway album. However, these hopes came to a screeching halt with his first independent album: the middling, overlong ''Emancipation'', a three-hour triple album which wasn't quite the commercial smash he hoped for and was criticized for being almost entirely AlbumFiller. This is when his albums started going mostly unnoticed outside of the fandom, partly because they were largely considered SoOkayItsAverage at ''best.'' The most notable album between ''Emancipation'' and changing his name back to Prince is ''Crystal Ball,'' but unfortunately, it's for all the wrong reasons, namely an incredibly botched marketing campaign on Prince's part that resulted in copious amounts of HypeBacklash. Prince became Prince again in the year 2000, but he wouldn't truly get back on his feet as an artist until 2004's ''Musicology''.



* DorkAge: It's easy to just say "the Love Symbol years," aka "the artist formerly known as Prince" years, though it's not quite that simple. Prince briefly seemed rejuvenated when he first changed his name, earning success and acclaim with ''The Gold Experience,'' in spite of the poor performance of ''Chaos and Disorder'' which is generally understood as a throwaway album. However, these hopes came to a screeching halt with his first independent album: the middling, overlong ''Emancipation'', a three-hour triple album which wasn't quite the commercial smash he hoped for and was criticized for being almost entirely AlbumFiller. This is when his albums started going mostly unnoticed outside of the fandom, partly because they were largely considered SoOkayItsAverage at ''best.'' The most notable album between ''Emancipation'' and changing his name back to Prince is ''Crystal Ball,'' but unfortunately, it's for all the wrong reasons, namely an incredibly botched marketing campaign on Prince's part that resulted in copious amounts of HypeBacklash. Prince became Prince again in the year 2000, but he wouldn't truly get back on his feet as an artist until 2004's ''Musicology''.



* SacredCow: While he has had some DorkAge periods, Prince is frequently recognized as one of the greatest all-around music artists of all time, recognized as a multi-instrumentalist, live-performer, prolific songwriter, and more. Therefore, it's usually not wise to criticize him in front of fans.

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* SacredCow: While he has had some DorkAge periods, not all of his work is equally well-regarded, Prince is frequently recognized as one of the greatest all-around music artists of all time, recognized as a multi-instrumentalist, live-performer, prolific songwriter, and more. Therefore, it's usually not wise to criticize him in front of fans.
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* PeripheryDemographic: While most of his audience were R&B fans, he was able to cross over onto white album rock radio and even early alternative stations like Los Angeles' KROQ-FM.

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* PeripheryDemographic: While most of his audience were R&B fans, he was able to cross over onto white album rock radio and even early alternative AlternativeRock stations like Los Angeles' KROQ-FM.

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