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Changed line(s) 11 (click to see context) from:
* JustHereForGodzilla: Admit it. You watch this because you watched ''WesternAnimation/WallE''.
to:
* JustHereForGodzilla: Admit it. You watch this because you watched the songs were featured in ''WesternAnimation/WallE''.
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* JustHereForGodzilla: Admit it. You watch this because you watched ''WesternAnimation/WallE''.
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Renamed some tropes.
Changed line(s) 1 (click to see context) from:
* AlternateCharacterInterpretation: Dolly... well-meaning meddler, or sociopath out looking to maintain her position on top and to profit from it?
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* AlternateCharacterInterpretation: AlternativeCharacterInterpretation: Dolly... well-meaning meddler, or sociopath out looking to maintain her position on top and to profit from it?
* QuestionableCasting: Many felt Creator/BarbraStreisand was far too young to play Dolly (for reference, Dolly is supposed to be around middle-aged, whereas Streisand was 25 during filming). Many saw her casting as primarily [[WolverinePublicity an attempt to capitalize on her popularity during the time]]. Streisand herself treats the film as an OldShame for this reason, having said when asked about it on ''Series/InsideTheActorsStudio'' that she was too young and should not have taken the part.
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* WTHCastingAgency: Many felt Creator/BarbraStreisand was far too young to play Dolly (for reference, Dolly is supposed to be around middle-aged, whereas Streisand was 25 during filming). Many saw her casting as primarily [[WolverinePublicity an attempt to capitalize on her popularity during the time]]. Streisand herself treats the film as an OldShame for this reason, having said when asked about it on ''Series/InsideTheActorsStudio'' that she was too young and should not have taken the part.
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indentation
Changed line(s) 18,19 (click to see context) from:
* WTHCastingAgency: Many felt Creator/BarbraStreisand was far too young to play Dolly (for reference, Dolly is supposed to be around middle-aged, whereas Streisand was 25 during filming). Many saw her casting as primarily [[WolverinePublicity an attempt to capitalize on her popularity during the time]].
** Streisand herself treats the film as an OldShame for this reason, having said when asked about it on ''Series/InsideTheActorsStudio'' that she was too young and should not have taken the part.
** Streisand herself treats the film as an OldShame for this reason, having said when asked about it on ''Series/InsideTheActorsStudio'' that she was too young and should not have taken the part.
to:
* WTHCastingAgency: Many felt Creator/BarbraStreisand was far too young to play Dolly (for reference, Dolly is supposed to be around middle-aged, whereas Streisand was 25 during filming). Many saw her casting as primarily [[WolverinePublicity an attempt to capitalize on her popularity during the time]].
**time]]. Streisand herself treats the film as an OldShame for this reason, having said when asked about it on ''Series/InsideTheActorsStudio'' that she was too young and should not have taken the part.
**
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Changed line(s) 1 (click to see context) from:
* AlternateCharacterInterpretation: Dolly... well-meaning meddler, or sociopath out looking to maintain her position on top and to profit by it?
to:
* AlternateCharacterInterpretation: Dolly... well-meaning meddler, or sociopath out looking to maintain her position on top and to profit by from it?
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** Dolly's entrance Harmonia Gardens, dressed to the 9s is always guaranteed to garner thundering applause from the audeince.
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** Dolly's entrance to Harmonia Gardens, dressed to the 9s is always guaranteed to garner thundering applause from the audeince.audience.
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* CantUnHearIt: While there have been many to play the part and earn acclaim since her, Creator/CarolChanning is still seen as the definitive Dolly. This is thanks to being the acclaimed Tony winning originator, playing it so many times over the years, and her unforgettably unique voice.
to:
* CantUnHearIt: While there have been many to play the part and earn acclaim since her, Creator/CarolChanning is still seen as the definitive Dolly. This is thanks to being the acclaimed Tony winning Tony-winning originator, playing it so many times over the years, and her unforgettably unique voice.
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** "Hello Dolly!" The chart topping title number that has been the benchmark for all showstoppers since.
** To a lesser extent, "Put On Your Sunday Clothes", if only because WesternAnimation/WallE popularized it. The same can be said of "It Only Takes a Moment", again because of the film.
** To a lesser extent, "Put On Your Sunday Clothes", if only because WesternAnimation/WallE popularized it. The same can be said of "It Only Takes a Moment", again because of the film.
to:
** "Hello "Hello, Dolly!" The chart topping chart-topping title number that has been the benchmark for all showstoppers since.
** To a lesser extent, "Put On Your Sunday Clothes", if only becauseWesternAnimation/WallE ''WesternAnimation/WallE'' popularized it. The same can be said of "It Only Takes a Moment", again because of the film.
** To a lesser extent, "Put On Your Sunday Clothes", if only because
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Changed line(s) 16 (click to see context) from:
** To a lesser extent, "Put On Your Sunday Clothes", if only because WesternAnimation/WallE popularized it.
to:
** To a lesser extent, "Put On Your Sunday Clothes", if only because WesternAnimation/WallE popularized it. The same can be said of "It Only Takes a Moment", again because of the film.
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Changed line(s) 17 (click to see context) from:
* TastesLikeDiabetes: The aforementioned kids' choir in the movie version of "Put On Your Sunday Clothes" raise the song's cuteness to a cringeworthy level.
to:
* TastesLikeDiabetes: SweetnessAversion: The aforementioned kids' choir in the movie version of "Put On Your Sunday Clothes" raise the song's cuteness to a cringeworthy level.
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Uncanny Valley is IUEO now and the subjective version has been split; cleaning up misuse and ZCE in the process
Deleted line(s) 18 (click to see context) :
* UncannyValley: That... unsettling caricature of Carol Channing on the poster. Even the great Al Hirschfeld wasn't immune to this.
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Carol Channing hadn't had much success in movies and would likely not have gotten the part even if Streisand hadn't taken it.
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* WTHCastingAgency: Many felt Creator/BarbraStreisand was far too young to play Dolly (for reference, Dolly is supposed to be around middle-aged, whereas Streisand was 25 during filming). Her casting also snubbed the role's originator Creator/CarolChanning, with many seeing Streisand's casting as primarily [[WolverinePublicity an attempt to capitalize on her popularity during the time]].
to:
* WTHCastingAgency: Many felt Creator/BarbraStreisand was far too young to play Dolly (for reference, Dolly is supposed to be around middle-aged, whereas Streisand was 25 during filming). Her casting also snubbed the role's originator Creator/CarolChanning, with many seeing Streisand's Many saw her casting as primarily [[WolverinePublicity an attempt to capitalize on her popularity during the time]].
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* JerkassWoobie: Horace may be quite mean, but he earns sympathy due to the chaotic day Dolly puts him through. His mention of a deceased wife adds to this.
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Misuse of the first, and the second spends more time contradicting itself than proving its point
Deleted line(s) 10 (click to see context) :
* FridgeHorror: In-universe example from the film, where Minnie encounters Cornelius in the closet at Irene's hat shop. She closes the closet and walks merrily away. Five seconds later she stops in her tracks and screams.
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* ToughActToFollow: Creator/BarbraStreisand to Music/BetteMidler for some. A criticism with the 2017 revival is that Bette's singing doesn't have enough heart or emotion compared to Streisand's version of the soundtrack. Although, this comparison is rather unfair, given Middler was in her 70s while a DawsonCasting let Streisand play the middle aged role in her 20s, so of course the latter was in much stronger vocal form. For what it's worth, in terms of overall performances, Middler's was easily better received.
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Changed line(s) 6 (click to see context) from:
* BigLippedAlligatorMoment: The movie version of "Put On Your Sunday Clothes" abruptly cuts away from the main characters dancing at the train station, to a crowd of faraway, nameless children, inexplicably repeating two lines of the song. After the movie cuts back to the station, those kids never appear again, much less interact with the stars.
to:
* BigLippedAlligatorMoment: BigLippedAlligatorMoment:
** The movie version of "Put On Your Sunday Clothes" abruptly cuts away from the main characters dancing at the train station, to a crowd of faraway, nameless children, inexplicably repeating two lines of the song. After the movie cuts back to the station, those kids never appear again, much less interact with thestars.stars.
** In the middle of the title number, Louis Armstrong appears out of nowhere as himself to sing a bit before exiting the movie with no explanation for why he was there.
** The movie version of "Put On Your Sunday Clothes" abruptly cuts away from the main characters dancing at the train station, to a crowd of faraway, nameless children, inexplicably repeating two lines of the song. After the movie cuts back to the station, those kids never appear again, much less interact with the
** In the middle of the title number, Louis Armstrong appears out of nowhere as himself to sing a bit before exiting the movie with no explanation for why he was there.
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Barbara Streisand had a tough time following someone who wouldn't play Dolly until almost 50 years later?
Changed line(s) 16 (click to see context) from:
* ToughActToFollow: Music/BetteMidler to Creator/BarbraStreisand for some. A criticism with the 2017 revival is that Bette's singing doesn't have enough heart or emotion compared to Streisand's version of the soundtrack. Although, this comparison is rather unfair, given Middler was in her 70s while a DawsonCasting let Streisand play the middle aged role in her 20s, so of course the latter was in much stronger vocal form. For what it's worth, in terms of overall performances, Middler's was easily better received.
to:
* ToughActToFollow: Music/BetteMidler to Creator/BarbraStreisand to Music/BetteMidler for some. A criticism with the 2017 revival is that Bette's singing doesn't have enough heart or emotion compared to Streisand's version of the soundtrack. Although, this comparison is rather unfair, given Middler was in her 70s while a DawsonCasting let Streisand play the middle aged role in her 20s, so of course the latter was in much stronger vocal form. For what it's worth, in terms of overall performances, Middler's was easily better received.
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None
Changed line(s) 10 (click to see context) from:
* PresumedFlop: The film was a financial success (it was the third highest-grossing film of the year), but it still lost its backers an estimated $10 million due to its excuberant production costs.
to:
* PresumedFlop: The film was a financial success (it was the third highest-grossing film of the year), but it still lost its backers an estimated $10 million due to its excuberant excessive production costs.
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* PresumedFlop: The film was a financial success (it was the third highest-grossing film of the year), but it still lost its backers an estimated $10 million due to its excuberant production costs.
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YMMV can't be played with
Deleted line(s) 6 (click to see context) :
* AwardSnub: {{Inverted}}. The movie adaptation was nominated for Best Picture, even though it wasn’t particularly acclaimed at the time, and it's public perception nowadays leans towards the negative. Worth noting, it recurved no above the line Oscar nods, a rarity for Picture nominees, however it did receive several nods for it's tech, winning three.
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Changed line(s) 8 (click to see context) from:
* CantUnhearIt: While there have been many to play the part and earn acclaim since her, Creator/CarolChanning is still seen as the definitive Dolly. This is thanks to being the acclaimed Tony winning originator, playing it so many times over the years, and her unforgettably unique voice.
to:
* CantUnhearIt: CantUnHearIt: While there have been many to play the part and earn acclaim since her, Creator/CarolChanning is still seen as the definitive Dolly. This is thanks to being the acclaimed Tony winning originator, playing it so many times over the years, and her unforgettably unique voice.
Changed line(s) 16 (click to see context) from:
* ToughActToFollow: Music/BetteMidler to Barbra Streisand for some. A criticism with the 2017 revival is that Bette's singing doesn't have enough heart or emotion compared to Streisand's version of the soundtrack. Although, this comparison is rather unfair, given Middler was in her 70s while a DawsonCasting let Streisand play the middle aged role in her 20s, so of course the latter was in much stronger vocal form. For what it's worth, in terms of overall performances, Middler's was easily better received.
to:
* ToughActToFollow: Music/BetteMidler to Barbra Streisand Creator/BarbraStreisand for some. A criticism with the 2017 revival is that Bette's singing doesn't have enough heart or emotion compared to Streisand's version of the soundtrack. Although, this comparison is rather unfair, given Middler was in her 70s while a DawsonCasting let Streisand play the middle aged role in her 20s, so of course the latter was in much stronger vocal form. For what it's worth, in terms of overall performances, Middler's was easily better received.
Changed line(s) 18,19 (click to see context) from:
* WTHCastingAgency: Many felt Creator/BarbraStreisand was far too young to play Dolly (for reference, Dolly is supposed to be around middle-aged, whereas Streisand was 25 during filming). Her casting also snubbed the role's originator Carol Channing, with many seeing Streisand's casting as primarily [[WolverinePublicity an attempt to capitalize on her popularity during the time]].
** Streisand herself treats the film as an OldShame for this reason, having said when asked about it on ''Inside the Actor's Studio'' that she was too young and should not have taken the part.
** Streisand herself treats the film as an OldShame for this reason, having said when asked about it on ''Inside the Actor's Studio'' that she was too young and should not have taken the part.
to:
* WTHCastingAgency: Many felt Creator/BarbraStreisand was far too young to play Dolly (for reference, Dolly is supposed to be around middle-aged, whereas Streisand was 25 during filming). Her casting also snubbed the role's originator Carol Channing, Creator/CarolChanning, with many seeing Streisand's casting as primarily [[WolverinePublicity an attempt to capitalize on her popularity during the time]].
** Streisand herself treats the film as an OldShame for this reason, having said when asked about it on''Inside the Actor's Studio'' ''Series/InsideTheActorsStudio'' that she was too young and should not have taken the part.
** Streisand herself treats the film as an OldShame for this reason, having said when asked about it on