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* SugarWiki/AwesomeMusic: Intro theme.

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* %%* SugarWiki/AwesomeMusic: Intro theme.
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* CrowningMusicOfAwesome: Intro theme.

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* CrowningMusicOfAwesome: SugarWiki/AwesomeMusic: Intro theme.
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* FridgeBrilliance: Film-only. The first movie that Vasnetsova watches at the cinema is ''Literature/TheSheik''. As in, "StalkerWithACrush rescues the girl from a really evil villain". An ''extremely'' downplayed version of which (Bormental doesn’t do anything beyond stare at her every time at the cinema and follow her home afterwards) is Vasnetsova’s own subplot.
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* AdaptationDistillation: the film and stage adaptations [[DirtyCommunists tend to exaggerate the brutality and uncouth behavior]] of the 1920s Communists (and Sharikov's as well), while Bulgakov in the original text pokes fun at the good guys just as quickly as he does at the bad ones. For example, the girl typist who complains on the poor food and miserable wages in the stage version appears to be just a victim of the generalized poverty, while in the original text she has to cope with poor food and an indifferent lover ''because she had spent most of her wages on cinema tickets''.
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* NauseaFuel: The surgery scene, at least in the novella.
* TrueArtSticksItToTheMan

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* NauseaFuel: The surgery scene, at least in the novella.
* TrueArtSticksItToTheMan
novella.
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* TrueArtSticksItToTheMan

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* NauseaFuel: The surgery scene, at least in the novella.
* TrueArtSticksItToTheMan
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Added DiffLines:

* AdaptationDistillation: the film and stage adaptations [[DirtyCommunists tend to exaggerate the brutality and uncouth behavior]] of the 1920s Communists (and Sharikov's as well), while Bulgakov in the original text pokes fun at the good guys just as quickly as he does at the bad ones. For example, the girl typist who complains on the poor food and miserable wages in the stage version appears to be just a victim of the generalized poverty, while in the original text she has to cope with poor food and an indifferent lover ''because she had spent most of her wages on cinema tickets''.

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