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* OnceOriginalNowOverdone: Even though Michael Myers came first, in the later sequels, he ends up seeming like a rip-off of [[Franchise/FridayThe13th Jason Voorhees]]. Also since all the cliches ''Halloween'' created (or in some cases popularized) have now become cliches they are no longer frightening or even brilliant to younger viewers.



* SeinfeldIsUnfunny: Even though Michael Myers came first, in the later sequels, he ends up seeming like a rip-off of [[Franchise/FridayThe13th Jason Voorhees]]. Also since all the cliches ''Halloween'' created (or in some cases popularized) have now become cliches they are no longer frightening or even brilliant to younger viewers.
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** For years, people interpreted the film to have the message "don't have premarital sex or else a serial killer will get you." Both Creator/JohnCarpenter and Debra Hill were extremely annoyed at this interpretation.

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** For years, people interpreted the film to have the message "don't have premarital sex or else a serial killer will get you." you", especially considering the SlasherMovie genre spawned by the film [[SexEqualsDeath made this one of its core rules]]. Both Creator/JohnCarpenter and Debra Hill were extremely annoyed at this interpretation.
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Evil Is Sexy has been dewicked.


* EvilIsSexy: When he's unmasked, Michael is played by the very handsome [[https://halloweenmovie.fandom.com/wiki/Tony_Moran Tony Moran]]. Naturally, [[KillItWithFire after being burned alive in the sequel]] and implicitly CoveredInScars, his face is never clearly seen again. The other timelines never give us a good look at his face either.
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** Dr. Loomis' monologue to Sheriff Brackett on how he that he figured that over the years of interacting with Michael has lead him to believe that he is [[CompleteMonster pure evil]].

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** Dr. Loomis' monologue to Sheriff Brackett on how he that he figured that over the years of interacting with Michael has lead him to believe that he is [[CompleteMonster pure evil]].
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** Dr. Loomis' monologue to Sheriff Brackett on how he that he figured that over the years of interacting with Michael has lead him to believe that he is [[CompleteMonster pure evil]].
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* ValuesDissonance: A minor one, but Tommy's comic books. He says that his mother doesn't like them, and Laurie says she can "see why." From what we see they're just a pile of mundane superhero comics without any sex or violence, leaving modern audience to wonder what parent or babysitter could possibly object to them.
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* EvilIsSexy: When he's unmasked, Michael is played by the very handsome [[https://halloweenmovie.fandom.com/wiki/Tony_Moran Tony Moran]]. Naturally, [[KillItWithFire after being burned alive in the sequel]] and implicitly CoveredInScars, his face is never clearly seen again.

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* EvilIsSexy: When he's unmasked, Michael is played by the very handsome [[https://halloweenmovie.fandom.com/wiki/Tony_Moran Tony Moran]]. Naturally, [[KillItWithFire after being burned alive in the sequel]] and implicitly CoveredInScars, his face is never clearly seen again. The other timelines never give us a good look at his face either.
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** Lynda is shown to be a NiceGirl and a good friend to Laurie in spite of her flaws, like Annie, [[KillTheCutie her death is rather drawn out]] and she dies trying to fight Michael off her, and without being able to warn Laurie about Michael but still hearing her on the other side of the phone who assumes her terrified noises of struggle is Annie playing a prank. Worse still, prior to her death she thinks it's her boyfriend Bob behind the sheet, meaning that there's a high chance she thought it was Bob choking the life out of her.
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* LesYay: In the novelization of Halloween, the conversation between Annie and Laurie about Laurie's lack of sex life goes on a bit longer than in the movie as Annie tries to theorize what Laurie could want. At one point, she asks Laurie if [[MistakenForGay she prefers girls]], and then offers to hook up with her, stating she'll try anything once. Laurie for her part laughs it off, but never outright denies the suggestion.
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Death By Sex is no longer a trope per this TRS thread Zero Context Examples and examples that do not fit existing tropes will be deleted.


* DracoInLeatherPants: Critics of the film's apparent DeathBySex message (which wasn't intended by John Carpenter or Debra Hill) paint Annie as a young woman who merely got punished for wanting to have premarital sex. While she most certainly didn't deserve to be killed by Michael, she was a straight-up AssholeVictim. She frequently mocked and belittled Laurie, betraying her trust and telling a boy she liked about the crush. She spent the time she was supposed to be watching Lindsey either on the phone or doing other things, and she was already intending to let Bob and Lynda use someone else's house she was trusted to watch to have sex. Then when her boyfriend calls to tell her he's suddenly available, she foists Lindsey onto Laurie across the street, and drives off to be with Paul - presumably again using the Wallace house to fool around. About the only decent thing she does in the film is give Laurie a lift to the Doyle's, and she was going that way anyway.

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* DracoInLeatherPants: Critics of the film's apparent DeathBySex SexSignalsDeath message (which wasn't intended by John Carpenter or Debra Hill) paint Annie as a young woman who merely got punished for wanting to have premarital sex. While she most certainly didn't deserve to be killed by Michael, she was a straight-up AssholeVictim. She frequently mocked and belittled Laurie, betraying her trust and telling a boy she liked about the crush. She spent the time she was supposed to be watching Lindsey either on the phone or doing other things, and she was already intending to let Bob and Lynda use someone else's house she was trusted to watch to have sex. Then when her boyfriend calls to tell her he's suddenly available, she foists Lindsey onto Laurie across the street, and drives off to be with Paul - presumably again using the Wallace house to fool around. About the only decent thing she does in the film is give Laurie a lift to the Doyle's, and she was going that way anyway.



* FairForItsDay: Although the DeathBySex trope was codified here and slasher films became associated with only virginal girls surviving, Laurie becomes something of an ActionSurvivor as soon as the situation needs her to be instead of being useless. Notably despite being terrorized by seeing her friends' dead bodies, she's able to fight off Michael ''three times''. Although she's clearly scared, she doesn't fall apart and prepares to defend herself. She demonstrates that she'll do whatever she can to keep Tommy and Lindsey safe. Even if Loomis saves her from Michael the last time, ''he'' doesn't stop Michael either.

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* FairForItsDay: Although the DeathBySex SexSignalsDeath trope was codified here and slasher films became associated with only virginal girls surviving, Laurie becomes something of an ActionSurvivor as soon as the situation needs her to be instead of being useless. Notably despite being terrorized by seeing her friends' dead bodies, she's able to fight off Michael ''three times''. Although she's clearly scared, she doesn't fall apart and prepares to defend herself. She demonstrates that she'll do whatever she can to keep Tommy and Lindsey safe. Even if Loomis saves her from Michael the last time, ''he'' doesn't stop Michael either.



* NeverLiveItDown: People often point to the DeathBySex trope here, ignoring a few crucial details; Annie is not killed off simply for going to have sex. It's more that she's trusted to babysit a child and foists the girl onto her meek friend when she hears her boyfriend can fool around with her - and also promised Lynda and Bob they could use the Wallace house to have sex in. The latter two also have no problem sleeping together in someone else's house and bed (and they were under the impression the young daughter would be downstairs, too).

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* NeverLiveItDown: People often point to the DeathBySex SexSignalsDeath trope here, ignoring a few crucial details; Annie is not killed off simply for going to have sex. It's more that she's trusted to babysit a child and foists the girl onto her meek friend when she hears her boyfriend can fool around with her - and also promised Lynda and Bob they could use the Wallace house to have sex in. The latter two also have no problem sleeping together in someone else's house and bed (and they were under the impression the young daughter would be downstairs, too).
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** [[WordOfSaintPaul Jamie Lee Curtis]] seems to believe that Michael was actually in love with Laurie, falling for her when he first saw her and heard her singing. With that in mind, it's easy to picture that Michael specifically targeted all of Laurie's friends first just to have her all to himself. The song she sings when he first sees her even seems to reflect what he might be feeling.
--->'''Laurie''': I wish I had you all alone, just the two of us.
--->I would hold you close to me,
--->So close to me.
--->Just the two of us,
--->So close to me...
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* FairForItsDay: Although the DeathBySex trope was codified here and slasher films became associated with only virginal girls surviving, Laurie is quite a feminist. Notably despite being terrorized by seeing her friends' dead bodies, she's able to fight off Michael ''three times''. Although she's clearly scared, she doesn't fall apart and prepares to defend herself. She demonstrates that she'll do whatever she can to keep Tommy and Lindsey safe. Even if Loomis saves her from Michael the last time, ''he'' doesn't stop Michael either.
* FirstInstallmentWins: While [[Film/HalloweenII1981 some]] [[Film/HalloweenIIISeasonOfTheWitch of]] [[Film/Halloween4TheReturnOfMichaelMyers the]] [[Film/HalloweenH20TwentyYearsLater seq]][[Film/Halloween2018 uels]] have their fans, ''Halloween'' is the one indisputed classic in the series, having codified an [[SlasherMovie entire film genre]] as well as having the highest scores on Rotten Tomatoes and IMDB and frequenting many best of lists.

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* FairForItsDay: Although the DeathBySex trope was codified here and slasher films became associated with only virginal girls surviving, Laurie is quite a feminist.becomes something of an ActionSurvivor as soon as the situation needs her to be instead of being useless. Notably despite being terrorized by seeing her friends' dead bodies, she's able to fight off Michael ''three times''. Although she's clearly scared, she doesn't fall apart and prepares to defend herself. She demonstrates that she'll do whatever she can to keep Tommy and Lindsey safe. Even if Loomis saves her from Michael the last time, ''he'' doesn't stop Michael either.
* FirstInstallmentWins: While [[Film/HalloweenII1981 some]] [[Film/HalloweenIIISeasonOfTheWitch of]] [[Film/Halloween4TheReturnOfMichaelMyers the]] [[Film/HalloweenH20TwentyYearsLater seq]][[Film/Halloween2018 uels]] some of the sequels have their fans, ''Halloween'' is the one indisputed classic in the series, having codified an [[SlasherMovie entire SlasherMovie film genre]] genre as well as having the highest scores on Rotten Tomatoes and IMDB and frequenting many best of lists.
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** Judith's murder in the opening is both horrifying and sad. And what's more, look at Michael's face. Instead of a cold DeathGlare, he looks like a confused, scared little boy who can't comprehend what he just did. Knowing what he becomes as an adult, it's still very sad to think this is the first glimpse of an innocent kid becoming the murderous, unfeeling Shape.
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* MandelaEffect: When the film came out, it gained a reputation for being a bloody splatterfest...despite having hardly any blood in it whatsoever. It simply scared audiences so much and its kills ''implied'' such horror (notably Bob's) that people believed it was bloodier than it really was.

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* MandelaEffect: When the film came out, it gained a reputation for being a bloody splatterfest...despite having hardly any blood in it whatsoever. It simply scared audiences so much and its kills ''implied'' such horror (notably Bob's) that people believed it was bloodier than it really was. The most blood shown on-screen is Laurie's arm wound - and she's one of the survivors!



* TearJerker: Always in small doses, but there are two obvious moments:

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* TearJerker: Always in small doses, but there are two obvious moments:



** In a way, Annie's death is kinda sad as we spend so much time with her in the film.

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** In a way, Annie's death is kinda sad very sad, as we spend so much time with her in the film.

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* SpecialEffectFailure: When Michael smashes one of Marion's car windows, he obviously has a wrench taped to his hand. The novelization says the wrench is meant to be there, as it was how Michael managed to escape the sanitarium.

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* SpecialEffectFailure: SpecialEffectFailure:
**
When Michael smashes one of Marion's car windows, he obviously has a wrench taped to his hand. The novelization says the wrench is meant to be there, as it was how Michael managed to escape the sanitarium.sanitarium.
** When Michael's mask is briefly taken off at the end of the movie, the make up used for his wounded left eye has no blood or bruising. It looks more like a birth defect than an injury.
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* FoeYayShipping: At one point, Laurie sings an improvised love song ''("I wish I had you all alone, just the two of us...I would hold you close to me")'' to herself as she's walking down the sidewalk, unaware that Michael is intently watching her. That, coupled with the fact that they're around the same age and their obvious history, makes them a popular ship. [[https://deadlymovies.files.wordpress.com/2011/10/michael-kiss-laurie.jpg?w=584 Even the cast had fun with it.]]
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* UnintentionallySympathetic: While this doesn't apply to Michael as an adult, to some his confused, almost catatonic state after killing his sister implies there was something genuinely unwell with him mentally as a child. The novelization also claims he was HearingVoices prior to this and that nobody saw the warning signs. There's also the fact that he spent the next 15 years in a psychiatric ward(the 70s wouldn't be the best era for mental health) which only further stunted his development and didn't help his inexplicable bloodlust. Because of this, some viewers argue Michael may not have become what he is if someone had picked up on what was wrong before it was too late.

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* UnintentionallySympathetic: While this doesn't apply to Michael as an adult, to some his confused, almost catatonic state after killing his sister implies there was something genuinely unwell with him mentally as a child. The novelization also claims he was HearingVoices prior to this and that nobody saw the warning signs. There's also the fact that he spent the next 15 years in a psychiatric ward(the ward (the 70s wouldn't be the best era for mental health) which only further stunted his development and didn't help his inexplicable bloodlust. Because of this, some viewers argue Michael may not have become what he is if someone had picked up on what was wrong before it was too late.
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** Michael's sister and her boyfriend apparently having the quickest "quickie" in history, lasting exactly as long as it takes Michael to grab a knife in the kitchen. (just over a minute of screen time)

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** Michael's sister and her boyfriend apparently having the quickest "quickie" in history, lasting exactly as long as it takes Michael to grab a knife in the kitchen. (just kitchen, just over a minute of screen time)time.

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* OneSceneWonder: Bob is off-screen for most of the film, only appearing for around ten minutes. But he's still memorable for a couple of good lines, and those funky glasses (which his actor still has to this day).

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* OneSceneWonder: OneSceneWonder:
**
Bob is off-screen for most of the film, only appearing for around ten minutes. But he's still memorable for a couple of good lines, and those funky glasses (which his actor still has to this day).day).
** Tommy Lee Wallace as Michael Myers in the closet scene, in which he absolutely steals the show with his phenomenal acting in an already iconic scene.
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* TheWoobie: It’s hard not to feel bad for poor Laurie, considering all that she goes through in this film and the state she’s in by the end of it all. To make matters worse, this is only [[Film/HalloweenII1981 the beginning]] [[Film/HalloweenH20TwentyYearsLater of]] [[Film/Halloween2018 her]] [[Film/HalloweenKills troubles.]]

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* DracoInLeatherPants: Critics of the film's apparent DeathBySex message (which wasn't intended by John Carpenter or Debra Hill) paint Annie as a young woman who merely got punished for wanting to have premarital sex. While she most certainly didn't deserve to be killed by Michael, she was a straight-up AssholeVictim. She frequently mocked and belittled Laurie, betraying her trust and telling a boy she liked about the crush. She spent the time she was supposed to be watching Lindsey either on the phone or doing other things, and she was already intending to let Bob and Lynda use someone else's house she was trusted to watch to have sex. Then when her boyfriend calls to tell her he's suddenly available, she foists Lindsey onto Laurie across the street, and drives off to be with Paul - presumably again using the Wallace house to fool around. About the only decent thing she does in the film is give Laurie a lift to the Doyle's, and she was going that way anyway.



* LoveToHate: Annie is not a nice person by any means, but Nancy Loomis's wonderfully snarky performance, and the character getting plenty of amusing comeuppances before her death means she's very entertaining.



* SpecialEffectFailure: When Michael smashes one of Marion's car windows, he obviously has a wrench taped to his hand.
** The novelization says the wrench is meant to be there, as it was how Michael managed to escape the sanitarium.

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* SpecialEffectFailure: When Michael smashes one of Marion's car windows, he obviously has a wrench taped to his hand.
**
hand. The novelization says the wrench is meant to be there, as it was how Michael managed to escape the sanitarium.



* UnintentionallySympathetic: While this doesn't apply to Michael as an adult, to some his confused,almost catatonic state after killing his sister implies there was something genuinely unwell with him mentally as a child. The novelization also claims he was HearingVoices prior to this and that nobody saw the warning signs. There's also the fact that he spent the next 15 years in a psychiatric ward(the 70s wouldn't be the best era for mental health) which only further stunted his development and didn't help his inexplicable bloodlust. Because of this, some viewers argue Michael may not have become what he is if someone had picked up on what was wrong before it was too late.

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* UnintentionallySympathetic: While this doesn't apply to Michael as an adult, to some his confused,almost confused, almost catatonic state after killing his sister implies there was something genuinely unwell with him mentally as a child. The novelization also claims he was HearingVoices prior to this and that nobody saw the warning signs. There's also the fact that he spent the next 15 years in a psychiatric ward(the 70s wouldn't be the best era for mental health) which only further stunted his development and didn't help his inexplicable bloodlust. Because of this, some viewers argue Michael may not have become what he is if someone had picked up on what was wrong before it was too late.
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* SpiritualSuccessor:
** In many ways, this film can be seen as one to ''Film/{{Psycho}}''. One of the two main characters is played by [[Creator/JamieLeeCurtis Janet "Marion Crane" Leigh's daughter]], and the other has the same name as Marion's lover. Many of the stylistic choices are also clearly influenced by [[Creator/AlfredHitchcock Hitchcock]], like a repetitive {{Leitmotif}} used for a butcher knife-wielding bad guy, and the camera work, such as in Michael's first kill where we never see knife penetrate flesh, and the cuts between the Wallace house and the approaching Laurie echoes the scene where Lila walks toward the Bates home.
** Carpenter stated that much of the film was strongly inspired by ''Film/TheThingFromAnotherWorld'', one of his favorite films. Naturally, the characters are watching it on television. Carpenter would go on to film his own version of the film with ''Film/TheThing1982''. [[invoked]]
** It's also one to ''Film/BlackChristmas1974'', to the point where ''Halloween'' was originally intended to be a sequel to the former.
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* FirstInstallmentWins: While several subsequent films have their fans, ''Halloween'' is the one indisputed classic in the series, having the highest scores on Rotten Tomatoes and IMDB and frequenting many best of lists.

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* FirstInstallmentWins: While several subsequent films [[Film/HalloweenII1981 some]] [[Film/HalloweenIIISeasonOfTheWitch of]] [[Film/Halloween4TheReturnOfMichaelMyers the]] [[Film/HalloweenH20TwentyYearsLater seq]][[Film/Halloween2018 uels]] have their fans, ''Halloween'' is the one indisputed classic in the series, having codified an [[SlasherMovie entire film genre]] as well as having the highest scores on Rotten Tomatoes and IMDB and frequenting many best of lists.
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Added DiffLines:

* FirstInstallmentWins: While several subsequent films have their fans, ''Halloween'' is the one indisputed classic in the series, having the highest scores on Rotten Tomatoes and IMDB and frequenting many best of lists.
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** Even Michael’s mask can be considered this. A spray painted [[Franchise/StarTrek Captain Kirk]] mask is completely ridiculous in theory, yet it perfectly evokes The Shape’s lack of humanity and has yet to be surpassed, even with bigger budgets and effects artists on later films.
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* SignatureScene: Being one of the most iconic horror films of all time, it naturally has quite a few iconic moments, all of them having to do with the Shape himself:
** The opening where a young Michael stabs his sister from his POV.
** Michael's multiple StealthHiBye moments as he stalks Laurie in broad daylight.
** Michael pinning Bob to the wall with his knife and his subsequent QuizzicalTilt.
** Michael slowly appearing in the shadows behind Laurie[[note]]Which WordOfGod states is actually meant to be the viewer's eye adjusting to the darkness, meaning he was there the entire time[[/note]]
** The EnemyRisingBehind moment of Michael sitting up without using his arms for leverage.
** The final scene where Michael has disappeared after being shot off a balcony and his VaderBreath gradually becomes louder.

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