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* HypeBacklash: A relatively limited early release coupled with rave reviews early on created a great deal of hype from incredibly devoted fans of the movie. As such, later reactions to the movie included more muted responses, either not finding the movie as incredible as it was hyped up to be or by potential audiences being put off by how much fans of the movie were into it. It also didn't help that it was compared to other multiverse content, specifically ''WesternAnimation/RickAndMorty'' as well as several films in the Franchise/MarvelCinematicUniverse's 5th phase, turning many people off who've gotten sick of the multiverse concept. Things became even more pronounced during awards season, where a large some critics and fans deemed other movies such as ''Film/TheBansheesOfInisherin'' as more deserving.
to:
* HypeBacklash: A relatively limited early release coupled with rave reviews early on created a great deal of hype from incredibly devoted fans of the movie. As such, later reactions to the movie included more muted responses, either not finding the movie as incredible as it was hyped up to be or by potential audiences being put off by how much fans of the movie were into it. It also didn't help that it was compared to other multiverse content, specifically ''WesternAnimation/RickAndMorty'' as well as several films in the Franchise/MarvelCinematicUniverse's 5th phase, turning many people off who've gotten sick of the multiverse concept. Things became even more pronounced during awards season, where a large some groups of critics and fans deemed other movies such as ''Film/TheBansheesOfInisherin'' as more deserving.
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I don't think those groups are quite that large.
Changed line(s) 25 (click to see context) from:
* HypeBacklash: A relatively limited early release coupled with rave reviews early on created a great deal of hype from incredibly devoted fans of the movie. As such, later reactions to the movie included more muted responses, either not finding the movie as incredible as it was hyped up to be or by potential audiences being put off by how much fans of the movie were into it. It also didn't help that it was compared to other multiverse content, specifically ''WesternAnimation/RickAndMorty'' as well as several films in the Franchise/MarvelCinematicUniverse's 5th phase, turning many people off who've gotten sick of the multiverse concept. Things became even more pronounced during awards season, where a large group of critics and audiences deemed other movies such as ''Film/TheBansheesOfInisherin'' as more deserving.
to:
* HypeBacklash: A relatively limited early release coupled with rave reviews early on created a great deal of hype from incredibly devoted fans of the movie. As such, later reactions to the movie included more muted responses, either not finding the movie as incredible as it was hyped up to be or by potential audiences being put off by how much fans of the movie were into it. It also didn't help that it was compared to other multiverse content, specifically ''WesternAnimation/RickAndMorty'' as well as several films in the Franchise/MarvelCinematicUniverse's 5th phase, turning many people off who've gotten sick of the multiverse concept. Things became even more pronounced during awards season, where a large group of some critics and audiences fans deemed other movies such as ''Film/TheBansheesOfInisherin'' as more deserving.
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* SignatureScene: The scene where Waymond beats up a room full of security guards with a ''[[ImprobableWeaponUser fanny pack]]'', the first proper showcase of the film's multiverse premise. It's the most iconic and talked-about scenes in the film for reasons including the tight choreography of the fighting (with Ke Huy Quan doing almost all of his own stunts). If audiences know only one thing about the movie, it's the scene where [[Film/TheGoonies Data]] kicks ass with a fanny pack.
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* SignatureScene: The scene where Waymond beats up a room full of security guards with a ''[[ImprobableWeaponUser fanny pack]]'', the first proper showcase of the film's multiverse premise. It's the most iconic and talked-about scenes in the film for reasons including the tight choreography of the fighting (with Ke Huy Quan doing almost all of his own stunts). If audiences know only one thing about the movie, it's the scene where [[Film/TheGoonies Data]] (or possibly [[Film/IndianaJonesAndTheTempleOfDoom Short Round]]) kicks ass with a fanny pack.
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Pulling per discussion. Again.
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* SignatureScene:
** The scene where Waymond beats up a room full of security guards with a ''[[ImprobableWeaponUser fanny pack]]'', the first proper showcase of the film's multiverse premise. It's one of the most iconic and talked-about scenes in the film for reasons including the tight choreography of the fighting (with Ke Huy Quan doing almost all of his own stunts).
** The rock universe scene, if only for being such a testament to the film's storytelling that it became a refrain among fans to express incredulity at being brought to tears by a silent scene with two rocks and onscreen text representing their dialogue, which the directors jokingly likened to a [=PowerPoint=] presentation.
** Main Waymond's "be kind" speech, or CEO Waymond's "in another life" speech. Both are considered exceptional thesis statements for the film at large, and general online opinion has already deemed the concluding line of the latter speech[[note]]"So, even though you have broken my heart yet again, I wanted to say, in another life, I would have really liked just doing laundry and taxes with you."[[/note]] one of the most romantic lines in film history.
** The scene where Waymond beats up a room full of security guards with a ''[[ImprobableWeaponUser fanny pack]]'', the first proper showcase of the film's multiverse premise. It's one of the most iconic and talked-about scenes in the film for reasons including the tight choreography of the fighting (with Ke Huy Quan doing almost all of his own stunts).
** The rock universe scene, if only for being such a testament to the film's storytelling that it became a refrain among fans to express incredulity at being brought to tears by a silent scene with two rocks and onscreen text representing their dialogue, which the directors jokingly likened to a [=PowerPoint=] presentation.
** Main Waymond's "be kind" speech, or CEO Waymond's "in another life" speech. Both are considered exceptional thesis statements for the film at large, and general online opinion has already deemed the concluding line of the latter speech[[note]]"So, even though you have broken my heart yet again, I wanted to say, in another life, I would have really liked just doing laundry and taxes with you."[[/note]] one of the most romantic lines in film history.
to:
* SignatureScene:
**SignatureScene: The scene where Waymond beats up a room full of security guards with a ''[[ImprobableWeaponUser fanny pack]]'', the first proper showcase of the film's multiverse premise. It's one of the most iconic and talked-about scenes in the film for reasons including the tight choreography of the fighting (with Ke Huy Quan doing almost all of his own stunts).
** The rock universe scene, ifstunts). If audiences know only for being such a testament to one thing about the film's storytelling that it became a refrain among fans to express incredulity at being brought to tears by a silent movie, it's the scene where [[Film/TheGoonies Data]] kicks ass with two rocks and onscreen text representing their dialogue, which the directors jokingly likened to a [=PowerPoint=] presentation.
** Main Waymond's "be kind" speech, or CEO Waymond's "in another life" speech. Both are considered exceptional thesis statements for the film at large, and general online opinion has already deemed the concluding line of the latter speech[[note]]"So, even though you have broken my heart yet again, I wanted to say, in another life, I would have really liked just doing laundry and taxes with you."[[/note]] one of the most romantic lines in film history.fanny pack.
**
** The rock universe scene, if
** Main Waymond's "be kind" speech, or CEO Waymond's "in another life" speech. Both are considered exceptional thesis statements for the film at large, and general online opinion has already deemed the concluding line of the latter speech[[note]]"So, even though you have broken my heart yet again, I wanted to say, in another life, I would have really liked just doing laundry and taxes with you."[[/note]] one of the most romantic lines in film history.
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* SpecialEffectsFailure: When Big Nose appears [[spoiler:under Jobu Tupaki's control, using her pet dog as a flail]], her dog is very obviously swapped out for a plush toy for most of the scene. This works out in the movie's favor, since the alternative would have probably been too distressing to be funny.
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* SpecialEffectsFailure: SpecialEffectFailure: When Big Nose appears [[spoiler:under Jobu Tupaki's control, using her pet dog as a flail]], her dog is very obviously swapped out for a plush toy for most of the scene. This works out in the movie's favor, since the alternative would have probably been too distressing to be funny.
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* AwardSnub: Creator/JamieLeeCurtis getting -- and subsequently winning -- Best Supporting Actress nominations over Creator/StephanieHsu (as well as over Creator/AngelaBassett for ''Film/BlackPantherWakandaForever'' and Creator/KerryCondon for ''Film/TheBansheesOfInisherin'') at both the Golden Globes and the Las Vegas Film Critics Society in December 2022 riled up a lot of fans who saw Hsu's role and performance as more significant and challenging. At the very least, the Oscars nominated both of them for their award, although this reaction was renewed when Curtis ultimately won the Oscar. Somewhat downplayed in that most would agree that Curtis's performance was rather good, just that Hsu's role was deeper and more complex than Curtis's role.
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* AwardSnub: Creator/JamieLeeCurtis getting -- and subsequently winning -- Best Supporting Actress nominations over Creator/StephanieHsu (as well as over Creator/AngelaBassett for ''Film/BlackPantherWakandaForever'' and Creator/KerryCondon for ''Film/TheBansheesOfInisherin'') at both the Golden Globes and the Las Vegas Film Critics Society in December 2022 riled up a lot of fans who saw Hsu's role and performance as more significant and challenging. At the very least, the Oscars nominated both of them for their the award, although this reaction was renewed when Curtis ultimately won the Oscar. Somewhat downplayed in that most would agree that Curtis's performance was rather good, just that Hsu's role was deeper and more complex than Curtis's role.
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Namespace migration
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** A cheerfully surreal [[TheMultiverse multiversal]] adventure about an Asian woman who can access all the memories and skills of her alternate selves? With ''Everywhere'' in the title? Sounds rather like a WebOriginal/JennyEverywhere movie. (Plus, Evelyn isn't ''that'' similar to Jenny Everywhere, but [[spoiler: Jobu Topaki]] has considerable similarities with common takes on her arch-foe Jenny Nowhere, both of them being women who have gained the ability to exist "everywhere, all at once" across {{the multiverse}}, and were turned into nihilistic villains by the [[GoMadFromTheRevelation experience]] even as it empowered them, making their newfound abilities a danger to the rest of reality.)
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** A cheerfully surreal [[TheMultiverse multiversal]] adventure about an Asian woman who can access all the memories and skills of her alternate selves? With ''Everywhere'' in the title? Sounds rather like a WebOriginal/JennyEverywhere MediaNotes/JennyEverywhere movie. (Plus, Evelyn isn't ''that'' similar to Jenny Everywhere, but [[spoiler: Jobu Topaki]] has considerable similarities with common takes on her arch-foe Jenny Nowhere, both of them being women who have gained the ability to exist "everywhere, all at once" across {{the multiverse}}, and were turned into nihilistic villains by the [[GoMadFromTheRevelation experience]] even as it empowered them, making their newfound abilities a danger to the rest of reality.)
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Added a bit to Ending Fatigue. I feel like there's some sort of Trivia tag I should be adding though
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* EndingFatigue: One of the few common criticisms that stand out from the otherwise universal praise is that the third act is ''long,'' due to wrapping up [[spoiler:parallel plot threads from about a dozen different universes, cutting between them as the various versions of Evelyn all go through their own moments of realization about their shortcomings, all on top of the main plot of Jobu Tupaki and the "main" version of Evelyn]]. The fact that a large amount of that plays out in slow-motion can add to the feeling that movie is taking forever to get where it's going.
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* EndingFatigue: One of the few common criticisms that stand out from the otherwise universal praise is that the third act is ''long,'' due to wrapping up [[spoiler:parallel plot threads from about a dozen different universes, cutting between them as the various versions of Evelyn all go through their own moments of realization about their shortcomings, all on top of the main plot of Jobu Tupaki and the "main" version of Evelyn]]. The fact that a large amount of that plays out in slow-motion can add to the feeling that movie is taking forever to get where it's going. And this was ''after'' large parts of it were cut for time!
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* AmericansHateTingle: The film wasn't received nearly as well outside of the United States. As it was sweeping awards shows within the US, it underperformed on wins elsewhere, even in countries with perceived similar cultures such as the UK and Australia (where it won only one and zero awards from the BAFTA and AACTA, respectively). Europe didn't think much of it, with Poland in particular detesting it, and online reviews became scathing as it opened in more non-English-speaking countries. Reasons cited mainly include the sense of humor being seen as gross or inappropriate outside of America, as well as the emotional beats not nearly being as resonant.
to:
* AmericansHateTingle: The film wasn't received nearly as well outside of the United States. As it was sweeping awards shows within the US, it underperformed on wins elsewhere, even in countries with perceived similar cultures such as the UK and Australia (where it won only one and zero awards from the BAFTA and AACTA, respectively). Europe didn't think much of it, with Poland in particular detesting it, and online reviews became scathing as it opened in more non-English-speaking countries. Reasons cited mainly include the sense of humor being seen as gross or inappropriate outside of America, the plot being deemed incomprehensible and contrived, as well as the emotional beats not nearly being as resonant.
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* TaintedByThePreview: Despite the draft for the film's script being written in 2016 and the movie's concept being developed as far back as 2010, quite a few viewers who saw the trailers and promotional material groaned at the fact that this was another ''multiverse'' movie due to the increasing amount of movies and TV shows being centered on it such as ''Series/{{Loki|2021}}'' (which Creator/KeHuyQuan funnily enough ends up joining), ''Film/DoctorStrangeInTheMultiverseOfMadness'', ''WesternAnimation/RickAndMorty'', ''WesternAnimation/SpiderManIntoTheSpiderVerse'', ''Series/TheFlash2014'', etc. Because of this, some assumed it was simply hopping on the multiverse trend and therefore refused to see it due to being sick of the concept.
to:
* TaintedByThePreview: Despite the draft for the film's script being written in 2016 and the movie's concept being developed as far back as 2010, quite a few viewers who saw the trailers and promotional material groaned at the fact that this was another ''multiverse'' movie due to the increasing amount of movies and TV shows being centered on it such as ''Series/{{Loki|2021}}'' (which funnily enough, Creator/KeHuyQuan funnily enough ends ended up joining), joining in Season 2), ''Film/DoctorStrangeInTheMultiverseOfMadness'', ''WesternAnimation/RickAndMorty'', ''WesternAnimation/SpiderManIntoTheSpiderVerse'', ''Series/TheFlash2014'', etc. Because of this, some assumed it was simply hopping on the multiverse trend and therefore refused to see it due to being sick of the concept.
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Changed line(s) 48 (click to see context) from:
* TaintedByThePreview: Despite the draft for the film's script being written in 2016 and the movie's concept being developed as far back as 2010, quite a few viewers who saw the trailers and promotional material groaned at the fact that this was another ''multiverse'' movie due to the increasing amount of movies and TV shows being centered on it such as ''Series/{{Loki|2021}}'', ''Film/DoctorStrangeInTheMultiverseOfMadness'', ''WesternAnimation/RickAndMorty'', ''WesternAnimation/SpiderManIntoTheSpiderVerse'', ''Series/TheFlash2014'', etc. Because of this, some assumed it was simply hopping on the multiverse trend and therefore refused to see it due to being sick of the concept.
to:
* TaintedByThePreview: Despite the draft for the film's script being written in 2016 and the movie's concept being developed as far back as 2010, quite a few viewers who saw the trailers and promotional material groaned at the fact that this was another ''multiverse'' movie due to the increasing amount of movies and TV shows being centered on it such as ''Series/{{Loki|2021}}'', ''Series/{{Loki|2021}}'' (which Creator/KeHuyQuan funnily enough ends up joining), ''Film/DoctorStrangeInTheMultiverseOfMadness'', ''WesternAnimation/RickAndMorty'', ''WesternAnimation/SpiderManIntoTheSpiderVerse'', ''Series/TheFlash2014'', etc. Because of this, some assumed it was simply hopping on the multiverse trend and therefore refused to see it due to being sick of the concept.
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** Main Waymond's "be kind" speech, or CEO Waymond's "in another life" speech. Both are considered exceptional thesis statements for the film at large, and general online opinion has already deemed the concluding line of the latter speech[[note]]In full reading, "So, even though you have broken my heart yet again, I wanted to say, in another life, I would have really liked just doing laundry and taxes with you."[[/note]] one of the most romantic lines in film history.
to:
** Main Waymond's "be kind" speech, or CEO Waymond's "in another life" speech. Both are considered exceptional thesis statements for the film at large, and general online opinion has already deemed the concluding line of the latter speech[[note]]In full reading, "So, speech[[note]]"So, even though you have broken my heart yet again, I wanted to say, in another life, I would have really liked just doing laundry and taxes with you."[[/note]] one of the most romantic lines in film history.
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None
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* AwardSnub: Creator/JamieLeeCurtis getting -- and subsequently winning -- Best Supporting Actress nominations over Creator/StephanieHsu (as well as over Creator/AngelaBassett for ''Film/BlackPantherWakandaForever'' and Creator/KerryCondon for ''Film/TheBansheesOfInisherin'') at both the Golden Globes and the Las Vegas Film Critics Society in December 2022 riled up a lot of fans who saw Hsu's role and performance as more significant and challenging. At the very least, the Oscars nominated both of them for their award, although this reaction was renewed when Curtis ultimately won the Oscar.
to:
* AwardSnub: Creator/JamieLeeCurtis getting -- and subsequently winning -- Best Supporting Actress nominations over Creator/StephanieHsu (as well as over Creator/AngelaBassett for ''Film/BlackPantherWakandaForever'' and Creator/KerryCondon for ''Film/TheBansheesOfInisherin'') at both the Golden Globes and the Las Vegas Film Critics Society in December 2022 riled up a lot of fans who saw Hsu's role and performance as more significant and challenging. At the very least, the Oscars nominated both of them for their award, although this reaction was renewed when Curtis ultimately won the Oscar. Somewhat downplayed in that most would agree that Curtis's performance was rather good, just that Hsu's role was deeper and more complex than Curtis's role.
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The note at the end undercuts the entire entry by saying that it's "largely one-sided", and Fandom Rivalry requires both sides.
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* FandomRivalry: It has one with ''Film/DoctorStrangeInTheMultiverseOfMadness,'' as both are sci-fi films about the multiverse with surreal visuals. Fans of this film disdain the former for being a big-budget Marvel production that gets more attention and money than an original film they think is superior (ironically, this movie was produced by [[Creator/TheRussoBrothers two of the chief creators]] behind the Franchise/MarvelCinematicUniverse). Fans of ''Multiverse of Madness'' on the other hand find ''[=EEAaO=]'' fans to be absolutely insufferable and smug about their gloating of this film’s quality and wish that they’d leave a fun, SuperheroHorror movie alone and let people enjoy it on its own merits without a pointless comparison to this film. This really got started when Creator/JamieLeeCurtis jokingly took a shot at ''Multiverse of Madness'' in an Instagram post.[[note]]It's worth noting that the rivalry is largely one-sided. With much of the discourse coming from fans of this film. Fans of the former film, on the other hand, are much less heated in the debate, either agreeing that ''[=EEAaO=]'' is a superior movie or thinking that both films are good in their own ways.[[/note]]
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* {{Adorkable}}: The main universe's Waymond is awkward, bumbling, and above all else, lovable. Basically what happens if his FormerChildStar portrayer's well known past roles [[Film/IndianaJonesAndTheTempleOfDoom Short Round]] and [[Film/TheGoonies Data]] [[HesAllGrownUp grew up]], but remained the same characters in adulthood.
to:
* {{Adorkable}}: The main universe's Waymond is awkward, bumbling, and above all else, lovable. Basically what happens if his FormerChildStar portrayer's well known past roles [[Film/IndianaJonesAndTheTempleOfDoom Short Round]] and [[Film/TheGoonies Data]] [[HesAllGrownUp grew up]], but remained the same One can see traits of characters in adulthood.he has played as long ago as early childhood.
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** Big Nose bringing her pet dog [[spoiler:into battle as a ''weapon'', treating it like it isn't even alive, would be absolutely barbaric if it wasn't done so absolutely hilariously (and if it wasn't so obvious that it was a stuffed animal)]]. It's made even worse by Evelyn [[spoiler: defending herself with ''[[AsianCleaverFever superhuman cooking skills.]]'']]
to:
** Big Nose bringing her pet dog [[spoiler:into battle as a ''weapon'', treating it like it isn't even alive, would be absolutely barbaric if it wasn't done so absolutely hilariously (and if it wasn't so obvious that it was a stuffed animal)]]. It's made even worse by Evelyn [[spoiler: defending herself with ''[[AsianCleaverFever superhuman superhuman]] [[AsiansEatPets cooking skills.]]'']]
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Changed line(s) 40 (click to see context) from:
** Main Waymond's "be kind" speech, or CEO Waymond's "in another life" speech. Both are considered exceptional thesis statements for the film at large, and general online opinion has already deemed the latter line[[note]]In full reading, "So, even though you have broken my heart yet again, I wanted to say, in another life, I would have really liked just doing laundry and taxes with you."[[/note]] one of the most romantic lines in film history.
to:
** Main Waymond's "be kind" speech, or CEO Waymond's "in another life" speech. Both are considered exceptional thesis statements for the film at large, and general online opinion has already deemed the concluding line of the latter line[[note]]In speech[[note]]In full reading, "So, even though you have broken my heart yet again, I wanted to say, in another life, I would have really liked just doing laundry and taxes with you."[[/note]] one of the most romantic lines in film history.
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* AmericansHateTingle: The film wasn't received nearly as well outside of the United States. As it was over-performing at awards shows within the US, elsewhere it underperformed on wins, even in countries with perceived similar cultures such as the UK and Australia (where it won only one and zero awards from the BAFTA and AACTA, respectively). Europe didn't think much of it, in particular Poland detesting it, with online reviews becoming scathing as it opened in more non-English speaking countries. Reasons cited mainly include the sense of humor being seen as gross or inappropriate outside of America, as well as the emotional beats not nearly being as resonant.
to:
* AmericansHateTingle: The film wasn't received nearly as well outside of the United States. As it was over-performing at sweeping awards shows within the US, elsewhere it underperformed on wins, wins elsewhere, even in countries with perceived similar cultures such as the UK and Australia (where it won only one and zero awards from the BAFTA and AACTA, respectively). Europe didn't think much of it, with Poland in particular Poland detesting it, with and online reviews becoming became scathing as it opened in more non-English speaking non-English-speaking countries. Reasons cited mainly include the sense of humor being seen as gross or inappropriate outside of America, as well as the emotional beats not nearly being as resonant.
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** 2023 saw the release of ''WesternAnimation/SpiderManAcrossTheSpiderVerse'' which also featured a universe-hopping antagonist who is strongly connected to a [[ArcSymbol bagel]]. That movie even included a shout-out to this one with a billboard reading "All Of It, Always, All Over The Place".
* HypeBacklash: A relatively limited early release coupled with rave reviews early on created a great deal of hype from incredibly devoted fans of the movie. As such, later reactions to the movie included more muted responses, either not finding the movie as incredible as it was hyped up to be or by potential audiences being put off by how much fans of the movie were into it. It also didn't help that it was compared to other multiverse content, specifically ''WesternAnimation/RickAndMorty'' as well as several films in the Franchise/MarvelCinematicUniverse's 5th phase, turning many people off who've gotten sick of the multiverse concept. Things became even more pronounced during awards season, where a large group of critics and audiences deemed other movies such as ''Film/TheBansheesOfInisherin'' as more deserving.
* HypeBacklash: A relatively limited early release coupled with rave reviews early on created a great deal of hype from incredibly devoted fans of the movie. As such, later reactions to the movie included more muted responses, either not finding the movie as incredible as it was hyped up to be or by potential audiences being put off by how much fans of the movie were into it. It also didn't help that it was compared to other multiverse content, specifically ''WesternAnimation/RickAndMorty'' as well as several films in the Franchise/MarvelCinematicUniverse's 5th phase, turning many people off who've gotten sick of the multiverse concept. Things became even more pronounced during awards season, where a large group of critics and audiences deemed other movies such as ''Film/TheBansheesOfInisherin'' as more deserving.
to:
** 2023 saw the release of ''WesternAnimation/SpiderManAcrossTheSpiderVerse'' ''WesternAnimation/SpiderManAcrossTheSpiderVerse'', which also featured a universe-hopping antagonist who is strongly connected to a [[ArcSymbol bagel]]. That movie even included a shout-out ShoutOut to this one with a billboard reading "All Of It, Always, All Over The Place".
* HypeBacklash: A relatively limited early release coupled with rave reviews early on created a great deal of hype from incredibly devoted fans of the movie. As such, later reactions to the movie included more muted responses, either not finding the movie as incredible as it was hyped up to be or by potential audiences being put off by how much fans of the movie were into it. It also didn't help that it was compared to other multiverse content, specifically ''WesternAnimation/RickAndMorty'' as well as several films in the Franchise/MarvelCinematicUniverse's 5th phase, turning many people off who've gotten sick of the multiverse concept. Things became even more pronounced during awards season, where a large group of critics and audiences deemed other movies such as ''Film/TheBansheesOfInisherin'' as more deserving.
* HypeBacklash: A relatively limited early release coupled with rave reviews early on created a great deal of hype from incredibly devoted fans of the movie. As such, later reactions to the movie included more muted responses, either not finding the movie as incredible as it was hyped up to be or by potential audiences being put off by how much fans of the movie were into it. It also didn't help that it was compared to other multiverse content, specifically ''WesternAnimation/RickAndMorty'' as well as several films in the Franchise/MarvelCinematicUniverse's 5th phase, turning many people off who've gotten sick of the multiverse concept. Things became even more pronounced during awards season, where a large group of critics and audiences deemed other movies such as ''Film/TheBansheesOfInisherin'' as more deserving.
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* OutOfTheGhetto: Broke out of the SciFiGhetto, the MinorityShowGhetto, and the ComedyGhetto when it earned 11 Oscar nominations, more than any other movie of the year, including major "above the line" categories like Best Picture, Original Screenplay, Directors, Actress, Supporting Actor, and two in Supporting Actress. It won ''all 6'' of the above-the-line races it was nominated in (plus Editing), more than ''any'' film in the history of the ceremony. In the process, it became the first science fiction film to win Best Picture and Michelle Yeoh became the first Asian woman to win Best Actress. According to IGN, it has surpassed ''[[Film/TheLordOfTheRingsTheReturnOfTheKing Return of the King]]'' as [[https://www.ign.com/articles/everything-everywhere-all-at-once-return-of-the-king-most-awarded-movie?fbclid=IwAR31ryMXH5mNdmIyQYeadee5svT7lo9P2VE5IOuTFll05U88o7fRV8kjKCE the most awarded film in history]].
to:
* OutOfTheGhetto: Broke out of the SciFiGhetto, the MinorityShowGhetto, and the ComedyGhetto when it earned 11 Oscar nominations, more than any other movie of the year, including major "above the line" categories like Best Picture, Original Screenplay, Directors, Director, Actress, Supporting Actor, and two in Supporting Actress.Actress (getting in the lattermost category twice). It won ''all 6'' of the above-the-line races it was nominated in (plus Editing), more than ''any'' film in the history of the ceremony. In the process, it became the first science fiction film to win Best Picture Picture, and Michelle Yeoh became the first Asian woman to win Best Actress. According to IGN, it has surpassed ''[[Film/TheLordOfTheRingsTheReturnOfTheKing Return of the King]]'' as [[https://www.ign.com/articles/everything-everywhere-all-at-once-return-of-the-king-most-awarded-movie?fbclid=IwAR31ryMXH5mNdmIyQYeadee5svT7lo9P2VE5IOuTFll05U88o7fRV8kjKCE the most awarded film in history]].
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* QuirkyWork: It is a multiversal madness where it's borderline impossible to guess what will happen in the next scene, with new events like ''Westernanimation/{{Ratatouille}}'' with a talking raccoon, sentient rocks, hot dogs for fingers, a bagel that threatens the multiverse, awards shaped like butt plugs, etc. Both Michelle Yeoh and Jamie Lee Curtis admitted they barely understood the script given how crazy it gets.
* SignatureScene: The scene where Waymond beats up a room full of security guards with a ''[[ImprobableWeaponUser fanny pack]]'' is probably the most iconic and talked-about moment in the film.
* SignatureScene: The scene where Waymond beats up a room full of security guards with a ''[[ImprobableWeaponUser fanny pack]]'' is probably the most iconic and talked-about moment in the film.
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* QuirkyWork: It This is a film built on multiversal madness where it's borderline impossible to guess what will happen in the next scene, with new events like ''Westernanimation/{{Ratatouille}}'' relevant plot points including a ''WesternAnimation/{{Ratatouille}}'' parody with a talking raccoon, sentient rocks, people having hot dogs for fingers, a bagel that threatens the multiverse, and awards shaped like butt plugs, etc. plugs. Both Michelle Yeoh and Jamie Lee Curtis admitted they barely understood the script at first given how crazy it gets.
*SignatureScene: SignatureScene:
** The scene where Waymond beats up a room full of security guards with a ''[[ImprobableWeaponUser fannypack]]'' is probably pack]]'', the first proper showcase of the film's multiverse premise. It's one of the most iconic and talked-about moment scenes in the film.film for reasons including the tight choreography of the fighting (with Ke Huy Quan doing almost all of his own stunts).
** The rock universe scene, if only for being such a testament to the film's storytelling that it became a refrain among fans to express incredulity at being brought to tears by a silent scene with two rocks and onscreen text representing their dialogue, which the directors jokingly likened to a [=PowerPoint=] presentation.
** Main Waymond's "be kind" speech, or CEO Waymond's "in another life" speech. Both are considered exceptional thesis statements for the film at large, and general online opinion has already deemed the latter line[[note]]In full reading, "So, even though you have broken my heart yet again, I wanted to say, in another life, I would have really liked just doing laundry and taxes with you."[[/note]] one of the most romantic lines in film history.
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** The scene where Waymond beats up a room full of security guards with a ''[[ImprobableWeaponUser fanny
** The rock universe scene, if only for being such a testament to the film's storytelling that it became a refrain among fans to express incredulity at being brought to tears by a silent scene with two rocks and onscreen text representing their dialogue, which the directors jokingly likened to a [=PowerPoint=] presentation.
** Main Waymond's "be kind" speech, or CEO Waymond's "in another life" speech. Both are considered exceptional thesis statements for the film at large, and general online opinion has already deemed the latter line[[note]]In full reading, "So, even though you have broken my heart yet again, I wanted to say, in another life, I would have really liked just doing laundry and taxes with you."[[/note]] one of the most romantic lines in film history.
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* TaintedByThePreview: Despite the draft for the film's script being written in 2016 and the movie's concept being developed as far back as 2010, quite a few viewers who saw the trailers and promotional material groaned at the fact that this was a multiverse movie due to the increasing amount of movies and TV shows being centered on it such as ''Series/{{Loki|2021}}'', ''Film/DoctorStrangeInTheMultiverseOfMadness'', ''WesternAnimation/RickAndMorty'', ''WesternAnimation/SpiderManIntoTheSpiderVerse'', ''Series/TheFlash2014'', etc. Because of this, some assumed it was simply hopping on the multiverse trend and therefore refused to see it due to being sick of the concept.
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* TaintedByThePreview: Despite the draft for the film's script being written in 2016 and the movie's concept being developed as far back as 2010, quite a few viewers who saw the trailers and promotional material groaned at the fact that this was a multiverse another ''multiverse'' movie due to the increasing amount of movies and TV shows being centered on it such as ''Series/{{Loki|2021}}'', ''Film/DoctorStrangeInTheMultiverseOfMadness'', ''WesternAnimation/RickAndMorty'', ''WesternAnimation/SpiderManIntoTheSpiderVerse'', ''Series/TheFlash2014'', etc. Because of this, some assumed it was simply hopping on the multiverse trend and therefore refused to see it due to being sick of the concept.
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* HypeBacklash: A relatively limited early release coupled with rave reviews early on created a great deal of hype from incredibly devoted fans of the movie. As such, later reactions to the movie included more muted responses, either not finding the movie as incredible as it was hyped up to be or by potential audiences being put off by how much fans of the movie were into it. It also didn't help that it was compared to other multiverse content, specifically ''WesternAnimation/RickAndMorty'' as well as the Franchise/MarvelCinematicUniverse's latest slate. Things became even more pronounced during awards season, where a large group of critics and audiences deemed other movies such as ''Film/TheBansheesOfInisherin'' as more deserving.
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* HypeBacklash: A relatively limited early release coupled with rave reviews early on created a great deal of hype from incredibly devoted fans of the movie. As such, later reactions to the movie included more muted responses, either not finding the movie as incredible as it was hyped up to be or by potential audiences being put off by how much fans of the movie were into it. It also didn't help that it was compared to other multiverse content, specifically ''WesternAnimation/RickAndMorty'' as well as several films in the Franchise/MarvelCinematicUniverse's latest slate.5th phase, turning many people off who've gotten sick of the multiverse concept. Things became even more pronounced during awards season, where a large group of critics and audiences deemed other movies such as ''Film/TheBansheesOfInisherin'' as more deserving.
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* HypeBacklash: A relatively limited early release coupled with rave reviews early on created a great deal of hype from incredibly devoted fans of the movie. As such, later reactions to the movie included more muted responses, either not finding the movie as incredible as it was hyped up to be or by potential audiences being put off by how much fans of the movie were into it. It also didn't help that it was compared to other multiverse content, specifically ''Rick and Morty'' as well as the Marvel Cinematic Universe's latest slate. Things became even more pronounced during awards season, where a large group of critics and audiences deemed other movies such as ''Film/TheBansheesOfInisherin'' as more deserving.
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* HypeBacklash: A relatively limited early release coupled with rave reviews early on created a great deal of hype from incredibly devoted fans of the movie. As such, later reactions to the movie included more muted responses, either not finding the movie as incredible as it was hyped up to be or by potential audiences being put off by how much fans of the movie were into it. It also didn't help that it was compared to other multiverse content, specifically ''Rick and Morty'' ''WesternAnimation/RickAndMorty'' as well as the Marvel Cinematic Universe's Franchise/MarvelCinematicUniverse's latest slate. Things became even more pronounced during awards season, where a large group of critics and audiences deemed other movies such as ''Film/TheBansheesOfInisherin'' as more deserving.
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* AmericansHateTingle: The film wasn't received nearly as well outside of the United States. As it was over-performing at awards shows within the US, elsewhere it underperformed on wins, even in countries with perceived similar cultures such as the UK and Australia (where it won only one and zero awards at the BAFTA and AACTA awards respectively). Europe didn't think much of it, in particular Poland detesting it, with online reviews becoming scathing as it opened in more non-English speaking countries. Reasons cited mainly include the sense of humor being seen as gross or inappropriate outside of America, as well as the emotional beats not nearly being as resonant.
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* AmericansHateTingle: The film wasn't received nearly as well outside of the United States. As it was over-performing at awards shows within the US, elsewhere it underperformed on wins, even in countries with perceived similar cultures such as the UK and Australia (where it won only one and zero awards at from the BAFTA and AACTA awards AACTA, respectively). Europe didn't think much of it, in particular Poland detesting it, with online reviews becoming scathing as it opened in more non-English speaking countries. Reasons cited mainly include the sense of humor being seen as gross or inappropriate outside of America, as well as the emotional beats not nearly being as resonant.
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* AmericansHateTingle: The film wasn't received nearly as well outside of the United States. As it was over-performing at awards shows within the US, elsewhere it underperformed on wins, even with countries with perceived similar cultures such as the UK and Australia (where it won only one and zero awards at the BAFTA and AACTA awards respectively). Europe didn't think much of it, in particular Poland detesting it, with online reviews becoming scathing as it opened in more non-English speaking countries. Reasons cited mainly include the sense of humor being seen as gross or inappropriate outside of America, as well as the emotional beats not nearly being as resonant.
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* AmericansHateTingle: The film wasn't received nearly as well outside of the United States. As it was over-performing at awards shows within the US, elsewhere it underperformed on wins, even with in countries with perceived similar cultures such as the UK and Australia (where it won only one and zero awards at the BAFTA and AACTA awards respectively). Europe didn't think much of it, in particular Poland detesting it, with online reviews becoming scathing as it opened in more non-English speaking countries. Reasons cited mainly include the sense of humor being seen as gross or inappropriate outside of America, as well as the emotional beats not nearly being as resonant.
