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* TheWoobie: Ringo.

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* TheWoobie: Ringo. It gets even worse when you find out that his "acting" in some of the shots wasn't actually acting—the poor kid was hung over and legitimately depressed.
-->"It's Paul's grandfather. I can tell he doesn't like me. It's because I'm little".
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* BigLippedAlligatorMoment: The Beatles taunt an old man on then train, walk away, then suddenly, they're outside, messing with him again, before they get back on, carrying Ringo for some reason.

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* BigLippedAlligatorMoment: The Beatles Music/TheBeatles taunt an old man on then train, walk away, then suddenly, they're outside, messing with him again, before they get back on, carrying Ringo for some reason.



* FunnyAneurysmMoment: There are repeated jokes about murdering John Lennon....''awkward''.

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* FunnyAneurysmMoment: There are repeated jokes about murdering John Lennon....Music/JohnLennon....''awkward''.



** Ringo having the most fan mail is pretty sad in light of how in 2008, Ringo announced he would no longer accept anymore fan mail.

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** Ringo Music/RingoStarr having the most fan mail is pretty sad in light of how in 2008, Ringo he announced he would no longer accept anymore fan mail.



* NarmCharm: The Beatles never did any acting before, and there are times that they seem to hit their cues extremely prematurely, like George getting out a pen before being asked to sign an autograph, and Ringo getting "hit" by the tire, even though it misses him by several inches.

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* NarmCharm: The Beatles Music/TheBeatles never did any acting before, and there are times that they seem to hit their cues extremely prematurely, like George Music/GeorgeHarrison getting out a pen before being asked to sign an autograph, and Ringo Music/RingoStarr getting "hit" by the tire, even though it misses him by several inches.
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** To clarify, the soundtrack itself was a massive step up from the early style that the lads had been using to that point, with improved harmony, better instrumental range, and deeper lyrics. Songs like the title track, "Can't Buy Me Love," and "If I Fell" were immediate hits. Where the first two albums were ''good'', this album is regularly viewed by critics as the first '''great''' album the Beatles released.
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** Ringo [[TenMinuteRetirement (briefly)]] deserting the group became winceworthy when Ringo actually had quit out of frustration during the recording of ''Music/TheWhiteAlbum'' in 1968, [[CrowningMomentOfHeartwarming before being welcomed back by the other with flowers and card saying "Welcome home"]].

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** Ringo [[TenMinuteRetirement (briefly)]] ([[TenMinuteRetirement briefly]]) deserting the group became winceworthy when Ringo actually had quit out of frustration during the recording of ''Music/TheWhiteAlbum'' in 1968, [[CrowningMomentOfHeartwarming before being welcomed back by the other with flowers and card saying "Welcome home"]].
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cleaning Captain Obvious trope sinkhole use, project thread here


* CrowningMusicOfAwesome: [[CaptainObvious It's a freakin' Beatles movie!]]

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* CrowningMusicOfAwesome: [[CaptainObvious It's a freakin' Beatles movie!]]movie!
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* HarsherInHindsight: John's casual torment of Norm, the band's fictional manager [[note]]Lennon was a well documented [[{{jerkass}} a**hole]] to actual Beatles manager Brian Epstein. Norm's treatment in the film is actually a much LighterAndSofter version of what Lennon was capable of with any of his usual victims[[/note]].

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* HarsherInHindsight: John's casual torment of Norm, the band's fictional manager [[note]]Lennon was a well documented [[{{jerkass}} a**hole]] asshole]] to actual Beatles manager Brian Epstein. Norm's treatment in the film is actually a much LighterAndSofter version of what Lennon was capable of with any of his usual victims[[/note]].victims. Epstein's death at the young age of 32 was seen as the beginning of the end for the band, as afterward they began the infamous in-fighting that led to their break-up[[/note]].
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* EveryoneIsJesusInPergatory: Director Richard Lester would become increasingly annoyed in later years with film history classes he was asked to speak in who cite many of the shots and techniques in the film which were completely accidental as well-orchestrated cinematography worth of an art house picture. When told that these techniques would make him "the father of MTV," he sarcastically replied "I'd like to see a DNA test."
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* EveryoneIsJesusInPergatory: Director Richard Lester would become increasingly annoyed in later years with film history classes he was asked to speak in who cite many of the shots and techniques in the film which were completely accidental as well-orchestrated cinematography worth of an art house picture. When told that these techniques would make him "the father of MTV," he sarcastically replied "I'd like to see a DNA test."
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* HarsherInHindsight: John's casual torment of Norm, the band's fictional manager [[note]]Lennon was a well documented [[{{jerkass}} a**hole]] to actual Beatles manager Brian Epstein. Norm's treatment in the film is actually a LighterAndSofter version of what Lennon was capable of to any of his usual victims[[/note]].

to:

* HarsherInHindsight: John's casual torment of Norm, the band's fictional manager [[note]]Lennon was a well documented [[{{jerkass}} a**hole]] to actual Beatles manager Brian Epstein. Norm's treatment in the film is actually a much LighterAndSofter version of what Lennon was capable of to with any of his usual victims[[/note]].
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* HarsherInHindsight: John's casual torment of Norm, the band's fictional manager.

to:

* HarsherInHindsight: John's casual torment of Norm, the band's fictional manager.manager [[note]]Lennon was a well documented [[{{jerkass}} a**hole]] to actual Beatles manager Brian Epstein. Norm's treatment in the film is actually a LighterAndSofter version of what Lennon was capable of to any of his usual victims[[/note]].
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* HoYay: John providing most of it by doing such things as singing love songs to Ringo, blinking frivolously at men on trains, and just briefly passing an [[CampGay effeminate, well-dressed man]] in a hallway and admiring his attire.

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* HoYay: John providing most of it by doing such things as singing love songs to Ringo, blinking frivolously at men on trains, and just briefly passing an [[CampGay effeminate, well-dressed man]] in a hallway and admiring his attire. [[AnythingThatMoves That said, John spends a good deal of the movie hitting on women too.]]
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* NarmCharm: The Beatles never did any acting before, and there are times that they seem to hit their cues extremely prematurely, like George getting out a pen before being asked to sign an autograph.

to:

* NarmCharm: The Beatles never did any acting before, and there are times that they seem to hit their cues extremely prematurely, like George getting out a pen before being asked to sign an autograph.autograph, and Ringo getting "hit" by the tire, even though it misses him by several inches.
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* NarmCharm: The Beatles never did any acting before, and there are times that they seem to hit their cues well in advance, like George getting out a pen before being asked to sign an autograph.

to:

* NarmCharm: The Beatles never did any acting before, and there are times that they seem to hit their cues well in advance, extremely prematurely, like George getting out a pen before being asked to sign an autograph.
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Added DiffLines:

* NarmCharm: The Beatles never did any acting before, and there are times that they seem to hit their cues well in advance, like George getting out a pen before being asked to sign an autograph.
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* StockFootageFailure: When the Beatles get into the cab to their hotel, they're all wearing suits and ties, but when we cut to them driving off, John is inexplicably wearing a turtleneck and jacket, in footage taken from one of their tours.
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** Ringo [[TenMinuteRetirement (briefly)]] deserting the group became winceworthy when Ringo actually had quit out of frustration during the recording of ''Music/TheWhiteAlbum'' in 1968, [[CrowningMomentOfHeartwarming before being welcomed back by the other with flowers and card saying "Welcome home"]].
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* SeinfeldIsUnfunny: The movie went a long way towards codifying a lot of the visual techniques and tropes of music videos that dominated TheEighties music scene.
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This isn\'t actually YMMV. Moving.


* {{Flanderization}}: All the Beatles play Flanderized versions of their real-life personalities.
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** Ringo having the most fan mail is pretty sad in light of how in 2008, Ringo announced he would no longer accept anymore fan mail.
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Cut example; Ringo wasn\'t overdubbed and it makes sense for a drummer to be protective of his drums, especially one like Ringo who spent ages tuning and retuning them


** Ringo's overprotectiveness of his drums. Gee, maybe he was afraid somebody would secretly overdub his tracks.
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* TheWoobie: Ringo.
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** "A train and a room and a car and a room and a room and a room"...basically the kind of fishbowl atmosphere that the Beatles would ''really'' come to loathe by 1966, before they quit touring. They were prisoners of their own success, stayed in enclosed quarters under tight security, and never really got to enjoy being a touring band because it was hard for them to get out and enjoy the places they toured in without being, erm, surged after. Every country or city felt the same as the last one.
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** Ringo's overprotectiveness of his drums. Gee, maybe he was afraid somebody would secretly overdub his tracks.
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* HilariousInHindsight: John playing with [[YellowSubmarine a submarine]] in the bathtub and the presence of [[SgtPeppersLonelyHeartsClubBand performers dressed as a military band]] in the TV studio.

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* HilariousInHindsight: John playing with [[YellowSubmarine [[WesternAnimation/YellowSubmarine a submarine]] in the bathtub and the presence of [[SgtPeppersLonelyHeartsClubBand performers dressed as a military band]] in the TV studio.
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* HoYay: John providing most of it by doing such things as singing love songs to Ringo, blinking frivolously at men on trains, and just briefly passing an [[CampGay effeminate, well-dressed man]] in a hallway and admiring his attire.
-->'''John''': Gear costume.\\
'''Man''': Swap?\\
'''John''': Cheeky!
** More when Ringo jumps around with that guy at the nightclub.
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* CrowningMomentOfFunny: "I now declare this bridge... open!" and many more.
** Also:
-->'''Reporter:''' What do you call your hairstyle?
-->'''George:''' Arthur.
** John's wordplay with a flustered Millie who thinks she recognizes him as who he is. When he's done confusing her, she's convinced he doesn't look anything like himself.
** Ringo's interview:
-->'''Reporter:''' Are you a mod or a rocker?
-->'''Ringo:''' [[TakeAThirdOption Uh, no, I'm a mocker.]]
** "Hey, mister, can we have our ball back!? Mister, c'mon, Mister! Can we have our ball back?"
** Paul's grandfather escaping during "She Loves You", then coming on stage via the elevator - only to be pulled offstage by George (and kicked in the rear by Paul for good measure!)
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** An InUniverse instance: During their show in the end, Paul's Grandfather enters the stage through a stage elevator, and George immediately shoves him off, much to the horror of the TV director.
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* FairForItsDay: The portrayal of the ambiguously gay T.V. director was surprisingly positive given that this film was made back in 1964.
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* HilariousInHindsight: John playing with [[YellowSubmarine a submarine]] in the bathtub and the presence of [[SgtPeppersLonelyHeartsClubBand performers dressed as a military band]] in the TV studio.
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this page is already ymmv


* HarsherInHindsight: [[YourMileageMayVary Depending on how much stock you put in Bob Spitz's biography]], John's casual torment of Norm, the band's fictional manager, can become this.

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* HarsherInHindsight: [[YourMileageMayVary Depending on how much stock you put in Bob Spitz's biography]], HarsherInHindsight: John's casual torment of Norm, the band's fictional manager, can become this.manager.

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