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** The basic premise of the film is so much LighterAndSofter than the actual story of how Pocahontas got to England as to be virtually unrecognizable. In reality, Pocahontas was initially kidnapped and held for ransom by the Jamestown colonists, then coerced into converting to Christianity and was baptized Rebecca, then married John Rolfe in 1614 and died in Kent at about age 20 without ever returning to America.



* AscendedFridgeHorror: The first film ends with a truce between the settlers and the natives, which anyone with a knowledge of history knows isn't going to last. The sequel indeed shows that there are plenty of tensions in Jamestown, and Pocahontas struggles to keep the peace.

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* AscendedFridgeHorror: The first film ends ended with a truce between the settlers and the natives, which anyone with a knowledge of history knows isn't going to last. The sequel indeed shows that there are plenty of tensions in Jamestown, and Pocahontas struggles to keep the peace.
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* MakeoverMontage: During the song "Wait 'Till He Sees You", Rolfe's governess applies make-up to Pocahontas and tries to style her long hair in some comical hairdos.
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* ShakingHerHairLoose: While not quite as dramatic as the trope implies, after Johns (Rolf and Smith) rescue her from prison, she flees them to have a quiet moment for herself, and undoes the remains of the bun on her head, letting her long black hair flow free.
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trope about IU colorism


* ButNotTooBlack: Pocahontas has to wear powder on her face for the ball. It reflects standard fashion of the time, but has the added effect of making her skin look noticeably lighter than it actually is. She later washes it off before appearing to the king as her true self.
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* AdaptationalRelationshipOverhaul: The real-life relationship between James I and his wife Queen Anne wasn’t exactly as stable as it’s portrayed here…
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* AwardBaitSong: “Where Do I Go From Here”. It has a similar melody to “Somewhere” from Theatre/WestSideStory, but that is forgivable as “Somewhere” borrowed from two classical pieces for its own melody.

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* AwardBaitSong: “Where "Where Do I Go From Here”. Here". It has a similar melody to “Somewhere” "Somewhere" from Theatre/WestSideStory, but that is forgivable as “Somewhere” "Somewhere" borrowed from two classical pieces for its own melody.



** This is later invoked by Ratcliffe in a much more serious scenario. He has a bear baiting staged at the hunt ball, knowing Pocahontas will be horrified and speak out against it. The modern audience watching the film will find just as horrified and disgusted as Pocahontas is, seeing the bear being chained up and tortured while the other partygoers laugh.

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** This is later invoked by Ratcliffe in a much more serious scenario. He has a bear baiting staged at the hunt ball, knowing Pocahontas will be horrified and speak out against it. The modern audience watching the film will find be just as horrified and disgusted as Pocahontas is, seeing the bear being chained up and tortured while the other partygoers laugh.



* {{Expy}}: A young boy in Jamestown has a brief speaking role where he returns John Rolfe’s horse to him. This boy closely resembles the Ghost of Christmas Past from [[https://tvtropes.org/pmwiki/pmwiki.php/WesternAnimation/AChristmasCarol1997 the previous year’s animated Christmas Carol movie]], and their voices are virtually identical. While not confirmed, it’s likely an ActorAllusion for Kath Soucie, since she voiced the Ghost in the previous film and has an “additional vocal talent” credit in this one.

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* {{Expy}}: A young boy in Jamestown has a brief speaking role where he returns John Rolfe’s Rolfe's horse to him. This boy closely resembles the Ghost of Christmas Past from [[https://tvtropes.org/pmwiki/pmwiki.php/WesternAnimation/AChristmasCarol1997 [[WesternAnimation/AChristmasCarol1997 the previous year’s year's animated Christmas Carol movie]], and their voices are virtually identical. While not confirmed, it’s it's likely an ActorAllusion for Kath Soucie, since she voiced the Ghost in the previous film and has an “additional "additional vocal talent” talent" credit in this one.



* HeroicVow: En route to England, Pocahontas is cornered by the crew, who mistake her for a stowaway, but Rolfe intervenes. He explains to Pocahontas that, as she is a political ambassador to the King, he is bound by honour to protect her.
* HiddenDepths: When they first meet, Pocahontas is unimpressed by John Rolfe’s upper-class naïveté and his tendency to be InnocentlyInsensitive. She soon realises that, for all his flaws, Rolfe still takes his position as a diplomat seriously, and is sincerely committed to ensuring her protection and her people’s freedom.

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* HeroicVow: En route to England, Pocahontas is cornered by the crew, who mistake her for a stowaway, but Rolfe intervenes. He explains to Pocahontas that, as she is a political ambassador to the King, he is bound by honour honor to protect her.
* HiddenDepths: When they first meet, Pocahontas is unimpressed by John Rolfe’s Rolfe's upper-class naïveté and his tendency to be InnocentlyInsensitive. She soon realises realizes that, for all his flaws, Rolfe still takes his position as a diplomat seriously, and is sincerely committed to ensuring her protection and her people’s people's freedom.



* IRejectYourReality: Ratcliffe dismisses Pocahontas' fact that there is no gold in America as a “barbarian lie”. He ends up on the receiving end of this when the king tells him “No more lies.”

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* IRejectYourReality: Ratcliffe dismisses Pocahontas' fact that there is no gold in America as a “barbarian lie”. "barbarian lie". He ends up on the receiving end of this when the king King tells him “No "No more lies."



* IWantMyBelovedToBeHappy: The movie resolves its love triangle in this way, with John Smith maturely choosing to let Pocahontas go when he realises she now loves Rolfe, sincerely expressing his happiness for them.
* KarmaHoudini: Despite nearly starting an all-out genocidal war, ''and'' failing to bring back resources and riches back to England, Ratcliffe is seen with no loss of power or wealth after the previous film’s events, and even spun the situation to make John Smith out to be the traitor. ([[spoiler:[[KarmaHoudiniWarranty Though he ultimately gets his comeuppance in this film]]]]).

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* IWantMyBelovedToBeHappy: The movie resolves its love triangle in this way, with John Smith maturely choosing to let Pocahontas go when he realises realizes she now loves Rolfe, sincerely expressing his happiness for them.
* KarmaHoudini: Despite nearly starting an all-out genocidal war, ''and'' failing to bring back resources and riches back to England, Ratcliffe is seen with no loss of power or wealth after the previous film’s film's events, and even spun the situation to make John Smith out to be the traitor. ([[spoiler:[[KarmaHoudiniWarranty Though he ultimately gets his comeuppance in this film]]]]).film]].]])



* NewsTravelsFast: The news of John Smith’s apparent death somehow reaches Jamestown long before John Rolfe arrives there, despite him apparently leaving England ''before'' it happened [[note]]Though the King does state in the prologue that he will await Rolfe’s return, it is not made clear whether or not Rolfe has actually left yet at that point[[/note]].

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* NewsTravelsFast: The news of John Smith’s apparent death somehow reaches Jamestown long before John Rolfe arrives there, despite him apparently leaving England ''before'' it happened [[note]]Though the King does state in the prologue that he will await Rolfe’s Rolfe's return, it is not made clear whether or not Rolfe has actually left yet at that point[[/note]].



* RuleOfSymbolism: Ratcliffe repeatedly claims that he plans to destroy the Powhatan tribe to preserve Britain’s greatness in the name of its King. In the climax, he casually slices a British flag to tatters when it gets in his way, enforcing that his patriotism was never anything more than a cover for his own greed and desire for vengeance.

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* RuleOfSymbolism: Ratcliffe repeatedly claims that he plans to destroy the Powhatan tribe to preserve Britain’s Britain's greatness in the name of its King. In the climax, he casually slices a British flag to tatters when it gets in his way, enforcing that his patriotism was never anything more than a cover for his own greed and desire for vengeance.

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* CanonDiscontinuity: Like most of Disney's direct-to-video sequels, this sequel is not considered canon by the company. For example: John Smith & Pocahontas remain an official couple, ignoring John Rolfe completely, in spite of the fact that Pocahontas married John Rolfe in real life.



* CanonDiscontinuity: Like most of Disney's direct-to-video sequels, this sequel is not considered canon by the company. For example: John Smith & Pocahontas remain an official couple, ignoring John Rolfe completely, in spite of the fact that Pocahontas married John Rolfe in real life.



* IRejectYourReality: Ratcliffe dismisses Pocahontas' fact that there is no gold in America as a “barbarian lie”. He ends up on the receiving end of this when the king tells him “No more lies.”



* IRejectYourReality: Ratcliffe dismisses Pocahontas' fact that there is no gold in America as a “barbarian lie”. He ends up on the receiving end of this when the king tells him “No more lies.”



* {{Tsundere}}: Pocahontas towards John Rolfe (at first).
* TheUnpronounceable: Uttamatomakkin (it was John Rolfe who started calling him "Uti").


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* {{Tsundere}}: Pocahontas towards John Rolfe (at first).
* TheUnpronounceable: Uttamatomakkin (it was John Rolfe who started calling him "Uti").
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* AwardBaitSong: “Where Do I Go From Here”. It has a similar melody to “Somewhere” from Theatre/WestSideStory, but that is forgivable as “Somewhere” borrowed from two classical pieces for its own melody.
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* Expy: A young boy in Jamestown has a brief speaking role where he returns John Rolfe’s horse to him. This boy closely resembles the Ghost of Christmas Past from [[https://tvtropes.org/pmwiki/pmwiki.php/WesternAnimation/AChristmasCarol1997 the previous year’s animated Christmas Carol movie]], and their voices are virtually identical. While not confirmed, it’s likely an ActorAllusion for Kath Soucie, since she voiced the Ghost in the previous film and has an “additional vocal talent” credit in this one.

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* Expy: {{Expy}}: A young boy in Jamestown has a brief speaking role where he returns John Rolfe’s horse to him. This boy closely resembles the Ghost of Christmas Past from [[https://tvtropes.org/pmwiki/pmwiki.php/WesternAnimation/AChristmasCarol1997 the previous year’s animated Christmas Carol movie]], and their voices are virtually identical. While not confirmed, it’s likely an ActorAllusion for Kath Soucie, since she voiced the Ghost in the previous film and has an “additional vocal talent” credit in this one.
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Added DiffLines:

* Expy: A young boy in Jamestown has a brief speaking role where he returns John Rolfe’s horse to him. This boy closely resembles the Ghost of Christmas Past from [[https://tvtropes.org/pmwiki/pmwiki.php/WesternAnimation/AChristmasCarol1997 the previous year’s animated Christmas Carol movie]], and their voices are virtually identical. While not confirmed, it’s likely an ActorAllusion for Kath Soucie, since she voiced the Ghost in the previous film and has an “additional vocal talent” credit in this one.
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* YouExclaimation: Pocahontas has this furious reaction when she first encounters Ratcliffe in London (given treacherous actions of nearly starting war on her people and shot Smith with a bullet meant for her father).

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* YouExclaimation: *YouExclamation: Pocahontas has this furious reaction when she first encounters Ratcliffe in London (given treacherous actions of nearly starting war on her people and shot Smith with a bullet meant for her father).
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----

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----*YouExclaimation: Pocahontas has this furious reaction when she first encounters Ratcliffe in London (given treacherous actions of nearly starting war on her people and shot Smith with a bullet meant for her father).
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* CallingTheOldManOut: After witnessing the bear-baiting, Pocahontas gives an epic insult to King James that is straight and to the point:
--> ''Your'' behaviour is savage! You and your people are the barbarians!
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* CanonDiscontinuity: Like most of Disney's direct-to-video sequels, this sequel is not considered canon by the company. For example: John Smith & Pocahontas remain an official couple, ignoring John Rolfe completely.

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* CanonDiscontinuity: Like most of Disney's direct-to-video sequels, this sequel is not considered canon by the company. For example: John Smith & Pocahontas remain an official couple, ignoring John Rolfe completely.completely, in spite of the fact that Pocahontas married John Rolfe in real life.

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renamed


* BritsLoveTea: In typical English fashion, Mrs. Jenkins puts on a cup of tea for every occasion. This is an anachronism, by the way. Tea wasn't introduced to England until about 1660.



* SpotOfTea: In typical English fashion, Mrs. Jenkins puts on a cup of tea for every occasion. This is an anachronism, by the way. Tea wasn't introduced to England until about 1660.
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* IRejectYourReality: Radcliffe dismisses Pocahontas’ fact that there is no gold in America as a “barbarian lie”. He ends up on the receiving end of this when the king tells him “No more lies.”

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* IRejectYourReality: Radcliffe Ratcliffe dismisses Pocahontas’ Pocahontas' fact that there is no gold in America as a “barbarian lie”. He ends up on the receiving end of this when the king tells him “No more lies.”
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* IRejectYourReality: Radcliffe dismisses Pocahontas’ fact that there is no gold in America as a “barbarian lie”. He ends up on the receiving end of this when the king tells him “No more lies.”
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* IWantMyBelovedToBeHappy: The movie resolves it's love triangle in this way, with John Smith maturely choosing to let Pocahontas go when he realises she now loves Rolfe, sincerely expressing his happiness for them.

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* IWantMyBelovedToBeHappy: The movie resolves it's its love triangle in this way, with John Smith maturely choosing to let Pocahontas go when he realises she now loves Rolfe, sincerely expressing his happiness for them.
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* SheCleansUpNicely: Pocahontas looks absolutely gorgeous in her ballgown.
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* ActionizedSequel: [[DownplayedTrope Downplayed]] in that the film overall is not, but the opening and climax are much more action-oriented than the first film's was. While the first film opens on a lighthearted note as the English set sail for Virginia, the sequel begins with an intense chase culminating in the apparent death of John Smith. And while the first film's climax was Pocahontas ''preventing'' a battle, the climax of the sequel involves her and the other heroes actively fighting Ratcliffe and his men on their ship.
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* HeroicVow: John Rolfe says he made one to protect Pocahontas - as she is an envoy for her father.

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* HeroicVow: John En route to England, Pocahontas is cornered by the crew, who mistake her for a stowaway, but Rolfe says intervenes. He explains to Pocahontas that, as she is a political ambassador to the King, he made one is bound by honour to protect her.
* HiddenDepths: When they first meet,
Pocahontas - as she is an envoy unimpressed by John Rolfe’s upper-class naïveté and his tendency to be InnocentlyInsensitive. She soon realises that, for all his flaws, Rolfe still takes his position as a diplomat seriously, and is sincerely committed to ensuring her father.protection and her people’s freedom.



* HorribleJudgeOfCharacter: The King in regards to Ratcliffe. At the end, however, [[spoiler:King James has Ratcliffe arrested and possibly even hanged]].

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* HorribleJudgeOfCharacter: The King King, in regards to Ratcliffe. At the end, however, [[spoiler:King James has Ratcliffe arrested and possibly even hanged]].



* NewsTravelsFast: News of John Smith's apparent death somehow beats John Rolfe across the Atlantic, despite it happening ''after'' he left.

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* NewsTravelsFast: News The news of John Smith's Smith’s apparent death somehow beats reaches Jamestown long before John Rolfe across the Atlantic, arrives there, despite him apparently leaving England ''before'' it happening ''after'' happened [[note]]Though the King does state in the prologue that he left.will await Rolfe’s return, it is not made clear whether or not Rolfe has actually left yet at that point[[/note]].

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* AlmostKiss: Pocahontas and John Rolfe.

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* AlmostKiss: This happens between Pocahontas and John Rolfe.Rolfe when they dance together at the ball. They're pulled apart just before their lips can meet.



* AscendedExtra: In the original film, King James I is only seen on a painting, and briefly appears during Ratcliffe's ImagineSpot in the "Mine Mine Mine" number. He has a much more prominent role in the sequel.



* BackToBackBadasses: John Smith and John Rolfe.

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* BackToBackBadasses: John Smith and John Rolfe.Rolfe end up in this position during the final battle.



* ButNotTooBlack: Pocahontas has to wear powder on her face for the ball. It's part of the fashion but it has the added effect of lightening her skin.

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* ButNotTooBlack: Pocahontas has to wear powder on her face for the ball. It's part of the It reflects standard fashion of the time, but it has the added effect of lightening making her skin.skin look noticeably lighter than it actually is. She later washes it off before appearing to the king as her true self.



* ChuckCunninghamSyndrome: Thomas and Wiggins are nowhere to be seen in the sequel.

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* ChuckCunninghamSyndrome: Thomas Thomas, and Wiggins the rest of the settlers from the first film, are nowhere to be seen in the sequel.sequel. Wiggins, Ratcliffe's former assistant, is also not seen or mentioned.



* ContinuityNod: The design for King James in this film is the same one used for his brief appearance in the "Mine Mine Mine" number in the first.

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* ContinuityNod: The design for King James in this film is identical to when he appeared in Ratcliffe's ImagineSpot during the same one used for his brief appearance in the original's "Mine Mine Mine" number in the first.number.



* DeliberateValuesDissonance: Invoked by Ratcliffe, who has a bear baiting staged at the hunt ball - knowing Pocahontas will be horrified and speak out of turn. Of course the modern audience watching the film is just as horrified as Pocahontas is by the fact that the hunt ball tortured an animal in the name of entertainment.
** PlayedForLaughs in an earlier scene were Pocahontas was trying on dresses and appears to john Rolf in her undergarments much to John Rolf's embarrassment. To Pocahontas and the audience, the garments are very modest looking. To John Rolf and Mrs Jenkins however, it's the equivalent of a woman wearing nothing but her knickers and bra.
* DemotedToExtra: Chief Powhattan, Nakoma, and Grandmother Willow all have extremely minor roles compared to the original, only appeared in the beginning before Pocahontas left for England. In fact, Grandmother Willow only appears in one scene in the entire movie for about a minute.
* {{Foil}}: John Rolfe to John Smith: one is refined and sophisticated, while the other is [[TookALevelInBadass way more badass]] (not that John Rolfe isn't a badass--[[CulturedBadass he is]]). Pocahontas' first impressions of both are complete opposites; Smith's was being nice to Meeko, while Rolfe's was interfering in Pocahontas's attempts to stop a fight from breaking out.

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* DeliberateValuesDissonance: Invoked by Ratcliffe, who has a bear baiting staged at the hunt ball - knowing Pocahontas will be horrified and speak out of turn. Of course the modern audience watching the film is just as horrified as Pocahontas is by the fact that the hunt ball tortured an animal in the name of entertainment.
DeliberateValuesDissonance:
** PlayedForLaughs in an earlier scene were when Pocahontas was is being prepared for the ball. When trying on dresses and appears to john Rolf dresses, she runs out in her undergarments much to John Rolf's embarrassment. undergarments, prompting an embarrassed reaction from Rolfe. To Pocahontas and the audience, the garments viewer, these undergarments are very modest looking. looking and cover most of her body. To John Rolf Rolfe and Mrs Jenkins however, it's this outfit would be the equivalent of a woman wearing nothing but her knickers and bra.
** This is later invoked by Ratcliffe in a much more serious scenario. He has a bear baiting staged at the hunt ball, knowing Pocahontas will be horrified and speak out against it. The modern audience watching the film will find just as horrified and disgusted as Pocahontas is, seeing the bear being chained up and tortured while the other partygoers laugh.
* DemotedToExtra: Chief Powhattan, Nakoma, and Grandmother Willow all have extremely minor roles compared to the original, only appeared in the beginning before Pocahontas left leaves for England. In fact, Grandmother Willow only appears in one scene in the entire movie for about a minute.
* {{Foil}}: John Rolfe serves as one to John Smith: one Smith. While Smith is refined a confident and sophisticated, while the other is [[TookALevelInBadass way more badass]] (not that John adventurous ActionHero, Rolfe isn't a badass--[[CulturedBadass is more sophisticated and soft-spoken, though he is]]).proves to be [[CulturedBadass just as capable in battle despite this]]. Pocahontas' first impressions of both are complete opposites; Smith's was being nice to Meeko, while Rolfe's was interfering in Pocahontas's attempts to stop a fight from breaking out.



* IWantMyBelovedToBeHappy: How the movie decides to resolve the John Smith/John Rolfe rivalry.

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* IWantMyBelovedToBeHappy: How the The movie decides to resolve the resolves it's love triangle in this way, with John Smith/John Rolfe rivalry.Smith maturely choosing to let Pocahontas go when he realises she now loves Rolfe, sincerely expressing his happiness for them.



* MoodWhiplash: A playful scene of Pocahontas and Nakoma having a snowball fight turns sombre when she discovers her TragicKeepsake from John Smith.
* NeverFoundTheBody: Which is why John Smith is able to pull off FakingTheDead.

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* MoodWhiplash: A playful scene of Pocahontas and Nakoma having a snowball fight turns sombre when she discovers [[TragicKeepsake the compass given to her TragicKeepsake from by John Smith.
Smith]] falls out of Pocahontas' satchel.
* NeverFoundTheBody: Which is why At the beginning of the film, Ratcliffe causes John Smith to fall into a river, and Smith is able to pull off FakingTheDead.presumed dead. It's later revealed that [[FakingTheDead he survived and went into hiding]].



* SparedByTheAdaptation: Unlike real life, Pocahontas doesn't die at the end.

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* SparedByTheAdaptation: Unlike real life, Pocahontas doesn't die at Pocahontas' untimely death is not depicted in the end.film.
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* DeliberateValuesDissonance: Invoked by Ratcliffe, who has a bear baiting staged at the hunt ball - knowing Pocahontas will be horrified and speak out of turn.

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* DeliberateValuesDissonance: Invoked by Ratcliffe, who has a bear baiting staged at the hunt ball - knowing Pocahontas will be horrified and speak out of turn. Of course the modern audience watching the film is just as horrified as Pocahontas is by the fact that the hunt ball tortured an animal in the name of entertainment.
** PlayedForLaughs in an earlier scene were Pocahontas was trying on dresses and appears to john Rolf in her undergarments much to John Rolf's embarrassment. To Pocahontas and the audience, the garments are very modest looking. To John Rolf and Mrs Jenkins however, it's the equivalent of a woman wearing nothing but her knickers and bra.
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Removed YMMV pothole


* BackFromTheDead: John Smith, once to Pocahontas and once to [[SugarWiki/FunnyMoments the soldiers attempting to invade the New World]].

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* BackFromTheDead: John Smith, once to Pocahontas and once to [[SugarWiki/FunnyMoments the soldiers attempting to invade the New World]].World.

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** In the musical number when Pocahontas arrives in London, Creator/WilliamShakespeare is seen writing the script for ''Theatre/{{Hamlet}}''... except that in the movie's timeline, Hamlet was already written and performed at least half a decade by then.

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** In the musical number when Pocahontas arrives in London, Creator/WilliamShakespeare is seen writing the script for ''Theatre/{{Hamlet}}''... except that in the movie's timeline, Hamlet ''Theatre/{{Hamlet}}''. In real life, ''Hamlet'' was already written and performed at least half a decade long before Pocahontas came to England, and Shakespeare himself was also dead by then.that point.



* KarmaHoudini: Despite nearly starting an all-out genocidal war, ''and'' failing to bring back resources and riches back to England, Ratcliffe is seen with no loss of power or wealth, and even spun the situation to make John Smith out to be the traitor ([[spoiler:[[KarmaHoudiniWarranty but he gets his comeuppance in the end, though]]]]).

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* KarmaHoudini: Despite nearly starting an all-out genocidal war, ''and'' failing to bring back resources and riches back to England, Ratcliffe is seen with no loss of power or wealth, wealth after the previous film’s events, and even spun the situation to make John Smith out to be the traitor traitor. ([[spoiler:[[KarmaHoudiniWarranty but Though he ultimately gets his comeuppance in the end, though]]]]).this film]]]]).



* RealityEnsues: Despite the fact he was tied up and seemed destined for jail at the end of the original film, Ratcliffe got out of it without a scratch because, being an aristocrat and in higher status than Smith's crew, the king believed him over their accounts.


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* RuleOfSymbolism: Ratcliffe repeatedly claims that he plans to destroy the Powhatan tribe to preserve Britain’s greatness in the name of its King. In the climax, he casually slices a British flag to tatters when it gets in his way, enforcing that his patriotism was never anything more than a cover for his own greed and desire for vengeance.


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* SurprisinglyRealisticOutcome: Despite his arrest and having the word of the entire crew against him at the end of the first film, Ratcliffe was able to use his aristocratic status and his friendship with the King to avoid punishment. He even convinced the King that Smith and his crew were traitors.

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* OneSteveLimit: Averted with the two Johns.


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* SignificantNameOverlap: Pocahontas's SecondLove, John Rolfe, has the same name as the first--John Smith.

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* TwoDVisualsThreeDEffects: The ships in Ratcliffe's armada during the final battle scene.

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* TwoDVisualsThreeDEffects: The ships in Ratcliffe's armada during the final battle scene.scene are computer-generated.


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* ArtisticLicenseHistory:
** In the musical number when Pocahontas arrives in London, Creator/WilliamShakespeare is seen writing the script for ''Theatre/{{Hamlet}}''... except that in the movie's timeline, Hamlet was already written and performed at least half a decade by then.
** The King and his subjects enjoy a bear baiting, which, instead of pitting dogs against a bear tied up to a stake, is replaced with two jesters stabbing a bear with pitch forks. Admittedly, an actual bear baiting would be too graphic for a kids' movie.
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* KarmaHoudini: Despite nearly starting an all-out genocidal war, ''and'' failing to bring back resources and riches back to England, Ratcliffe is seen with no loss of power or wealth, and even spun the situation to make John Smith out to be the traitor ([[spoiler:but he gets his comeuppance in the end, though]]).

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* KarmaHoudini: Despite nearly starting an all-out genocidal war, ''and'' failing to bring back resources and riches back to England, Ratcliffe is seen with no loss of power or wealth, and even spun the situation to make John Smith out to be the traitor ([[spoiler:but ([[spoiler:[[KarmaHoudiniWarranty but he gets his comeuppance in the end, though]]).though]]]]).
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''Pocahontas II: Journey to a New World'' is a 1998 DirectToVideo sequel to Disney's ''Disney/{{Pocahontas}}''.

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''Pocahontas II: Journey to a New World'' is a 1998 DirectToVideo sequel to Disney's ''Disney/{{Pocahontas}}''.
''WesternAnimation/{{Pocahontas}}''.

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